{ "status": "running", "data": { "completed": { "L65": { "name": "캠핑카가 전복된 도로변 쓰레기 둔덕", "short_id": "L65", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered around South Korea. Photorealistic cinematic establishing shot, a desolate and ruined paved road bordered by massive, uneven mounds of accumulated garbage, scrap metal, and debris. Broken asphalt, overgrown dry weeds, bleak dystopian wasteland atmosphere, cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L50": { "name": "인천 난민촌 외곽 도로와 무인점포 앞", "short_id": "L50", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a deserted road on the outskirts of a rundown refugee camp with a weathered unmanned store facade. Cracked pavement, rusted metal automated kiosks attached to the wall, makeshift structures in the background, desaturated cool palette, tactile material details of decaying infrastructure, tense dystopian science-fiction aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L91": { "name": "익산 밤하늘", "short_id": "L91", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, vast dark night sky, expansive atmosphere, scattered faint stars, wispy clouds, atmospheric haze, deep cinematic shadows, cool and desaturated palette, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L46": { "name": "해일이 밀려드는 인천 난민촌 거리", "short_id": "L46", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, no people, no vehicles, no moving objects. A severely flooded street in a dystopian coastal refugee camp. The ground is deeply submerged in dark, churning water with floating debris. Flanked by a dense, chaotic arrangement of makeshift shacks, weathered tents, and rusted corrugated metal structures. Damp, gloomy atmosphere with a wet ground reflecting muted light. Cool, desaturated palette with tactile material detail and expressive contrast, emphasizing the somber, waterlogged, and harsh environment.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L39": { "name": "인천 난민촌과 성당 상공", "short_id": "L39", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, aerial bird's-eye view looking down at a sprawling dystopian refugee camp and a prominent old cathedral. Tightly packed makeshift shacks, tents, and scrap structures surround the contrasting classical architecture of the stone cathedral. Bleak and desolate atmosphere, cool and desaturated palette, cloudy sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L27": { "name": "라울의 컨테이너 내부", "short_id": "L27", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a weathered shipping container turned into a makeshift living space, narrow rectangular room, corrugated metal walls with rust and peeled paint, simple cot, stacked crates, small cluttered desk, dim atmospheric industrial lighting hanging from the low ceiling, harsh shadows, gritty textures, restrained cool and desaturated palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L61": { "name": "휴게소 마트 내부", "short_id": "L61", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of an abandoned highway rest stop mart, rusty empty metal shelves, thick dust on the floor, dirty windows letting in dim natural light, dilapidated and neglected state, dystopian atmosphere, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast, no people, no vehicles, no dynamic objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L89": { "name": "익산 마을 물탱크 탑 앞 공터", "short_id": "L89", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 Dystopian Future, South Korea. Photorealistic cinematic establishing shot, a wide dirt clearing in a dilapidated rural village featuring a massive, heavily rusted iron water tank tower towering in the center, dry weeds and cracked earth, surrounded by weathered and decaying old structures, desolate and grim atmosphere, muted and desaturated color palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L29": { "name": "윤성찬의 승용차 내부", "short_id": "L29", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior cabin of a passenger car, worn fabric and leather seats, a dashboard mixing analog dials and digital screens, a scratched and weathered steering wheel, faint light coming through the windshield and side windows, moody lighting, cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C05": { "name": "앰버", "short_id": "C05", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, mid-20s young female, mixed ancestry, pale skin, shoulder-length messy dark brown hair, striking amber eyes, sharp jawline, neutral expression, plain white background, photorealistic cinematic aesthetic, restrained cool palette.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L105": { "name": "군 병원 복도", "short_id": "L105", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate military hospital corridor. Cold concrete and metal walls, worn utilitarian floor tiles, harsh and dim overhead industrial lighting. Heavy metallic doors with small reinforced viewing windows lining the hallway. Visible pipes and wiring running along the ceiling. A restrained cool and desaturated palette, conveying dystopian sci-fi tension and a sterile yet worn atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L14": { "name": "인천 난민촌 인공제방 작업장과 제방 벽 앞", "short_id": "L14", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a towering artificial levee wall made of weathered concrete and reinforced steel patches, dilapidated industrial scaffolding attached to the massive structure, rough and unpaved dirt and gravel worksite ground at the base, heavy construction aesthetic, gritty texture, cool and desaturated lighting with a bleak atmospheric haze, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C22": { "name": "이강준", "short_id": "C22", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, mid-30s Korean male, short slightly messy black hair, thick eyebrows, sharp eyes, weathered and tanned skin, slight stubble, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L78": { "name": "익산 마을 성당 내부와 단상", "short_id": "L78", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a rustic and aged village church, empty nave with rows of worn wooden pews, central aisle leading to a slightly raised altar at the front. Aged walls, solemn atmosphere with dim natural light filtering through simple windows, desaturated and cool palette, tactile material detail on the worn wood and stone, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L110": { "name": "지동현의 연구소 2층 피아노 공간", "short_id": "L110", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, an intimate space on the second floor of a dystopian laboratory. An old, tactile wooden piano sits in the center, illuminated by soft, dusty light. The surrounding architecture features cold, industrial metallic walls and sci-fi structural elements, contrasting with the warm, analogue presence of the piano. Restrained cool and desaturated palette with selective warmth on the wood, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L11": { "name": "인천 난민촌 쓰레기장과 맨홀 주변", "short_id": "L11", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate outdoor garbage dump in a refugee camp, mountains of piled trash, debris, and rusted metal scrap, a prominent corroded circular iron manhole cover embedded in the muddy and grime-covered ground, desaturated color palette, gritty textures, dim atmospheric lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L07": { "name": "고급주택 담장·현관 앞·정원", "short_id": "L07", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, the exterior of a luxury mansion surrounded by high imposing stone walls, featuring a meticulously maintained garden with landscaped bushes and stone pathways leading to a grand, heavy front door. Architectural blend of opulence and dystopian resilience, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior", "yard" ], "default_space_key": "exterior" } }, "visual_identity": null }, "entity_type": "location" }, "C56": { "name": "나비", "short_id": "C56", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A young East Asian woman in her early 20s, short black hair, dark brown eyes, slender face. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L24": { "name": "쿠마 일행이 모인 난민촌 노상 모닥불 주변", "short_id": "L24", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a street in a rundown refugee camp centered around a makeshift campfire pit made of rubble and rusted barrels. Makeshift tents and scrap metal shelters lining the dirt road. Debris and ash scattered around the fire pit. Gritty, desaturated palette with tactile material detail of rusted metal and torn fabrics, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L119": { "name": "목포공항 격납고 내부", "short_id": "L119", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a massive, weathered airport hangar. High ceiling with heavy steel trusses, large rusted sliding metal doors, distressed concrete floor with stains and cracks. Dim industrial lighting casting atmospheric shadows, exposed pipes, dystopian sci-fi aesthetic, abandoned yet functional look, gritty atmosphere. Cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L108": { "name": "해남 바다가 보이는 언덕과 트럭 주차 지점", "short_id": "L108", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, no people, no vehicles, no objects. A barren dirt hill overlooking the ocean. A wide, flat unpaved clearing of exposed soil and sparse dry grass, functioning as a parking spot. A wide open view of the ocean horizon in the background. Desaturated color palette, bleak and desolate coastal atmosphere, tactile material detail on the dry vegetation and rough terrain, expressive brightness and contrast.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C29": { "name": "장백산", "short_id": "C29", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. Middle-aged Korean male, rugged weathered skin, short salt-and-pepper hair, thick angular eyebrows, sharp eyes, firm jawline, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C13": { "name": "쿠마", "short_id": "C13", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A mid 40s male, rugged and weather-beaten face, thick unkempt dark beard, short coarse dark hair, deep-set dark eyes, massive thick neck, imposing and broad-shouldered upper chest area. Hybrid cinematic aesthetic, photoreal human performance, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L87": { "name": "익산 마을 격투장과 관중석·단상", "short_id": "L87", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an empty makeshift fighting arena in a dilapidated village, no people, no vehicles, no objects. A wide circular dirt ground in the center, surrounded by crude tiered spectator stands constructed from scavenged scrap metal, old wood, and rusted panels. On one side, a prominently raised podium with a sturdy metal frame and a weathered canopy roof. Desaturated cool palette, dusty atmosphere, tactile material detail, dystopian science-fiction tension, harsh shadows.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L16": { "name": "난민 재판소 내부", "short_id": "L16", "description": "", "visual_traits": [], "t2i_prompt": "Set in dystopian 2069, South Korea. Photorealistic cinematic establishing shot, interior of a dystopian refugee tribunal court, rough concrete walls, a high imposing judge's podium, worn metallic and wooden audience benches, harsh and dim artificial overhead lighting, solemn and bleak institutional architecture, desaturated color palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L84": { "name": "과거 익산 마을 가장자리", "short_id": "L84", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, outskirts of a rustic Korean village from decades past, unpaved dirt paths winding through wild grasses and overgrown vegetation, borders of agricultural fields, distant silhouettes of simple older rural houses under an open sky, no people, no vehicles, no objects. A restrained cool and desaturated palette, tactile material detail, and expressive brightness and contrast, solemn grandeur.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L81": { "name": "정한수와 수빈이 샘물을 발견한 동굴", "short_id": "L81", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a dark and damp natural rock cave featuring a small pool of crystal clear spring water reflecting faint light, rugged stone walls, earthy tones, atmospheric depth, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C24": { "name": "태진", "short_id": "C24", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, a late 30s Korean male, short black hair, rough sun-tanned skin, strong well-defined jawline, sharp deep-set eyes, rugged facial features, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L90": { "name": "익산 마을을 내려다보는 언덕 능선", "short_id": "L90", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a high vantage point on a desolate hill ridge, dry dirt, scattered rocks, and withered grass, overlooking a distant dilapidated rural village in the valley below, overcast sky, cool and desaturated palette, tactile material detail, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C15": { "name": "구도환", "short_id": "C15", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A 30 to 40-year-old East Asian male with a sharp jawline and weathered, slightly tanned skin. He has short, practically cut black hair and dark brown eyes. Sturdy neck and upper chest. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L58": { "name": "미추홀도서관 복도와 외진 구석", "short_id": "L58", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a dystopian library with a narrow corridor leading to a secluded dark corner, tall weathered bookshelves casting deep shadows, worn and faded floor, dim lighting, dusty atmosphere, restrained cool and desaturated palette, tactile material detail, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L47": { "name": "수몰된 인천 난민촌 해상과 떠다니는 잔해 위", "short_id": "L47", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, expansive murky sea water covering a flooded coastal city, dense clusters of floating debris including wood planks and metal scraps on the water surface, makeshift submerged structures protruding from the water in the background, overcast gloomy sky, desaturated cool color palette, cinematic lighting, no people, pure environment focus.