{ "status": "completed", "applicable_count": 2, "completed_count": 2, "failed_count": 0, "schema_version": 1, "config_hash": "df6bb7b2abcf3ea0", "data": { "groups": { "bg_coastal_road": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/ecedba66-2474-4dff-a1a4-7d13bac08e1d/images/background_chain/seed_bg_coastal_road_sel.png", "siteplan_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/ecedba66-2474-4dff-a1a4-7d13bac08e1d/images/background_chain/siteplan_bg_coastal_road.png", "seed_asset_id": "324395f4-57ad-4523-96af-a9c4c1d824a4", "siteplan_asset_id": "94882417-dd76-46ab-b2a3-0e222da52310", "seed_selected": "C", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA compact rectangular bus shelter is the principal structure within a currently inhabited low-rise coastal working neighborhood in South Korea. It is single-storey, with a charcoal-gray powder-coated steel frame, clear glass panels across the rear and both sides, a shallow flat gray metal roof, and exactly one fully open entry bay facing the road. The metal finish is faded and lightly corroded, and the glass and lower frame carry restrained salt staining from long-term marine exposure. The shelter occupies a separate paved stopping pad directly beside the continuous worn asphalt coastal road and narrow shoulder. The road passes the stop without interruption. The adjacent cool gray sea remains visible beyond the open seaward side, while the ordinary landward neighborhood encloses the site as a functioning, lived-in place.\n\nTHE LOCATION: A coastal roadside bus stop in a working seaside neighborhood, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle presence on the coastal road; Purchased beverage; Thunderstorm and heavy rain; Earphones\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "siteplan_prompt": "Draw a top-down SITE PLAN of the property shown in the attached\nphotograph.\n\nOUTPUT MEDIUM: a flat 2D SITE-PLAN DRAWING, NOT a photograph and NOT a\n3D view. RE-PROJECT the scene to a TRUE ORTHOGRAPHIC PLAN as seen from\nDIRECTLY ABOVE (90 degrees nadir). Absolutely NO 3D, no perspective, no\nisometric view, no shadows, no photo textures — every element appears\nONLY as pure plan geometry (outlines and flat filled zones).\n\nCIRCLED MARKERS (draw each as a small circled code at its mapped\nlocation):\n- (A1) coastal road corridor — The road runs through the coastal site, passing the bus stop area and providing the continuous route used along the waterfront.\n- (A2) sea beside the coastal route — The sea occupies the open side of the coastal site and is visible from the bus stop vicinity across the seaward side of the road corridor.\n- (B1) coastal roadside bus stop — The bus stop is positioned beside the coastal road within sight of the sea, creating a distinct stopping area connected directly to the road corridor.\n\nAllowed zone labels (the ONLY text permitted besides the marker codes):\n- Coastal Road Corridor\n- Bus Stop Area\n\nSTYLE: minimal architectural site plan — flat pastel zone fills, thin\ndark outlines, dashed property boundary, small north compass. No other\ntext, no legends, no dimensions.\n", "seed_variants": { "conformance_brief_en": "Every image must show the same compact, single-storey rectangular coastal bus shelter in contemporary South Korea. It has a charcoal-gray powder-coated steel frame, transparent glass rear and side panels, a shallow flat gray metal roof, light salt staining and minor corrosion, and exactly one fully open road-facing entry bay. The shelter occupies a distinct paved stopping area directly beside a continuous worn asphalt coastal road with a narrow shoulder. The road continues past the stop, and the sea remains visible beyond its open seaward side. A believable, currently inhabited low-rise working coastal neighborhood surrounds the landward side; the site must not appear abandoned, isolated on empty ground, or studio-built.", "location_line_en": "A coastal roadside bus stop in a working seaside neighborhood, South Korea.", "variants": [ { "approach_ko": "시나리오의 해안도로와 버스정류장 표현을 직접 시각화한 접근", "evidence_ko": [ "해안가 도로", "바다냄새를 실컷 마신다", "해안도로", "해안가. 