{ "status": "completed", "applicable_count": 11, "completed_count": 11, "failed_count": 0, "schema_version": 6, "config_hash": "ad1b163bef95f7bc", "data": { "groups": { "bg_fishing_boat": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_fishing_boat_sel.png", "seed_asset_id": "bac2f48d-abbf-4aa6-94c9-42103de83af2", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized along the fishing boat's longitudinal axis. The bow deck forms the forward endpoint and the stern deck forms the opposite rear endpoint. A deck passage connects these two exterior deck areas and runs adjoining the wheelhouse on the main deck. The helm station is fixed within the wheelhouse and oriented toward the bow. The outer hull continuously supports and encloses the deck arrangement, with the bow, central wheelhouse and passage, and stern readable as successive sections of one vessel. Open sea surrounds the hull on all sides, allowing elevated or broadside exterior views of the complete boat as well as deck-level views outward from the bow, passage, and stern. Any relationship between the mobile vessel and a particular dock or island is trip-dependent and is not part of this persistent boat-site layout.\n- Fishing boat bow deck: The bow deck occupies the forward end of the vessel, opposite the stern deck and reached by the longitudinal deck passage.\n- Longitudinal deck passage to the bow: The deck passage runs forward from the occupied main and stern-side deck areas toward the bow deck, adjoining the wheelhouse as it crosses the vessel.\n- Fishing boat wheelhouse: The wheelhouse stands on the main deck between the bow and stern ends and directly adjoins the longitudinal deck passage.\n- Wheelhouse helm station: The helm station is fixed inside the fishing boat wheelhouse and faces the vessel's forward direction toward the bow.\n- Fishing boat stern deck: The stern deck occupies the rear end of the vessel, behind the wheelhouse and connected to the bow deck by the longitudinal deck passage.\n- Small fishing boat outer hull: The outer hull forms the vessel's continuous exterior body beneath and around the bow deck, wheelhouse deck, passage, and stern deck, with its lower exterior in direct contact with the surrounding sea.\n- Open sea surrounding the fishing boat: The open sea surrounds the vessel on every side and directly contacts the outer hull, providing unobstructed off-vessel viewpoints toward either broadside, the bow, or the stern.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 황 씨의 낚시 어선 갑판과 외부: 바다를 가르며 하얀 포말을 일으키는 5톤급 소형 낚시 어선. 탁 트인 바다를 배경으로 철제 레일이 둘러진 뱃머리와 뒤쪽 선미 공간이 있다. 배 주변으로 종이 인형을 엮은 새끼줄 장식이 걸려 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 황 씨의 낚시 어선 조타실: 어선의 갑판 위에 돌출된 작은 선실 내부. 선박 운전대(타륜)와 계기판이 있고 유리창 밖으로 바다 풍경이 내다보인다. / 황 씨의 낚시 어선 어창 내부: 선박 갑판 바닥 뚜껑 아래에 위치한 어둡고 축축한 지하 공간. 여러 개의 네모난 구획으로 나뉘어 있으며 무언가를 숨길 수 있을 만큼 깊다.\n\nTHE LOCATION: 18. 실외. 달리는 낚시 어선 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): White wake and spray; Crowded passenger arrangement; Paper-doll rope decoration\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "fac76266-53b5-4991-9d62-e028ccbc6383", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r002/cand_03.png", "sha256": "aeaa122d927e55c973d64e52578a7400c4c8b1df5338db90f0c1a184f8901842", "fittings": [ { "target_native": "5톤급 낚시어선", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r002/cand_08.png", "sha256": "8168667be02b76a8e88f029cecff4f67892ccddcd5b7d1d09a950d139b28032a" }, { "target_native": "선수로 이어지는 갑판 통로", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_fishing_boat/rounds/r002/cand_13.png", "sha256": "e11572a05a38e354bd3c535b9531c628c671078cd9a271e6452879939e7de372" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "03fb308c662d248a", "totals": { "A": 9, "B": 6, "C": 5 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "약간 높은 3/4 부감으로 선수-조타실/통로-선미가 한 선체로 또렷이 읽히고, 조타실 전면이 선수를 향하며 난간·윈치·도색이 레퍼런스 어선 형태와 가장 잘 맞는 깨끗한 무인 플레이트." }, { "label": "B", "score": 6, "verdict_ko": "도색과 시점은 무난하나 조타실 뒤에 별도 캐빈 블록이 덧붙어 상부구조가 이중으로 읽히고 세로 통로가 좁아 구조 서술의 3분할이 A보다 불명확하다." }, { "label": "C", "score": 5, "verdict_ko": "조타실이 선미 끝으로 밀려 '조타실 뒤 선미 갑판'과 인접 통로가 사실상 사라지고 선체가 5톤급 이상으로 부풀려져 구조·스케일 규정에서 가장 멀다." } ], "critique": { "issues": [ { "issue_ko": "조타실 측면과 뱃머리 선체에 프롬프트에서 지시하지 않은 임의의 문자('J3-5033' 및 한자/한글 형태의 글자)가 생성됨.", "fix_en": "Remove the text 'J3-5033' from the black plaque on the side of the wheelhouse and the white painted characters from the right side of the bow hull, leaving those surfaces completely blank, while preserving the boat's shape, colors, deck fittings, and the open sea background exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the text 'J3-5033' from the black plaque on the side of the wheelhouse and the white painted characters from the right side of the bow hull, leaving those surfaces completely blank, while preserving the boat's shape, colors, deck fittings, and the open sea background exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_forest_livestock_and_slaughter_compound": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_forest_livestock_and_slaughter_compound_sel.png", "seed_asset_id": "6f2b2adf-66d6-429c-aa9b-727dee0a4e6f", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is a woodland compound containing two principal structures: a goat shelter and a nearby goat slaughterhouse. The goat shelter contains a continuous traversable passage reached from the compound exterior, allowing movement through the livestock space. Elsewhere within the same woodland, a path runs beside the slaughterhouse and serves as its exterior approach. The slaughterhouse stands directly off this path, with an exterior entrance connecting the path-side approach to the building interior. The enclosing woodland surrounds the livestock area, the connecting exterior ground, the slaughterhouse-side path, and the slaughterhouse; no cardinal orientation between the shelter and slaughterhouse is fixed by the source.\n- woodland goat shelter: Occupies the livestock portion of the woodland compound and contains the traversable interior passage.\n- interior crossing passage through the goat shelter: Runs through the interior of the woodland goat shelter, allowing movement from one exterior side of the shelter to the other.\n- exterior access to the goat-shelter crossing passage: Opens from the compound exterior into the interior crossing passage of the woodland goat shelter.\n- woodland path beside the slaughterhouse: Passes beside the woodland slaughterhouse and provides the exterior approach from the surrounding woodland to the slaughterhouse entrance.