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C21": { "name": "국방장관", "short_id": "C21", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a Korean male in his late 50s to 60s, short neatly combed greying hair, angular jawline, deep facial wrinkles, dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L80": { "name": "폐발전소가 보이는 과거의 들판", "short_id": "L80", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a vast open field covered with tall, wild, overgrown grass. In the distant background, a massive abandoned power plant with decaying concrete structures and tall industrial smokestacks looms on the horizon. The striking contrast between the natural wilderness and the dilapidated brutalist architecture creates a solemn atmosphere. A restrained cool and desaturated palette, expressive brightness and contrast, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L53": { "name": "캠핑카가 보관된 폐공장 옆 창고", "short_id": "L53", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an old rusted warehouse next to an abandoned factory, weathered corrugated metal walls with peeling paint, large heavy metal shutter door, cracked concrete ground, bleak and desolate dystopian atmosphere, dimly lit, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, "L126": { "name": "제주도 연구소 임시보호소 병실", "short_id": "L126", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, inside a makeshift hospital room of a temporary shelter at a high-tech research facility, simple hospital beds, electronic medical monitoring equipment with glowing screens, cold metallic and synthetic wall panels, pale cool LED lighting, sterile and utilitarian atmosphere, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L111": { "name": "지동현의 연구소 건물 밖과 트럭 정차 지점", "short_id": "L111", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, exterior of a rugged laboratory building and a desolate dirt or cracked asphalt parking area, heavy industrial architecture with concrete and weathered metal facades, cool and desaturated palette, tactile material detail, dystopian science-fiction atmosphere, solemn grandeur, empty yard, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L26": { "name": "라울의 컨테이너 앞", "short_id": "L26", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, the exterior front area of a weathered and rusted corrugated metal shipping container modified for habitation. The container features makeshift awnings, patched metal panels, and a tangle of exposed wires and thick pipes attached to its exterior walls. The ground in front is a desolate patch of dirt, gravel, and cracked concrete. Dim, atmospheric lighting with a restrained cool and desaturated palette, highly detailed tactile material textures of rust and dirt, no people, no vehicles, no transient objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L104": { "name": "지동현의 연구소 앞 제비꽃밭", "short_id": "L104", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea centered. Photorealistic cinematic establishing shot. A patch of vibrant purple violets blooming on the dirt ground directly in front of the desolate, weathered concrete and metal facade of a dystopian laboratory building. The contrast between the delicate purple flowers and the cold, harsh architectural structure. Desaturated background palette with selective vivid color on the violets. no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L17": { "name": "무장 괴한들이 난민들을 위협하는 과거의 아스팔트 거리", "short_id": "L17", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an old and severely cracked asphalt street, faded white and yellow road markings on the worn surface, scattered dust and small urban debris, desolate and bleak environment, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L34": { "name": "신부의 승합차가 통과하는 민병대 검문 지점", "short_id": "L34", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a rugged makeshift militia checkpoint on a desolate, damaged road. Heavy concrete barricades, stacked sandbags, and rusted barbed wire blocking the path. A crude guard booth constructed from scrap metal and weathered wood. Harsh floodlights mounted on tall poles casting stark shadows. Desaturated cool palette, gritty texture, tactile material detail, dystopian science-fiction tension, gloomy atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L25": { "name": "마츠다의 고물상 내부", "short_id": "L25", "description": "", "visual_traits": [], "t2i_prompt": "Set in a dystopian future of 2069, centered around South Korea. Photorealistic cinematic establishing shot, interior of a dystopian scrap shop, dimly lit and highly cluttered. Piles of scrap metal, discarded electronic components, and heavy mechanical parts stacked haphazardly. Makeshift shelves filled with tangled wires and broken devices, a gritty workbench covered in various tools and dark oil stains. Dust particles suspended in the heavy air, desaturated cool palette, tactile material detail of rust and grime, high contrast lighting emphasizing shadows, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L08": { "name": "고급주택 거실", "short_id": "L08", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a spacious and luxurious living room inside a high-end mansion. High ceilings, large panoramic glass windows, polished marble floors. Sleek, dark minimalist furniture, metallic and glass accents, subtle elegant ambient lighting. Clean and pristine architectural design contrasting with a restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L124": { "name": "크리스의 선박 조타실", "short_id": "L124", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot of an interior room, empty space, no people, no vehicles. The interior of a weathered ship's wheelhouse. Large, angled front-facing windows. A central steering helm and heavy navigation consoles with glowing monitors and mechanical controls. Worn metal walls, peeling paint, exposed cables, and retro-fitted maritime communication gear. Dim, atmospheric lighting. Dystopian science-fiction aesthetic, cool and desaturated palette, tactile material detail, weighty mechanical atmosphere.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L120": { "name": "쿠마가 조종하는 헬리콥터 내부", "short_id": "L120", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered in South Korea. Photorealistic cinematic establishing shot, empty interior of a rugged helicopter cockpit, no people. Wide front windshield, complex instrument panels with glowing screens and analog switches, flight control sticks, worn utilitarian metal panels and synthetic leather seats. Dystopian mechanical aesthetic, restrained cool and desaturated palette, tactile material detail.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C43": { "name": "식당의 40대 아시아계 남성", "short_id": "C43", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, photorealistic, plain white background. A 40-something Asian man, ordinary face shape, short black hair, dark eyes, subtle facial wrinkles indicating middle age, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C48": { "name": "유빅사 용병대장", "short_id": "C48", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, middle-aged man, short military buzz cut, sharp cold eyes, rugged face with weathered skin, stern and hardened expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L57": { "name": "미추홀도서관 열람실과 서가", "short_id": "L57", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a grand public library, massive tall bookshelves forming long aisles, rows of wide reading tables, architectural columns, atmospheric lighting casting soft shadows, cool and desaturated palette, tactile material detail, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L35": { "name": "인천 성당 지하실 계단", "short_id": "L35", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a narrow, dimly lit concrete staircase descending into a dark basement of an old church, weathered stone walls with peeling paint, dusty steps, low ceiling, cold and desolate atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L101": { "name": "무너진 백화점 1층과 붕괴된 바닥 주변", "short_id": "L101", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, the ruined first floor of a department store with a collapsed floor and scattered debris, remains of commercial structures and broken walls amidst destruction, desolate and ruined atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C49": { "name": "백인 여성형 집사 로봇", "short_id": "C49", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, looking straight at the camera, plain white background. Caucasian young adult female android face, perfect flawless skin with a subtle synthetic sheen, perfectly symmetrical facial features, completely neat hair without stray strands, eyes with a slightly artificial mechanical stare, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L96": { "name": "익산 식량 운반 도로와 갈림길", "short_id": "L96", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate and severely damaged road forming a fork or intersection, cracked asphalt and dirt paths, surrounded by a barren dystopian rural landscape with scattered debris and dry weeds, overcast sky, desaturated colors, gritty texture, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L95": { "name": "이현우 일행의 트럭 짐칸", "short_id": "L95", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a heavily modified truck cargo bed. Rusty and worn metal walls, cramped space tightly packed with stacked survival gear, old supplies, and makeshift storage. Dimly lit, gritty and utilitarian aesthetic, cool and desaturated palette with tactile material detail, expressive contrast, no people, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L76": { "name": "익산 마을 거리와 전경", "short_id": "L76", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dilapidated and rough dystopian village street and wide panorama in Iksan, showing weathered low-rise buildings, makeshift shantytown structures patched with rusted metal and reclaimed wood, cracked asphalt mixed with dirt roads, desolate and gritty atmosphere, muted and desaturated color palette with heavy concrete textures, under a bleak sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, "L54": { "name": "이현우 일행의 캠핑카 내부", "short_id": "L54", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a heavily modified and worn-out camper van, cramped and highly functional living space, makeshift survival gear and storage compartments secured to walls with straps and nets, worn seating acting as a makeshift bed, rugged metallic interior panels, dim and atmospheric lighting, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C08": { "name": "라울", "short_id": "C08", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, a male in his 30s, mixed ancestry, distinct and rugged facial features, short dark brown hair, weathered skin texture, dark eyes, neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L92": { "name": "익산 한옥 마을 식량창고 내부", "short_id": "L92", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a traditional Hanok repurposed as a food storage warehouse, exposed thick wooden pillars and rafters, earthen walls, towering stacks of grain sacks, rough wooden crates, and sealed preserved food containers, dim natural light filtering through narrow gaps and old traditional paper doors, dusty atmosphere, dystopian survival aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L73": { "name": "익산 늪지대 주변 숲과 함정 공터", "short_id": "L73", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dense, damp forest bordering a muddy swamp. A rough clearing in the middle of the trees, the ground covered in deep mud, wet fallen leaves, and overgrown reeds. The terrain in the clearing looks artificially disturbed, with uneven patches of dirt and camouflaged pits covered in twigs and foliage. Thick mist, dark shadows, gnarled tree trunks. Dystopian atmosphere, cool desaturated palette, highly detailed textures of mud and bark, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C53": { "name": "작은 물고기", "short_id": "C53", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered around South Korea. Passport-style ID photo, head and upper body visible, a small aquatic fish, silvery scales, small round dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L19": { "name": "난민촌 골목 식당 내부", "short_id": "L19", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small makeshift restaurant in a dystopian refugee camp alley, walls built from patched corrugated metal and scrap wood, mismatched worn-out tables and stools, dim and uneven overhead lighting casting harsh shadows, grimy floor, cramped and claustrophobic space, tactile material detail, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L121": { "name": "목포 항구 부두", "short_id": "L121", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a weathered and desolate port pier, cracked concrete docks, rusty mooring bollards, dark and murky sea water, distant faded industrial harbor structures, overcast sky, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C47": { "name": "보건소 의사", "short_id": "C47", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, plain white background. Middle-aged Asian man, tired expression, deep eye bags, slight facial wrinkles, short unkempt dark hair, dark eyes.