outdoor_site_layout — groups 8

layout 이미지는 review 전용 — scene 생성 ref 로 부착하지 않는다 (ablation 실측: 이미지 ref 채널은 기하 명세 효과 없음).

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Seabed: at the near center of the frame.
- Submerged rubbish pile: at the far right side of the frame.
FIGURES:
- 작은 물고기: at the near left side of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. Observed directly from fingertip height beside the approach axis, a small fish in right profile occupies the left side of the frame, featuring a small head, a small mouth, and eyes on both sides of the head. The fish is hovering and looking down, its snout delicately touching the worn fingertip of P08 at the center-right. P08 protrudes obliquely toward the fish from the right side. [: A narrow strip of submerged rubbish rests on the seabed below the contact point, slightly out of focus]. The close-up underwater environment is illuminated by blue daylight with restrained contrast, preserving the quiet curiosity of the delicate contact and the readable contours of the worn finger.

SHOT 3 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Sea: at the near center of the frame.
- Collection ship deck: at the mid-distance right side of the frame.
FIGURES:
- 찰리: at the near center of the frame — NEAREST figure to the camera.

SHOT 10 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- House: at the far center of the frame.
- Living-room window (path): runs from the near center of the frame to the mid-distance center of the frame.
- Wall corner: at the near right side of the frame.
- Second-floor window (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame.
FIGURES:
- 이현우: at the near center of the frame — NEAREST figure to the camera.
- 백인 여성형 집사 로봇: at the mid-distance center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.83x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near center of the frame; NOT heading into the House.
DEPTH CONTRACT: 백인 여성형 집사 로봇 is farther than 이현우 and must read visibly smaller and deeper in the frame.

SHOT 20 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- House: at the mid-distance right side of the frame.
- Living-room window (path): runs from the mid-distance left side of the frame to the mid-distance left side of the frame.
- Wall corner: at the mid-distance left side of the frame.
- Second-floor window (path): runs from the mid-distance center of the frame to the mid-distance center of the frame.
FIGURES:
- 셰퍼드: at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance center of the frame; NOT heading into the House.
- 이현우: at the mid-distance center of the frame; about 1.5x as far from the camera as the nearest figure, so they must appear roughly 0.68x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance center of the frame; NOT heading into the House.
DEPTH CONTRACT: 이현우 is farther than 셰퍼드 and must read visibly smaller and deeper in the frame.

SHOT 24 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- House: at the far center of the frame.
- Living-room window (path): runs from the mid-distance center of the frame to the mid-distance right side of the frame.
- Wall corner: at the mid-distance right side of the frame.
- Second-floor window (path): runs from the mid-distance center of the frame to the mid-distance center of the frame.
FIGURES:
- 아시아계 한국인 경찰 여러 명: at the near left side of the frame — NEAREST figure to the camera.
- 아시아계 한국인 경찰 여러 명: at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.89x the nearest figure's height (smaller, deeper in the frame).
- 아시아계 한국인 경찰 여러 명: at the mid-distance left side of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.79x the nearest figure's height (smaller, deeper in the frame).
- 이현우: at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.75x the nearest figure's height (smaller, deeper in the frame).
- 아시아계 한국인 경찰 여러 명: at the mid-distance center of the frame; about 1.5x as far from the camera as the nearest figure, so they must appear roughly 0.67x the nearest figure's height (smaller, deeper in the frame).
- 아시아계 한국인 경찰 여러 명: at the mid-distance left side of the frame; about 1.6x as far from the camera as the nearest figure, so they must appear roughly 0.63x the nearest figure's height (smaller, deeper in the frame).
- 아시아계 한국인 경찰 여러 명: at the mid-distance center of the frame; about 1.7x as far from the camera as the nearest figure, so they must appear roughly 0.60x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 아시아계 한국인 경찰 여러 명 is farther than 아시아계 한국인 경찰 여러 명 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. An open living-room window behind the collapsing robot establishes the shared physical anchor in the upper-left background. Seen laterally from below eye-level near the adjacent exterior wall, C03O53 in a worn hoodie and jeans, an East Asian 18-year-old young man with black tousled hair, stands in the lower center at a three-quarter angle from the left. His knees yield under the weight as his two fully visible arms firmly catch the limp upper body of a Caucasian young adult woman in a neat maid uniform. The unconscious woman, already partway along the living-room window path at mid-distance center, deeper in the frame and visibly smaller at roughly 0.83 times the man's apparent height, heading along that path toward the near center of the frame, away from the house rather than into it, folds diagonally outward across the windowsill in right profile, her eyes rolled up into her head. The man looks down directly at her face. Consistent natural daylight bathes the wall and window frame, preserving humanlike facial details and clear arm-to-body separation without revealing any concealed metal interior.

Photorealistic cinematic still. Seen from a low rear-right position looking slightly upward in medium framing, the open second-floor window and its supporting lower window frame occupy the upper-right midground. C03O53 in a worn hoodie and long trousers covering his calves, a young Asian man, is already partway along his escape path at mid-distance center, deeper in the frame and visibly smaller than the dog, heading toward the second-floor window opening at mid-distance center, not into the house, and is seen with his back to the camera, looking off-screen toward the exterior. He is mid-escape, his body angled toward the opening, one foot firmly bracing on the window frame. From the lower center, a Shepherd dog with an elongated snout, erect triangular ears, and dense facial fur appears in right profile, looking up. The dog's shoulders lunge forward, its jaws clamped upward tightly onto the trouser leg at the man's right calf, both figures sharing the same interior space. Natural daylight from the window contrasts with the ambient daylight environment of the room, illuminating the stretched fabric and the gripping teeth without isolating them.

