outdoor_site_layout — groups 8

layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- dense undergrowth and forest floor: at the near center of the frame.
FIGURES:
- 숲속의 한국인 남성 (C01): at the near center of the frame — NEAREST figure to the camera.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- dense undergrowth and forest floor: at the near center of the frame.
FIGURES:
- 숲속의 한국인 남성 (C01): at the near center of the frame — NEAREST figure to the camera.
- 검은 인영 (C02): at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.92x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 검은 인영 is farther than 숲속의 한국인 남성 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C01O01 in a dirty jacket, an East Asian adult man with natural black hair, positioned as the 숲속의 한국인 남성 in the center foreground, looking toward the dark area behind him in the middle-right background. Captured at eye level in a face-dominant close frame, his head is in a sudden mid-turn at a three-quarter left angle, shoulders recoiling. His terrified face, streaked with sweat and dirt, occupies the central two-thirds of the frame, eyes fixed wide and mouth open in sheer panic. Stark, high-contrast low dusk illumination highlights his frightened expression against the surrounding impenetrable shadows. Just past his turned head, [: a narrow vertical strip of thick, shadowy bushes swallowed by deep blackness] borders the right edge of the frame.

Photorealistic cinematic still. C01O01 in worn outdoor clothes, an Asian middle-aged man, lies pinned in the lower-center foreground, while a visibly smaller dark human-shaped figure bears down from deeper in the center of the frame. Seen at a low observer camera angle near ground level, the shared forest floor anchors their violent physical struggle. The dark figure, positioned at the center of the frame and turned at a three-quarter angle toward the right, exerts forceful downward pressure over the victim, its head angled down with a gaze fixed on the pinned man; its face is fully swallowed in shadow with no discernible features, appearing only as a solid human-shaped outline against the dim ambient fill. C01O01, in right profile, is forcefully pressed to the ground, looking off-screen with wide eyes and an expression of sheer panic. His exposed thigh bears an actively bleeding bite mark, and one missing shoe is visible among the dirt and leaves on his heavily stained body. The surrounding dense forest at dusk is overgrown with thick bushes, closing the frame edges. Low, shadowy dusk illumination falls off sharply outside the immediate focal area, swallowing the deep background in darkness and emphasizing the high-contrast tension of the restraint.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 폴리스 라인 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- body on the ground: at the near left side of the frame — NEAREST figure to the camera.
- 혜수 (C06): at the mid-distance center of the frame; about 1.9x as far from the camera as the nearest figure, so they must appear roughly 0.53x the nearest figure's height (smaller, deeper in the frame).
- 형사 무리: at the mid-distance center of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.51x the nearest figure's height (smaller, deeper in the frame).
- 형사 무리: at the mid-distance right side of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.50x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 형사 무리 is farther than body on the ground and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C06O06 in a navy detective jacket, an East Asian middle-aged woman, stands facing the camera at mid-distance in the center of the frame, visibly smaller than the body and deeper in the frame, pointing toward the body on the ground in the lower-left foreground. Captured from an eye-level observer position, her gaze is directed down toward the lifeless recovery site. A secondary human perimeter of Korean middle-aged men in worker uniforms clusters at mid-distance in the center and on the right side of the frame, visibly smaller than the body and deeper in the frame, their bodies turned away and gazing down at the ground. [L02: A yellow police line crosses the background laterally, sealing off the cordoned crime scene]. The daylight image exhibits mild broadcast-image compression, bathed in subdued contrast and restrained colors appropriate for regional-news footage, focusing on the spatial tension between the commanding figure and the tragic discovery below.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- old villa rooftop: at the near center of the frame.
- rooftop room: at the near center of the frame.
- rooftop-room entrance iron door: at the near center of the frame.
- rooftop-room window: at the near right side of the frame.
- stairs connected to the rooftop room (path): runs from the near left side of the frame to the mid-distance left side of the frame.
- cement wall (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame.
FIGURES:
- 수리영: at the near left side of the frame — NEAREST figure to the camera.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- old villa rooftop: at the mid-distance left side of the frame.
- rooftop room: at the mid-distance center of the frame.
- rooftop-room entrance iron door: at the mid-distance left side of the frame.
- rooftop-room window: at the near center of the frame.
- stairs connected to the rooftop room (path): runs from the far left side of the frame to the far left side of the frame.
- cement wall (path): runs from the mid-distance right side of the frame to the far left side of the frame.
FIGURES:
- 옥탑방 침입 남성 (C18): at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the old villa rooftop.
- 옥탑방 창문 너머 여성 (C19): at the near center of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 0.98x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near right side of the frame; NOT heading into the old villa rooftop.
DEPTH CONTRACT: 옥탑방 창문 너머 여성 is farther than 옥탑방 침입 남성 and must read visibly smaller and deeper in the frame.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- old villa rooftop: at the near center of the frame.
- rooftop room: at the near center of the frame.
- rooftop-room entrance iron door: at the near center of the frame.
- rooftop-room window: at the near right side of the frame.
- stairs connected to the rooftop room (path): runs from the near left side of the frame to the mid-distance left side of the frame.
- cement wall (path): runs from the mid-distance right side of the frame to the mid-distance right side of the frame.
FIGURES:
- 수리영: at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. The camera holds chest-high and perpendicular to the window, its frame visible against the dark exterior wall of the rooftop structure enveloped in a high-contrast, low-key night environment. In the left-right-reversed reflection on the glass, two figures appear as dense silhouettes. From the near center, an adult male figure in dark workwear at a three-quarter angle from the right serves as the one exerting force; his head is fully swallowed in shadow with no discernible features, body volume preserved as he forcefully lunges forward, his invisible gaze fixed on the woman. At the near center, slightly deeper in the frame and visibly but only slightly smaller than the man, an Asian woman in her 40s in a worker uniform is the constrained figure, already partway along her path toward the near right side of the frame and not heading into the old villa rooftop, caught in left profile twisting away. Her shoulder is firmly trapped, rim light tracing her visibly wounded, pained expression and jaw contour as she gazes off-screen. The man's overlapping dark shape freezes in a decisive bite against her shoulder. The deep shadows unify the unlit architectural surfaces, isolating the intense reflected action.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station exterior: at the far left side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station exterior: at the far left side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station exterior: at the far left side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the sea.