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L66": { "name": "전복된 캠핑카 내부", "short_id": "L66", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of an overturned camper van, sideways or upside-down room orientation. The floor is acting as a wall or ceiling, with built-in cabinets, a compact sink, and a bed frame hanging at a 90-degree or 180-degree angle. Dim natural light entering from sideways windows, dystopian sci-fi aesthetic, cool desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C50": { "name": "백인 남성형 인공지능 병사", "short_id": "C50", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. White male, 30s appearance. Short military buzz cut hair, pale skin without any blemishes or human imperfections. Strong jawline, cold and expressionless blue eyes. Perfect, almost artificial facial symmetry, stoic demeanor.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L30": { "name": "구치소 면회실", "short_id": "L30", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a sterile and oppressive detention center visitation room. A thick, slightly scratched glass partition divides the room into two halves. Metal counters with wall-mounted intercom telephones on both sides of the glass. Cold metallic stools bolted to the floor. Bleak institutional grey concrete walls, harsh and cold fluorescent lighting casting stark shadows. No people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C20": { "name": "윤성찬의 비서", "short_id": "C20", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A Korean woman in her 30s, neatly tied dark hair in an updo, clean-cut and sharp facial features, calm and neutral expression, photorealistic human features with precise tactile skin detail, cool and desaturated cinematic palette.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L48": { "name": "바다에 떠 있는 컨테이너 내부", "short_id": "L48", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a shipping container, no people, no vehicles, no objects. Cramped, claustrophobic rectangular space. Corrugated metal walls and ceiling with heavy rust, peeling paint, and water stains. Cold, damp atmosphere, dim lighting seeping through narrow cracks, desaturated cool color palette, gritty and tactile metallic textures, hyper-detailed hard-surface interior.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L01": { "name": "쓰레기가 쌓인 바다 밑바닥", "short_id": "L01", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, wide angle of a dark, murky underwater ocean floor. The seabed is entirely covered with a thick layer of accumulated trash, including rusted metal structures, discarded mechanical parts, and plastic waste. Faint, diffused rays of sunlight struggle to penetrate the turbid water from above. Eerie, desolate underwater environment, highly detailed textures of rust and pollution, muted cool color palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L118": { "name": "목포공항 활주로와 건물 앞 공터", "short_id": "L118", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a wide, weathered airport runway and an empty asphalt clearing in front of an old airport terminal building. Cracked tarmac, faded runway markings, tactile material detail of rough asphalt, desolate atmosphere, restrained cool and desaturated palette, expressive brightness and contrast, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L88": { "name": "익산 마을 지하감옥 복도", "short_id": "L88", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, dark underground prison corridor, lined with heavy rusty iron bars and metal doors on both sides, damp and rough concrete floors and walls with moisture stains, dimly lit by sparse wall lamps, tactile material detail, deep shadows, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C45": { "name": "물을 나눠주는 사제복 남자", "short_id": "C45", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a mature adult male, East Asian descent, short neat dark hair, weathered but calm face, standard facial features, solemn and neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C33": { "name": "마을총무", "short_id": "C33", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A middle-aged Korean man in his 40s or 50s, short practical black hair, weathered skin with visible wrinkles, tired and slightly hollowed eyes, neutral expression, photorealistic, cinematic lighting.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C01": { "name": "찰리", "short_id": "C01", "description": "고릴라를 닮은 금속제 로봇 머리. 각진 외곽과 단순한 마스크형 얼굴, 점 형태의 눈과 선 형태의 입이 있다.", "visual_traits": [ "고릴라형 머리", "각진 금속 외곽", "단순한 마스크형 얼굴" ], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, gorilla-like metallic robot, angular metal silhouette, simple mask-like face, dot-shaped glowing blue eyes, line-shaped mouth, ring-shaped glowing mechanical part on the upper chest, peeling faded corporate logo on the chest plate, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L51": { "name": "무인점포 내부", "short_id": "L51", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of an automated unmanned store, self-checkout kiosks built into the walls, empty or sparsely stocked built-in shelves, harsh fluorescent LED lighting, security cameras mounted on the ceiling, slightly worn and neglected floor surfaces, sterile and dystopian atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C35": { "name": "지소영", "short_id": "C35", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A 20 to 30-year-old Korean woman, practical black hair, sharp eyes, clear facial features, neutral expression. Hybrid cinematic aesthetic, photoreal human performance, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L02": { "name": "쓰레기 수거선 갑판과 주변 해상", "short_id": "L02", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, empty deck of a massive, rusty industrial garbage collection ship and the surrounding murky sea. Weathered metal grating, heavy cranes, industrial machinery, dark ocean water. Dystopian atmosphere, cool desaturated color palette, highly detailed textures of rusted steel and wet surfaces, atmospheric lighting, no people, no character objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C14": { "name": "신부", "short_id": "C14", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A mid-50s Korean male. He has a weathered face with deep wrinkles, short and neatly trimmed graying hair, sharp eyes, and a stoic, stern expression. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L31": { "name": "인천 난민촌 피로연장 천막과 공터", "short_id": "L31", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a large makeshift reception tent in a dusty clearing of a dystopian refugee camp, no people, no vehicles, no objects. The massive tent is constructed from heavily patched tarps, faded canvas, and scavenged materials, supported by rusted metal poles. Dim, worn string lights and faded festive fabrics hang unevenly from the makeshift canopy. The ground is dry, cracked dirt. The perimeter of the empty lot is densely packed with crude shantytown shacks built from corrugated iron and scrap wood. Desaturated cool palette with warm glowing artificial lights, tactile material detail, gritty textures, cinematic lighting.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "yard" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, "L37": { "name": "인천 성당 1층 내부", "short_id": "L37", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a grand but aged Catholic church, high vaulted ceilings, large stone columns, rows of worn wooden pews leading to a front altar, dim atmospheric lighting filtering through dusty stained glass windows, worn stone floors, solemn grandeur, dystopian aesthetic, cool and desaturated palette with selective warmth, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L116": { "name": "목포 항구마을 거리", "short_id": "L116", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate port village street, worn-down and dilapidated buildings, makeshift structures, scattered fishing nets and buoys, narrow and damp coastal alleyway, dystopian decay, restrained cool and desaturated palette, foggy atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L40": { "name": "박철진이 탑승한 전투 헬기 내부", "short_id": "L40", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a heavy military combat helicopter, highly detailed mechanical hard-surface CG, glowing control panels and digital screens emitting low light, metallic walls with tactile material details and thick framework, heavy-duty seats with harnesses, reinforced glass windows, restrained cool and desaturated palette, industrial ambient lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L13": { "name": "인천 난민촌 시장거리", "short_id": "L13", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a sprawling makeshift market street in a dystopian refugee camp. The narrow dirt road is lined with irregular, densely packed stalls constructed from rusted scrap metal, scavenged wooden planks, and heavily patched tarpaulins. Tangled overhead electrical cables and dim, makeshift lighting fixtures cast long shadows. Tactile material detail, restrained cool and desaturated palette, gloomy sci-fi tension, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C54": { "name": "작은 새", "short_id": "C54", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, a small bird, detailed feathers, small pointed beak, round dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C44": { "name": "군복 차림의 백인 남성", "short_id": "C44", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea and surrounding regions. Passport-style ID photo, head and upper chest visible, adult white male, short military buzz cut hair, square jaw, stern and disciplined facial features, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C39": { "name": "연구원 C", "short_id": "C39", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. An adult male in his 30s, East Asian descent, thin face shape, short neat black hair, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L94": { "name": "이현우 일행과 수빈의 트럭 운전석·조수석", "short_id": "L94", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a rugged truck cabin, driver and passenger seats with worn-out leather upholstery, heavily modified dashboard featuring mechanical dials and small glowing screens, scratched steering wheel, dusty windshield, cramped but functional space, cinematic lighting, no people.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L114": { "name": "이현우 일행의 트럭이 멈춘 빗속 도로", "short_id": "L114", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, an empty desolate wet asphalt road under heavy rain, puddles reflecting dim light, dark and grim dystopian atmosphere, cracked road surface, unpaved shoulders, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L86": { "name": "익산 격투장 아래 찰리의 승강 케이지 내부", "short_id": "L86", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a gritty underground elevator cage. Rusted metal grating, heavy iron bars, industrial pulleys and thick steel cables visible outside the cage. Dim, atmospheric lighting, worn and tactile mechanical textures, cramped enclosed space, dystopian science-fiction aesthetic, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C19": { "name": "윤성찬", "short_id": "C19", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, dystopian future South Korea. Passport-style ID photo, head and upper chest visible, photorealistic cinematic style. A Korean male, short hair, angular face shape, neat and tidy appearance, looking directly at the camera, neutral expression, soft even studio lighting, highly detailed facial features, clear focus, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L45": { "name": "인천 난민촌 관리사무소 3층 복도", "short_id": "L45", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dark, narrow, dilapidated concrete corridor on the 3rd floor of a refugee camp management office, exposed pipes and wires on the ceiling, flickering cool fluorescent lighting, peeling paint on the walls, heavy metal doors along the hallway, grim and desolate atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L52": { "name": "국방장관 집무실", "short_id": "L52", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a solemn and authoritative Minister of Defense's office. A massive, heavy dark desk sits in the center of the room. The walls feature large, glowing tactical digital displays and maps alongside worn military flags and national symbols. High-tech secure communication terminals are built into the desk and surrounding consoles. Heavy, imposing architectural elements. Cinematic lighting with a restrained cool and desaturated palette, expressive brightness and contrast, conveying tension and solemn grandeur, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L113": { "name": "지동현의 연구소 인근 차량 추격 도로", "short_id": "L113", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a wide, desolate paved road on the outskirts, worn asphalt with visible cracks. Bleak, barren surrounding landscape with dull, desaturated earth and dust, hinting at abandoned industrial or research facilities in the distance, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L67": { "name": "태진과 은영의 카센터 창고 내부", "short_id": "L67", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a gritty and aging car repair warehouse, dirty concrete floor with dark oil stains, heavy metal racks filled with rusty tools and spare mechanical parts, dim and moody industrial lighting, dusty atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C42": { "name": "재판관", "short_id": "C42", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a middle-aged to elderly Asian man, stern and authoritative facial structure, short neatly parted graying hair, sharp piercing eyes, deep prominent wrinkles, cold expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C26": { "name": "수빈", "short_id": "C26", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a young East Asian woman in her 20s, chin-length black hair, dark brown eyes, round face shape, neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L12": { "name": "인천 난민촌 거리와 주거 골목", "short_id": "L12", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dense and bleak refugee camp street and residential alley, tightly packed makeshift shelters built from rusted metal sheets, worn tarps, and salvaged debris. Narrow, dark alleyways with tangled power lines overhead, cracked and stained concrete walls, and a dusty, cluttered dirt floor. Dystopian science-fiction aesthetic, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L36": { "name": "인천 성당 지하 기도소", "short_id": "L36", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a dark underground Catholic prayer room in a cathedral. Rough stone and concrete walls with arched ceiling structures. A worn altar and a crucifix at the front, rows of aged wooden pews. Dim, atmospheric lighting from scattered candles and sparse old electric lights casting long shadows. Restrained cool and desaturated color palette, weathered and tactile material textures, solemn and grand architecture. no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C34": { "name": "지동현", "short_id": "C34", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A late 30s to early 40s East Asian man. He has short black hair, slightly weathered and tanned skin with a faint stubble. He features sharp dark eyes, prominent facial features, and a firm jawline. Detailed skin texture, no clothing described, photorealistic cinematic lighting.