버스정류장 부근", "바다를 바라보며" ], "prompt_en": "A currently inhabited low-rise working coastal neighborhood in contemporary South Korea lines the landward side of a continuous waterfront road. The adjacent sea is clearly visible from the roadside stop. The main subject is a compact, single-storey rectangular bus shelter with a charcoal-gray powder-coated steel frame, transparent glass rear and side panels, a shallow flat gray metal roof, and exactly one fully open road-facing entry bay. Salt staining, faded finish, and minor corrosion show regular coastal exposure without abandonment. The shelter stands on its own paved stopping area directly beside the worn asphalt road and its narrow shoulder. The road continues uninterrupted past the stop, with the sea beyond its open seaward side and the ordinary inhabited neighborhood close around the site.", "variant_id": "v1" }, { "approach_ko": "해안 생활권과 도로의 관계를 먼저 정립하는 동네 중심 접근", "evidence_ko": [ "바다가 바로 보이는 해안 도로변", "작은 야외 버스 대기소", "바다와 인접한 낡은 아스팔트 포장도로" ], "prompt_en": "This is a real, currently inhabited South Korean coastal neighborhood in 2026, with ordinary low-rise working buildings continuing along the landward side of the waterfront route. A worn asphalt road forms the continuous site axis, with a narrow shoulder and an unobstructed view of the adjacent sea from the bus stop area. The target is one compact, single-storey rectangular roadside shelter. Its charcoal-gray powder-coated steel frame supports transparent glass rear and side panels and a shallow flat gray metal roof. Exactly one road-facing entry bay is fully open. Light salt deposits, dulled paint, and small areas of corrosion give it credible coastal wear. Its distinct paved stopping area connects directly to the road, which continues past it, while the open seaward side preserves the sea view and the surrounding neighborhood keeps the place active and lived-in.", "variant_id": "v2" }, { "approach_ko": "재료와 해풍 마모를 기준으로 형태를 확정하는 건축 중심 접근", "evidence_ko": [ "낡은 아스팔트 포장도로", "차가운 느낌의 바다 풍경", "해안 도로변에 설치된 작은 야외 버스 대기소" ], "prompt_en": "A compact rectangular bus shelter is the principal structure within a currently inhabited low-rise coastal working neighborhood in South Korea. It is single-storey, with a charcoal-gray powder-coated steel frame, clear glass panels across the rear and both sides, a shallow flat gray metal roof, and exactly one fully open entry bay facing the road. The metal finish is faded and lightly corroded, and the glass and lower frame carry restrained salt staining from long-term marine exposure. The shelter occupies a separate paved stopping pad directly beside the continuous worn asphalt coastal road and narrow shoulder. The road passes the stop without interruption. The adjacent cool gray sea remains visible beyond the open seaward side, while the ordinary landward neighborhood encloses the site as a functioning, lived-in place.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA currently inhabited low-rise working coastal neighborhood in contemporary South Korea lines the landward side of a continuous waterfront road. The adjacent sea is clearly visible from the roadside stop. The main subject is a compact, single-storey rectangular bus shelter with a charcoal-gray powder-coated steel frame, transparent glass rear and side panels, a shallow flat gray metal roof, and exactly one fully open road-facing entry bay. Salt staining, faded finish, and minor corrosion show regular coastal exposure without abandonment. The shelter stands on its own paved stopping area directly beside the worn asphalt road and its narrow shoulder. The road continues uninterrupted past the stop, with the sea beyond its open seaward side and the ordinary inhabited neighborhood close around the site.\n\nTHE LOCATION: A coastal roadside bus stop in a working seaside neighborhood, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle presence on the coastal road; Purchased beverage; Thunderstorm and heavy rain; Earphones\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real, currently inhabited South Korean coastal neighborhood in 2026, with ordinary low-rise working buildings continuing along the landward side of the waterfront route. A worn asphalt road forms the continuous site axis, with a narrow shoulder and an unobstructed view of the adjacent sea from the bus stop area. The target is one compact, single-storey rectangular roadside shelter. Its charcoal-gray powder-coated steel frame supports transparent glass rear and side panels and a shallow flat gray metal roof. Exactly one road-facing entry bay is fully open. Light salt deposits, dulled paint, and small areas of corrosion give it credible coastal wear. Its distinct paved stopping area connects directly to the road, which continues past it, while the open seaward side preserves the sea view and the surrounding neighborhood keeps the place active and lived-in.