Photorealistic cinematic still. Seen from an elevated, withdrawn position observing obliquely downward, the camera captures a wide view of the exterior of a high-end residential house. C03O53 in practical casual clothing and long trousers, an 18-year-old Asian man with black messy hair, stands at mid-distance center on the lawn in three-quarter right profile, deeper in the frame and visibly smaller, roughly 0.75 times the height of the near-left officers. He has straightened into a tense, arrested posture with shoulders locked under the weapons, looking off-screen toward an officer beyond the near edge. Surrounding him across the foreground at frame left and, deeper in the frame, the near center and middle distance at frame left and center on the lawn are multiple middle-aged Asian men in dark navy uniforms. The near-center officers appear smaller at roughly 0.89 times the height of the near-left officers; the mid-distance left officers occupy two depths at roughly 0.79 and 0.63 times that height, and the mid-distance center officers occupy two depths at roughly 0.67 and 0.60 times that height. These officers stand with individually varied foot placement, elbow height, and shoulder rotation, all aiming handguns inward toward the central figure, looking down and intently focused on him rather than the lens. Consistent natural daylight with restrained saturation illuminates the scene, clearly separating the dark navy uniforms against the lawn.

SHOT 11 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Partly collapsed department store: at the far left side of the frame.
- Path toward the department store (path): runs from the far center of the frame to the far right side of the frame.
- Gap into the collapsed department store: at the far left side of the frame.
- Moss-covered ground: at the near right side of the frame.
FIGURES:
- 이현우: at the near center of the frame — NEAREST figure to the camera.

SHOT 17 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Partly collapsed department store: at the far center of the frame.
- Path toward the department store (path): runs from the far right side of the frame to the far right side of the frame.
- Gap into the collapsed department store: at the far right side of the frame.
- Moss-covered ground: at the far right side of the frame.
FIGURES:
- 아시아계 남성: at the near left side of the frame — NEAREST figure to the camera.
- 수빈: at the far right side of the frame; about 9.4x as far from the camera as the nearest figure, so they must appear roughly 0.11x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the Path toward the department store; moving away from 아시아계 남성; NOT heading into the Moss-covered ground.
- 이현우: at the far right side of the frame; about 10.4x as far from the camera as the nearest figure, so they must appear roughly 0.10x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the far center of the frame; their path follows the Path toward the department store; moving away from 아시아계 남성; NOT heading into the Moss-covered ground.
DEPTH CONTRACT: 이현우 is farther than 아시아계 남성 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Partly collapsed department store: at the far left side of the frame.
- Path toward the department store (path): runs from the far left side of the frame to the far right side of the frame.
- Gap into the collapsed department store: at the far left side of the frame.
- Moss-covered ground: at the near left side of the frame.
FIGURES:
- 수빈: at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. Seen from beside the figure and tilted gently upward, the uncovered face occupies the center of the frame while the expanded upper chest remains along the lower edge. C03O53 in a worn hoodie, an Asian young man with messy black hair, is positioned at the center of the frame, seen at a three-quarter angle from the left, chin lifted and chest expanding in a deep breath, with eyes closed in quiet relief. Restrained daylight provides gentle facial contrast, preserving the peaceful expression. Behind his shoulder, an oblique fragment of a partly collapsed concrete wall overgrown with lush green moss dissolves into a soft, out-of-focus blur, leaving the character as the only sharp subject in the frame.

Photorealistic cinematic still. Seen from an elevated position just above the shoulder of an Asian male figure and tilted steeply down, the Department-store opening concealing the entering pair sits in the lower-right background. The Asian male figure's watchful, dark back occupies the left foreground, his head inclined over his shoulder looking down into the passage, his body volume preserved in deep shadow against the bright daylight below. Inside the lower-right gap at the far right side of the frame, deeper in the frame and visibly smaller at roughly 0.10 times the Asian male figure's height, already partway along the path toward the department store that runs along the far right side, heading toward far center into the opening, moving away from the Asian male figure and not into the moss-covered ground, C03O53 in a worn hoodie and jeans, a young Korean man with messy black hair, has his back to the camera, his weight shifting forward into the opening with eyes fixed off-screen. Beside him at the far right side of the frame, deeper in the frame and visibly smaller at roughly 0.11 times the Asian male figure's height, already partway along the same path toward the department store, heading toward far center into the opening, moving away from the Asian male figure and not into the moss-covered ground, C26O76 in a combat refugee uniform, a young Korean woman with a sharp black bob cut, follows with a trailing foot, seen past her near shoulder and gazing off-screen. The near edge of the collapsed threshold conceals the lower halves of both entering figures without the foreground observer's shoulder blocking them.