SHOT 1 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- coastal road (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- coastline (path): runs from the mid-distance left side of the frame to the far right side of the frame.
- sea (path): runs from the far left side of the frame to the far right side of the frame.
- police station exterior: at the far left side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the coastal road; NOT heading into the sea.

Photorealistic cinematic still. C09O12 in a khaki field jacket, a young East Asian woman, occupies the left midground, already partway along the coastal road, moving toward the screen-right travel direction on a bicycle; the road leads toward the mid-distance right side of the frame, and she is not heading into the sea. Captured by an observer at torso height positioned parallel to the path, she is seen in right profile, gazing into the distance. She is seated on the saddle in mid-pedal, one knee bent driving the pedal downward, her natural black hair flowing back in the direction opposite to motion. The bicycle's frame and wheels are clearly visible below her in side profile. The police station exterior background recedes obliquely behind the rider under bright daytime ambient light, retaining a restrained neutral color palette.

Photorealistic cinematic still. C09O12 in a khaki jacket, a young East Asian woman riding the bicycle, is positioned on the left side of the midground, already partway along the coastal road from the left side and heading toward the mid-distance right side of the frame, not into the sea. Observed laterally at bicycle height, the framing holds a wide profile that contains her full body and the entire bicycle frame with both wheels. She is captured in right profile, seated on the saddle in mid-pedal, one leg fully extended as the driven pedal reaches the bottom of its stroke, hands firmly gripping the handlebar, eyes looking off-screen into the storm. Storm-dark ambient exposure and intermittent lightning cast her as a hard, rain-cut silhouette, with rim light tracing her shoulder and the bicycle to preserve body volume. Heavy rain falls from dark storm clouds, while her jacket flaps and the raindrops scatter backward across the trailing left side, opposite to her forward motion, against restrained cold neutral tones.