\n\nTHE LOCATION: A coastal roadside bus stop in a working seaside neighborhood, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle presence on the coastal road; Purchased beverage; Thunderstorm and heavy rain; Earphones\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA compact rectangular bus shelter is the principal structure within a currently inhabited low-rise coastal working neighborhood in South Korea. It is single-storey, with a charcoal-gray powder-coated steel frame, clear glass panels across the rear and both sides, a shallow flat gray metal roof, and exactly one fully open entry bay facing the road. The metal finish is faded and lightly corroded, and the glass and lower frame carry restrained salt staining from long-term marine exposure. The shelter occupies a separate paved stopping pad directly beside the continuous worn asphalt coastal road and narrow shoulder. The road passes the stop without interruption. The adjacent cool gray sea remains visible beyond the open seaward side, while the ordinary landward neighborhood encloses the site as a functioning, lived-in place.\n\nTHE LOCATION: A coastal roadside bus stop in a working seaside neighborhood, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle presence on the coastal road; Purchased beverage; Thunderstorm and heavy rain; Earphones\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same compact, single-storey rectangular coastal bus shelter in contemporary South Korea. It has a charcoal-gray powder-coated steel frame, transparent glass rear and side panels, a shallow flat gray metal roof, light salt staining and minor corrosion, and exactly one fully open road-facing entry bay. The shelter occupies a distinct paved stopping area directly beside a continuous worn asphalt coastal road with a narrow shoulder. The road continues past the stop, and the sea remains visible beyond its open seaward side. A believable, currently inhabited low-rise working coastal neighborhood surrounds the landward side; the site must not appear abandoned, isolated on empty ground, or studio-built.\n\nTHE LOCATION: A coastal roadside bus stop in a working seaside neighborhood, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nBicycle presence on the coastal road; Purchased beverage; Thunderstorm and heavy rain; Earphones", "seed_decision": { "input_fingerprint": "45d3ddeb030ef71c", "totals": { "C": 7, "A": 5, "B": 4 }, "ranking": [ "C", "A", "B" ], "verdicts": [ { "label": "C", "score": 7, "verdict_ko": "Accurately executes the exact structural openings (a single open bay), materials, and coastal layout with the neighborhood correctly sited on the landward side." }, { "label": "A", "score": 5, "verdict_ko": "Fails layout constraints by placing the shelter and adjacent neighborhood buildings on the road's seaward side, contradicting the required open seaward view." }, { "label": "B", "score": 4, "verdict_ko": "Violates strict architectural constraints by featuring two fully open road-facing entry bays instead of exactly one." } ], "critique": { "issues": [ { "issue_ko": "버스 정류장의 개방된 출입구가 해안 도로 쪽이 아닌 내륙 건물 쪽을 향하고 있습니다.", "fix_en": "Rotate the bus shelter so that the fully open entry bay faces the main coastal road on the right." }, { "issue_ko": "지시문에서 금지된 요소인 자전거가 왼쪽 건물 앞 도로변에 주차되어 있습니다.", "fix_en": "Remove the bicycles parked along the road near the buildings on the left." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Rotate the bus shelter so that the fully open entry bay faces the main coastal road on the right.\n- Remove the bicycles parked along the road near the buildings on the left.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } }, "bg_rooftop_residence": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/ecedba66-2474-4dff-a1a4-7d13bac08e1d/images/background_chain/seed_bg_rooftop_residence_sel.png", "siteplan_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/ecedba66-2474-4dff-a1a4-7d13bac08e1d/images/background_chain/siteplan_bg_rooftop_residence.png", "seed_asset_id": "2910d596-ddb4-4946-b782-4d6cc0e2a768", "siteplan_asset_id": "08a2ad21-a63a-48bd-a8d8-ee6e1cb15320", "seed_selected": "A", "seed_prompt": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn old multi-unit villa stands in an actively occupied working residential neighborhood on the outskirts of Incheon, reached directly from a narrow alley among neighboring buildings. The target is a compact rectangular three-storey reinforced-concrete villa with weathered gray-beige cement render, dark damp streaks and restrained patch repairs, plus one low single-storey rooftop room in rough pale-gray cement render. One dark brown metal villa entrance door connects the alley to a dim rear courtyard. A narrow, steep cement exterior stairway begins beside the rear courtyard and rises to the worn cement rooftop deck. The deck surrounds the rooftop room and holds one cylindrical stainless-steel water tank. The rooftop room has one faded blue-gray iron entrance door facing the deck, with a lock mounted on it and the door visible from the top of the stairs. Exactly one exterior window occupies another wall. A gray cement boundary wall follows an outer deck edge within direct sight of that window. The villa, courtyard, stairway, deck, rooftop room, water tank and boundary wall form one vertically connected inhabited site.