{ "status": "completed", "applicable_count": 23, "completed_count": 23, "failed_count": 0, "schema_version": 6, "config_hash": "9e7bc38f664cf705", "data": { "groups": { "bg_artificial_seawall": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_artificial_seawall_sel.png", "seed_asset_id": "689999ad-8d31-4952-8354-722109bc1dd0", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around an artificial seawall, with the sea directly against its seaward side and an open ground apron along its landward face. A vehicle access route runs alongside the inland edge of the apron and connects directly into it, without a separate barrier between the route and the apron. The apron provides the ground-level space facing the wall; the access route provides a second camera zone with views along the vehicle approach and back across the apron toward the wall. In plan, the adjoining strips are sea, seawall, landward apron, and vehicle access route. The route continues beyond the working extent of the site. No separate enclosure, building, or gate is established.\n- Artificial seawall: Forms the seaward edge of the landward apron, separating the apron from the sea directly on its opposite side.\n- Open ground apron beside the seawall: Extends along the landward foot of the artificial seawall and directly adjoins the vehicle access route on its inland edge.\n- Sea adjoining the outer seawall face: Directly meets the seaward face of the artificial seawall, opposite the open ground apron.\n- Vehicle access route beside the seawall apron: Runs along the inland edge of the open ground apron, connects directly into that ground area, and continues beyond the site for vehicle access.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 인공제방 작업장과 제방 벽 앞: 금이 가고 바닷물이 새어 나오는 거대한 콘크리트 인공 방벽과 낡은 건설 장비들이 모여 있는 작업 구역. / 인천 난민촌 인공제방 도로: 바다와 맞닿아 있는 좁은 도로에 소형 드론들이 벽에 다닥다닥 달라붙어 폭발을 일으키는 콘크리트 방벽 구간.\n\nTHE LOCATION: 7. 인공제방 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Severe cracks in the seawall; Water leaking through the seawall; Forklift and transported construction materials; Collected stones; Military truck; Ground puddle; Siren and megaphone; Workers, officials, guards, and crowd\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "79b83c8d-2464-4f17-9f40-06096754b0af", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_artificial_seawall/rounds/r001/cand_03.png", "sha256": "850e730ec7c18831d592a9b3d3d936dc9384daa65c0419d8c641a3b0c0db593c", "fittings": [ { "target_native": "콘크리트 해안 방벽", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_artificial_seawall/rounds/r001/cand_08.png", "sha256": "d562ec8b39d7c93aeb95ede64a20de3ddfe5da06d3daf6e626d3ab534fc8ae30" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "해안 방벽은 현실에서 촬영할 수 있는 구조물이며, 조사된 낮고 연속적인 콘크리트 방벽의 형태를 실제 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "a17387cbcf34784a", "totals": { "A": 1550, "B": 1321 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1550, "verdict_ko": "바다가 방벽에 직접 닿는 구조와 사다리꼴 지지대 형태를 참조 이미지에 맞게 정확히 구현했으며, 지시대로 비어있는 현장을 잘 표현함. ★위반: [gpt-high] 주변 환경 제한에도 불구하고 해안 마을의 건물들, 별도 항만 구조물과 항로표지로 보이는 시설, 수목이 우거진 해안 지형을 추가했습니다." }, { "label": "B", "score": 1321, "verdict_ko": "바다가 방벽에 직접 맞닿아야 한다는 조건을 어기고 바깥쪽에 바위를 노출시켰으며, 방벽 표면에 참조에 없는 수평 돌출부를 임의로 추가함. ★위반: [gpt-high] 주변 환경을 명시된 영구 요소로만 제한했는데도 해안 마을의 건물들과 별도 항만 구조물, 수목이 우거진 해안 지형을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_auto_repair_complex": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_auto_repair_complex_sel.png", "seed_asset_id": "e518cee8-6c42-4dbf-88e3-6e2ae23e7ad0", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The detached auto repair shop forms the rear of the site, with its vehicle entrance opening directly onto the forecourt. The forecourt connects the shop entrance to an adjoining access road along its outer edge, providing a continuous vehicle route without an intervening isolated parking area. Its lateral edges define the limits of the open site area without requiring walls or fences. For plan orientation, place the container dining facility beside the right side of the repair shop. Its entrance faces the adjoining forecourt, allowing pedestrian access between the two facilities and the open frontage. The forecourt provides views toward the repair shop, the container entrance, and the road connection; the container-side exterior provides an oblique view across the frontage.\n- Detached auto repair shop: At the rear of the forecourt, beside the container dining facility, with its front facing the forecourt and adjoining access road.\n- Repair shop vehicle entrance: In the forecourt-facing side of the detached auto repair shop, directly adjoining the forecourt vehicle surface.\n- Repair shop open forecourt: Extends from the repair shop vehicle entrance to the adjoining access road, with the container dining facility along its right side. Its lateral limits form the site edges; no enclosing structure is specified.\n- Forecourt access road: Runs along the outer edge of the repair shop open forecourt, opposite the repair shop frontage, with a direct vehicle connection into the forecourt.\n- Container dining facility: Beside the detached auto repair shop, on the right side of the plan, adjoining the side of the repair shop open forecourt.\n- Container dining facility entrance door: In the forecourt-facing exterior of the container dining facility, opening directly onto the pedestrian-accessible side of the forecourt.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 태진과 은영의 카센터 앞 공터: 수리를 마친 캠핑카가 시동을 걸고 나가는 외딴 공도 주변의 너른 흙바닥 앞마당.