Photorealistic cinematic still. C09O12 in a khaki field jacket, a young East Asian woman, occupies the middle-left midground on a bicycle, moving toward the road ahead at screen right in the middle-right background. Captured at chest height slightly ahead, the wide frame shows her at a three-quarter angle from the left, gazing into the distance with a bright expression. She is frozen mid-pedal with one foot pressing downward, hands gripping the handlebar, the bicycle frame and front wheel visible in the lower frame. Her raised chin, natural black hair, and jacket collar trail backward in the direction opposite to her forward motion. She wears earphones. Bright daylight illuminates the coastal road with a restrained neutral palette, the sea visible beside the path.

Photorealistic cinematic still. C09O12 in a khaki field jacket, a young East Asian woman, occupies the left-side midground, moving toward the screen-right direction of travel. Seen in right profile from a parallel camera at torso height, she is crouched into forceful pedaling. She is captured mid-pedal with one knee bent in the down stroke, both hands gripping the handlebars, gazing into the distance. Her natural black hair and jacket collar flow back into the left side of the frame in the direction opposite to her motion. The bicycle frame and front wheel are clearly visible below her. Behind her, the dark coastal road slides horizontally across the wide frame, with the faint silhouette of the coastline visible beside the road. Night exposure is kept low-key and high-contrast with restrained cold-neutral grading and no unspecified light source, focusing on her urgent forward-bent posture and active pedal stroke against the deep shadows.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 대형 마트: at the far left side of the frame.
- 번화가 길가 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 대형 마트: at the far left side of the frame.
- 번화가 길가 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. C09O12 in a khaki jacket, a young East Asian woman in her 20s with natural black hair, stands in the middle foreground, looking toward the open exterior space in the middle-left background. She is seen in left profile, gazing into the distance. A P06 smartphone is pressed to her ear by her hand, its narrow side and rear edge facing the camera. The camera observes at head height, maintaining a clean side profile where her head and phone-bearing hand occupy the central portion of the frame. Above and behind her head, the side housing of an exterior CCTV camera enters the upper-right frame edge. The scene is illuminated by natural early-morning ambient light with restrained neutral contrast, keeping her baseline facial features and hair completely consistent. The [L07: blurred, out-of-focus morning market surroundings] fills the remaining area, maintaining the close framing scale without relying on a sharp background.

Photorealistic cinematic still. Shot from slightly in front and to the right with a gentle downward tilt. C09O12 in a casual khaki field jacket, a young East Asian woman, stands at the center of the frame, turned at a three-quarter angle from the right, hunched over a raised P06 smartphone held at the lower center. Her upper body and hands occupy the medium frame. Her face is positioned in the upper-middle, looking down at the screen with a concentrated, normal expression. In the background, the [L07: busy commercial road] provides a layered urban context, anchored by a storefront, a glowing signboard, a window, the car on the road, and a distant streetlight. Dusk ambient light casts a cool restraint on the subject, contrasting with muted colored neon accents from the distant signs.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥탑방 외곽 계단 (path): runs from the near center of the frame to the far center of the frame.
- 옥탑방: at the far center of the frame.
FIGURES:
- 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 옥탑방 외곽 계단 (path): runs from the near center of the frame to the far right side of the frame.
- 옥탑방: at the far right side of the frame.
FIGURES:
- 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.
- 혜수 (C06): at the mid-distance center of the frame; about 1.8x as far from the camera as the nearest figure, so they must appear roughly 0.57x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 혜수 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C06O06, 혜수, an East Asian woman in her mid-40s in a navy detective jacket with natural black hair, occupies the mid-distance center, visibly smaller and deeper in the frame. Eye-level close framing captures her face at a visibly reduced scale within the image, with widened eyes, rigid cheeks, and a half-open mouth, her neck and shoulders barely visible at the lower frame edge. She is facing the camera, frozen mid-breath, looking off-screen with eyes fixed on an unseen figure in front of her. Low-key nighttime ambient lighting holds both eyes clearly while the rest of her face falls into restrained contrast and subtle shadows. [L09B01: soft out-of-focus dark nighttime exterior extending to the frame edges, isolating the subject].