\n\nTHE LOCATION: An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle in the rear courtyard; car outside the stair area; clothesline on the rooftop; wooden platform on the rooftop; dried sweet flag on the platform; advertising flyer in the entrance-door gap; half-open state of the rooftop-room entrance door; illuminated state of the rooftop room; black cat at the boundary wall\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "siteplan_prompt": "Draw a top-down SITE PLAN of the property shown in the attached\nphotograph.\n\nOUTPUT MEDIUM: a flat 2D SITE-PLAN DRAWING, NOT a photograph and NOT a\n3D view. RE-PROJECT the scene to a TRUE ORTHOGRAPHIC PLAN as seen from\nDIRECTLY ABOVE (90 degrees nadir). Absolutely NO 3D, no perspective, no\nisometric view, no shadows, no photo textures — every element appears\nONLY as pure plan geometry (outlines and flat filled zones).\n\nCIRCLED MARKERS (draw each as a small circled code at its mapped\nlocation):\n- (A1) alley approach to the multi-unit villa — The alley runs outside the villa and leads directly to the villa entrance door.\n- (B1) multi-unit villa exterior — The villa contains the ground-level entrance and courtyard and supports the rooftop deck and rooftop room above.\n- (B2) villa entrance door from the alley — The entrance door is set between the alley approach and the villa courtyard.\n- (B3) rear courtyard area inside the villa entrance — The courtyard lies inside the villa entrance, with its rear area adjoining the foot of the exterior stairway.\n- (C1) exterior stairway connecting the courtyard to the rooftop room — The stairway begins beside the rear courtyard area and rises to the rooftop deck outside the rooftop room.\n- (D1) rooftop deck surrounding the rooftop room — The deck occupies the top of the villa, receives the exterior stairway, and surrounds the rooftop-room exterior.\n- (D2) rooftop-room exterior structure — The rooftop room stands on the villa rooftop deck and includes the iron entrance door and exterior window.\n- (D3) rooftop-room iron entrance door — The iron entrance door is set into an exterior wall of the rooftop room and opens between the room interior and the rooftop deck.\n- (D4) rooftop-room exterior window — The window is set into an exterior wall of the rooftop room and faces the rooftop exterior area.\n- (D5) rooftop water tank — The water tank stands on the rooftop deck in the exterior area around the rooftop room.\n- (D6) boundary wall beside the rooftop-room exterior — The wall occupies an outer edge of the rooftop-room exterior area and lies within a direct sightline of the rooftop room.\n- (D7) lock on the rooftop-room iron entrance door — The lock is mounted on the rooftop-room iron entrance door at the deck-facing entrance.\n\nAllowed zone labels (the ONLY text permitted besides the marker codes):\n- Alley Approach\n- Rear Courtyard\n- Exterior Stairway\n- Rooftop Deck\n\nSTYLE: minimal architectural site plan — flat pastel zone fills, thin\ndark outlines, dashed property boundary, small north compass. No other\ntext, no legends, no dimensions.\n", "seed_variants": { "conformance_brief_en": "Every image must show the same compact rectangular three-storey reinforced-concrete multi-unit villa, plus one low single-storey rooftop room. The villa has weathered gray-beige cement render, dark damp staining and patch repairs; the rooftop room has rough pale-gray cement render, a faded blue-gray iron entrance door with a mounted lock, and exactly one evidenced exterior window on another wall. Exactly one evidenced ground-level villa entrance door connects the alley to the rear courtyard. A narrow, steep exterior cement stairway rises from the courtyard to the worn cement rooftop deck. The deck surrounds the rooftop room and holds one cylindrical stainless-steel water tank. A gray cement boundary wall follows an outer deck edge within sight of the rooftop-room window. The rooftop-room door faces the deck and is visible from the top of the stairs. These elements form one vertically connected site. The villa must stand within a believable, actively occupied working residential neighborhood in an outlying district of Incheon, South Korea, with no duplicated prominent target openings.", "location_line_en": "An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.", "variants": [ { "approach_ko": "시나리오의 공간 단서를 직접 시각화한 접근", "evidence_ko": [ "인천 변두리 부감, 오래된 빌라 옥탑방 전경.", "옥탑방 옥상. 