SHOT 2 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sheltering rocks: at the near left side of the frame.
- 현우's parked truck: at the mid-distance center of the frame.
FIGURES:
- 앰버: at the near center of the frame — NEAREST figure to the camera.
- 라울: at the mid-distance right side of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.81x the nearest figure's height (smaller, deeper in the frame).
- 이현우: at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.75x the nearest figure's height (smaller, deeper in the frame).
- 찰리: at the mid-distance right side of the frame; about 1.4x as far from the camera as the nearest figure, so they must appear roughly 0.71x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 찰리 is farther than 앰버 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- sheltering rocks: at the far left side of the frame.
- 현우's parked truck: at the far left side of the frame.
FIGURES:
- 찰리: at the near center of the frame — NEAREST figure to the camera.
- 라울: at the mid-distance left side of the frame; about 2.4x as far from the camera as the nearest figure, so they must appear roughly 0.42x the nearest figure's height (smaller, deeper in the frame).
- 앰버: at the far left side of the frame; about 2.9x as far from the camera as the nearest figure, so they must appear roughly 0.34x the nearest figure's height (smaller, deeper in the frame).
- 이현우: at the far left side of the frame; about 3.7x as far from the camera as the nearest figure, so they must appear roughly 0.27x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 이현우 is farther than 찰리 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Seen from outside the truck bed at a high oblique angle looking down into the shaded corner, three figures occupy the center frame from the chest up. At mid-distance in the center, deeper in the frame and visibly smaller than the girl at about three-quarters her apparent height, C03O53 in a worn hoodie and jeans, a young Asian man with messy black hair, rests at a three-quarter angle from the right, reclining with his head tilted inward and eyes closed. In the lower-center, C05O55 in a worn dress and mask, an Asian-Caucasian mixed young girl with blonde hair, lies curled with her cheek turned aside at a three-quarter angle from the left, eyes closed. At mid-distance on the right, deeper in the frame and visibly smaller than the girl at about seven-tenths her apparent height, C08O58 in worn activewear, a Latino-Black mixed young boy with a tied back ponytail, rests in left profile, reclining with his chin loosely lowered and eyes closed. They form an irregular sleeping cluster on the physical structure of the truck's rear cargo area. The visible bed edge occupies the near foreground margin, its inner face receding diagonally toward the sleepers. Daylight subdued by the sheltering rocks provides a softly blocked, dimly lit ambient fill, casting gentle contrast across their resting faces and shoulder folds.

Photorealistic cinematic still. Seen from shoulder height, slightly below the face and oblique to the forward axis, C01O51 in a raincoat and straw hat, a figure featuring a gorilla-like mechanical head, an angular head exterior, a white faceplate, dot-shaped eyes, and a line-shaped mouth, occupies the center of the frame. The figure's head and shoulders are fully visible. The robot leans toward the lower-left off-screen space at a three-quarter angle from the left, head inclined downward. His gaze is fixed off-screen. The lifted metal components around his line-shaped mouth clearly express a smile. A narrow portion of a repositioned shade enters the upper margin of the frame. Behind the figure, the physical structure of the truck's rear cargo area, featuring its visible bed edge made of utilitarian metal, remains low in the [: dimly lit outdoor shaded space]. Daylight, moderated by the shade, preserves gentle facial contrast and readable metal contours across the faceplate.

SHOT 21 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Refugee settlement road (path): runs from the mid-distance left side of the frame to the far center of the frame.
- Refugee residential area entrance: at the near left side of the frame.
- Giant rubbish mountain: at the mid-distance center of the frame.
FIGURES:
- 라울: at the near left side of the frame — NEAREST figure to the camera.
- 앰버: at the mid-distance center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.83x the nearest figure's height (smaller, deeper in the frame).
- 찰리: at the mid-distance center of the frame; about 2.2x as far from the camera as the nearest figure, so they must appear roughly 0.45x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 찰리 is farther than 라울 and must read visibly smaller and deeper in the frame.

SHOT 30 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Refugee settlement road (path): runs from the far left side of the frame to the far right side of the frame.
- Refugee residential area entrance: at the far right side of the frame.
- Giant rubbish mountain: at the far right side of the frame.
FIGURES:
- 찰리: at the near center of the frame — NEAREST figure to the camera.
- 앰버: at the far center of the frame.
DEPTH CONTRACT: 앰버 is farther than 찰리 and must read visibly smaller and deeper in the frame.

SHOT 46 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Refugee settlement road (path): runs from the mid-distance right side of the frame to the far left side of the frame.
- Refugee residential area entrance: at the far left side of the frame.
- Giant rubbish mountain: at the near left side of the frame.
FIGURES:
- 앰버: at the near center of the frame — NEAREST figure to the camera; in motion: already partway along their path, heading toward the mid-distance right side of the frame; their path follows the Refugee settlement road; NOT heading into the Giant rubbish mountain.
- 찰리: at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.89x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; NOT heading into the Giant rubbish mountain.
- 라울: at the mid-distance center of the frame; about 1.3x as far from the camera as the nearest figure, so they must appear roughly 0.79x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the mid-distance right side of the frame; NOT heading into the Giant rubbish mountain.
DEPTH CONTRACT: 라울 is farther than 앰버 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Seen from a low, oblique observer position at ground level looking upward, the seated legs of the children occupying the lower frame and the robot's upper body extending toward the upper edge. C01O48, an old metal gorilla-shaped robot featuring a mechanical head with angular head armor, a white faceplate, dot-shaped eyes emitting explicitly blue light, and a line-shaped mouth, is at three-quarter angle from the left in the mid-distance center of the frame, deeper than the girl and visibly smaller at roughly 0.45x the boy's apparent height, heaving his heavy torso from the rubbish, looking down at the children. In the mid-distance center of the frame, deeper and visibly smaller at roughly 0.83x the boy's apparent height, a ten-year-old mixed Korean and white girl with a face mask covering her mouth and nose, seen from behind over the shoulder, seated bracing behind her hips, looking up. Separated nearby on the left side of the frame, a ten-year-old mixed Latino and Black boy in right profile, recoiling with seated knees drawn, looking up in fear. The uneven base of the rubbish mound is broken through by the emerging robot, with surrounding scrap piles and waste mounds extending around the children under restrained daylight, leaving clear space around the robot's full silhouette.