\n- woodland enclosing the livestock and slaughterhouse compound: Forms the surrounding landscape around the goat shelter, the slaughterhouse-side path, and the woodland slaughterhouse.\n- woodland goat slaughterhouse: Stands beside the woodland path within the same forest compound as the goat shelter; its exterior entrance faces an approach from that path.\n- exterior entrance into the woodland goat slaughterhouse: Pierces the exterior boundary of the woodland goat slaughterhouse and directly connects its interior to the approach from the adjacent path.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 숲속 염소 축사: 깊은 숲속, 나무 목책 울타리와 낡은 슬레이트 지붕으로 거칠게 지어진 가건물 형태의 축사. 넓은 흙바닥 위로 커다란 덩치의 검은 염소 수십 마리가 빽빽하게 모여 있다. / 금월도 숲속 도축장 외부: 축사 인근, 숲의 어둠 속에 고립되어 세워진 허름한 목조 가건물. 먼지와 거미줄이 잔뜩 낀 깨진 유리 창문과 낡은 나무 쪽문이 달려 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 금월도 숲속 도축장 내부: 도마 역할을 하는 작업대 위로 날카로운 칼들이 꽂히거나 벽에 걸려 있다. 천장에는 무거운 짐승을 거는 금속 갈고리(걸개)가 매달려 있다. 붉은 피가 가득 고인 양동이, 바닥과 벽면에 선명하게 흩뿌려진 핏자국들로 음산하다. 안쪽 작은 창고 구역에는 핏자국이 흥건히 밴 거대한 포댓자루 더미가 쌓여 있다.\n\nTHE LOCATION: 32. 실외. 숲속 염소 축사 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): black goat herd; writhing sack and its unidentified contents\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "c428ac98-97df-41df-b50e-cd9969fdc57a", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_livestock_and_slaughter_compound/rounds/r001/cand_01.png", "sha256": "5d6527fb84d0274e5a1a3b485964780c3965f043671534bf4d60933c7edd9336", "fittings": [ { "target_native": "염소 축사 안 통로", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_livestock_and_slaughter_compound/rounds/r001/cand_10.png", "sha256": "167d1f2d9890210b00477afa73f83306e2d1965795fbc436c84fb0fe28fff3ad" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "276e5456736c6cbc", "totals": { "A": 6, "B": 4, "C": 8 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "밤 숲속 목책 축사와 통과 통로 개구부, 약간 높은 3/4 시점은 충족하나 도축장·깨진 유리창·나무 쪽문이 전혀 없고 길이가 과장되어 가건물 스케일 성격이 약함. ★위반: [gpt] 고정 구조 플레이트에 반드시 함께 있어야 할 두 주구조 중 도축장 전체와 도축장 옆 길·외부 입구가 누락되어 compound의 완전한 구조 기록으로 사용할 수 없다." }, { "label": "B", "score": 4, "verdict_ko": "도축장 외관(거미줄 낀 깨진 유리창·나무 쪽문)만 지어 로케이션 락인 '숲속 염소 축사'의 목책 개방 축사와 통과 통로 출입구가 통째로 빠졌다. ★위반: [gpt] 필수 주구조인 염소 축사 전체와 외부에서 반대편으로 통하는 축사 내부 통로가 누락되어 완전한 compound 플레이트가 아니다." }, { "label": "C", "score": 8, "verdict_ko": "약간 높은 3/4 야간 시점에서 목책 개방 축사와 그 단부의 깨진 유리창·낡은 나무 쪽문, 옆을 지나는 흙길까지 모두 담아 구조 명세와 외관 노트를 가장 넓게 충족하며 인물·염소 없는 클린 플레이트를 지켰다. ★위반: [gpt] 서로 가까이 서는 두 개의 별도 주구조인 염소 축사와 도축장을 하나의 연속 지붕·연속 건물로 병합하여 핵심 구조 관계를 바꾸었다." } ], "critique": { "issues": [ { "issue_ko": "프롬프트는 숲속 화합물 내에 축사와 인근의 도축장이라는 두 개의 독립된 주요 건물이 있다고 명시했으나, 이미지에서는 개방형 목책 구조(축사)와 창문 및 문이 달린 밀폐형 구조(도축장)가 단일 지붕 아래 하나의 건물로 병합되어 건물의 전체 형태와 배치가 왜곡되었습니다.", "fix_en": "Replace the enclosed wooden walls, broken windows, and side door on the right half of the building with open horizontal wooden rails that perfectly match the left side, converting the entire structure into a single continuous open shelter; preserve the existing roof line, the concrete base, the dirt ground, the night lighting, and the surrounding forest exactly as they are.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "프롬프트는 숲속 화합물 내에 축사와 인근의 도축장이라는 두 개의 독립된 주요 건물이 있다고 명시했으나, 이미지에서는 개방형 목책 구조(축사)와 창문 및 문이 달린 밀폐형 구조(도축장)가 단일 지붕 아래 하나의 건물로 병합되어 건물의 전체 형태와 배치가 왜곡되었습니다.", "fix_en": "Replace the enclosed wooden walls, broken windows, and side door on the right half of the building with open horizontal wooden rails that perfectly match the left side, converting the entire structure into a single continuous open shelter; preserve the existing roof line, the concrete base, the dirt ground, the night lighting, and the surrounding forest exactly as they are.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_forest_path_network": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_forest_path_network_sel.png", "seed_asset_id": "58a4c873-0b94-49b4-ad83-7174209aff1b", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Use an outer-to-deep orientation for the site plan. The forest-path entrance forms the outer threshold and feeds directly into a narrow main path enclosed by dense maritime pine stands and obstructive undergrowth. Farther within the same forest network, a marker sector adjoins the path; several waist-high, moss-covered stone markers stand at intervals there, with carved “수리영” inscriptions on their faces. A separate interior route leaves the defined path and continues into a deeper tract where the path disappears among the vegetation. Elsewhere in the network, two wooded approaches meet an open forest-trail segment. One approach runs beside a hillside drop, with the trail remaining above the descending slope. The marker sector, pathless tract, and hillside approach all connect through the main forest-path network, while their exact spacing remains unspecified.\n- outer forest-path entrance: At the outer end of the network, where the footpath begins to pass into the forest interior and connects directly to the main pine forest path.\n- narrow main forest path: Extends inward from the outer forest-path entrance through the pine stands and provides the principal connection among the interior sectors.\n- dense maritime pine stands: Closely flank the main forest path and continue around the marker sector, the wooded approaches, and the deeper interior tract.\n- path-edge tangled undergrowth and branches: Occupies both sides of the main path and extends across the less-defined interior routes, narrowing passage between the pine stands.\n- deep pathless forest tract: Continues inward from the point where a defined forest route ends, extending among the trees and undergrowth beyond the usable path.\n- waist-high moss-covered stone marker group: Stands at multiple intervals in a forest sector adjoining the path, with each marker rising from the ground among the surrounding pines and undergrowth.\n- carved Suri-young inscriptions on the stone markers: Carved into the visible faces of multiple markers within the waist-high stone marker group.\n- forest hillside drop beside the upper route: Descends away from one wooded approach, directly beside and below the route that remains along its upper edge.\n- open forest-trail meeting segment: Forms a more open trail segment where two separate wooded approaches meet; the hillside approach reaches this segment from one side and another forest approach reaches it from the other.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해송 숲길과 산길: 하늘을 가릴 듯 울창한 흑빛 소나무(해송)가 빽빽하게 찬 어둡고 좁은 흙길. 얽힌 수풀과 잔가지가 통행을 방해한다. 곳곳에 이끼가 잔뜩 낀 무릎 높이의 돌 비석들이 세워져 있고, 그 앞 바닥에는 핏물이 고인 썩은 고깃덩어리들이 놓여 있다. 