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L43": { "name": "인천 난민촌 관리사무소 외부와 외부 계단", "short_id": "L43", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, exterior of a rundown management office building in a dystopian refugee camp, rough weathered concrete and prefabricated panel walls, a prominent exterior metal staircase attached to the side of the building leading upwards, rust and dirt textures, heavy weathering, grim and bleak impoverished architectural style, desaturated cool palette, dramatic shadows, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C31": { "name": "선지자", "short_id": "C31", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, elderly Korean male, gaunt face with deep wrinkles, intense and piercing eyes, unkempt white hair and a rough long white beard, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "C55": { "name": "아기 새", "short_id": "C55", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo of a baby bird, head and upper chest visible, small delicate body covered in soft downy fluff, tiny beak, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L112": { "name": "지동현의 연구소 인근 절벽 끝", "short_id": "L112", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a rugged and sheer cliff edge, steep rocky drop, barren and desolate terrain, expansive bleak horizon, desaturated cool color palette, dramatic natural lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L106": { "name": "군 병원 박철진의 병실", "short_id": "L106", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a patient ward in a military hospital, austere and functional design, an empty metal hospital bed, bulky utilitarian medical monitoring equipment and screens, metal IV stands, drab institutional grey walls, cold fluorescent lighting, dystopian atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L28": { "name": "박철진의 민병대 사무실", "short_id": "L28", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a rugged, utilitarian militia office, worn walls, scarred metal desks, industrial shelving, dim moody lighting, dusty and practical atmosphere, gritty dystopian aesthetic, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L20": { "name": "인천 난민 수용소 출입문과 입구 도로", "short_id": "L20", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, heavy steel gate of a highly fortified dystopian refugee camp, surrounded by high concrete walls topped with barbed wire and security checkpoints, concrete barricades scattered along a cracked and worn dirt entrance road leading to the gate, tactile material detail, desolate and grim atmosphere, desaturated palette, overcast sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L21": { "name": "이현우의 컨테이너 7-31 앞", "short_id": "L21", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, the exterior front space of a weathered, rusted shipping container marked with the numbers '7-31' on its metallic surface. Dystopian makeshift residential or industrial area, tactile material detail of scratched metal and dirt, desaturated and cool color palette, moody lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L18": { "name": "난민 재판소 밖 쓰레기 더미", "short_id": "L18", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a massive garbage dump outside a brutalist refugee court building, mountains of discarded debris, broken electronics, torn tarps, and ruined belongings heaped on dry gray dirt, desolate and dusty environment, restrained cool and desaturated palette, gloomy dystopian atmosphere, tactile material detail on the trash, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L77": { "name": "익산 마을 성당 앞", "short_id": "L77", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, front exterior of an old weathered rural Catholic church, an empty dirt yard in the foreground, a rusted cross on the roof, signs of makeshift repairs and dystopian survival conditions on the walls, cold and desaturated color palette, cinematic lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C25": { "name": "은영", "short_id": "C25", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 Dystopian Future, South Korea. Passport-style ID photo, head and upper chest visible. young adult East Asian woman, late 20s to early 30s. black or dark brown hair in a practical, slightly messy style. dark brown eyes. neutral expression, pale to slightly tanned skin. plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L75": { "name": "익산 마을 이송 트럭 짐칸의 철창 케이지 내부", "short_id": "L75", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small iron cage inside the cargo hold of a transport truck, no people, no vehicles, no objects. Thick rusted metal bars, heavy wire mesh walls, rough and scratched metal floor. Claustrophobic and confined structure. Glimpses of the dark, utilitarian truck cargo interior visible through the gaps in the bars. Worn textures, dim and shadowy lighting. Restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C28": { "name": "정한수", "short_id": "C28", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A middle-aged East Asian male, weathered face with visible wrinkles, short messy black hair, slight stubble, serious expression, photorealistic human performance, cinematic lighting, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L122": { "name": "크리스의 선박 갑판과 주변 해상", "short_id": "L122", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a weathered and rusted steel ship deck overlooking a vast, dark, and restless ocean. Cold and desaturated color palette, dystopian maritime atmosphere, metallic structures with heavy industrial textures, moody and overcast lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L83": { "name": "과거 익산 마을 배급터", "short_id": "L83", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate village rationing site, dusty dirt ground, rows of makeshift distribution tents and faded canopies, weathered wooden rationing tables, surrounded by dilapidated rural makeshift buildings, bleak and desolate atmosphere, muted colors, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L69": { "name": "태진과 은영의 카센터 앞 공터", "short_id": "L69", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an empty dusty lot in front of a dilapidated mechanical repair shop, cracked ground, scattered scrap metal and automotive debris, weathered textures, dystopian industrial atmosphere, cool and desaturated palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "L123": { "name": "크리스의 선박 선원실", "short_id": "L123", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small, cramped ship crew cabin, metallic bulkheads, functional industrial lighting, simple built-in bunk bed, worn utilitarian surfaces, claustrophobic and practical design, maritime science fiction aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C03": { "name": "이현우", "short_id": "C03", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a Korean man in his early 30s, short black hair, dark brown eyes, slightly tanned and rough skin texture, neutral and determined facial expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L128": { "name": "제주도 연구소 복도", "short_id": "L128", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a cold and sterile corridor inside a high-tech research facility, concrete and metallic panel walls and floor, artificial cool-toned linear LED lighting overhead casting sharp shadows, a series of heavy and closed steel doors lining the hallway, utilitarian design, tactile material detail, bleak and desaturated sci-fi aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, "C10": { "name": "미연", "short_id": "C10", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, a 30-something Korean woman, slender face shape, short black bob hair, dark eyes, natural skin texture, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, "L60": { "name": "화성 검문소를 우회하는 산길", "short_id": "L60", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a narrow, rugged, unpaved dirt mountain path winding through a dense forest, surrounded by overgrown bushes and tall trees. Wild and unmaintained terrain, hidden and isolated natural environment, dirt and rocks on the ground. Desaturated cool palette, moody atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" } }, "entity_queue": [ [ "찰리", "character", "C01" ], [ "찰리 (홀로그램)", "character", "C02" ], [ "이현우", "character", "C03" ], [ "앰버", "character", "C05" ], [ "앰버 (홀로그램)", "character", "C07" ], [ "라울", "character", "C08" ], [ "미연", "character", "C10" ], [ "페드로", "character", "C12" ], [ "쿠마", "character", "C13" ], [ "신부", "character", "C14" ], [ "구도환", "character", "C15" ], [ "마츠다", "character", "C16" ], [ "박철진", "character", "C17" ], [ "박철진의 수하 1", "character", "C18" ], [ "윤성찬", "character", "C19" ], [ "윤성찬의 비서", "character", "C20" ], [ "국방장관", "character", "C21" ], [ "이강준", "character", "C22" ], [ "조일광", "character", "C23" ], [ "태진", "character", "C24" ], [ "은영", "character", "C25" ], [ "수빈", "character", "C26" ], [ "정한수", "character", "C28" ], [ "장백산", "character", "C29" ], [ "선지자", "character", "C31" ], [ "B-200", "character", "C32" ], [ "마을총무", "character", "C33" ], [ "지동현", "character", "C34" ], [ "지소영", "character", "C35" ], [ "서지민", "character", "C37" ], [ "연구원 A", "character", "C38" ], [ "연구원 C", "character", "C39" ], [ "크리스", "character", "C40" ], [ "관리소장", "character", "C41" ], [ "재판관", "character", "C42" ], [ "식당의 40대 아시아계 남성", "character", "C43" ], [ "군복 차림의 백인 남성", "character", "C44" ], [ "물을 나눠주는 사제복 남자", "character", "C45" ], [ "연구소의 60대 아시아계 남성", "character", "C46" ], [ "보건소 의사", "character", "C47" ], [ "유빅사 용병대장", "character", "C48" ], [ "백인 여성형 집사 로봇", "character", "C49" ], [ "백인 남성형 인공지능 병사", "character", "C50" ], [ "목포 항구의 선원", "character", "C51" ], [ "셰퍼드", "character", "C52" ], [ "작은 물고기", "character", "C53" ], [ "작은 새", "character", "C54" ], [ "아기 새", "character", "C55" ], [ "나비", "character", "C56" ], [ "쓰레기가 쌓인 바다 밑바닥", "location", "L01" ], [ "쓰레기 수거선 갑판과 주변 해상", "location", "L02" ], [ "고급주택가에 주차된 페드로의 자동차 내부", "location", "L05" ], [ "고급주택가 거리", "location", "L06" ], [ "고급주택 담장·현관 앞·정원", "location", "L07" ], [ "고급주택 거실", "location", "L08" ], [ "고급주택 2층 침실", "location", "L10" ], [ "인천 난민촌 쓰레기장과 맨홀 주변", "location", "L11" ], [ "인천 난민촌 거리와 주거 골목", "location", "L12" ], [ "인천 난민촌 시장거리", "location", "L13" ], [ "인천 난민촌 인공제방 작업장과 제방 벽 앞", "location", "L14" ], [ "난민 재판소 내부", "location", "L16" ], [ "무장 괴한들이 난민들을 위협하는 과거의 아스팔트 거리", "location", "L17" ], [ "난민 재판소 밖 쓰레기 더미", "location", "L18" ], [ "난민촌 골목 식당 내부", "location", "L19" ], [ "인천 난민 수용소 출입문과 입구 도로", "location", "L20" ], [ "이현우의 컨테이너 7-31 앞", "location", "L21" ], [ "이현우의 컨테이너 내부 식탁과 공용 생활공간", "location", "L22" ], [ "이현우의 컨테이너 내부 앰버의 방", "location", "L23" ], [ "쿠마 일행이 모인 난민촌 노상 모닥불 주변", "location", "L24" ], [ "마츠다의 고물상 내부", "location", "L25" ], [ "라울의 컨테이너 앞", "location", "L26" ], [ "라울의 컨테이너 내부", "location", "L27" ], [ "박철진의 민병대 사무실", "location", "L28" ], [ "윤성찬의 승용차 내부", "location", "L29" ], [ "구치소 면회실", "location", "L30" ], [ "인천 난민촌 피로연장 천막과 공터", "location", "L31" ], [ "인천 난민촌 지하 하수도", "location", "L32" ], [ "신부의 승합차 내부", "location", "L33" ], [ "신부의 승합차가 통과하는 민병대 검문 지점", "location", "L34" ], [ "인천 성당 지하실 계단", "location", "L35" ], [ "인천 성당 지하 기도소", "location", "L36" ], [ "인천 성당 1층 내부", "location", "L37" ], [ "인천 난민촌과 성당 상공", "location", "L39" ], [ "박철진이 탑승한 전투 헬기 내부", "location", "L40" ], [ "인천 난민촌 관리사무소 외부와 외부 계단", "location", "L43" ], [ "인천 난민촌 관리사무소 내부 미연의 감금실", "location", "L44" ], [ "인천 난민촌 관리사무소 3층 복도", "location", "L45" ], [ "해일이 밀려드는 인천 난민촌 거리", "location", "L46" ], [ "수몰된 인천 난민촌 해상과 떠다니는 잔해 위", "location", "L47" ], [ "바다에 떠 있는 컨테이너 내부", "location", "L48" ], [ "인천 난민촌 외곽 도로와 무인점포 앞", "location", "L50" ], [ "무인점포 내부", "location", "L51" ], [ "국방장관 집무실", "location", "L52" ], [ "캠핑카가 보관된 폐공장 옆 창고", "location", "L53" ], [ "이현우 일행의 캠핑카 내부", "location", "L54" ], [ "미추홀도서관 열람실과 서가", "location", "L57" ], [ "미추홀도서관 복도와 외진 구석", "location", "L58" ], [ "화성 검문소를 우회하는 산길", "location", "L60" ], [ "휴게소 마트 내부", "location", "L61" ], [ "휴게소 주유소 주유장과 진출입로", "location", "L62" ], [ "휴게소 인근 드론 추격 도로", "location", "L64" ], [ "캠핑카가 전복된 도로변 쓰레기 둔덕", "location", "L65" ], [ "전복된 캠핑카 내부", "location", "L66" ], [ "태진과 은영의 카센터 창고 내부", "location", "L67" ], [ "태진과 은영의 카센터 식당", "location", "L68" ], [ "태진과 은영의 카센터 앞 공터", "location", "L69" ], [ "찰리가 홀로 걷는 지방도로", "location", "L70" ], [ "익산 늪지대와 캠핑카가 빠진 진흙 공터", "location", "L72" ], [ "익산 늪지대 주변 숲과 함정 공터", "location", "L73" ], [ "익산 숲속 함정 구덩이 내부", "location", "L74" ], [ "익산 마을 이송 트럭 짐칸의 철창 케이지 