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 해안가 (path): runs from the far left side of the frame to the far right side of the frame.
- 버스정류장 부근: at the mid-distance center of the frame.
- 버스정류장 부근의 이동 경로 (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 혜수 (C06): at the near left side of the frame — NEAREST figure to the camera.
- 수리영 (C09): at the near right side of the frame; about 1.0x as far from the camera as the nearest figure, so they must appear roughly 1.00x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

SHOT 5 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- 해안가 (path): runs from the mid-distance center of the frame to the far left side of the frame.
- 버스정류장 부근: at the near right side of the frame.
- 버스정류장 부근의 이동 경로 (path): runs from the mid-distance right side of the frame to the far left side of the frame.
FIGURES:
- 혜수 (C06): at the near right side of the frame — NEAREST figure to the camera.
- 수리영 (C09): at the mid-distance center of the frame; about 2.0x as far from the camera as the nearest figure, so they must appear roughly 0.50x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far left side of the frame; their path follows the 버스정류장 부근의 이동 경로; moving away from 혜수; NOT heading into the 버스정류장 부근.
DEPTH CONTRACT: 수리영 is farther than 혜수 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. In a chest-height oblique close frame, C06 in a navy detective jacket, an East Asian woman in her 40s, appears in an over-the-shoulder perspective from the left, leaning forward with her arm extended, eyes fixed on C09. Visibly smaller than C06 and deeper in the frame on the right, C09 in a khaki field jacket, an East Asian woman in her 20s, is seated at three-quarter angle from the left, her upper torso folded inward as she looks down. Between them, C06's hand holds out a cold beverage can in the center, its cylindrical side angled toward the camera. The seat edge of a shared bench runs behind and beneath C09's torso. [: Subdued nighttime coastal ambience with restrained contrast, maintaining dark shadows around the hand and C09's withdrawn posture.]

Photorealistic cinematic still. C09O12 in a khaki jacket, an East Asian woman in her 20s, occupies the mid-distance center, visibly smaller and deeper in the frame, already partway along the route away from the bus stop and heading toward the far left side of the frame along the bus-stop-area movement route, moving away from C06O06 and not heading into the bus-stop area, sharing the long coastal path with C06O06 in a navy jacket, an East Asian woman in her 40s, who stands in the middle-right background looking toward C09O12 running away. Viewed from upper-body height beside the path, the static wide framing creates a detached, watchful tension across the distance. C09O12 appears with her back to camera, frozen mid-stride with one leg lifted, her back occupying the center frame, gaze directed off-screen. Farther back along the path, C06O06 is seen at three-quarter angle from the left, her hands cupped around her mouth as if shouting, her eyes fixed on C09O12. The side of an unoccupied bench is visible near C06O06 in the distant portion of the frame. The environment is depicted with subdued coastal night ambience and low-contrast lighting, keeping the atmosphere dark and restrained while maintaining readable silhouettes without any harsh artificial illumination.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sea: at the far right side of the frame.
- harbor land-water edge (path): runs from the mid-distance right side of the frame to the far left side of the frame.
- shore rocks: at the near left side of the frame.
FIGURES:
- 수리영 (C09): at the near left side of the frame — NEAREST figure to the camera.

SHOT 6 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sea: at the far right side of the frame.
- harbor land-water edge (path): runs from the far left side of the frame to the far right side of the frame.
- shore rocks: at the far right side of the frame.
FIGURES:
- 수리영 (C09): at the near center of the frame — NEAREST figure to the camera.
- 인우 (C22): at the mid-distance center of the frame; about 2.1x as far from the camera as the nearest figure, so they must appear roughly 0.48x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 인우 is farther than 수리영 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. C09O12 in a khaki jacket, a young East Asian woman, stands in the lower-center foreground, looking toward C22O18 visibly smaller and deeper at mid-distance in the center of the frame, with the boat edge separating their levels occupying the middle-center midground. Captured from a low waist-height observer camera angled upward. C09O12 appears at a three-quarter angle from the right, her feet planted on the damp ground and chin lifted, eyes fixed on the man above. C22O18 in waterproof fisher workwear, a young East Asian man, is positioned above the shared wooden hull at a three-quarter angle from the left. He braces over a thick mooring line that runs down from his hands, looking down to meet her gaze across the vertical divide. The coastal port is completely enveloped in thick, dense fog during dusk. Diffuse, low-contrast dusk light with cold neutral tones emphasizes the physical distance between them, reflecting softly off the damp ground left by a recent heavy shower, while the deep harbor background remains entirely obscured by the heavy mist.