Photorealistic cinematic still. Seen from an optical height angled downward, a subjective digital interface view with subtle digital texture. Near the center, a stored identification photograph occupies a third of the frame. The image-bearing face of the photograph is fully legible to the viewer, displaying a recorded portrait of a young Asian woman positioned at the far center of the frame, visibly smaller and deeper in the frame, shown at three-quarter angle from the left, her head slightly turned, looking off-screen. Superimposed directly across the photograph, a sharply legible interface layer faces the viewer, displaying exactly 'NEGATIVE' in vivid red letters, serving as the sole emphatic color accent. The daytime live-view surroundings outside the photograph dissolve into heavily blurred, indistinct shapes, preserving the underlying exposure without revealing specific details in the background.

Photorealistic cinematic still. Seen from a gently upward oblique view at the children's upper-chest height, the three entire bodies, including feet, fit within the wide frame. The Refugee settlement road runs from mid-distance right to far left, with the Refugee residential area entrance at far left and the Giant rubbish mountain at near left. At mid-distance center, already partway along the passage following the Refugee settlement road, deeper in the frame and visibly smaller at roughly 0.79 times the girl's height, heading toward mid-distance right, away from the far-left residential entrance and not into the near-left rubbish mountain, walks C08O58 in worn activewear, a ten-year-old mixed Latino and Black boy with young facial contours and a tied-back ponytail, at three-quarter angle from the right, transferring weight forward in mid-stride, head dipped, eyes looking down toward C05O55. Near the center, already partway along the passage following the Refugee settlement road, slightly deeper in the frame and visibly smaller at roughly 0.89 times the girl's height, heading toward mid-distance right, away from the far-left residential entrance and not into the near-left rubbish mountain, C01O49 in an old coat and wide hat, showing variant features carried from stable_traits — a gorilla-type mechanical head with an angular head exterior, white face plate, dot-shaped eyes, and line-shaped mouth — completes a short step at three-quarter angle from the right, eyes looking off-screen. In the center, C05O55 in a worn dress is a ten-year-old mixed Korean and white girl with blonde hair and large eyes. She consistently wears a face mask that covers her mouth and nose. In left profile, her heel lifts in mid-stride, chin raised, eyes fixed up on C08O58, smiling above the mask. They walk closely along the L11B01 passage extending diagonally backward, flanked by a scattered scrap pile and waste mound. Restrained daylight contrast preserves their expressive eyes and the worn disguise.

SHOT 38 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Violet field: at the mid-distance right side of the frame.
- Cliff edge (path): runs from the far left side of the frame to the far right side of the frame.
- Road (path): runs from the far right side of the frame to the far right side of the frame.
FIGURES:
- 이현우: at the near left side of the frame — NEAREST figure to the camera.
- 찰리: at the far center of the frame; about 2.8x as far from the camera as the nearest figure, so they must appear roughly 0.35x the nearest figure's height (smaller, deeper in the frame); in motion: already partway along their path, heading toward the near left side of the frame.
DEPTH CONTRACT: 찰리 is farther than 이현우 and must read visibly smaller and deeper in the frame.

SHOT 61 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Violet field: at the far left side of the frame.
- Cliff edge (path): runs from the far center of the frame to the far center of the frame.
- Road (path): runs from the far left side of the frame to the far right side of the frame.
FIGURES:
- 앰버: at the near right side of the frame — NEAREST figure to the camera.
- 이현우: at the mid-distance center of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.82x the nearest figure's height (smaller, deeper in the frame).
- 찰리: at the mid-distance left side of the frame; about 1.6x as far from the camera as the nearest figure, so they must appear roughly 0.63x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 찰리 is farther than 앰버 and must read visibly smaller and deeper in the frame.

SHOT 65 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- Violet field: at the far left side of the frame.
- Cliff edge (path): runs from the far left side of the frame to the far left side of the frame.
- Road (path): runs from the far left side of the frame to the far center of the frame.
FIGURES:
- 앰버: at the near left side of the frame — NEAREST figure to the camera.
- 이현우: at the mid-distance left side of the frame; about 1.8x as far from the camera as the nearest figure, so they must appear roughly 0.56x the nearest figure's height (smaller, deeper in the frame).
- 찰리: at the far left side of the frame; about 3.2x as far from the camera as the nearest figure, so they must appear roughly 0.31x the nearest figure's height (smaller, deeper in the frame).
- 성인 남성들: at the far right side of the frame; about 4.5x as far from the camera as the nearest figure, so they must appear roughly 0.22x the nearest figure's height (smaller, deeper in the frame).
- 성인 남성들: at the far left side of the frame; about 4.5x as far from the camera as the nearest figure, so they must appear roughly 0.22x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 성인 남성들 is farther than 앰버 and must read visibly smaller and deeper in the frame.