밤에는 달빛만 간신히 비친다. / 수리영 비석이 있는 숲속 공터: 어두운 숲길 안쪽으로 살짝 들어간 작은 공간. 오래되어 녹색 이끼가 낀 허리 높이의 비석들이 여러 개 서 있다. 비석 표면의 글자와 그 앞 바닥에 놓인 썩은 붉은 고깃덩어리들이 달빛에 희미하게 드러난다. / 꿈속 금월도 숲속 오솔길: 현실의 해송 숲길과 같은 배경이나, 시각적 원근감이 뒤틀린 공간. 길의 앞뒤가 비현실적으로 길어 보이며 형태가 흐릿해지는 초현실적인 톤의 좁은 흙길이다. / 금월도 숲속 오솔길 입구: 햇살이 닿는 밝은 마을의 풍경이 끝나고 갑작스럽게 어두운 그림자가 깊게 깔리기 시작하는 숲의 초입. 좁은 흙길이 울창한 나무 사이로 먹히듯 이어진다.\n\nTHE LOCATION: 24. 실외. 금월도 숲길 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): rotten meat placed before the stone markers; handcart and loaded sacks; dark red liquid leaking from a sack; large black goat; dream-induced path-distance distortion; handheld phone and flashlight illumination; smoke passing above the pine forest; moonlight and nighttime darkness; concealed fur-covered hand behind a tree\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "cab4452c-f439-4b89-b307-79c22ac2a79b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_path_network/rounds/r001/cand_06.png", "sha256": "e3d9df980fede83a75f216e83c43eb0f936c9838c6545f3c9badbf429c96ec53", "fittings": [ { "target_native": "이름 새긴 돌비석", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_forest_path_network/rounds/r001/cand_09.png", "sha256": "8e442e9f02c7e99ad8cbb4bc8b424c6e8a99a03aeddc076ce1c2fba53c96d95d" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "c0c76e2959c870b8", "totals": { "A": 6, "B": 9, "C": 7 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "부재 구성과 약간 높은 3/4 시점은 충족하나, 배경이 밝은 잔디·활엽 덤불의 개활지로 '빽빽한 흑빛 해송의 어둡고 좁은 흙길' 로케이션 고정이 가장 약하고 제액 글자도 반전·뭉개짐. ★위반: [gpt] 허용된 문구 ‘수리영’ 이외의 출처 불명 장문 비문을 구조물 양면에 만들어 넣었다." }, { "label": "B", "score": 9, "verdict_ko": "약간 높은 3/4 부감, 단일 갓돌·비신·기단의 정확한 참조 형태, 길 옆에 선 비석과 안쪽으로 이어지는 좁은 해송 흙길까지 구조·로케이션·무인 플레이트 조건을 모두 가장 충실히 충족. ★위반: [gpt] 프롬프트가 지정하지 않은 장문의 한자풍 비문을 대량으로 추가했다." }, { "label": "C", "score": 7, "verdict_ko": "해송 숲길 배경과 무인 플레이트 조건은 맞으나 카메라가 거의 눈높이여서 '약간 높은 3/4' 지시가 약하고, 갓돌 형태·비례가 참조보다 단순화됨. ★위반: [gpt] 허용된 문구 ‘수리영’ 대신 출처 불명의 장문 한자풍 비문을 대량으로 만들어 넣었다." } ], "critique": { "issues": [ { "issue_ko": "[Critical] 프롬프트는 간격을 두고 배치된 '여러 개의 허리 높이 비석들'을 요구했으나, 수량과 크기 지시가 무시되고 거대한 비석 단 하나만 생성되었습니다.", "fix_en": "Reduce the overall size of the single black monument to waist-height and cover its stone surfaces heavily with green moss, preserving the exact camera position, the path, the surrounding trees, and the undergrowth.", "needs_regeneration": true, "unfixable": false }, { "issue_ko": "[Critical] 명시된 텍스트 외에는 참조 이미지의 글자를 가져오지 말라는 지시를 위반하고, 비석 전면에 수많은 한자 텍스트가 그대로 복사되었습니다.", "fix_en": "Erase the dense block of characters on the front face of the black monument, replacing it with a bare dark stone surface, while preserving the monument's shape, the capstone, the base, and the surrounding forest lighting.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Erase the dense block of characters on the front face of the black monument, replacing it with a bare dark stone surface, while preserving the monument's shape, the capstone, the base, and the surrounding forest lighting.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "[Critical] 프롬프트는 간격을 두고 배치된 '여러 개의 허리 높이 비석들'을 요구했으나, 수량과 크기 지시가 무시되고 거대한 비석 단 하나만 생성되었습니다.", "fix_en": "Reduce the overall size of the single black monument to waist-height and cover its stone surfaces heavily with green moss, preserving the exact camera position, the path, the surrounding trees, and the undergrowth.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_dock_and_gear_storehouse": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_dock_and_gear_storehouse_sel.png", "seed_asset_id": "27aa855b-8eac-4174-87da-8a3e22db2252", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The Geumwoldo arrival pier extends outward from an island-side approach into the sea. Its outermost point is the seaward pier end, while a waterside boarding edge directly contacts the sea and provides the interface used by visiting vessels. At the landward portion of the dock, the pier circulation surface meets the island-side approach. The fishing-gear storehouse stands beside this landward dock area, with its pier-side doorway opening directly onto the circulation route toward the berth. From the pier, the approach continues inland toward the village. The Banwol Restaurant frontage occupies the village side of this route and remains visible from the dock, while the broader Geumwoldo village building cluster begins beyond and around the inland continuation of the approach. This creates one continuous movement axis from the seaward pier end, along the boarding and pier surfaces, past the storehouse threshold, and onward through the restaurant frontage toward the village.\n- Geumwoldo arrival pier: The pier extends from the island-side approach toward the surrounding sea and provides the main outdoor circulation surface between the village and visiting vessels.\n- Seaward end of the Geumwoldo pier: This is the outer end of the arrival pier, facing the sea at the point farthest from the village approach.\n- Waterside boarding edge of the pier: The boarding edge runs along a sea-contacting part of the pier and forms the interface between the pier surface and vessels using the dock.\n- Sea adjoining the Geumwoldo pier: The sea directly adjoins the pier's boarding edge and surrounds the seaward end, allowing vessels to approach and berth.\n- Dockside fishing-gear storehouse: The fishing-gear storehouse stands beside the landward dock circulation area, close enough for its doorway to provide immediate access toward the pier and berth.\n- Pier-side doorway of the fishing-gear storehouse: The doorway is set in the side of the fishing-gear storehouse that opens onto the landward dock circulation area.\n- Island-side approach between the pier and village: The approach continues inland from the landward end of the pier, passing the dockside storehouse area and leading toward the restaurant frontage and village settlement.\n- Geumwoldo village building cluster: The village building cluster begins inland beyond the pier approach and forms the settlement backdrop reached from the dock.\n- Banwol Restaurant village-facing frontage: The restaurant frontage stands along the village side of the dock approach, inland from the pier while remaining visible from the dock route.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 선착장: 섬으로 들어오는 입구인 낡은 시멘트 구조물. 배를 정박하기 위한 기둥과 타이어 방충이가 달려 있다. 빈 드럼통에 장작을 넣은 모닥불이 타오르고, 넓게 펼친 비닐 포대와 흥건한 핏자국이 바닥에 보인다. 야간에는 인공 조명이 켜진다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 금월도 선착장 옆 어구 창고 내부: 바깥 먼지가 낀 흐릿한 유리창. 천장까지 높게 산더미처럼 쌓여 얽힌 그물망, 둥근 통발, 낚싯대 묶음, 커다란 플라스틱 생선 바구니 등 수많은 어구 장비들로 인해 발 디딜 틈 없이 비좁고 어두컴컴한 창고.