내부", "location", "L75" ], [ "익산 마을 거리와 전경", "location", "L76" ], [ "익산 마을 성당 앞", "location", "L77" ], [ "익산 마을 성당 내부와 단상", "location", "L78" ], [ "익산 마을 지하감옥 감방", "location", "L79" ], [ "폐발전소가 보이는 과거의 들판", "location", "L80" ], [ "정한수와 수빈이 샘물을 발견한 동굴", "location", "L81" ], [ "과거 익산 마을 수로", "location", "L82" ], [ "과거 익산 마을 배급터", "location", "L83" ], [ "과거 익산 마을 가장자리", "location", "L84" ], [ "익산 격투장 아래 찰리의 승강 케이지 내부", "location", "L86" ], [ "익산 마을 격투장과 관중석·단상", "location", "L87" ], [ "익산 마을 지하감옥 복도", "location", "L88" ], [ "익산 마을 물탱크 탑 앞 공터", "location", "L89" ], [ "익산 마을을 내려다보는 언덕 능선", "location", "L90" ], [ "익산 밤하늘", "location", "L91" ], [ "익산 한옥 마을 식량창고 내부", "location", "L92" ], [ "익산 마을 공터와 모닥불 주변", "location", "L93" ], [ "이현우 일행과 수빈의 트럭 운전석·조수석", "location", "L94" ], [ "이현우 일행의 트럭 짐칸", "location", "L95" ], [ "익산 식량 운반 도로와 갈림길", "location", "L96" ], [ "익산 마을 폐창고 내부", "location", "L98" ], [ "익산 마을 폐창고 앞 공터", "location", "L99" ], [ "무너진 백화점 외부와 주변 수풀", "location", "L100" ], [ "무너진 백화점 1층과 붕괴된 바닥 주변", "location", "L101" ], [ "무너진 백화점 지하 식품 코너", "location", "L102" ], [ "지동현의 연구소 앞 제비꽃밭", "location", "L104" ], [ "군 병원 복도", "location", "L105" ], [ "군 병원 박철진의 병실", "location", "L106" ], [ "해남 바다가 보이는 언덕과 트럭 주차 지점", "location", "L108" ], [ "지동현의 연구소 1층과 뒷문 안쪽", "location", "L109" ], [ "지동현의 연구소 2층 피아노 공간", "location", "L110" ], [ "지동현의 연구소 건물 밖과 트럭 정차 지점", "location", "L111" ], [ "지동현의 연구소 인근 절벽 끝", "location", "L112" ], [ "지동현의 연구소 인근 차량 추격 도로", "location", "L113" ], [ "이현우 일행의 트럭이 멈춘 빗속 도로", "location", "L114" ], [ "목포 보건소 병실", "location", "L115" ], [ "목포 항구마을 거리", "location", "L116" ], [ "목포 항구마을 노상 식당", "location", "L117" ], [ "목포공항 활주로와 건물 앞 공터", "location", "L118" ], [ "목포공항 격납고 내부", "location", "L119" ], [ "쿠마가 조종하는 헬리콥터 내부", "location", "L120" ], [ "목포 항구 부두", "location", "L121" ], [ "크리스의 선박 갑판과 주변 해상", "location", "L122" ], [ "크리스의 선박 선원실", "location", "L123" ], [ "크리스의 선박 조타실", "location", "L124" ], [ "선박이 침몰하는 바닷속", "location", "L125" ], [ "제주도 연구소 임시보호소 병실", "location", "L126" ], [ "제주도 임시보호소 숙소 방", "location", "L127" ], [ "제주도 연구소 복도", "location", "L128" ], [ "제주도 연구소 메인 연구센터 공용 공간", "location", "L129" ], [ "제주도 연구소 메인 실험실", "location", "L130" ], [ "제주도 연구소 소장실", "location", "L131" ], [ "제주도 연구소 식당", "location", "L132" ], [ "특임대 이강준의 사무실", "location", "L134" ], [ "유빅사 회장실", "location", "L135" ], [ "제주도 연구소 외부와 주변 해상", "location", "L136" ], [ "제주도 연구소 통제실", "location", "L137" ], [ "제주도 연구소 앞 해변과 상륙 지점", "location", "L138" ], [ "제주도 연구소 옥상 잔디밭과 안테나·스피커 설치 구역", "location", "L140" ], [ "제주도 연구소 상공", "location", "L141" ], [ "찰리의 부품 보관과 재조립이 이루어지는 제주도 연구실", "location", "L143" ], [ "에필로그 섬바위 주변 얕은 바다", "location", "L144" ], [ "그물", "prop", "P03" ], [ "휴대전화", "prop", "P06" ], [ "찌그러진 로봇 팔", "prop", "P08" ], [ "렌치", "prop", "P09" ], [ "주크박스", "prop", "P10" ], [ "분해된 주크박스 부품", "prop", "P11" ], [ "LP판", "prop", "P13" ], [ "대형 오디오 스피커", "prop", "P15" ], [ "확성기", "prop", "P16" ], [ "소총", "prop", "P17" ], [ "권총", "prop", "P18" ], [ "곤봉", "prop", "P19" ], [ "전기 몽둥이", "prop", "P20" ], [ "검은 가죽 지갑", "prop", "P21" ], [ "지폐 뭉치", "prop", "P23" ], [ "돈 봉투", "prop", "P24" ], [ "약병", "prop", "P26" ], [ "도자기 화병", "prop", "P27" ], [ "유선 전화기", "prop", "P29" ], [ "무전기", "prop", "P30" ], [ "단도", "prop", "P32" ], [ "쇠열쇠", "prop", "P33" ], [ "찰리의 사진", "prop", "P34" ], [ "찰리의 가슴 링", "prop", "P35" ], [ "풍금", "prop", "P36" ], [ "라디오", "prop", "P37" ], [ "자폭 드론", "prop", "P40" ], [ "손전등", "prop", "P41" ], [ "물에 뜬 컨테이너 철판", "prop", "P44" ], [ "통조림 캔", "prop", "P45" ], [ "더플백", "prop", "P46" ], [ "검은 보디백", "prop", "P48" ], [ "윤성찬의 지팡이", "prop", "P49" ], [ "낡은 책", "prop", "P50" ], [ "크레파스", "prop", "P51" ], [ "버튼 내장 연락처 카드", "prop", "P52" ], [ "종이 지도", "prop", "P53" ], [ "산탄총", "prop", "P54" ], [ "사냥용 드론", "prop", "P55" ], [ "펜치", "prop", "P57" ], [ "검은 용액 병", "prop", "P58" ], [ "찰리의 종이 편지", "prop", "P59" ], [ "다트", "prop", "P61" ], [ "화살", "prop", "P62" ], [ "창", "prop", "P64" ], [ "활", "prop", "P65" ], [ "철창 케이지", "prop", "P67" ], [ "배급용 투명 물병", "prop", "P68" ], [ "방사능 측정기", "prop", "P70" ], [ "횃불", "prop", "P71" ], [ "B-200의 고사포", "prop", "P72" ], [ "축구공", "prop", "P74" ], [ "고장 난 로봇 더미", "prop", "P75" ], [ "아기 새 둥지", "prop", "P76" ], [ "밧줄", "prop", "P77" ], [ "B-200의 가슴 부품", "prop", "P78" ], [ "B-200의 잔해", "prop", "P79" ], [ "그림용 펜", "prop", "P80" ], [ "보라색 꽃 그림 종이", "prop", "P81" ], [ "가족사진 액자", "prop", "P82" ], [ "피아노", "prop", "P83" ], [ "돌연변이 생선회", "prop", "P84" ], [ "앰버에게 건넨 제비꽃", "prop", "P85" ], [ "금속 스탠드", "prop", "P86" ], [ "나비형 드론", "prop", "P88" ], [ "유빅사 로고 무장 헬기", "prop", "P89" ], [ "찰리의 몸체 잔해와 분리 부품", "prop", "P90" ], [ "찰리의 기억 칩", "prop", "P91" ] ], "characters": [ { "name": "앰버", "short_id": "C05", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, mid-20s young female, mixed ancestry, pale skin, shoulder-length messy dark brown hair, striking amber eyes, sharp jawline, neutral expression, plain white background, photorealistic cinematic aesthetic, restrained cool palette.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "이강준", "short_id": "C22", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, mid-30s Korean male, short slightly messy black hair, thick eyebrows, sharp eyes, weathered and tanned skin, slight stubble, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "나비", "short_id": "C56", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A young East Asian woman in her early 20s, short black hair, dark brown eyes, slender face. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "장백산", "short_id": "C29", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. Middle-aged Korean male, rugged weathered skin, short salt-and-pepper hair, thick angular eyebrows, sharp eyes, firm jawline, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "쿠마", "short_id": "C13", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A mid 40s male, rugged and weather-beaten face, thick unkempt dark beard, short coarse dark hair, deep-set dark eyes, massive thick neck, imposing and broad-shouldered upper chest area. Hybrid cinematic aesthetic, photoreal human performance, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "태진", "short_id": "C24", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, a late 30s Korean male, short black hair, rough sun-tanned skin, strong well-defined jawline, sharp deep-set eyes, rugged facial features, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "구도환", "short_id": "C15", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A 30 to 40-year-old East Asian male with a sharp jawline and weathered, slightly tanned skin. He has short, practically cut black hair and dark brown eyes. Sturdy neck and upper chest. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "국방장관", "short_id": "C21", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a Korean male in his late 50s to 60s, short neatly combed greying hair, angular jawline, deep facial wrinkles, dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "식당의 40대 아시아계 남성", "short_id": "C43", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, photorealistic, plain white background. A 40-something Asian man, ordinary face shape, short black hair, dark eyes, subtle facial wrinkles indicating middle age, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "유빅사 용병대장", "short_id": "C48", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, middle-aged man, short military buzz cut, sharp cold eyes, rugged face with weathered skin, stern and hardened expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "백인 여성형 집사 로봇", "short_id": "C49", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, looking straight at the camera, plain white background. Caucasian young adult female android face, perfect flawless skin with a subtle synthetic sheen, perfectly symmetrical facial features, completely neat hair without stray strands, eyes with a slightly artificial mechanical stare, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "라울", "short_id": "C08", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, a male in his 30s, mixed ancestry, distinct and rugged facial features, short dark brown hair, weathered skin texture, dark eyes, neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "작은 물고기", "short_id": "C53", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered around South Korea. Passport-style ID photo, head and upper body visible, a small aquatic fish, silvery scales, small round dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "보건소 의사", "short_id": "C47", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, plain white background. Middle-aged Asian man, tired expression, deep eye bags, slight facial wrinkles, short unkempt dark hair, dark eyes.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "백인 남성형 인공지능 병사", "short_id": "C50", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. White male, 30s appearance. Short military buzz cut hair, pale skin without any blemishes or human imperfections. Strong jawline, cold and expressionless blue eyes. Perfect, almost artificial facial symmetry, stoic demeanor.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "윤성찬의 비서", "short_id": "C20", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A Korean woman in her 30s, neatly tied dark hair in an updo, clean-cut and sharp facial features, calm and neutral expression, photorealistic human features with precise tactile skin detail, cool and desaturated cinematic palette.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "물을 나눠주는 사제복 남자", "short_id": "C45", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a mature adult male, East Asian descent, short neat dark hair, weathered but calm face, standard facial features, solemn and neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "마을총무", "short_id": "C33", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A middle-aged Korean man in his 40s or 50s, short practical black hair, weathered skin with visible wrinkles, tired and slightly hollowed eyes, neutral expression, photorealistic, cinematic lighting.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "찰리", "short_id": "C01", "description": "고릴라를 닮은 금속제 로봇 머리. 각진 외곽과 단순한 마스크형 얼굴, 점 형태의 눈과 선 형태의 입이 있다.", "visual_traits": [ "고릴라형 머리", "각진 금속 외곽", "단순한 마스크형 얼굴" ], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, gorilla-like metallic robot, angular metal silhouette, simple mask-like face, dot-shaped glowing blue eyes, line-shaped mouth, ring-shaped glowing mechanical part on the upper chest, peeling faded corporate logo on the chest plate, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "지소영", "short_id": "C35", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A 20 to 30-year-old Korean woman, practical black hair, sharp eyes, clear facial features, neutral expression. Hybrid cinematic aesthetic, photoreal human performance, restrained cool and desaturated palette, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "신부", "short_id": "C14", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A mid-50s Korean male. He has a weathered face with deep wrinkles, short and neatly trimmed graying hair, sharp eyes, and a stoic, stern expression. Photorealistic cinematic aesthetic, restrained cool and desaturated palette, expressive contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "작은 새", "short_id": "C54", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea centered. Passport-style ID photo, head and upper chest visible, a small bird, detailed feathers, small pointed beak, round dark eyes, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "군복 차림의 백인 남성", "short_id": "C44", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea and surrounding regions. Passport-style ID photo, head and upper chest visible, adult white male, short military buzz cut hair, square jaw, stern and disciplined facial features, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "연구원 C", "short_id": "C39", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. An adult male in his 30s, East Asian descent, thin face shape, short neat black hair, neutral expression.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "윤성찬", "short_id": "C19", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, dystopian future South Korea. Passport-style ID photo, head and upper chest visible, photorealistic cinematic style. A Korean male, short hair, angular face shape, neat and tidy appearance, looking directly at the camera, neutral expression, soft even studio lighting, highly detailed facial features, clear focus, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "재판관", "short_id": "C42", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a middle-aged to elderly Asian man, stern and authoritative facial structure, short neatly parted graying hair, sharp piercing eyes, deep prominent wrinkles, cold expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "수빈", "short_id": "C26", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a young East Asian woman in her 20s, chin-length black hair, dark brown eyes, round face shape, neutral expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "지동현", "short_id": "C34", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A late 30s to early 40s East Asian man. He has short black hair, slightly weathered and tanned skin with a faint stubble. He features sharp dark eyes, prominent facial features, and a firm jawline. Detailed skin texture, no clothing described, photorealistic cinematic lighting.