Photorealistic cinematic still. Viewed from inside the open truck doorway sill in the lower-center foreground, the scene looks diagonally outward past the door frame to a cliff edge in the middle-right background outside behind the boarding figure. C03O53 in a worn hoodie and jeans, an 18-year-old Asian man with black messy hair, anchors the lower-left foreground seen from over the shoulder, leaning outward with his arm extended across the threshold, gazing up. Beyond this open doorway space, at the far center of the frame, is C01O51 in a straw hat and raincoat, a robotic figure featuring a gorilla-like mechanical head, an angular exterior, white faceplate, dot-shaped eyes and a line-shaped mouth. C01O51 is fully airborne outside at three-quarter angle from the left, positioned at frame center, deeper in the frame and visibly smaller, roughly 0.35x the nearer figure's height, already partway along his airborne path toward the open truck doorway on the near-left side of the frame, away from the cliff edge and not into the road at far right, his body forming a diagonal toward the center-right of the frame, reaching his thick metal palm toward the offered hand, gazing down at the connection point. Warm sunset directional contrast hits the figures and the truck exterior, leaving the interior space in deep shadow without any rain or flashlight illumination.

Photorealistic cinematic still. Seen from above and looking down obliquely, the two figures occupy the center and right side of the frame. C03O53 in a worn hoodie and jeans, an 18-year-old Asian man with messy black hair, sits at mid-distance in the center of the frame, deeper and visibly smaller in apparent scale than the girl, at a three-quarter angle from the right. His upper body is hunched forward, both arms wrapped tightly around C05O55 in a worn dress and mask, a 10-year-old Caucasian-Asian girl with blond hair and large eyes. She lies diagonally across the lower-right at a three-quarter angle from the left, her visibly wounded, limp upper body slumped heavily across his enclosing arms. C03O53 is looking down at her face, while her eyes remain closed. The bare floor and the inner wall of the L111B03 cargo compartment form a tight enclosure around them, illuminated by subdued nighttime ambient light.

Photorealistic cinematic still. Seen from inside the stopped truck at seated shoulder height, looking slightly upward off the central axis in an oblique wide view. The doorway of the truck's cargo area remains fully open, both vertical edges clearly visible. Outside the doorway, multiple adult male figures stand at the far left and far right sides, deeper in the frame and visibly smaller at that distance, in three-quarter left profile, their dense silhouettes distributed across the middle and upper frame against the nighttime. They hold handheld flashlights at varied heights directed into the interior, looking off-screen toward the unseen occupants below the lower frame edge. The figures are alive, standing with uneven weight distribution and imposing stillness. Powerful flashlight glare entering the unadorned, utilitarian cargo area leaves the men in deep shadow, emphasizing the thick metallic doorway edges.

SHOT 13 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the road (path): runs from the far center of the frame to the far right side of the frame.
- the hill: at the far right side of the frame.
- the ridges (path): runs from the far left side of the frame to the far right side of the frame.
- the distant sea (path): runs from the far left side of the frame to the far right side of the frame.
- the violet field: at the far right side of the frame.
- 지동현's laboratory: at the far right side of the frame.
FIGURES:
- 찰리: at the near left side of the frame — NEAREST figure to the camera.
- 앰버: at the far center of the frame; about 2.6x as far from the camera as the nearest figure, so they must appear roughly 0.39x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 앰버 is farther than 찰리 and must read visibly smaller and deeper in the frame.

SHOT 25 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the road (path): runs from the mid-distance right side of the frame to the far left side of the frame.
- the hill: at the mid-distance left side of the frame.
- the ridges (path): runs from the mid-distance left side of the frame to the far left side of the frame.
- the distant sea (path): runs from the far left side of the frame to the far left side of the frame.
- the violet field: at the mid-distance right side of the frame.
- 지동현's laboratory: at the far right side of the frame.
FIGURES:
- 라울: at the near center of the frame — NEAREST figure to the camera.
- 찰리: at the near right side of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.89x the nearest figure's height (smaller, deeper in the frame).
- 앰버: at the near center of the frame; about 1.1x as far from the camera as the nearest figure, so they must appear roughly 0.87x the nearest figure's height (smaller, deeper in the frame).
- 이현우: at the near left side of the frame; about 1.2x as far from the camera as the nearest figure, so they must appear roughly 0.87x the nearest figure's height (smaller, deeper in the frame).
DEPTH CONTRACT: 이현우 is farther than 라울 and must read visibly smaller and deeper in the frame.

SHOT 4 SCENE GEOGRAPHY (computed from the site-layout coordinates, frame-relative from this shot's camera — source of truth for where things are, which way paths run, figure depth and relative size):
- the road (path): runs from the far left side of the frame to the far right side of the frame.
- the hill: at the far right side of the frame.
- the ridges (path): runs from the far right side of the frame to the far right side of the frame.
- the distant sea (path): runs from the far right side of the frame to the far right side of the frame.
- the violet field: at the far right side of the frame.
- 지동현's laboratory: at the far right side of the frame.
FIGURES:
- 찰리: at the near center of the frame — NEAREST figure to the camera.

Photorealistic cinematic still. Seen over the shoulder and angled slightly down. The soft, out-of-focus shoulder of a young boy in casual travel clothing occupies the extreme left edge of the frame as a thin slice, his body inclining toward the center. In the far center, deeper in the frame and visibly smaller than the boy, C05O55 in a worn dress and a mask, a young Korean-Caucasian girl with blonde hair and large eyes, is seated on the ground. Her chin is lifted in a three-quarter angle from the left, her face clearly identifiable. She looks up, her tear-filled eyes fixed intently on the boy above the frame edge, distinctly away from the lens. Bright natural daylight provides even illumination, catching modest highlights in the wet tears on her lower eyelids while preserving the natural texture of her face. The hillside dirt ground sits soft and out of focus in the immediate background, filling the remainder of the frame without competing with her features.