\n\nTHE LOCATION: 21. 실외. 금월도 선착장 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Moored fishing boat; Moored police patrol boat; Rope and paper-figure boat decorations; Corpse display on a spread plastic sack; Burning fire in a drum; Ground bloodstains; Activated dockside and handheld search lighting; Gathered residents and dockside crowds\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "d483ae77-d30f-49f1-b0f3-7cd1ad8914d4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_dock_and_gear_storehouse/rounds/r001/cand_08.png", "sha256": "daf8b03ce393dcbd1f2a98c3e25bfa945440cb6bd1b6123778fb280fee9fd8d9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "2bd62ce3219596aa", "totals": { "A": 7, "B": 4, "C": 9 }, "ranking": [ "C", "B", "A" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "약간 높은 3/4 부감과 계선주·타이어 방충재, 빈 플레이트 조건은 잘 지켰으나 해측 단부에 시점이 붙어 진입로·창고 문·식당 프론티지가 원경으로 작아졌고 간판 문구가 '반월식당'이 아닌 판독 불가 글자다. ★위반: [gpt] 빈 장면에서 금지된 일시적 차량인 흰색 자동차가 마을 건물 앞에 추가되어 있다." }, { "label": "B", "score": 4, "verdict_ko": "시점이 거의 눈높이라 '약간 높은 3/4 부감으로 전체 형태·면·개구부'라는 요구를 못 채우고, 타이어 방충재·계선주가 전무하며 창고 문이 활짝 열려 어두운 내부가 드러나고 반월식당 상호도 확인되지 않는다." }, { "label": "C", "score": 9, "verdict_ko": "약간 높은 3/4 부감에서 해측 단부→접안면→창고 문턱→진입로→'반월식당' 프론티지→마을 건물군의 연속 이동축이 모두 읽히고, 계선주·타이어 방충재 등 외관 노트의 고정 요소와 인체 스케일도 일치하며 배제 요소가 전혀 없다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_residential_lanes": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_island_residential_lanes_sel.png", "seed_asset_id": "d48363cb-e3f4-4ca7-99a1-d509c6e489cd", "seed_selected": "B", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A residential lane runs through the coastal village. Repeated village house frontages adjoin the lane, with lane-facing front gates opening into the residential plots. A low boundary wall follows the frontage line beside the lane, separating the public passage from the house-side areas while remaining low enough for clear views across it. The rocky shore forms the coastal edge of the same village area and remains visually connected to the residential passage. The resulting site plan should place the lane as the main movement corridor, the gated house frontages and low wall along its residential edge, and the rocky shore on the coastal side within sight of that corridor.\n- coastal village residential lane: The lane passes through the residential part of the coastal village, alongside the repeated house frontages and their boundary line.\n- village house frontage line: The house frontages form a repeated residential line adjoining the coastal village lane, with front gates facing the lane.\n- lane-facing house front gates: The front gates are set into the village house frontages and provide openings from the coastal village lane into the residential plots.\n- low residential boundary wall: The low wall runs along the residential frontage beside the lane, separating the lane-side passage from the house-side areas while allowing views across it.\n- rocky shore beside the coastal village: The rocky shore occupies the coastal edge of the village and lies within sight of the residential passage used through the village.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 해안 마을길과 주거 골목: 알록달록한 슬레이트 지붕 집들이 야트막한 돌담을 끼고 늘어선 작은 어촌 마을. 골목길 바닥은 흙이나 거친 시멘트다. 집집마다 녹색 석창포 약초 화분이 놓여 있고, 대문에는 종이 인형을 엮은 새끼줄이 걸려 있다.\n\nTHE LOCATION: 23. 실외. 금월도 일각 - 낮/ 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Village flowers and their blooming or withered state; Seokchangpo plants kept at the houses; Straw-rope decorations hung on the front gates; Children on the rocky shore; Residents gathered behind the low wall\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "f80cae3d-e855-4fcd-ad04-833dc28b649a", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_island_residential_lanes/rounds/r001/cand_01.png", "sha256": "44a9a77e7627238eee025b3ab90c9fc8dbd59c591c9d737f57512a6d20eabf9b", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "475b42358b8b3756", "totals": { "A": 7, "B": 9, "C": 6 }, "ranking": [ "A", "B", "C" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "레퍼런스 형태·재료 재현과 골목-해안 연결은 좋으나, 대문 옆 석창포로 보이는 녹색 화분이 EXCLUDED 항목과 충돌하고 부감이 약하다. ★위반: [gpt] 대문 옆의 큰 화분과 식물을 묘사해 명시적으로 제외된 ‘집집마다 둔 석창포 약초 화분’을 되살렸다." }, { "label": "B", "score": 9, "verdict_ko": "약간 높은 3/4 시점으로 골목 전면선·대문·낮은 담·바위 해안을 한 프레임에 정확히 담고, 제외된 화분·새끼줄·사람이 없는 깨끗한 무인 플레이트다. ★위반: [gpt] 주택 전면 안쪽에 명시적으로 제외된 화분·재배 식물을 묘사했다. / [gpt] 바다에 노란 부표들을 추가해 금지된 일시적 장비를 발명했다. / [gpt] 길과 바위 해안 사이에 설명에서 지원되지 않는 연속 콘크리트 해안 옹벽을 추가했다." }, { "label": "C", "score": 6, "verdict_ko": "형태 재현은 무난하지만 시점이 거의 눈높이라 부감 지시를 못 맞추고, 원경 골목에 인물처럼 보이는 형체가 있어 무인 플레이트 요건이 불안하다. ★위반: [gpt] 먼 골목 끝에 사람으로 보이는 복수의 형상을 넣어 ‘사람 없음’ 조건을 위반했다. / [gpt] 먼 골목 끝에 파란 일시적 활동 물체 또는 장비를 추가했다. / [gpt] 골목과 해안 사이에 구조 설명에 없는 대형 축조 석벽을 발명했다." } ], "critique": { "issues": [ { "issue_ko": "제외 항목(EXCLUDED)에 명시된 석창포(Seokchangpo plants)와 꽃이 없어야 하나, 화면 왼쪽 앞부분의 하얀 울타리 안쪽 마당에 녹색 식물들이 생성되어 있습니다. (Critical)", "fix_en": "Remove all the green plants from the planter area behind the white metal fence in the left foreground, replacing them with bare dirt; preserve the white fence, the surrounding brick walls, the house facade, the paved lane, and the lighting exactly as they appear." }, { "issue_ko": "외관 설명(EXTERIOR NOTES)에서 '야트막한 돌담'을 명시했으나, 참조 이미지의 형태가 반영되어 붉은 벽돌 담장으로 렌더링되었습니다. (Major)", "fix_en": "" }, { "issue_ko": "'알록달록한 슬레이트 지붕'이라는 설명과 달리 지붕 색상이 대부분 어두운 단색 계열로 표현되었습니다. (Minor)", "fix_en": "" } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all the green plants from the planter area behind the white metal fence in the left foreground, replacing them with bare dirt; preserve the white fence, the surrounding brick walls, the house facade, the paved lane, and the lighting exactly as they appear.\n- \n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_mainland_harbor": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_mainland_harbor_sel.png", "seed_asset_id": "a211d2e1-5029-4f1e-afab-471db46f09bb", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site follows a continuous land-to-water axis. A landward vehicle approach meets the inner end of the village pier and provides the fixed access point from the mainland side. The main pier continues away from this approach toward its outer terminal section. The outer pier end is a distinct camera area but remains physically continuous with the inner pier. Harbor water directly adjoins the pier's waterside edges, forming the berth area from which vessels can be boarded. Cameras can therefore move from the landward arrival area onto the inner pier, continue to the outer pier end, or face across the berth from the pier toward a vessel position on the water.