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "선지자", "short_id": "C31", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, elderly Korean male, gaunt face with deep wrinkles, intense and piercing eyes, unkempt white hair and a rough long white beard, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "아기 새", "short_id": "C55", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo of a baby bird, head and upper chest visible, small delicate body covered in soft downy fluff, tiny beak, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "은영", "short_id": "C25", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 Dystopian Future, South Korea. Passport-style ID photo, head and upper chest visible. young adult East Asian woman, late 20s to early 30s. black or dark brown hair in a practical, slightly messy style. dark brown eyes. neutral expression, pale to slightly tanned skin. plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "정한수", "short_id": "C28", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, plain white background. A middle-aged East Asian male, weathered face with visible wrinkles, short messy black hair, slight stubble, serious expression, photorealistic human performance, cinematic lighting, expressive brightness and contrast.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "이현우", "short_id": "C03", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Passport-style ID photo, head and upper chest visible, a Korean man in his early 30s, short black hair, dark brown eyes, slightly tanned and rough skin texture, neutral and determined facial expression, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" }, { "name": "미연", "short_id": "C10", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Passport-style ID photo, head and upper chest visible, a 30-something Korean woman, slender face shape, short black bob hair, dark eyes, natural skin texture, plain white background.", "metadata_json": { "location": null, "visual_identity": null }, "entity_type": "character" } ], "locations": [ { "name": "캠핑카가 전복된 도로변 쓰레기 둔덕", "short_id": "L65", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered around South Korea. Photorealistic cinematic establishing shot, a desolate and ruined paved road bordered by massive, uneven mounds of accumulated garbage, scrap metal, and debris. Broken asphalt, overgrown dry weeds, bleak dystopian wasteland atmosphere, cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 외곽 도로와 무인점포 앞", "short_id": "L50", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a deserted road on the outskirts of a rundown refugee camp with a weathered unmanned store facade. Cracked pavement, rusted metal automated kiosks attached to the wall, makeshift structures in the background, desaturated cool palette, tactile material details of decaying infrastructure, tense dystopian science-fiction aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 밤하늘", "short_id": "L91", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, vast dark night sky, expansive atmosphere, scattered faint stars, wispy clouds, atmospheric haze, deep cinematic shadows, cool and desaturated palette, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "해일이 밀려드는 인천 난민촌 거리", "short_id": "L46", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, no people, no vehicles, no moving objects. A severely flooded street in a dystopian coastal refugee camp. The ground is deeply submerged in dark, churning water with floating debris. Flanked by a dense, chaotic arrangement of makeshift shacks, weathered tents, and rusted corrugated metal structures. Damp, gloomy atmosphere with a wet ground reflecting muted light. Cool, desaturated palette with tactile material detail and expressive contrast, emphasizing the somber, waterlogged, and harsh environment.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌과 성당 상공", "short_id": "L39", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, aerial bird's-eye view looking down at a sprawling dystopian refugee camp and a prominent old cathedral. Tightly packed makeshift shacks, tents, and scrap structures surround the contrasting classical architecture of the stone cathedral. Bleak and desolate atmosphere, cool and desaturated palette, cloudy sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "라울의 컨테이너 내부", "short_id": "L27", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a weathered shipping container turned into a makeshift living space, narrow rectangular room, corrugated metal walls with rust and peeled paint, simple cot, stacked crates, small cluttered desk, dim atmospheric industrial lighting hanging from the low ceiling, harsh shadows, gritty textures, restrained cool and desaturated palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "휴게소 마트 내부", "short_id": "L61", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of an abandoned highway rest stop mart, rusty empty metal shelves, thick dust on the floor, dirty windows letting in dim natural light, dilapidated and neglected state, dystopian atmosphere, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast, no people, no vehicles, no dynamic objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 물탱크 탑 앞 공터", "short_id": "L89", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 Dystopian Future, South Korea. Photorealistic cinematic establishing shot, a wide dirt clearing in a dilapidated rural village featuring a massive, heavily rusted iron water tank tower towering in the center, dry weeds and cracked earth, surrounded by weathered and decaying old structures, desolate and grim atmosphere, muted and desaturated color palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "윤성찬의 승용차 내부", "short_id": "L29", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior cabin of a passenger car, worn fabric and leather seats, a dashboard mixing analog dials and digital screens, a scratched and weathered steering wheel, faint light coming through the windshield and side windows, moody lighting, cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "군 병원 복도", "short_id": "L105", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate military hospital corridor. Cold concrete and metal walls, worn utilitarian floor tiles, harsh and dim overhead industrial lighting. Heavy metallic doors with small reinforced viewing windows lining the hallway. Visible pipes and wiring running along the ceiling. A restrained cool and desaturated palette, conveying dystopian sci-fi tension and a sterile yet worn atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 인공제방 작업장과 제방 벽 앞", "short_id": "L14", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a towering artificial levee wall made of weathered concrete and reinforced steel patches, dilapidated industrial scaffolding attached to the massive structure, rough and unpaved dirt and gravel worksite ground at the base, heavy construction aesthetic, gritty texture, cool and desaturated lighting with a bleak atmospheric haze, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 성당 내부와 단상", "short_id": "L78", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a rustic and aged village church, empty nave with rows of worn wooden pews, central aisle leading to a slightly raised altar at the front. Aged walls, solemn atmosphere with dim natural light filtering through simple windows, desaturated and cool palette, tactile material detail on the worn wood and stone, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "지동현의 연구소 2층 피아노 공간", "short_id": "L110", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, an intimate space on the second floor of a dystopian laboratory. An old, tactile wooden piano sits in the center, illuminated by soft, dusty light. The surrounding architecture features cold, industrial metallic walls and sci-fi structural elements, contrasting with the warm, analogue presence of the piano. Restrained cool and desaturated palette with selective warmth on the wood, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 쓰레기장과 맨홀 주변", "short_id": "L11", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate outdoor garbage dump in a refugee camp, mountains of piled trash, debris, and rusted metal scrap, a prominent corroded circular iron manhole cover embedded in the muddy and grime-covered ground, desaturated color palette, gritty textures, dim atmospheric lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "고급주택 담장·현관 앞·정원", "short_id": "L07", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, the exterior of a luxury mansion surrounded by high imposing stone walls, featuring a meticulously maintained garden with landscaped bushes and stone pathways leading to a grand, heavy front door. Architectural blend of opulence and dystopian resilience, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior", "yard" ], "default_space_key": "exterior" } }, "visual_identity": null }, "entity_type": "location" }, { "name": "쿠마 일행이 모인 난민촌 노상 모닥불 주변", "short_id": "L24", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a street in a rundown refugee camp centered around a makeshift campfire pit made of rubble and rusted barrels. Makeshift tents and scrap metal shelters lining the dirt road. Debris and ash scattered around the fire pit. Gritty, desaturated palette with tactile material detail of rusted metal and torn fabrics, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "목포공항 격납고 내부", "short_id": "L119", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a massive, weathered airport hangar. High ceiling with heavy steel trusses, large rusted sliding metal doors, distressed concrete floor with stains and cracks. Dim industrial lighting casting atmospheric shadows, exposed pipes, dystopian sci-fi aesthetic, abandoned yet functional look, gritty atmosphere. Cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "해남 바다가 보이는 언덕과 트럭 주차 지점", "short_id": "L108", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, no people, no vehicles, no objects. A barren dirt hill overlooking the ocean. A wide, flat unpaved clearing of exposed soil and sparse dry grass, functioning as a parking spot. A wide open view of the ocean horizon in the background. Desaturated color palette, bleak and desolate coastal atmosphere, tactile material detail on the dry vegetation and rough terrain, expressive brightness and contrast.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 격투장과 관중석·단상", "short_id": "L87", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an empty makeshift fighting arena in a dilapidated village, no people, no vehicles, no objects. A wide circular dirt ground in the center, surrounded by crude tiered spectator stands constructed from scavenged scrap metal, old wood, and rusted panels. On one side, a prominently raised podium with a sturdy metal frame and a weathered canopy roof. Desaturated cool palette, dusty atmosphere, tactile material detail, dystopian science-fiction tension, harsh shadows.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "난민 재판소 내부", "short_id": "L16", "description": "", "visual_traits": [], "t2i_prompt": "Set in dystopian 2069, South Korea. Photorealistic cinematic establishing shot, interior of a dystopian refugee tribunal court, rough concrete walls, a high imposing judge's podium, worn metallic and wooden audience benches, harsh and dim artificial overhead lighting, solemn and bleak institutional architecture, desaturated color palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "과거 익산 마을 가장자리", "short_id": "L84", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, outskirts of a rustic Korean village from decades past, unpaved dirt paths winding through wild grasses and overgrown vegetation, borders of agricultural fields, distant silhouettes of simple older rural houses under an open sky, no people, no vehicles, no objects. A restrained cool and desaturated palette, tactile material detail, and expressive brightness and contrast, solemn grandeur.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "정한수와 수빈이 샘물을 발견한 동굴", "short_id": "L81", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a dark and damp natural rock cave featuring a small pool of crystal clear spring water reflecting faint light, rugged stone walls, earthy tones, atmospheric depth, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을을 내려다보는 언덕 능선", "short_id": "L90", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a high vantage point on a desolate hill ridge, dry dirt, scattered rocks, and withered grass, overlooking a distant dilapidated rural village in the valley below, overcast sky, cool and desaturated palette, tactile material detail, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "미추홀도서관 복도와 외진 구석", "short_id": "L58", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a dystopian library with a narrow corridor leading to a secluded dark corner, tall weathered bookshelves casting deep shadows, worn and faded floor, dim lighting, dusty atmosphere, restrained cool and desaturated palette, tactile material detail, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "수몰된 인천 난민촌 해상과 떠다니는 잔해 위", "short_id": "L47", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, expansive murky sea water covering a flooded coastal city, dense clusters of floating debris including wood planks and metal scraps on the water surface, makeshift submerged structures protruding from the water in the background, overcast gloomy sky, desaturated cool color palette, cinematic lighting, no people, pure environment focus.