Photorealistic cinematic still. Seen from an elevated angle looking obliquely down, a vast purple violet field extends diagonally through the lower frame toward a distant laboratory in the upper-right background. Four figures stand fully visible at the edge of the shared field. C03O53 in a worn hoodie, a young Asian man with messy black hair, stands on the left, already deeper in the frame and visibly smaller than the boy, at three-quarter angle from the right, weight settling onto his front foot, looking down into the flowers with his mouth slightly open. C05O55 in a worn dress, a young Asian-Caucasian girl with blonde hair and large eyes, occupies the center of the frame, already deeper in the frame and visibly smaller than the boy, at three-quarter angle from the left, pausing with one foot forward, looking down with her mouth slightly open. C08O58 in worn activewear, a young Latino-Black boy with an immature face and tied back hair, stands nearby at the center of the frame in right profile, leaning his neck forward to look down with his mouth slightly open. C01O51 in a raincoat, a gorilla-type mechanical figure showing an angular head exterior, white face plate, dot-like eyes, and a line-like mouth, remains on the right, already deeper in the frame and visibly smaller than the boy, at three-quarter angle from the left, knees flexed after stepping down, looking down into the blooms. Bright natural daylight preserves the vivid purple of the flowers while casting even illumination over the companions' astonished faces.

diagnostics

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 "layout_shape_violations": [],
 "layout_side_conflicts": [],
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 "rewrite_failed": [],
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 "zoom_member_exclusion_source": "shot_dependency_t2i",
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  },
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   "figure_count": 1,
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   "character_angle_count": 1,
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   "available_structural_signal_names": [
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    "character_angles",
    "gaze_direction"
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  },
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   "character_angle_count": 1,
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  },
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  },
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    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "72:61": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L111",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "72:65": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L111",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "78:19": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "primary_location",
   "location_id": "L121",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "80:17": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L122",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "89:38": {
   "why_candidate": "single_shot_outdoor_no_figure",
   "location_source": "primary_location",
   "location_id": "L138",
   "figure_count": 0,
   "framing_scale": "wide",
   "character_angle_count": 0,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "frame_spatial_contract"
   ]
  },
  "89:58": {
   "why_candidate": "single_shot_outdoor_figure_present",
   "location_source": "primary_location",
   "location_id": "L138",
   "figure_count": 1,
   "framing_scale": "wide",
   "character_angle_count": 1,
   "frame_spatial_contract_present": true,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "frame_spatial_contract",
    "gaze_direction"
   ]
  },
  "89:73": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L138",
   "figure_count": 2,
   "framing_scale": "wide",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  },
  "91:3": {
   "why_candidate": "cross_shot_or_multi_figure_present",
   "location_source": "primary_location",
   "location_id": "L144",
   "figure_count": 2,
   "framing_scale": "medium",
   "character_angle_count": 2,
   "frame_spatial_contract_present": false,
   "available_structural_signal_names": [
    "framing_scale",
    "character_angles",
    "gaze_direction"
   ]
  }
 },
 "single_shot_seed_lane_enabled": true,
 "composition_guide_shared_model_enabled": true,
 "shared_model_judge_enabled": true,
 "shared_model_candidate_signals": [
  {
   "group_id": "osl-single-l01-s1-sh2",
   "location_id": "L01",
   "scene_index": 1,
   "member_shots": [
    "S1sh2"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "1:2": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-single-l02-s2-sh3",
   "location_id": "L02",
   "scene_index": 2,
   "member_shots": [
    "S2sh3"
   ],
   "cameras_non_identical": false,
   "landmark_count": 2,
   "per_shot_signals": {
    "2:3": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l07-s5",
   "location_id": "L07",
   "scene_index": 5,
   "member_shots": [
    "S5sh10",
    "S5sh20",
    "S5sh24"
   ],
   "cameras_non_identical": true,
   "landmark_count": 4,
   "per_shot_signals": {
    "5:10": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    },
    "5:20": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    },
    "5:24": {
     "entity_count_bucket": "multiple",
     "entity_count": 7,
     "depth_planes": 3,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l100-s65",
   "location_id": "L100",
   "scene_index": 65,
   "member_shots": [
    "S65sh4",
    "S65sh11",
    "S65sh17"
   ],
   "cameras_non_identical": true,
   "landmark_count": 4,
   "per_shot_signals": {
    "65:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "65:11": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "65:17": {
     "entity_count_bucket": "multiple",
     "entity_count": 3,
     "depth_planes": 2,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l108-s69",
   "location_id": "L108",
   "scene_index": 69,
   "member_shots": [
    "S69sh2",
    "S69sh4"
   ],
   "cameras_non_identical": true,
   "landmark_count": 2,
   "per_shot_signals": {
    "69:2": {
     "entity_count_bucket": "multiple",
     "entity_count": 4,
     "depth_planes": 3,
     "has_motion": false
    },
    "69:4": {
     "entity_count_bucket": "multiple",
     "entity_count": 4,
     "depth_planes": 3,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l11-s6",
   "location_id": "L11",
   "scene_index": 6,
   "member_shots": [