\n- landward vehicle approach to the village pier: Adjoins the landward end of the main village pier and provides the fixed vehicle-accessible connection between the mainland side and the pier.\n- main village pier: Extends from the landward vehicle approach to the outer pier end, with harbor water adjoining its waterside edges.\n- outer terminal section of the village pier: Occupies the terminal portion of the main village pier, away from the landward vehicle approach and directly adjoining the harbor water.\n- harbor water beside the village pier: Directly adjoins the waterside edges of the main village pier and its outer terminal section, providing the operating surface for vessels using the berth.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 해안마을 선착장: 육지 쪽에 위치한 낡은 시멘트 항구. 접근을 막는 노란색 폴리스 라인 테이프가 둘러쳐져 있다. 넓게 펼친 비닐 포대와 시체 주변으로 몰려든 군중. 옆으로 경찰 순찰정과 일반 어선들이 정박해 있다.\n\nTHE LOCATION: 48. 실외. 해안마을 선착장 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): barrel fire and drinking setup; police line tape; damaged body at the investigation area; spectator crowd; fishing boat at the pier; black Grand Carnival vehicle; spread plastic covering around the body area; police patrol craft and other moored fishing vessels\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "3d793330-0de2-416d-a13d-1faf13100b87", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_mainland_harbor/rounds/r001/cand_03.png", "sha256": "0b9a2716c118bade762e3b25b5986bf2a39355de0360d1c36d19ae77078c887b", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "69be7204dd706077", "totals": { "A": 9, "C": 7, "B": 5 }, "ranking": [ "B", "A", "C" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "약간 높은 3/4 시점에서 육상 진입 포장면→본 부두→선단부→접안 수면의 연속 축이 모두 한 프레임에 정확히 담기고, 낡은 시멘트·계선주·타이어 펜더 등 어항 실사 디테일과 빈 플레이트 조건을 가장 충실히 만족한다. ★위반: [gpt] 설명에 없는 별도 방파제와 빨간 등대를 배경의 추가 인공 구조물로 발명했다." }, { "label": "C", "score": 7, "verdict_ko": "축과 시점은 양호하나 콘크리트가 지나치게 새것 같고 펜더 등 부두 피팅이 빈약하며, 접속부의 대형 석재 블록이 '차량 진입로' 연결을 다소 모호하게 만든다. ★위반: [gpt] 설명에 없는 별도 방파제와 빨간 등대를 배경의 추가 인공 구조물로 발명했다." }, { "label": "B", "score": 5, "verdict_ko": "시점이 거의 데크 높이라 '약간 높은 3/4 뷰' 지시를 약하게 지키고, 육지 쪽 차량 진입 접속부가 프레임에서 사실상 빠져 요구된 육지-물 연속 축이 불완전하며 화질도 가장 흐리다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_multifamily_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_multifamily_residence_sel.png", "seed_asset_id": "d74f097c-288e-4fa6-ac33-f9284505f0ba", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The residential alley is the site's main ground-level approach and runs directly along the frontage of the focal multifamily residence. The residence stands at the alley edge. An exposed exterior staircase is attached to the building exterior; its lower end meets the alley-side circulation edge and its flight rises along the residence toward higher exterior access points. An exterior access doorway belongs to the same residence and connects back to the alley through the frontage circulation and staircase route. These relationships create two connected camera areas: the alley at ground level and the residence frontage with its ascending exterior stair.\n- residential alley serving the multifamily residence: The alley forms the ground-level circulation axis along the frontage of the focal multifamily residence and provides the approach to its exterior access route.\n- focal multifamily residence building: The focal multifamily residence directly fronts the residential alley, with its exterior access elements arranged on the alley-facing side.\n- exposed exterior staircase of the focal multifamily residence: The exterior staircase is attached to the outside of the focal multifamily residence, beginning at the alley-side circulation edge and rising along the building exterior toward higher access points.\n- exterior access doorway of the focal multifamily residence: The access doorway is set in the exterior of the focal multifamily residence and connects to the residential alley through the building frontage circulation and exterior stair route.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 다세대주택 골목과 외부 계단: 건물들 사이의 좁고 어두운 주택가 골목. 위층으로 연결되는 콘크리트 또는 철제 외부 계단이 있다. 붉은색과 파란색 경찰차 경광등 불빛이 어두운 벽면을 번쩍이며 비춘다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 민숙의 다세대주택 집 내부: 투룸 규모의 평범한 현대식 주거 거실 공간. 가구들이 심하게 부서져 나뒹굴고, 깨진 전등과 화분 흙이 바닥에 흩어져 있다. 벽면과 바닥 곳곳에 붉은 핏자국이 선명하게 남아 완전히 난장판이 된 상태.\n\nTHE LOCATION: 12. 실외. 다세대 주택가 골목 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Stopped beacon-equipped car; Police vehicles and flashing emergency illumination; Ambulance at the residence frontage; Police personnel moving through the residence; Neighborhood onlookers\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "8449f368-781a-4aa2-bd21-c3ef666660da", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_multifamily_residence/rounds/r002/cand_05.png", "sha256": "90a0854b54cc9a9a72690373b7568781ca3dbb8a26712e33d9124cf15bd98bc0", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "5e2daa6a9cff248b", "totals": { "A": 7, "B": 5, "C": 9 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "계단 상승 방향과 골목 접점, 출입문 관계는 맞으나 카메라가 지나치게 근접·저각이라 '약간 높은 3/4 전경' 규정에 미달하고 건물 매스가 프레임을 잠식해 전체 형상 판독이 떨어진다." }, { "label": "B", "score": 5, "verdict_ko": "빈 야간 골목 플레이트 조건은 지켰으나 우측 브릭 매스가 화면을 가려 구조 전체가 안 보이고, 계단 상단과 상부 출입문의 접합이 모호해 '계단→상부 출입지점' 연결 서술이 약하게 읽힌다." }, { "label": "C", "score": 9, "verdict_ko": "약간 높은 3/4 시점에서 골목·전면·상승하는 외부계단·현관문의 연결 관계가 모두 명확하고, 벽돌/콘크리트 질감과 인물·차량·경광등 배제 등 빈 플레이트 조건까지 가장 충실하다." } ], "critique": { "issues": [ { "issue_ko": "외부 계단의 주 진입로 부분에 계단 단(디딤판과 챌판)이 그려지지 않고, 평평한 벽돌 무늬 경사면으로 잘못 묘사되었습니다.", "fix_en": "Render distinct, dimensional steps with horizontal treads and vertical risers along the entire sloped main flight of the exterior staircase, replacing the flat brick-textured surface between the white stringer and the railing, while strictly preserving the existing framing, the night lighting, the surrounding building walls, the metal railing, and the empty alley.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Render distinct, dimensional steps with horizontal treads and vertical risers along the entire sloped main flight of the exterior staircase, replacing the flat brick-textured surface between the white stringer and the railing, while strictly preserving the existing framing, the night lighting, the surrounding building walls, the metal railing, and the empty alley.