diagnostics

{
 "outdoor_location_count": 11,
 "seed_group_count": 9,
 "groups_extracted": 8,
 "skipped": [
  {
   "shot": "S2sh1",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S2sh4",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S28sh3",
   "reason": "zoom_continuity_member"
  },
  {
   "shot": "S28sh4",
   "reason": "zoom_continuity_member"
  },
  {
   "seed": "location:L16",
   "reason": "cap"
  }
 ],
 "layout_shape_violations": [],
 "layout_side_conflicts": [
  {
   "seed": "location:L03",
   "conflicts": [
    {
     "shot_index": 1,
     "entity_token": "C18",
     "staged_side": "left",
     "layout_side": "right"
    }
   ]
  }
 ],
 "spatial_summary_skipped": [
  {
   "shot": "S4sh1",
   "reason": "layout_side_conflict"
  },
  {
   "shot": "S17sh1",
   "reason": "layout_side_conflict"
  }
 ],
 "rewrite_failed": [],
 "revised_prompt_audit_violations": [],
 "zoom_member_exclusion_source": "shot_dependency_t2i",
 "composition_guide_failed": [],
 "composition_guide_candidate_skipped": [
  {
   "group": "osl-shared-l01-s1",
   "shot": "S1sh3",
   "reason": "pose_brief_unusable_fail_closed"
  },
  {
   "group": "osl-shared-l03-s10",
   "shot": "S10sh4",
   "reason": "optical_composition_risk"
  },
  {
   "group": "osl-single-l05-s9-sh1",
   "reason": "judge_no_need",
   "confidence": "high"
  },
  {
   "group": "osl-single-l07-s8-sh4",
   "reason": "judge_no_need",
   "confidence": "high"
  },
  {
   "group": "osl-shared-l09-s13",
   "reason": "judge_no_need",
   "confidence": "low"
  }
 ],
 "composition_guide_count": 11,
 "seed_prefilter_meta": {
  "1:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L01",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "1:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L01",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "3:2": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L02",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "4:1": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "6:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "8:4": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L07",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "9:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "10:3": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 0,
   "framing_scale": "close",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "10:4": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "11:3": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "13:3": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L09",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "13:4": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L09",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "15:2": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L10",
   "figure_count": 2,
   "framing_scale": "close",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "15:5": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L10",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "17:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L03",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "19:4": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L07",
   "figure_count": 1,
   "framing_scale": "close",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "22:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "24:1": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L05",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "26:2": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "frame_visible",
   "location_id": "L15",
   "figure_count": 1,
   "framing_scale": "medium",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "26:6": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "frame_visible",
   "location_id": "L15",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "30:1": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "frame_visible",
   "location_id": "L16",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  }
 },
 "single_shot_seed_lane_enabled": true,
 "composition_guide_shared_model_enabled": true,
 "shared_model_judge_enabled": true,
 "shared_model_candidate_signals": [
  {
   "group_id": "osl-shared-l01-s1",
   "location_id": "L01",
   "scene_index": 1,
   "member_shots": [
    "S1sh3",
    "S1sh5"
   ],
   "cameras_non_identical": true,
   "landmark_count": 1,
   "per_shot_signals": {
    "1:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "1:5": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l02-s3-sh2",
   "location_id": "L02",
   "scene_index": 3,
   "member_shots": [
    "S3sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 1,
   "per_shot_signals": {
    "3:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 4,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l03-s10",
   "location_id": "L03",
   "scene_index": 10,
   "member_shots": [
    "S10sh3",
    "S10sh4"
   ],
   "cameras_non_identical": true,
   "landmark_count": 6,
   "per_shot_signals": {
    "10:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 0,
     "has_motion": false
    },
    "10:4": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l03-s11-sh3",
   "location_id": "L03",
   "scene_index": 11,
   "member_shots": [
    "S11sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 6,
   "per_shot_signals": {
    "11:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 0,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l05-s6-sh1",
   "location_id": "L05",
   "scene_index": 6,
   "member_shots": [
    "S6sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 4,
   "per_shot_signals": {