    "S6sh21",
    "S6sh30",
    "S6sh46"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "6:21": {
     "entity_count_bucket": "multiple",
     "entity_count": 3,
     "depth_planes": 2,
     "has_motion": false
    },
    "6:30": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 1,
     "has_motion": false
    },
    "6:46": {
     "entity_count_bucket": "multiple",
     "entity_count": 3,
     "depth_planes": 3,
     "has_motion": true
    }
   }
  },
  {
   "group_id": "osl-shared-l111-s72",
   "location_id": "L111",
   "scene_index": 72,
   "member_shots": [
    "S72sh38",
    "S72sh61",
    "S72sh65"
   ],
   "cameras_non_identical": true,
   "landmark_count": 3,
   "per_shot_signals": {
    "72:38": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": true
    },
    "72:61": {
     "entity_count_bucket": "multiple",
     "entity_count": 3,
     "depth_planes": 3,
     "has_motion": false
    },
    "72:65": {
     "entity_count_bucket": "multiple",
     "entity_count": 5,
     "depth_planes": 2,
     "has_motion": false
    }
   }
  },
  {
   "group_id": "osl-shared-l112-s71",
   "location_id": "L112",
   "scene_index": 71,
   "member_shots": [
    "S71sh4",
    "S71sh13",
    "S71sh25"
   ],
   "cameras_non_identical": true,
   "landmark_count": 6,
   "per_shot_signals": {
    "71:4": {
     "entity_count_bucket": "single",
     "entity_count": 1,
     "depth_planes": 1,
     "has_motion": false
    },
    "71:13": {
     "entity_count_bucket": "multiple",
     "entity_count": 2,
     "depth_planes": 2,
     "has_motion": false
    },
    "71:25": {
     "entity_count_bucket": "multiple",
     "entity_count": 4,
     "depth_planes": 3,
     "has_motion": false
    }
   }
  }
 ],
 "shared_model_judge_decisions": [
  {
   "group_id": "osl-single-l01-s1-sh2",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "1:2",
     "source_field": "camera_direction",
     "quote": "Observe directly from fingertip height beside the fish's approach axis"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The extreme low angle (fingertip height) and the precise spatial relationship required for the contact point between the subject and the object present a high placement risk that warrants a layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-single-l02-s2-sh3",
   "needs_shared_model_guide": true,
   "decision_type": "single_shot_complexity",
   "confidence": "high",
   "reasons": [
    "camera_or_framing_risk",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "2:3",
     "source_field": "camera_direction",
     "quote": "looking obliquely downward across 찰리 from one side"
    },
    {
     "shot_key": "2:3",
     "source_field": "camera_direction",
     "quote": "interrupted glimpses of his lower body disappear into the surrounding refuse"
    }
   ],
   "guide_scope": "single",
   "risk_notes": "The steep downward angle and the occlusion of the figure by the surrounding refuse present a high risk of the figure being misplaced or the depth collapsing in an unguided render.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l07-s5",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "5:10",
     "source_field": "camera_direction",
     "quote": "Track laterally outside the living-room window from the adjacent corner"
    },
    {
     "shot_key": "5:20",
     "source_field": "camera_direction",
     "quote": "Inside the second-floor room, reduce the tracking speed at the bite while holding the low rear-right oblique angle and looking slightly upward toward the open window."
    },
    {
     "shot_key": "5:24",
     "source_field": "camera_direction",
     "quote": "Settle the crane at its elevated, withdrawn endpoint and observe obliquely downward from 이현우's side... surround him across foreground, middle distance, and far side"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group requires a shared model to ensure the house, living-room window, and second-floor window remain consistent across the exterior, interior, and elevated wide angles. Shot 5:24 also requires careful placement of 7 figures across multiple depth planes from an elevated oblique angle, while Shot 5:20 features a low upward angle.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l100-s65",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "camera_or_framing_risk",
    "depth_layering",
    "occlusion_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "65:4",
     "source_field": "camera_direction",
     "quote": "looking obliquely downward"
    },
    {
     "shot_key": "65:11",
     "source_field": "camera_direction",
     "quote": "tilted gently upward"
    },
    {
     "shot_key": "65:17",
     "source_field": "camera_direction",
     "quote": "elevated position behind and slightly beside the Asian male observer, holding just above his shoulder with a steep downward tilt"
    },
    {
     "shot_key": "65:17",
     "source_field": "camera_direction",
     "quote": "department-store opening conceals approximately half of each body"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group features multiple shots in the same location with varying and extreme camera angles (downward, upward, elevated). Shot 17 also features complex depth layering, multiple figures, and specific occlusion requirements that necessitate a shared layout guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l108-s69",
   "needs_shared_model_guide": true,
   "decision_type": "cross_shot_continuity",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "69:2",
     "source_field": "camera_direction",
     "quote": "From outside the truck bed, continue the restrained lateral track at a high oblique angle into the corner where 이현우, 앰버, and 라울 sleep with their heads together."
    },
    {
     "shot_key": "69:4",
     "source_field": "camera_direction",
     "quote": "Finish the inherited dolly-in at 찰리's shoulder height, slightly below his face and oblique to his forward axis... Keep only a narrow portion of the moved shade and truck-bed edge in the surrounding frame"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The shots share the same truck bed structure and require consistent placement of the sleeping figures relative to Charlie and the truck's edges across different camera angles and framing scales.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l11-s6",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "figure_placement_continuity",
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "6:21",
     "source_field": "camera_direction",