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_natural_cave": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_natural_cave_sel.png", "seed_asset_id": "1f532b2a-43f8-4b45-9ba3-d29cefed617e", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A forested exterior surrounds the ground directly in front of the cave. This cave-front ground provides the approach and camera-standing area leading straight to the large natural cave mouth. An irregular frame assembled from added wooden posts occupies the threshold around the mouth without replacing the natural opening. Beyond that threshold, the cave passage continues inward from the exterior approach.\n- forest surrounding the cave frontage: Surrounds the exterior ground in front of the cave and forms the broader setting around the approach to the cave mouth.\n- exterior ground before the cave entrance: Occupies the area between the surrounding forest and the cave threshold, leading directly toward the natural cave mouth.\n- large natural cave mouth: Forms the main threshold at the inner edge of the exterior cave-front ground, opening from the forested frontage into the cave passage.\n- irregular added wooden-post entrance frame: Is fitted around and against the large natural cave mouth as an added entrance structure at the boundary between the exterior ground and the inner cave passage.\n- natural cave passage beyond the entrance: Extends inward from the large natural cave mouth, directly beyond the wooden-post entrance frame and opposite the exterior approach.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 금월도 숲속 자연동굴 입구: 울창한 숲속, 깎아지른 바위산 아래 검게 아가리를 벌린 커다란 자연 암굴 입구. 거친 통나무와 각목을 덧대어 인위적인 문틀 흔적을 얼기설기 남겨놓았다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 금월도 숲속 동굴 내부: 손전등 불빛이나 낡은 백열전구 조명에 의존해야 하는 칠흑같이 어둡고 거친 암석 동굴 내부. 바닥은 붉은 피 웅덩이로 질퍽이며, 부서진 사람 뼈와 해골들이 산처럼 쌓여 바닥을 덮고 있다. 암석 벽면에는 육중한 금속 쇠사슬이 박혀 있고 흩뿌려진 핏자국이 가득하다. 천장에는 무수한 박쥐 떼가 매달려 있다.\n\nTHE LOCATION: 26. 실외. 숲속 동굴 앞 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): nighttime exterior condition; black appearance of the cave interior; people standing before and entering the cave\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "e5ea3deb-579d-451f-abb5-af92f86cf08b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_natural_cave/rounds/r001/cand_09.png", "sha256": "d59d0f7b7002f6095c0a1ba8188cc08319a47b5845700276d6b09259bbc8e192", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "ff491f1a9a6c7de2", "totals": { "A": 7, "B": 5, "C": 9 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 7, "verdict_ko": "문틀·숲·접근로 요소는 모두 갖췄고 위반도 없으나, 시점이 거의 정면 눈높이라 '약간 높은 3/4 시점' 요구가 약하고 개구부가 숲 그늘에 묻혀 형상 판독성이 떨어짐." }, { "label": "B", "score": 5, "verdict_ko": "요소 구성은 맞지만 전경 나무줄기가 좌우를 가리고 시점이 정면 눈높이여서 '전체 형상·면·개구부를 명확히 보여주는' 시드 플레이트 요건과 3/4 부감 지시를 가장 못 지킴." }, { "label": "C", "score": 9, "verdict_ko": "약간 높은 3/4 시점에서 큰 자연 암굴 입구, 얼기설기 덧댄 통나무 문틀, 앞쪽 접근 지면, 둘러싼 숲이 모두 또렷이 읽히고 인물·관람시설·문자 없는 깨끗한 주간 플레이트로 지시를 가장 충실히 충족." } ], "critique": { "issues": [ { "issue_ko": "프롬프트의 제외 요소에 '동굴 내부가 검게 보이는 것(black appearance of the cave interior)'이 명시되어 있으나, 입구 안쪽이 통로의 형태가 전혀 보이지 않는 완전한 검은색 암흑 공간으로 묘사되었습니다.", "fix_en": "Replace the flat black void inside the cave entrance with a visible, deeply shadowed natural rock passage continuing inward, revealing the rough rocky walls and floor of the tunnel just beyond the threshold. Preserve the exterior rock face, the wooden entrance frame, the surrounding trees, and the foreground dirt ground exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Replace the flat black void inside the cave entrance with a visible, deeply shadowed natural rock passage continuing inward, revealing the rough rocky walls and floor of the tunnel just beyond the threshold. Preserve the exterior rock face, the wooden entrance frame, the surrounding trees, and the foreground dirt ground exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_police_patrol_boat_deck": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_police_patrol_boat_deck_sel.png", "seed_asset_id": "35d85063-4381-4750-9660-eb8724f7d321", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The police patrol motorboat forms a longitudinal site with the bow deck at one end, the stern deck at the other, and an exterior side passage connecting them. Rail bars occupy the outer deck edge, with a confirmed section at the bow edge. The wheelhouse adjoins the exterior deck and contains the helm facing toward the bow; a fixed access opening connects it to the deck circulation. The hull supports all deck and wheelhouse zones and directly contacts the surrounding open water. The stern deck meets an outer edge from which the water is directly reachable.\n- bow deck landing area: Occupies the forward end of the motorboat, immediately inboard of the bow edge and connected aft to the exterior side passage.\n- bow-edge rail bars: Stand along the outer edge of the bow deck, between the bow deck landing area and the surrounding water.\n- bow-to-stern exterior passage: Runs along the exterior deck between the bow deck and the stern deck, providing continuous movement between the two ends of the motorboat.\n- patrol motorboat outer hull: Supports the bow deck, exterior side passage, stern deck, and wheelhouse, with its exterior directly adjoining the surrounding open water.\n- stern deck area: Occupies the aft end of the motorboat and joins the exterior side passage leading forward toward the bow.\n- stern outer deck edge: Forms the water-facing outer limit of the stern deck, directly adjoining the surrounding open water.\n- patrol boat wheelhouse: Adjoins the exterior deck circulation and contains the helm, with its operating orientation toward the bow.\n- wheelhouse helm control: Is fixed inside the wheelhouse in the boat-operating position facing toward the bow.\n- wheelhouse deck access opening: Connects the wheelhouse interior directly to the adjoining exterior deck circulation.\n- open water surrounding the patrol boat: Directly surrounds the motorboat hull and adjoins the outer edges of the bow deck, exterior side passage, and stern deck.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 경찰 순찰정 갑판과 외부: 파란색과 흰색으로 도색된 현대식 경찰 모터보트. 철제 레일(난간)이 외곽을 두르고 있고 조타실은 유리창으로 덮여 있다. 갑판 바닥은 바닷물과 치열한 격투로 인해 흩뿌려진 핏방울로 미끄럽고 지저분하다.\n\nTHE LOCATION: 63. 실외. 