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "폐발전소가 보이는 과거의 들판", "short_id": "L80", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a vast open field covered with tall, wild, overgrown grass. In the distant background, a massive abandoned power plant with decaying concrete structures and tall industrial smokestacks looms on the horizon. The striking contrast between the natural wilderness and the dilapidated brutalist architecture creates a solemn atmosphere. A restrained cool and desaturated palette, expressive brightness and contrast, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "캠핑카가 보관된 폐공장 옆 창고", "short_id": "L53", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an old rusted warehouse next to an abandoned factory, weathered corrugated metal walls with peeling paint, large heavy metal shutter door, cracked concrete ground, bleak and desolate dystopian atmosphere, dimly lit, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, { "name": "제주도 연구소 임시보호소 병실", "short_id": "L126", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, inside a makeshift hospital room of a temporary shelter at a high-tech research facility, simple hospital beds, electronic medical monitoring equipment with glowing screens, cold metallic and synthetic wall panels, pale cool LED lighting, sterile and utilitarian atmosphere, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "지동현의 연구소 건물 밖과 트럭 정차 지점", "short_id": "L111", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, exterior of a rugged laboratory building and a desolate dirt or cracked asphalt parking area, heavy industrial architecture with concrete and weathered metal facades, cool and desaturated palette, tactile material detail, dystopian science-fiction atmosphere, solemn grandeur, empty yard, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "라울의 컨테이너 앞", "short_id": "L26", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, the exterior front area of a weathered and rusted corrugated metal shipping container modified for habitation. The container features makeshift awnings, patched metal panels, and a tangle of exposed wires and thick pipes attached to its exterior walls. The ground in front is a desolate patch of dirt, gravel, and cracked concrete. Dim, atmospheric lighting with a restrained cool and desaturated palette, highly detailed tactile material textures of rust and dirt, no people, no vehicles, no transient objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "지동현의 연구소 앞 제비꽃밭", "short_id": "L104", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea centered. Photorealistic cinematic establishing shot. A patch of vibrant purple violets blooming on the dirt ground directly in front of the desolate, weathered concrete and metal facade of a dystopian laboratory building. The contrast between the delicate purple flowers and the cold, harsh architectural structure. Desaturated background palette with selective vivid color on the violets. no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "무장 괴한들이 난민들을 위협하는 과거의 아스팔트 거리", "short_id": "L17", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an old and severely cracked asphalt street, faded white and yellow road markings on the worn surface, scattered dust and small urban debris, desolate and bleak environment, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "신부의 승합차가 통과하는 민병대 검문 지점", "short_id": "L34", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a rugged makeshift militia checkpoint on a desolate, damaged road. Heavy concrete barricades, stacked sandbags, and rusted barbed wire blocking the path. A crude guard booth constructed from scrap metal and weathered wood. Harsh floodlights mounted on tall poles casting stark shadows. Desaturated cool palette, gritty texture, tactile material detail, dystopian science-fiction tension, gloomy atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "마츠다의 고물상 내부", "short_id": "L25", "description": "", "visual_traits": [], "t2i_prompt": "Set in a dystopian future of 2069, centered around South Korea. Photorealistic cinematic establishing shot, interior of a dystopian scrap shop, dimly lit and highly cluttered. Piles of scrap metal, discarded electronic components, and heavy mechanical parts stacked haphazardly. Makeshift shelves filled with tangled wires and broken devices, a gritty workbench covered in various tools and dark oil stains. Dust particles suspended in the heavy air, desaturated cool palette, tactile material detail of rust and grime, high contrast lighting emphasizing shadows, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "고급주택 거실", "short_id": "L08", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a spacious and luxurious living room inside a high-end mansion. High ceilings, large panoramic glass windows, polished marble floors. Sleek, dark minimalist furniture, metallic and glass accents, subtle elegant ambient lighting. Clean and pristine architectural design contrasting with a restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "크리스의 선박 조타실", "short_id": "L124", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot of an interior room, empty space, no people, no vehicles. The interior of a weathered ship's wheelhouse. Large, angled front-facing windows. A central steering helm and heavy navigation consoles with glowing monitors and mechanical controls. Worn metal walls, peeling paint, exposed cables, and retro-fitted maritime communication gear. Dim, atmospheric lighting. Dystopian science-fiction aesthetic, cool and desaturated palette, tactile material detail, weighty mechanical atmosphere.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "쿠마가 조종하는 헬리콥터 내부", "short_id": "L120", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, centered in South Korea. Photorealistic cinematic establishing shot, empty interior of a rugged helicopter cockpit, no people. Wide front windshield, complex instrument panels with glowing screens and analog switches, flight control sticks, worn utilitarian metal panels and synthetic leather seats. Dystopian mechanical aesthetic, restrained cool and desaturated palette, tactile material detail.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "미추홀도서관 열람실과 서가", "short_id": "L57", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a grand public library, massive tall bookshelves forming long aisles, rows of wide reading tables, architectural columns, atmospheric lighting casting soft shadows, cool and desaturated palette, tactile material detail, solemn grandeur, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 성당 지하실 계단", "short_id": "L35", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a narrow, dimly lit concrete staircase descending into a dark basement of an old church, weathered stone walls with peeling paint, dusty steps, low ceiling, cold and desolate atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "무너진 백화점 1층과 붕괴된 바닥 주변", "short_id": "L101", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, the ruined first floor of a department store with a collapsed floor and scattered debris, remains of commercial structures and broken walls amidst destruction, desolate and ruined atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 식량 운반 도로와 갈림길", "short_id": "L96", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate and severely damaged road forming a fork or intersection, cracked asphalt and dirt paths, surrounded by a barren dystopian rural landscape with scattered debris and dry weeds, overcast sky, desaturated colors, gritty texture, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "이현우 일행의 트럭 짐칸", "short_id": "L95", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a heavily modified truck cargo bed. Rusty and worn metal walls, cramped space tightly packed with stacked survival gear, old supplies, and makeshift storage. Dimly lit, gritty and utilitarian aesthetic, cool and desaturated palette with tactile material detail, expressive contrast, no people, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 거리와 전경", "short_id": "L76", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dilapidated and rough dystopian village street and wide panorama in Iksan, showing weathered low-rise buildings, makeshift shantytown structures patched with rusted metal and reclaimed wood, cracked asphalt mixed with dirt roads, desolate and gritty atmosphere, muted and desaturated color palette with heavy concrete textures, under a bleak sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "exterior" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, { "name": "이현우 일행의 캠핑카 내부", "short_id": "L54", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a heavily modified and worn-out camper van, cramped and highly functional living space, makeshift survival gear and storage compartments secured to walls with straps and nets, worn seating acting as a makeshift bed, rugged metallic interior panels, dim and atmospheric lighting, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 한옥 마을 식량창고 내부", "short_id": "L92", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a traditional Hanok repurposed as a food storage warehouse, exposed thick wooden pillars and rafters, earthen walls, towering stacks of grain sacks, rough wooden crates, and sealed preserved food containers, dim natural light filtering through narrow gaps and old traditional paper doors, dusty atmosphere, dystopian survival aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 늪지대 주변 숲과 함정 공터", "short_id": "L73", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dense, damp forest bordering a muddy swamp. A rough clearing in the middle of the trees, the ground covered in deep mud, wet fallen leaves, and overgrown reeds. The terrain in the clearing looks artificially disturbed, with uneven patches of dirt and camouflaged pits covered in twigs and foliage. Thick mist, dark shadows, gnarled tree trunks. Dystopian atmosphere, cool desaturated palette, highly detailed textures of mud and bark, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "난민촌 골목 식당 내부", "short_id": "L19", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small makeshift restaurant in a dystopian refugee camp alley, walls built from patched corrugated metal and scrap wood, mismatched worn-out tables and stools, dim and uneven overhead lighting casting harsh shadows, grimy floor, cramped and claustrophobic space, tactile material detail, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "목포 항구 부두", "short_id": "L121", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a weathered and desolate port pier, cracked concrete docks, rusty mooring bollards, dark and murky sea water, distant faded industrial harbor structures, overcast sky, restrained cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "전복된 캠핑카 내부", "short_id": "L66", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of an overturned camper van, sideways or upside-down room orientation. The floor is acting as a wall or ceiling, with built-in cabinets, a compact sink, and a bed frame hanging at a 90-degree or 180-degree angle. Dim natural light entering from sideways windows, dystopian sci-fi aesthetic, cool desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "구치소 면회실", "short_id": "L30", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a sterile and oppressive detention center visitation room. A thick, slightly scratched glass partition divides the room into two halves. Metal counters with wall-mounted intercom telephones on both sides of the glass. Cold metallic stools bolted to the floor. Bleak institutional grey concrete walls, harsh and cold fluorescent lighting casting stark shadows. No people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "바다에 떠 있는 컨테이너 내부", "short_id": "L48", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a shipping container, no people, no vehicles, no objects. Cramped, claustrophobic rectangular space. Corrugated metal walls and ceiling with heavy rust, peeling paint, and water stains. Cold, damp atmosphere, dim lighting seeping through narrow cracks, desaturated cool color palette, gritty and tactile metallic textures, hyper-detailed hard-surface interior.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "쓰레기가 쌓인 바다 밑바닥", "short_id": "L01", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, wide angle of a dark, murky underwater ocean floor. The seabed is entirely covered with a thick layer of accumulated trash, including rusted metal structures, discarded mechanical parts, and plastic waste. Faint, diffused rays of sunlight struggle to penetrate the turbid water from above. Eerie, desolate underwater environment, highly detailed textures of rust and pollution, muted cool color palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "목포공항 활주로와 건물 앞 공터", "short_id": "L118", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a wide, weathered airport runway and an empty asphalt clearing in front of an old airport terminal building. Cracked tarmac, faded runway markings, tactile material detail of rough asphalt, desolate atmosphere, restrained cool and desaturated palette, expressive brightness and contrast, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 지하감옥 복도", "short_id": "L88", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, dark underground prison corridor, lined with heavy rusty iron bars and metal doors on both sides, damp and rough concrete floors and walls with moisture stains, dimly lit by sparse wall lamps, tactile material detail, deep shadows, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "무인점포 내부", "short_id": "L51", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of an automated unmanned store, self-checkout kiosks built into the walls, empty or sparsely stocked built-in shelves, harsh fluorescent LED lighting, security cameras mounted on the ceiling, slightly worn and neglected floor surfaces, sterile and dystopian atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "쓰레기 수거선 갑판과 주변 해상", "short_id": "L02", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, empty deck of a massive, rusty industrial garbage collection ship and the surrounding murky sea. Weathered metal grating, heavy cranes, industrial machinery, dark ocean water. Dystopian atmosphere, cool desaturated color palette, highly detailed textures of rusted