물탱크.", "옥탑방 철문 현관", "다세대 빌라 문을 열고 들어와", "마당 후미진 곳에", "옥탑방과 연결되는 계단을 급히 오른다.", "창문에 비친 그림자." ], "prompt_en": "An old multi-unit villa stands in an actively occupied working residential neighborhood on the outskirts of Incheon, reached directly from a narrow alley among neighboring buildings. The target is a compact rectangular three-storey reinforced-concrete villa with weathered gray-beige cement render, dark damp streaks and restrained patch repairs, plus one low single-storey rooftop room in rough pale-gray cement render. One dark brown metal villa entrance door connects the alley to a dim rear courtyard. A narrow, steep cement exterior stairway begins beside the rear courtyard and rises to the worn cement rooftop deck. The deck surrounds the rooftop room and holds one cylindrical stainless-steel water tank. The rooftop room has one faded blue-gray iron entrance door facing the deck, with a lock mounted on it and the door visible from the top of the stairs. Exactly one exterior window occupies another wall. A gray cement boundary wall follows an outer deck edge within direct sight of that window. The villa, courtyard, stairway, deck, rooftop room, water tank and boundary wall form one vertically connected inhabited site.", "variant_id": "v1" }, { "approach_ko": "재료와 노후 흔적을 우선한 로케이션 접근", "evidence_ko": [ "변두리의 오래된 다세대 주택 꼭대기 공간.", "낡은 시멘트 바닥과 철문이 달린 작은 가건물(옥탑방) 외관이 특징", "오래된 빌라 1층의 어둡고 습한 마당과 후미진 주차 구역.", "옥상으로 이어지는 좁고 가파른 시멘트 외부 계단이 연결되어 있다." ], "prompt_en": "This is a real, actively occupied working neighborhood in an outlying part of Incheon, with the target villa fitted tightly into its alley and ordinary neighboring residential fabric. The building is a compact rectangular three-storey reinforced-concrete multi-unit villa finished in weathered gray-beige cement render. Damp discoloration, water streaks and old patch repairs mark the exterior without making it derelict. A single dark brown metal entrance door opens from the alley into the dark rear courtyard and its recessed parking apron. From the courtyard, one narrow and steep exterior cement stairway climbs to a worn cement rooftop deck. A low single-storey rooftop room stands on the deck, finished in rough pale-gray cement render. Its one faded blue-gray iron entrance door opens toward the deck, carries a mounted lock and is visible where the stairs reach the roof. Exactly one exterior window is set into another wall. One cylindrical stainless-steel water tank shares the surrounding deck. A weathered gray cement boundary wall runs along an outer deck edge within sight of the rooftop-room window. All parts remain physically connected as one inhabited villa site.", "variant_id": "v2" }, { "approach_ko": "골목부터 옥상까지의 연결 구조를 우선한 접근", "evidence_ko": [ "골목길", "다세대 빌라 문", "마당 후미진 곳", "옥탑방과 연결되는 계단", "옥상에 올라와 보니", "현관 철문", "물탱크." ], "prompt_en": "A narrow alley in an actively occupied outer-Incheon residential neighborhood leads directly to the target, with adjoining buildings establishing a dense, ordinary working setting. The target is one compact rectangular three-storey reinforced-concrete multi-unit villa under weathered gray-beige cement render, topped by one low single-storey rooftop room of rough pale-gray rendered cement. Exactly one dark brown metal villa entrance door forms the passage from the alley into the rear courtyard. The rear of this dim, damp courtyard meets the foot of one narrow, steep exterior cement stairway. The stairway rises continuously to the worn cement rooftop deck and ends outside the rooftop room. The room's single faded blue-gray iron entrance door faces the deck, remains visible from the stair top and has one lock mounted on it. Exactly one exterior window occupies another wall of the rooftop room. The deck surrounds the room and supports one cylindrical stainless-steel water tank. A gray cement boundary wall follows an outer edge of the deck and stays within the window's direct sightline. The alley entrance, courtyard, stairway, deck, rooftop room, tank and boundary wall read as one vertically connected, currently inhabited property.", "variant_id": "v3" } ] }, "seed_roll_prompts": { "A": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nAn old multi-unit villa stands in an actively occupied working residential neighborhood on the outskirts of Incheon, reached directly from a narrow alley among neighboring buildings. The target is a compact rectangular three-storey reinforced-concrete villa with weathered gray-beige cement render, dark damp streaks and restrained patch repairs, plus one low single-storey rooftop room in rough pale-gray cement render. One dark brown metal villa entrance door connects the alley to a dim rear courtyard. A narrow, steep cement exterior stairway begins beside the rear courtyard and rises to the worn cement rooftop deck. The deck surrounds the rooftop room and holds one cylindrical stainless-steel water tank. The rooftop room has one faded blue-gray iron entrance door facing the deck, with a lock mounted on it and the door visible from the top of the stairs. Exactly one exterior window occupies another wall. A gray cement boundary wall follows an outer deck edge within direct sight of that window. The villa, courtyard, stairway, deck, rooftop room, water tank and boundary wall form one vertically connected inhabited site.