    "6:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s9-sh1",
   "location_id": "L05",
   "scene_index": 9,
   "member_shots": [
    "S9sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 4,
   "per_shot_signals": {
    "9:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s22-sh1",
   "location_id": "L05",
   "scene_index": 22,
   "member_shots": [
    "S22sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 4,
   "per_shot_signals": {
    "22:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l05-s24-sh1",
   "location_id": "L05",
   "scene_index": 24,
   "member_shots": [
    "S24sh1"
   ],
   "cameras_non_identical": false,
   "landmark_count": 4,
   "per_shot_signals": {
    "24:1": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-single-l07-s8-sh4",
   "location_id": "L07",
   "scene_index": 8,
   "member_shots": [
    "S8sh4"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "8:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l07-s19-sh4",
   "location_id": "L07",
   "scene_index": 19,
   "member_shots": [
    "S19sh4"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "19:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l09-s13",
   "location_id": "L09",
   "scene_index": 13,
   "member_shots": [
    "S13sh3",
    "S13sh4"
   ],
   "cameras_non_identical": true,
   "landmark_count": 2,
   "per_shot_signals": {
    "13:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "13:4": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l10-s15",
   "location_id": "L10",
   "scene_index": 15,
   "member_shots": [
    "S15sh2",
    "S15sh5"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "15:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    },
    "15:5": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l15-s26",
   "location_id": "L15",
   "scene_index": 26,
   "member_shots": [
    "S26sh2",
    "S26sh6"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "26:2": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "26:6": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  }
 ],
 "shared_model_judge_decisions": [
  {
   "group_id": "osl-shared-l01-s1",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "1:3",
     "source_field": "camera_direction",
     "quote": "At the fleeing man's eye level and slightly off his front-left side"
    },
    {
     "shot_key": "1:5",
     "source_field": "camera_direction",
     "quote": "settles near ground level at an oblique angle toward the fallen man's upper body"
    },
    {
     "shot_key": "1:5",
     "source_field": "camera_direction",
     "quote": "pinned man lies across the lower half of the frame while the black figure bears down from the upper center"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "Shot 1:5 features a complex ground-level oblique angle with two figures interacting (one pinning the other), requiring careful depth layering and framing. A group guide ensures the forest floor environment remains consistent between the close-up and the wide ground-level shot.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l02-s3-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "3:2",
     "source_field": "camera_direction",
     "quote": "framing her at the center of the detective group. Her extended pointing arm cuts diagonally toward the lower edge where the body lies, while surrounding detectives remain secondary along both margins."
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot requires arranging multiple figures across distinct depth planes, with a specific pointing gesture connecting the midground subject to a foreground body, creating a high risk of incorrect placement without a layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l03-s10",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "10:3",
     "source_field": "camera_direction",
     "quote": "Hold directly outside the entrance at low height, square to the door"
    },
    {
     "shot_key": "10:4",
     "source_field": "camera_direction",
     "quote": "In the left-right-reversed reflection"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "Shot 10:4 frames the subjects entirely through a reflection in the window glass, which is an optical risk that precludes a mannequin sketch. Shot 10:3 requires a tight, specific architectural framing square to the door. A group guide is warranted to establish the shared structure (the rooftop room's door and window) across the two different camera positions, even though 10:4 will be excluded from the per-shot layout sketches.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l03-s11-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "11:3",
     "source_field": "camera_direction",
     "quote": "Compose the half-open entrance in the upper-middle beyond a broad strip of rooftop floor, with the inward-facing gap exposing the dark interior as the terminal point of the shot."
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The shot requires specific architectural framing of a half-open entrance and rooftop floor without any figures to anchor the scale or perspective, creating a high risk of the structure's position and scale reading incorrectly without a guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s6-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "6:1",
     "source_field": "camera_direction",
     "quote": "Tracking at chest height beside and slightly ahead of the bicycle, the camera holds 수리영 in a dynamic three-quarter wide frame"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The tracking camera moving alongside and slightly ahead of the moving bicycle creates a specific spatial relationship and framing requirement that an unguided render might fail to maintain.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s9-sh1",