경찰 순찰정 - 저녁\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): corpse and personal belongings on the deck; adjacent fishing boat; blood and wet fight contamination; loose life jacket, water container, and tube; metal pipe and handguns; white sea foam at the fall location; temporarily visible island landing and assembled people\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "44e17191-0e17-41d0-94ad-8a1e96aaaeea", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_police_patrol_boat_deck/rounds/r001/cand_01.png", "sha256": "1593af000a97808f2c6e5286d9c197d7460d92ef7e94703653dd41e8ed515ff9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "273a4b7cb08d17bc", "totals": { "A": 9, "C": 6, "B": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "약간 높은 3/4 시점, 선수 방향 헬름, 선수·측면 통로·선미와 레일·조타실 출입구가 모두 명확하고 레퍼런스의 다중 엠블럼·문자 밴드(한강경찰대/서울경찰청)까지 가장 충실히 재현한 빈 플레이트." }, { "label": "C", "score": 6, "verdict_ko": "구조 요소와 시점은 충족하나 조타실 매스가 과장되고 선수 레일이 토막났으며 '해양경찰 순찰정' 표기가 레퍼런스의 표기 체계·로케이션과 어긋난다." }, { "label": "B", "score": 5, "verdict_ko": "동선과 레일은 갖췄으나 조타실 상부 구조와 창틀이 어색하게 뒤틀렸고 '항사경찰' 등 표기 구성이 레퍼런스의 문자 밴드 대비 빈약하다." } ], "critique": { "issues": [ { "issue_ko": "조타실 전면이 수직 평면이며 창문이 2개로 생성되어 형태가 다릅니다. 참고 사진처럼 뒤로 기울어진 전면에 3개의 창문이 있어야 합니다.", "fix_en": "Redraw the white wheelhouse with a backward-sloping front face and three front windows to match the reference massing, while preserving the hull, the deck, the evening lighting, and the overall camera framing.", "needs_regeneration": true, "unfixable": false }, { "issue_ko": "조타실 바로 앞 선수 갑판 중앙을 가로지르는 잘못된 흰색 난간이 세워져 있어 선박의 이동 통로를 차단하고 있습니다.", "fix_en": "Remove the freestanding white railing from the middle of the blue bow deck, replacing it with the empty blue deck surface, while strictly preserving the wheelhouse structure, the outer edge railings, the hull, and the evening light exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the freestanding white railing from the middle of the blue bow deck, replacing it with the empty blue deck surface, while strictly preserving the wheelhouse structure, the outer edge railings, the hull, and the evening light exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "조타실 전면이 수직 평면이며 창문이 2개로 생성되어 형태가 다릅니다. 참고 사진처럼 뒤로 기울어진 전면에 3개의 창문이 있어야 합니다.", "fix_en": "Redraw the white wheelhouse with a backward-sloping front face and three front windows to match the reference massing, while preserving the hull, the deck, the evening lighting, and the overall camera framing.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_reed_field_wooden_shed": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_reed_field_wooden_shed_sel.png", "seed_asset_id": "4e922251-3792-4707-a773-ce5db24c255b", "seed_selected": "A", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The surrounding reed field forms the wider outdoor site, with the wooden warehouse positioned within it. Ground directly before the warehouse creates the exterior camera and circulation area between the reeds and the building. The field-facing warehouse doorway opens onto this ground, establishing a continuous approach from the reed field, across the warehouse forecourt, and through the entrance. The reed field meets the outer side of the forecourt and continues around the warehouse site.\n- surrounding reed field: Occupies the wider outdoor site around the wooden warehouse and meets the outer side of the ground directly before its entrance.\n- ground before the reed-field warehouse: Lies immediately outside the warehouse entrance, between the wooden exterior and the surrounding reed field.\n- wooden warehouse within the reed field: Stands within the reed field with its documented entrance facing the ground before the warehouse.\n- field-facing warehouse doorway: Set into the warehouse exterior and opening directly onto the ground before the warehouse, providing passage between the exterior site and the interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 갈대숲과 낡은 나무 소금창고 앞: 흑백과 붉은색 대비가 강한 화면. 키가 큰 갈대가 무성하게 우거진 넓은 들판 가운데, 나무 판자와 각목을 덧대어 거칠게 지은 가건물 형태의 소금창고 외관이 서 있다. 바닥 흙과 갈대 잎사귀 여기저기에 짙고 끈적한 검붉은 핏자국이 흩뿌려져 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 갈대숲의 낡은 나무 소금창고 내부: 거친 나무 각목 뼈대와 판자로 둘러싸인 어둡고 협소한 목조 가건물 실내. 흙바닥으로 되어 있으며 닫힌 나무 문틈 사이로 밖의 빛이 희미하게 새어 들어온다.\n\nTHE LOCATION: 1. 실외. 겨울 갈대숲 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Blood spatter; Fallen Japanese soldiers; Black smoke figure; White antler-tipped spear; Soldiers, firearms, and gunfire; Survivor groups outside the warehouse; Nightfall, full moon, and lunar eclipse; Open state of the warehouse door\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "cdc52225-770a-4d20-a2ed-d12ff16efae4", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_reed_field_wooden_shed/rounds/r001/cand_02.png", "sha256": "cb19bdff942e6bf1b66674c288f977b13204c867ff2a0d3d3553b007acced81c", "fittings": [ { "target_native": "염전 소금창고", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_reed_field_wooden_shed/rounds/r001/cand_11.png", "sha256": "3bfc5e997f3f51b11cae68baeefba07810da6b3afe48983ce59fed3765105763" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "179f96af4ae22793", "totals": { "A": 9, "C": 7, "B": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "약간 높은 3/4 시점, 갈대밭–앞마당–닫힌 정면 문으로 이어지는 동선, 참조사진의 각목·판자·함석 마루·콘크리트 기초 재현이 모두 정확하고 금지 요소도 없어 시드 플레이트로 가장 적합." }, { "label": "C", "score": 7, "verdict_ko": "3/4 구도와 갈대밭·마당·닫힌 문 조건은 충족하지만 문 위치가 치우치고 표면 질감이 뭉개졌으며 명시되지 않은 원경 산이 더해져 A보다 약함. ★위반: [gpt] 명시적으로 금지된 창고 문 개방 상태를 뚜렷하게 묘사해 고정 구조 플레이트의 요구 상태를 위반한다." }, { "label": "B", "score": 5, "verdict_ko": "시점이 눈높이 아래 로우앵글이라 '약간 높은 시점' 지시를 어기고 앞마당이 거의 잘려 접근 동선이 약하며 규모도 내부 스펙 대비 작게 보임. ★위반: [gpt] 명시적으로 금지된 창고 문 개방 상태를 묘사해 고정 구조 플레이트의 요구 상태를 위반한다." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_wooden_restaurant_compound": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/background_chain/seed_bg_wooden_restaurant_compound_sel.png", "seed_asset_id": "a724fb27-abad-4d06-bbe9-79bbb37368ab", "seed_selected": "C", "seed_prompt": "A photographic plate — contemporary South Korea; historical sequences in 1670 Joseon and early-20th-century Korea under Japanese rule; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The Banwol Restaurant building divides the compound into a road-facing frontage and a backyard. Its front entrance opens directly toward the village-road approach, whose axis rises toward the doorway and continues uphill beyond the compound to the forest and the beginning of the mountain. A village alley runs beside the restaurant from the frontage toward the rear. On the opposite side of the building, the rear doorway opens into the backyard. The backyard is enclosed by a perimeter boundary that meets the restaurant rear side while retaining access from the side alley. Sectioned garden plots occupy one sector of the yard, leaving an open circulation connection across the yard. The storage shed stands in the rear portion of the backyard across this open area from the restaurant rear doorway, and its door faces into the yard. From the restaurant frontage, there is also an outward sightline toward the off-site pier, but the pier is not part of this compound marker group.