     "quote": "Hold the opening low, oblique observer position off the line between 찰리 and the fallen children, looking upward"
    },
    {
     "shot_key": "6:21",
     "source_field": "camera_direction",
     "quote": "with 앰버 and 라울 small and separated along the lower-left foreground"
    },
    {
     "shot_key": "6:30",
     "source_field": "camera_direction",
     "quote": "Hold the virtual camera at 찰리’s optical height... place 지소영’s stored face photograph near the center... retain only indistinct live-view surroundings outside the photograph"
    },
    {
     "shot_key": "6:46",
     "source_field": "camera_direction",
     "quote": "Track beside the companions at the children’s upper-chest height, slightly ahead of their lateral line, using a gently upward oblique view"
    },
    {
     "shot_key": "6:46",
     "source_field": "camera_direction",
     "quote": "Place 라울 left, the coat-and-hat-disguised 찰리 centrally, and 앰버 right in a loose depth diagonal"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "Shots 6:21 and 6:46 feature multiple figures arranged across distinct depth layers from different low and oblique camera angles within the same location, requiring a shared guide to maintain spatial continuity and accurate figure placement. Shot 6:30 is an internal HUD/virtual camera view displaying a stored photograph over indistinct live-view surroundings, functioning as a through-surface optical overlay, and is therefore excluded from mannequin layout sketches.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l111-s72",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "shared_structure_continuity",
    "figure_placement_continuity",
    "depth_layering",
    "camera_or_framing_risk"
   ],
   "evidence": [
    {
     "shot_key": "72:38",
     "source_field": "camera_direction",
     "quote": "Track with the truck from immediately inside its open doorway, at sill height behind and to the side of 이현우's reaching arm, looking diagonally outward and slightly upward"
    },
    {
     "shot_key": "72:61",
     "source_field": "camera_direction",
     "quote": "Hold inside the stopped truck's cargo area above 이현우's seated head, looking down from his side in the inherited oblique composition."
    },
    {
     "shot_key": "72:65",
     "source_field": "camera_direction",
     "quote": "Pause the pan inside the stopped truck, off the doorway's central axis at seated shoulder height, looking slightly upward at the men outside in an oblique wide view. Keep both edges of the fully open doorway visible"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The sequence takes place in and around the same truck doorway, requiring consistent spatial relationships between the interior cargo area, the doorway edges, and the exterior environment (cliff edge, road). The varying camera angles (looking outward/upward, looking down from above, oblique wide views) and complex depth layering of figures inside and outside the truck present high risks for spatial collapse or inconsistent placement without a shared guide.",
   "admit": true,
   "deny_reason": null
  },
  {
   "group_id": "osl-shared-l112-s71",
   "needs_shared_model_guide": true,
   "decision_type": "both",
   "confidence": "high",
   "reasons": [
    "multi_angle_same_set",
    "figure_placement_continuity",
    "camera_or_framing_risk",
    "occlusion_or_framing_risk",
    "depth_layering"
   ],
   "evidence": [
    {
     "shot_key": "71:4",
     "source_field": "camera_direction",
     "quote": "dolly-in steeply downward past his forearm"
    },
    {
     "shot_key": "71:13",
     "source_field": "camera_direction",
     "quote": "approach from just behind and outside 찰리's shoulder, slightly above 앰버's eyes and angled down"
    },
    {
     "shot_key": "71:25",
     "source_field": "camera_direction",
     "quote": "elevated field-side angle, looking obliquely down across the four companions' three-quarter faces and full bodies"
    }
   ],
   "guide_scope": "group",
   "risk_notes": "The group features multiple elevated/steep angles and over-the-shoulder occlusion across different shots in the same location, requiring a shared model to maintain spatial consistency and correct figure placement across the varying camera heights and positions.",
   "admit": true,
   "deny_reason": null
  }
 ],
 "shared_model_attach_decisions": [
  {
   "group_id": "osl-single-l01-s1-sh2",
   "scene_index": 1,
   "base_cache_key": "4dc6b02651215a74",
   "attached_shots": [],
   "attached": false,
   "fail_stage": "pose_brief"
  },
  {
   "group_id": "osl-single-l02-s2-sh3",
   "scene_index": 2,
   "base_cache_key": "deacd095033696a0",
   "attached_shots": [
    "2:3"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l07-s5",
   "scene_index": 5,
   "base_cache_key": "f701ede69d6929bc",
   "attached_shots": [
    "5:10",
    "5:20",
    "5:24"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l100-s65",
   "scene_index": 65,
   "base_cache_key": "73dd3e7274f890f1",
   "attached_shots": [],
   "attached": false,
   "fail_stage": "pose_brief"
  },
  {
   "group_id": "osl-shared-l108-s69",
   "scene_index": 69,
   "base_cache_key": "4f9072ec6dc73803",
   "attached_shots": [
    "69:2",
    "69:4"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l11-s6",
   "scene_index": 6,
   "base_cache_key": "1cec7f532884c9d6",
   "attached_shots": [
    "6:21",
    "6:46"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l111-s72",
   "scene_index": 72,
   "base_cache_key": "0ba1114a18772911",
   "attached_shots": [
    "72:38",
    "72:61",
    "72:65"
   ],
   "attached": true
  },
  {
   "group_id": "osl-shared-l112-s71",
   "scene_index": 71,
   "base_cache_key": "35b510a8d28c375f",
   "attached_shots": [
    "71:4",
    "71:13",
    "71:25"
   ],
   "attached": true
  }
 ],
 "shared_model_single_shot_complexity_observation": [
  {
   "group_id": "osl-single-l01-s1-sh2",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-single-l02-s2-sh3",
   "decision_type": "single_shot_complexity",
   "is_single_shot_candidate": true,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l07-s5",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l100-s65",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l11-s6",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l111-s72",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
  },
  {
   "group_id": "osl-shared-l112-s71",
   "decision_type": "both",
   "is_single_shot_candidate": false,
   "admit": true,
   "note": "single_shot_complexity lane 개방 — admit 시 production attach."
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