   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "high",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [
    {
     "shot_key": "9:1",
     "source_field": "camera_direction",
     "quote": "Track parallel at torso height from 수리영’s strict side"
    }
   ],
   "guide_scope": "none",
   "risk_notes": "Standard profile tracking shot of a single figure on a bicycle; no complex depth layering, extreme camera angles, or spatial ambiguity that would require a layout sketch.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
   "group_id": "osl-single-l05-s22-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "22:1",
     "source_field": "camera_direction",
     "quote": "track alongside 수리영 from the specified lateral distance while framing her full riding action in profile"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The tracking camera directive and profile framing of a moving figure create a placement risk that warrants a single-shot layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l05-s24-sh1",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "24:1",
     "source_field": "camera_direction",
     "quote": "Track laterally beside 수리영 at bicycle height, holding a wide profile that contains her full body and the entire bicycle"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The camera is placed at a specific low angle ('bicycle height') tracking laterally to hold a wide profile of the full body and bicycle. A layout sketch will help ensure the figure and bicycle are grounded correctly relative to the low camera height and the road surface.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l07-s8-sh4",
   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "high",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [],
   "guide_scope": "none",
   "risk_notes": "Standard medium shot with a gentle downward tilt; no extreme viewpoint, complex depth layering, or spatial ambiguity that would require a layout guide.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
   "group_id": "osl-single-l07-s19-sh4",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "19:4",
     "source_field": "camera_direction",
     "quote": "presenting a clean side profile with her head and phone-bearing hand occupying the central-right portion of the frame. Open exterior space remains ahead of her gaze on the opposite side"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "Specific screen-zone placement and profile framing require a layout guide to ensure the figure is positioned correctly on the right side of the frame with open space ahead.",
   "admit": true,
   "deny_reason": null
  },
  {
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   "needs_shared_model_guide": false,
   "decision_type": "no_guide",
   "confidence": "low",
   "reasons": [
    "insufficient_evidence"
   ],
   "evidence": [],
   "guide_scope": "none",
   "risk_notes": "The shots consist of a standard medium shot and an extreme close-up with no shared visible structures, complex depth layering, or extreme camera angles that would necessitate a layout sketch.",
   "admit": false,
   "deny_reason": "judge_no_need"
  },
  {
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   "decision_type": "both",
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   ],
   "evidence": [
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     "source_field": "camera_direction",
     "quote": "At chest height between the two women, hold an oblique close composition"
    },
    {
     "shot_key": "15:5",
     "source_field": "camera_direction",
     "quote": "her lifted leg and running back occupy the left foreground while 혜수's calling upper body remains small in the right background"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots cover the same bus stop location from different angles and scales (close vs wide). Shot 15:5 also features significant depth layering and motion, requiring a guide to ensure consistent figure placement and structural continuity across the sequence.",
   "admit": true,
   "deny_reason": null
  },
  {
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   "decision_type": "both",
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   "evidence": [
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     "quote": "Set the camera beside the rocks at 수리영's seated shoulder height, perpendicular to her sightline, and hold a static medium profile against the fog-covered sea."
    },
    {
     "shot_key": "26:6",
     "source_field": "camera_direction",
     "quote": "Place the camera at low waist height on the ground immediately before the boat, several feet to 수리영's side, and angle upward to hold both levels of the exchange. 수리영 occupies the lower foreground with her chin lifted, while 인우 remains above her near the boat in the upper background"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group requires a shared model to maintain the spatial relationship between the shore rocks, the boat, and the sea across different camera angles. Shot 26:6 requires specific attention due to its low angle and depth layering between the two characters, which poses a high risk of incorrect figure placement and depth collapse if rendered unguided.",
   "admit": true,
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 ],
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}