\n\nTHE LOCATION: An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle in the rear courtyard; car outside the stair area; clothesline on the rooftop; wooden platform on the rooftop; dried sweet flag on the platform; advertising flyer in the entrance-door gap; half-open state of the rooftop-room entrance door; illuminated state of the rooftop room; black cat at the boundary wall\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "B": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nThis is a real, actively occupied working neighborhood in an outlying part of Incheon, with the target villa fitted tightly into its alley and ordinary neighboring residential fabric. The building is a compact rectangular three-storey reinforced-concrete multi-unit villa finished in weathered gray-beige cement render. Damp discoloration, water streaks and old patch repairs mark the exterior without making it derelict. A single dark brown metal entrance door opens from the alley into the dark rear courtyard and its recessed parking apron. From the courtyard, one narrow and steep exterior cement stairway climbs to a worn cement rooftop deck. A low single-storey rooftop room stands on the deck, finished in rough pale-gray cement render. Its one faded blue-gray iron entrance door opens toward the deck, carries a mounted lock and is visible where the stairs reach the roof. Exactly one exterior window is set into another wall. One cylindrical stainless-steel water tank shares the surrounding deck. A weathered gray cement boundary wall runs along an outer deck edge within sight of the rooftop-room window. All parts remain physically connected as one inhabited villa site.\n\nTHE LOCATION: An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle in the rear courtyard; car outside the stair area; clothesline on the rooftop; wooden platform on the rooftop; dried sweet flag on the platform; advertising flyer in the entrance-door gap; half-open state of the rooftop-room entrance door; illuminated state of the rooftop room; black cat at the boundary wall\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day.", "C": "A location-scouting photograph for a live-action film — a real place,\nfound and chosen for shooting. The TARGET STRUCTURE described below is\nthe main subject, photographed from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings, and it stands\ninside its real, lived-in neighborhood: the adjacent buildings, the\nalley or street it belongs to, and the everyday surroundings such a\nplace naturally has. Never an isolated building on empty ground. This\nimage becomes the look authority (seed) for every later view of the\nSAME structure, so render the exterior complete and real: no cutaway,\nno floor-plan or room labels, no transparent enclosed surfaces, never\na drawing or diagram. Real materials, real weathering, and the\nordinary visual texture of a place where people actually live.\n\nA narrow alley in an actively occupied outer-Incheon residential neighborhood leads directly to the target, with adjoining buildings establishing a dense, ordinary working setting. The target is one compact rectangular three-storey reinforced-concrete multi-unit villa under weathered gray-beige cement render, topped by one low single-storey rooftop room of rough pale-gray rendered cement. Exactly one dark brown metal villa entrance door forms the passage from the alley into the rear courtyard. The rear of this dim, damp courtyard meets the foot of one narrow, steep exterior cement stairway. The stairway rises continuously to the worn cement rooftop deck and ends outside the rooftop room. The room's single faded blue-gray iron entrance door faces the deck, remains visible from the stair top and has one lock mounted on it. Exactly one exterior window occupies another wall of the rooftop room. The deck surrounds the room and supports one cylindrical stainless-steel water tank. A gray cement boundary wall follows an outer edge of the deck and stays within the window's direct sightline. The alley entrance, courtyard, stairway, deck, rooftop room, tank and boundary wall read as one vertically connected, currently inhabited property.