visual_continuity_anchor — groups 3

vca-p01-prop printed_prop

S8sh5 close_insert
S15sh3 close_insert
S18sh5 close_insert
S25sh3 close_insert
S25sh10 close_insert
S26sh1 close_insert

• [prop_state/high] The smartphone can display a contact/number screen for Minsuk when Hyesu presents it to Kim Detective.
  “혜수 (핸드폰에 저장된 민숙번호 보여주며) 이 번호 위치 좀 따봐.”
• [held_prop/high] In the police-office shot, the smartphone screen is lit and held very close in front of Kim Detective’s face by Hyesu’s hand.
  “김형사의 얼굴 앞으로 불빛이 켜진 스마트폰 화면을 바짝 들이민 혜수의 손 클로즈업.”
• [prop_state/high] The smartphone can display a missed-call screen associated with repeated missed calls from Hyesu aunt.
  “얼핏 보니 혜수이모다. 벌써 여러통 째 부재중 전화.”
• [surface_state/high] In the port shot, the smartphone lies on the ground with its glass display showing the missed-call interface, beside Suri-young’s stopped hand.
  “바닥에 놓인 스마트폰 액정의 부재중 전화 화면과 그 옆에 멈춘 수리영의 손 클로즈업.”
• [held_prop/high] The smartphone is repeatedly used as a handheld call device pressed to a character’s ear.
  “마트 밖 길거리, 휴대폰을 귀에 댄 수리영의 손이 굳고 입술이 살짝 벌어진 정지 순간.”
• [held_prop/high] Hyesu also uses the smartphone at her ear while checking Suri-young’s recorded voice message in the dark rooftop room.
  “어두운 옥탑방 안, 스마트폰을 귀에 댄 채 미간을 찌푸린 혜수의 굳은 얼굴 클로즈업.”

prop_anchor P01

printed_content: The smartphone screen displays functional call/contact interfaces rather than a photograph: one state shows Minsuk’s saved phone number/contact being shown for location tracing, and another state shows a missed-call interface indicating repeated missed calls from Hyesu aunt. No fixed photographic place, visible person, portrait, or literal on-screen wording is locked.

physical_form: A modern pocket-sized handheld smartphone with a dark rectangular body, clear glass front, and illuminated digital display; contemporary 2020s South Korean everyday device, with no specific cracks, case design, stickers, or stains established.

scale_contract: Keep the smartphone at normal real-world handheld scale, small enough to hold in one hand, press to an ear, or place on the ground beside a human hand.

{"8:5": {"keep_real_scale": true}, "15:3": {"keep_real_scale": true}, "18:5": {"keep_real_scale": true}, "25:3": {"keep_real_scale": true}, "25:10": {"keep_real_scale": true}, "26:1": {"keep_real_scale": true}}

vca-p02-prop printed_prop

S12sh11 close_insert
S24sh5 environment
S26sh7 environment
S27sh4 close_insert

• [surface_state/high] The printed image shows a rural Korean restaurant that appears to be from the 1970s–1980s.
  “7-80년대 쯤 보이는 시골 식당”
• [surface_state/high] The restaurant in the photograph has a distinctive round, cross-like structure mounted on its roof.
  “지붕위에 둥근 원이 설치된 (마치 십자가처럼) 식당”
• [subject_pose/high] Two twelve-year-old girls are seated in front of the restaurant in the photograph.
  “식당 앞에는 어린 여자애 둘(12살)이 앉아있다.”
• [subject_pose/high] One of the two girls in the photograph is young Minsuk, Suriyeong’s mother.
  “그중에 한 아이는 분명히 어릴 적 엄마다.”
• [prop_state/high] The photograph is old and crumpled, first found clenched in dead Minsuk’s hand.
  “죽은 엄마의 손에 구겨져있던 바로 그 사진이다.”
• [prop_state/high] The same photograph is later blood-stained and stuck into the center of a red circular mark on the wall.
  “그 가운데 꽂혀있는 피묻은 사진 한 장!”

prop_anchor P02

printed_content: The photograph shows a 1970s–1980s-looking rural Korean restaurant with a distinctive round, cross-like structure mounted on the roof. In front of the restaurant sit two twelve-year-old Korean girls; one is the childhood version of Minsuk, Suriyeong’s mother, while the other girl is unidentified.

physical_form: A small hand-held vintage printed paper photograph, old and faded with worn edges; it has been crumpled from being clenched in a hand and later appears blood-stained.

scale_contract: Keep it the size of a real hand-held old paper photograph, small enough to be clenched in a hand, pinned to a wall, or held up for someone to inspect.

{"12:11": {"keep_real_scale": true}, "24:5": {"keep_real_scale": true}, "26:7": {"keep_real_scale": true}, "27:4": {"keep_real_scale": true}}

vca-s12-c05-immobilized immobilized_subject

S12sh6 environment
S12sh11 close_insert

• [subject_pose/high] The immobilized subject is seated behind the curtain, slumped against the wall with the head dropped forward.
  “커튼을 젖히자 앉은 채로 고개를 떨군 채 죽어있는”
• [subject_pose/high] The shoulder and collarbone area remains torn open with ragged flesh and blood running down.
  “살점이 뜯긴 어깨와 쇄골, 마치 동물에게 물어뜯긴 듯한 거친 상처가 고스란히 드러나있다. 덜렁거리는 살점과 뜯겨진 부위에 흘러내리는 피.”
• [held_prop/high] One bloodied hand lies extended on the floor and stays clenched around a crumpled photograph.
  “바닥에 늘어진 피 묻은 민숙의 손안에 꽉 쥐어진 구겨진 사진 클로즈업.”
• [prop_state/high] The crumpled photograph remains inside the immobilized subject's hand until it is pulled out.
  “손안에 구겨진 사진 한 장이 보인다. 다가가 사진을 꺼내는데”
• [subject_pose/medium] The wrist with the tattoo is on the same hand area being approached, and the tattoo changes to red while the body remains otherwise unmoving.
  “사진을 꺼내는데 엄마 손목에 있던 문신이 붉은색으로 변한다.”

subject_anchor C05 dead

shared_state_contract: The immobilized subject is dead, seated behind the curtain and slumped against the wall with the head dropped forward; the shoulder and collarbone wounds are exposed with ragged flesh and blood running down. One bloodied hand lies extended on the floor, clenched around a crumpled photograph, with the wrist tattoo on that hand area remaining in place as the photograph is approached and removed.

per_shot_visible_focus

• sh11: A close insert of the bloodied hand lying on the floor, clenched around the crumpled photograph; the rest of the seated, wall-slumped body is off-frame but remains unchanged.
• sh6: A medium view of the seated, wall-slumped upper body behind the curtain: dropped head, torn shoulder and collarbone area, ragged flesh, and blood running down are visible; the clenched hand and photograph may be lower or less emphasized but must remain in the same configuration.

{"12:6": {"enforce_state_continuity": true}, "12:11": {"enforce_state_continuity": true}}