\n- Banwol Restaurant building: The restaurant building stands between the village-road frontage and the backyard, presenting its front entrance to the road and its rear doorway to the yard.\n- Banwol Restaurant front entrance: The front entrance is set into the road-facing side of the restaurant building and opens directly onto the restaurant frontage beside the village-road approach.\n- Village-road approach to Banwol Restaurant: The village road approaches the restaurant frontage on an uphill line and terminates visually at the front entrance axis before continuing past the compound.\n- Restaurant-side village alley: The alley adjoins the restaurant exterior near the road frontage and runs along a side of the building toward the rear portion of the compound.\n- Uphill forest and mountain threshold: The forest and the beginning of the mountain meet the upper continuation of the village road beyond the restaurant compound.\n- Banwol Restaurant backyard: The backyard occupies the open exterior area behind the restaurant building, connecting the restaurant rear doorway, the garden plots, the side access, and the storage shed.\n- Sectioned backyard garden plots: The garden plots occupy one defined sector of the backyard while leaving an open circulation connection between the restaurant rear doorway and the storage shed entrance.\n- Banwol Restaurant rear doorway: The rear doorway is set into the backyard-facing wall of the restaurant building and opens directly into the main backyard area opposite the storage-shed side of the yard.\n- Banwol Restaurant backyard perimeter boundary: The perimeter boundary defines the backyard around its garden and open circulation area, meeting the restaurant rear side and allowing access from the restaurant-side alley.\n- Backyard storage shed structure: The storage shed stands within the rear part of the backyard across the open yard from the restaurant rear doorway, with its entrance accessible from the yard.\n- Backyard storage shed door: The shed door is set into the yard-facing side of the storage shed and directly meets the backyard circulation area.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 반월 식당 뒤뜰: 식당 목조 건물 뒤편의 넓은 흙바닥. 구획이 나뉜 텃밭과 잎채소를 널어 말리는 나무 평상이 놓여 있다. / 반월 식당 앞과 마을길: 반월 식당의 목조 외벽과 미닫이 출입문 앞의 공간. 흙길 혹은 거친 포장길이 이어지고 그 옆으로 주변 집들의 낮은 돌담이 뻗어 있다.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 반월 식당 내부: 나무 기둥과 낡은 판자로 마감된 넓은 단층 목조 실내. 낚시 용품과 생필품 진열대, 식당용 나무 테이블과 의자가 혼재된 잡화점 구조다. 격자무늬 나무 창문으로 외부 빛이 들어온다. 테이블 위로 선홍빛 육즙이 흐르는 생고기 무더기가 차려진다. / 반월 식당 뒷방: 창호지 문을 통해 따스한 햇빛이나 어스름한 달빛이 스며드는 정갈하게 정돈된 고풍스러운 방. 옷걸이에 선명하고 화려한 붉은색 무녀복이 걸려 있다. / 반월 식당 뒤뜰의 낡은 창고 내부: 허름한 널판지 벽으로 둘러싸인 어두운 창고. 평상시엔 낚시 장비와 잡동사니가 쌓여 있지만, 특정 밤에는 일렁이는 수십 개의 촛불, 연기가 피어오르는 향, 검은 염소 머리와 피가 가득 담긴 사발, 그리고 하얀 사슴뿔 창이 놓인 기괴한 제단으로 꾸며진다. 훗날 불에 타 거뭇한 뼈대와 연기만 남는다.\n\nTHE LOCATION: 27. 실외. 반월 식당 뒤뜰 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Drying platform and laid-out vegetables; Candlelight and altar-like arrangement inside the shed; Restaurant supplies and fishing equipment; Firefighting residents, hoses, and buckets; Flames and rising smoke at the storage shed; Burned and smoking condition of the storage shed; Carried bundle at the restaurant frontage; Carried white deer-antler spear\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "fc26b2a0-1441-4774-9fc0-8f2486505f0f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_wooden_restaurant_compound/rounds/r001/cand_04.png", "sha256": "0c479d6c15dffb523d99fdc7cfa45cd2bb19ce12866d05a40c523f58ed78f49c", "fittings": [ { "target_native": "낡은 널판지 창고 문", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/e716bafb-24bb-42b7-aea0-fdb383844ee8/images/d6a9aa85-b75e-400c-980c-4ee7e876a15b/structure_form_refs/bg_wooden_restaurant_compound/rounds/r001/cand_15.png", "sha256": "2fb79c2db3885c000b74952b1b1def44cd07abf68180a377f8953b3ae3b57846" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "1dac0cd5e6398056", "totals": { "A": 6, "B": 5, "C": 9 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "3/4 부감과 배치 요소는 대체로 충족하나, 창·문 너머 실내 진열대·테이블이 환하게 드러나 '내부를 시각화하지 말 것' 및 배제된 식당 비품 조항과 충돌하고, 앞마당과 뒤뜰 구분이 약하며 지붕이 기와로 바뀌어 레퍼런스의 판벽·슬레이트 성격에서 이탈한다." }, { "label": "B", "score": 5, "verdict_ko": "구성 요소(오르막 길·돌담·뒤뜰·텃밭·창고)는 갖췄으나 노출이 지나치게 어두워 '전체 형상과 면, 개구부를 명확히 보여주는' 시드 플레이트 요건을 충족하지 못하고, 좌측 부속부와 골목 구분이 뭉개져 판독성이 가장 낮다." }, { "label": "C", "score": 9, "verdict_ko": "약간 높은 3/4 시점에서 판벽 외벽·붉은 격자 미닫이문·파란 물통 등 레퍼런스 형태를 가장 충실히 재현하고, 오르막 마을길→숲/산, 측면 골목, 석축 뒤뜰 경계, 구획 텃밭, 마당을 향한 창고 문까지 구조 명세를 모두 만족하며 인물·배제 요소 없이 야간 플레이트로 깨끗하다." } ], "critique": { "issues": [ { "issue_ko": "메인 식당 목조 건물의 우측 측면이 개방되어 내부가 보이는데, 전면에서 후면까지의 깊이가 비현실적으로 얕아(거의 평면 수준) 지시문에 명시된 '넓은 단층 목조 실내'를 수용할 수 있는 구조적 부피가 전혀 없습니다.", "fix_en": "Push the back wall of the wooden building deeper into the background yard to create a structure with realistic volumetric depth, preserving the existing front facade, roof, the concrete structure, the road, the stone walls, the small shed, the garden plots, and the night lighting exactly as they are.", "needs_regeneration": true }, { "issue_ko": "임시 장비가 없는 '빈 장면'을 요구하고 레퍼런스의 주변 요소를 복사하지 말라는 지시를 위반하여, 레퍼런스 사진에 있던 파란색 플라스틱 물통이 콘크리트 건물 앞에 그대로 묘사되어 있습니다.", "fix_en": "Remove the blue plastic water tank from beside the concrete entrance, replacing it with the plain concrete wall and dirt ground, preserving the buildings, the road, the garden plots, the stone walls, the darkness, and the overall framing exactly.", "needs_regeneration": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove the blue plastic water tank from beside the concrete entrance, replacing it with the plain concrete wall and dirt ground, preserving the buildings, the road, the garden plots, the stone walls, the darkness, and the overall framing exactly.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "메인 식당 목조 건물의 우측 측면이 개방되어 내부가 보이는데, 전면에서 후면까지의 깊이가 비현실적으로 얕아(거의 평면 수준) 지시문에 명시된 '넓은 단층 목조 실내'를 수용할 수 있는 구조적 부피가 전혀 없습니다.", "fix_en": "Push the back wall of the wooden building deeper into the background yard to create a structure with realistic volumetric depth, preserving the existing front facade, roof, the concrete structure, the road, the stone walls, the small shed, the garden plots, and the night lighting exactly as they are.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "C", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "1adadc2e-c4ea-4c5d-b71e-a23d3c496169", "resolved_model": "gemini-image", "updated_at": "2026-08-07T16:32:52.235728+00:00", "project_config_snapshot": {} }