\n\nTHE LOCATION: An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle in the rear courtyard; car outside the stair area; clothesline on the rooftop; wooden platform on the rooftop; dried sweet flag on the platform; advertising flyer in the entrance-door gap; half-open state of the rooftop-room entrance door; illuminated state of the rooftop room; black cat at the boundary wall\n\nCLEAN PLATE RULES: no people and no animals anywhere in frame. Do not\nstage any scripted moment — no doors held open for a scene, no\ninterior lights implying someone mid-scene, no picture vehicles or\nprops arranged for action. Generic, everyday signs of habitation that\nany such neighborhood would naturally show are welcome — leave their\nselection to the image itself, exactly as a scout would find the\nplace on an ordinary day." }, "seed_brief": "SHARED CONFORMANCE BRIEF (invariant visual facts every candidate must satisfy):\n\nEvery image must show the same compact rectangular three-storey reinforced-concrete multi-unit villa, plus one low single-storey rooftop room. The villa has weathered gray-beige cement render, dark damp staining and patch repairs; the rooftop room has rough pale-gray cement render, a faded blue-gray iron entrance door with a mounted lock, and exactly one evidenced exterior window on another wall. Exactly one evidenced ground-level villa entrance door connects the alley to the rear courtyard. A narrow, steep exterior cement stairway rises from the courtyard to the worn cement rooftop deck. The deck surrounds the rooftop room and holds one cylindrical stainless-steel water tank. A gray cement boundary wall follows an outer deck edge within sight of the rooftop-room window. The rooftop-room door faces the deck and is visible from the top of the stairs. These elements form one vertically connected site. The villa must stand within a believable, actively occupied working residential neighborhood in an outlying district of Incheon, South Korea, with no duplicated prominent target openings.\n\nTHE LOCATION: An old multi-unit villa with a rooftop room in an outlying neighborhood of Incheon, South Korea.\n\nSCENE TRANSIENTS — the items below belong to specific scripted\nmoments, not to the permanent place. Do not reproduce these particular\nstaged items or momentary states. This does not forbid the ordinary,\ngeneric equivalents such a neighborhood would naturally show:\nbicycle in the rear courtyard; car outside the stair area; clothesline on the rooftop; wooden platform on the rooftop; dried sweet flag on the platform; advertising flyer in the entrance-door gap; half-open state of the rooftop-room entrance door; illuminated state of the rooftop room; black cat at the boundary wall", "seed_decision": { "input_fingerprint": "7ec352fe78d6500d", "totals": { "A": 6, "B": 3, "C": 5 }, "ranking": [ "A", "C", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "Fails the storey count (shows two storeys instead of three) and places the rooftop window on the same wall as the door, but best captures the compact rectangular massing and required dark damp staining." }, { "label": "B", "score": 3, "verdict_ko": "Hard violation: physically impossible structure featuring a disconnected staircase landing on an intermediate roof without reaching the ground-level courtyard." }, { "label": "C", "score": 5, "verdict_ko": "Misses the rooftop window placement and storey count. Also violates the compact rectangular massing by presenting a split-level structure and lacks the specified dark damp staining." } ], "critique": { "issues": [ { "issue_ko": "빌라 건물이 3층이어야 하나, 2층으로 묘사되었습니다.", "fix_en": "Insert one additional full storey into the main villa structure below the rooftop deck to make it a three-storey building." }, { "issue_ko": "옥탑방의 창문이 출입문과 다른 벽에 있어야 한다는 설정과 달리, 출입문과 같은 벽에 위치해 있습니다.", "fix_en": "Relocate the rooftop room's window to a different wall so it is not on the same face as the entrance door." } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Insert one additional full storey into the main villa structure below the rooftop deck to make it a three-storey building.\n- Relocate the rooftop room's window to a different wall so it is not on the same face as the entrance door.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere." } } } }, "step_id": "outdoor_structure_seed", "run_id": "28bafe92-5a38-488b-807d-08181c21823b", "resolved_model": "gemini-image", "updated_at": "2026-07-16T11:07:12.107339+00:00", "project_config_snapshot": {} }