steel and wet surfaces, atmospheric lighting, no people, no character objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 피로연장 천막과 공터", "short_id": "L31", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a large makeshift reception tent in a dusty clearing of a dystopian refugee camp, no people, no vehicles, no objects. The massive tent is constructed from heavily patched tarps, faded canvas, and scavenged materials, supported by rusted metal poles. Dim, worn string lights and faded festive fabrics hang unevenly from the makeshift canopy. The ground is dry, cracked dirt. The perimeter of the empty lot is densely packed with crude shantytown shacks built from corrugated iron and scrap wood. Desaturated cool palette with warm glowing artificial lights, tactile material detail, gritty textures, cinematic lighting.", "metadata_json": { "location": { "space_profile": { "kind": "multi_space", "allowed_space_keys": [ "main", "yard" ], "default_space_key": "main" } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 성당 1층 내부", "short_id": "L37", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a grand but aged Catholic church, high vaulted ceilings, large stone columns, rows of worn wooden pews leading to a front altar, dim atmospheric lighting filtering through dusty stained glass windows, worn stone floors, solemn grandeur, dystopian aesthetic, cool and desaturated palette with selective warmth, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "목포 항구마을 거리", "short_id": "L116", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate port village street, worn-down and dilapidated buildings, makeshift structures, scattered fishing nets and buoys, narrow and damp coastal alleyway, dystopian decay, restrained cool and desaturated palette, foggy atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "박철진이 탑승한 전투 헬기 내부", "short_id": "L40", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a heavy military combat helicopter, highly detailed mechanical hard-surface CG, glowing control panels and digital screens emitting low light, metallic walls with tactile material details and thick framework, heavy-duty seats with harnesses, reinforced glass windows, restrained cool and desaturated palette, industrial ambient lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 시장거리", "short_id": "L13", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a sprawling makeshift market street in a dystopian refugee camp. The narrow dirt road is lined with irregular, densely packed stalls constructed from rusted scrap metal, scavenged wooden planks, and heavily patched tarpaulins. Tangled overhead electrical cables and dim, makeshift lighting fixtures cast long shadows. Tactile material detail, restrained cool and desaturated palette, gloomy sci-fi tension, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "이현우 일행과 수빈의 트럭 운전석·조수석", "short_id": "L94", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a rugged truck cabin, driver and passenger seats with worn-out leather upholstery, heavily modified dashboard featuring mechanical dials and small glowing screens, scratched steering wheel, dusty windshield, cramped but functional space, cinematic lighting, no people.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "이현우 일행의 트럭이 멈춘 빗속 도로", "short_id": "L114", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, an empty desolate wet asphalt road under heavy rain, puddles reflecting dim light, dark and grim dystopian atmosphere, cracked road surface, unpaved shoulders, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 격투장 아래 찰리의 승강 케이지 내부", "short_id": "L86", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, interior of a gritty underground elevator cage. Rusted metal grating, heavy iron bars, industrial pulleys and thick steel cables visible outside the cage. Dim, atmospheric lighting, worn and tactile mechanical textures, cramped enclosed space, dystopian science-fiction aesthetic, cool and desaturated palette, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 관리사무소 3층 복도", "short_id": "L45", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dark, narrow, dilapidated concrete corridor on the 3rd floor of a refugee camp management office, exposed pipes and wires on the ceiling, flickering cool fluorescent lighting, peeling paint on the walls, heavy metal doors along the hallway, grim and desolate atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "국방장관 집무실", "short_id": "L52", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a solemn and authoritative Minister of Defense's office. A massive, heavy dark desk sits in the center of the room. The walls feature large, glowing tactical digital displays and maps alongside worn military flags and national symbols. High-tech secure communication terminals are built into the desk and surrounding consoles. Heavy, imposing architectural elements. Cinematic lighting with a restrained cool and desaturated palette, expressive brightness and contrast, conveying tension and solemn grandeur, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "지동현의 연구소 인근 차량 추격 도로", "short_id": "L113", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a wide, desolate paved road on the outskirts, worn asphalt with visible cracks. Bleak, barren surrounding landscape with dull, desaturated earth and dust, hinting at abandoned industrial or research facilities in the distance, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "태진과 은영의 카센터 창고 내부", "short_id": "L67", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a gritty and aging car repair warehouse, dirty concrete floor with dark oil stains, heavy metal racks filled with rusty tools and spare mechanical parts, dim and moody industrial lighting, dusty atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 거리와 주거 골목", "short_id": "L12", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a dense and bleak refugee camp street and residential alley, tightly packed makeshift shelters built from rusted metal sheets, worn tarps, and salvaged debris. Narrow, dark alleyways with tangled power lines overhead, cracked and stained concrete walls, and a dusty, cluttered dirt floor. Dystopian science-fiction aesthetic, restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 성당 지하 기도소", "short_id": "L36", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a dark underground Catholic prayer room in a cathedral. Rough stone and concrete walls with arched ceiling structures. A worn altar and a crucifix at the front, rows of aged wooden pews. Dim, atmospheric lighting from scattered candles and sparse old electric lights casting long shadows. Restrained cool and desaturated color palette, weathered and tactile material textures, solemn and grand architecture. no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민촌 관리사무소 외부와 외부 계단", "short_id": "L43", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, exterior of a rundown management office building in a dystopian refugee camp, rough weathered concrete and prefabricated panel walls, a prominent exterior metal staircase attached to the side of the building leading upwards, rust and dirt textures, heavy weathering, grim and bleak impoverished architectural style, desaturated cool palette, dramatic shadows, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "지동현의 연구소 인근 절벽 끝", "short_id": "L112", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a rugged and sheer cliff edge, steep rocky drop, barren and desolate terrain, expansive bleak horizon, desaturated cool color palette, dramatic natural lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "군 병원 박철진의 병실", "short_id": "L106", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, a patient ward in a military hospital, austere and functional design, an empty metal hospital bed, bulky utilitarian medical monitoring equipment and screens, metal IV stands, drab institutional grey walls, cold fluorescent lighting, dystopian atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "박철진의 민병대 사무실", "short_id": "L28", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a rugged, utilitarian militia office, worn walls, scarred metal desks, industrial shelving, dim moody lighting, dusty and practical atmosphere, gritty dystopian aesthetic, restrained cool and desaturated palette, tactile material detail, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "인천 난민 수용소 출입문과 입구 도로", "short_id": "L20", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, heavy steel gate of a highly fortified dystopian refugee camp, surrounded by high concrete walls topped with barbed wire and security checkpoints, concrete barricades scattered along a cracked and worn dirt entrance road leading to the gate, tactile material detail, desolate and grim atmosphere, desaturated palette, overcast sky, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "이현우의 컨테이너 7-31 앞", "short_id": "L21", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, the exterior front space of a weathered, rusted shipping container marked with the numbers '7-31' on its metallic surface. Dystopian makeshift residential or industrial area, tactile material detail of scratched metal and dirt, desaturated and cool color palette, moody lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "난민 재판소 밖 쓰레기 더미", "short_id": "L18", "description": "", "visual_traits": [], "t2i_prompt": "Set in a 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a massive garbage dump outside a brutalist refugee court building, mountains of discarded debris, broken electronics, torn tarps, and ruined belongings heaped on dry gray dirt, desolate and dusty environment, restrained cool and desaturated palette, gloomy dystopian atmosphere, tactile material detail on the trash, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 성당 앞", "short_id": "L77", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069, South Korea. Photorealistic cinematic establishing shot, front exterior of an old weathered rural Catholic church, an empty dirt yard in the foreground, a rusted cross on the roof, signs of makeshift repairs and dystopian survival conditions on the walls, cold and desaturated color palette, cinematic lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "익산 마을 이송 트럭 짐칸의 철창 케이지 내부", "short_id": "L75", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small iron cage inside the cargo hold of a transport truck, no people, no vehicles, no objects. Thick rusted metal bars, heavy wire mesh walls, rough and scratched metal floor. Claustrophobic and confined structure. Glimpses of the dark, utilitarian truck cargo interior visible through the gaps in the bars. Worn textures, dim and shadowy lighting. Restrained cool and desaturated palette, tactile material detail, expressive brightness and contrast.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "크리스의 선박 갑판과 주변 해상", "short_id": "L122", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a weathered and rusted steel ship deck overlooking a vast, dark, and restless ocean. Cold and desaturated color palette, dystopian maritime atmosphere, metallic structures with heavy industrial textures, moody and overcast lighting, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "과거 익산 마을 배급터", "short_id": "L83", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a desolate village rationing site, dusty dirt ground, rows of makeshift distribution tents and faded canopies, weathered wooden rationing tables, surrounded by dilapidated rural makeshift buildings, bleak and desolate atmosphere, muted colors, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "태진과 은영의 카센터 앞 공터", "short_id": "L69", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, an empty dusty lot in front of a dilapidated mechanical repair shop, cracked ground, scattered scrap metal and automotive debris, weathered textures, dystopian industrial atmosphere, cool and desaturated palette, no people, no vehicles.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "크리스의 선박 선원실", "short_id": "L123", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, interior of a small, cramped ship crew cabin, metallic bulkheads, functional industrial lighting, simple built-in bunk bed, worn utilitarian surfaces, claustrophobic and practical design, maritime science fiction aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "제주도 연구소 복도", "short_id": "L128", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a cold and sterile corridor inside a high-tech research facility, concrete and metallic panel walls and floor, artificial cool-toned linear LED lighting overhead casting sharp shadows, a series of heavy and closed steel doors lining the hallway, utilitarian design, tactile material detail, bleak and desaturated sci-fi aesthetic, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" }, { "name": "화성 검문소를 우회하는 산길", "short_id": "L60", "description": "", "visual_traits": [], "t2i_prompt": "Set in 2069 dystopian future, South Korea. Photorealistic cinematic establishing shot, a narrow, rugged, unpaved dirt mountain path winding through a dense forest, surrounded by overgrown bushes and tall trees. Wild and unmaintained terrain, hidden and isolated natural environment, dirt and rocks on the ground. Desaturated cool palette, moody atmosphere, no people, no vehicles, no objects.", "metadata_json": { "location": { "space_profile": { "kind": "single_space", "allowed_space_keys": [ "main" ], "default_space_key": null } }, "visual_identity": null }, "entity_type": "location" } ], "props": [] }, "step_id": "entity_t2i", "run_id": "8c12f63b-1870-492f-846a-8edde71ce314", "resolved_model": "gemini-pro", "updated_at": "2026-09-17T11:44:18.655804+00:00", "schema_version": 3, "config_hash": "99914b932bd37a50", "project_config_snapshot": {} }