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 태진과 은영의 카센터 창고 내부: 거대한 스피커와 록밴드 포스터가 가득하고 정비용 공구들이 벽에 걸려 있는 개러지 겸 수리 공간. / 태진과 은영의 카센터 식당: 카센터 옆에 설치된 컨테이너 박스를 개조한 간이 식당으로 테이블과 소박한 취사도구가 있다.\n\nTHE LOCATION: 51. 식당, 카센터 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Camper; Travel luggage; Charlie's letter; Food and medicine supplies; Vehicle dust trail\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "acc3b197-e5a5-4a39-b0b5-e873b53e4e3f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_auto_repair_complex/rounds/r001/cand_02.png", "sha256": "491a6f445229ceaeeaca5168965d5bfd2c2dc18caa12d9cb34d29acf8ae7b3d0", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "단독 자동차 정비소는 현실에 존재하는 일상적 건축물이며, 미래 배경만으로 그 기본 형태가 창작물로 바뀌지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "70fef9bc429f3cef", "totals": { "A": 1750, "B": 579 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "제시문이 요구한 우측 컨테이너 식당 추가와 흙바닥 앞마당 설정을 정확히 구현하여 프롬프트 지시를 충실히 따름. ★위반: [gpt-high] 설명에 없는 주변 주택·전신주와 부지 경계 담장을 추가하여 주변 요소 제한을 위반했다." }, { "label": "B", "score": 579, "verdict_ko": "흙바닥 앞마당 지시를 무시하고 아스팔트를 유지했으며, 지정된 컨테이너 구조물 추가 없이 기존 건물에 간판만 달아 부적합함. ★위반: [gemini-pro] 필수 구조물인 컨테이너 식당 누락 / [gpt-high] 비어 있는 기준판에서 금지한 이동식 의자와 활동 소품인 소화기를 배치했다. / [gpt-high] 설명에 없는 주변 주택·전신주와 부지 경계 담장을 추가하여 주변 요소 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_camp_church_airspace": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_camp_church_airspace_sel.png", "seed_asset_id": "df4f6cc4-e0e9-495c-bf77-aa7acebc593c", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around the refugee camp's internal road, the church exterior, the management-office yard, and the artificial embankment. The internal road provides the ground-level connection toward the church entrance. Place the management-office yard off this same internal circulation, with the office building along one edge of the yard. The exterior office stairs adjoin the building and are approached from the yard; the manhole opening lies within the yard immediately beside the building. Toward the camp's seaward edge, connect the internal circulation to the embankment road, which follows the upper line of the artificial embankment. The embankment wall separates the sea on its seaward side from the camp-side ground at its inland foot. Keep the inland foot contiguous with the wall and accessible from the camp side. This arrangement provides connected ground references beneath the shared airspace without treating aircraft, illumination, or damage as permanent site features. Building footprints, compass orientation, and road geometry remain unspecified.\n- Refugee-camp internal road: Within the refugee camp, providing the approach toward the church and connecting the management-office yard to the embankment-side circulation.\n- Refugee-camp church: Beside the churchward end of the internal-road approach, with its entrance facing the accessible camp-side ground.\n- Camp-facing church entrance: In the church exterior, directly adjoining the ground approach from the refugee-camp internal road.\n- Management-office exterior yard: Directly beside the management-office building and connected to the camp's internal circulation; contains the manhole opening and the approach to the exterior office stairs.\n- Refugee-camp management office: Forms one edge of the management-office yard, with its exterior stairs adjoining the yard and the manhole opening close beside its footprint.\n- Management-office exterior stairs: Adjoin the management-office building, rising from an approach within the office yard to the building's access point.\n- Manhole opening beside the management office: Set into the management-office yard ground immediately beside the office building, with the exterior stairs accessible across the adjoining yard.\n- Artificial-embankment road: Runs along the upper line of the artificial embankment and connects to the camp's internal circulation on the inland side.\n- Artificial-embankment wall: Extends beneath the embankment crest, separating the adjoining sea from the camp-side ground at the inland foot.\n- Artificial-embankment crest: Forms the upper edge of the embankment wall alongside the embankment road, above the inland foot and the adjoining sea.\n- Sea adjoining the artificial embankment: Directly adjoins the seaward side of the artificial embankment, opposite the camp-side ground.\n- Camp-side ground at the embankment foot: Directly adjoins the inland base of the embankment wall below the crest and is continuous with the camp-side access ground.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌과 성당 상공: 전투 헬기와 서치라이트, 자폭 드론들이 날아다니며 밤하늘을 수놓는 상공.\n\nTHE LOCATION: 33. 헬기 + 성당 + 난민촌 (교차) - N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Combat helicopter; Helicopter searchlight and crossing light beams; Airborne and attached drones; Militia vehicles on the camp road; Vehicle convoy on the embankment road; Trucks and guards in the management-office yard; Raised manhole cover; Containers near the embankment; Embankment repair machinery and construction equipment; Drone explosions and embankment breach; Seawater surge into the camp-side ground\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "f367e5a6-3b77-48f2-9110-263c49a5eac1", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_camp_church_airspace/rounds/r001/cand_03.png", "sha256": "1c78a917b4865041a52d0a6d9d574ab889dc89681a12a3904640756b3add424d", "fittings": [ { "target_native": "방조제", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_camp_church_airspace/rounds/r001/cand_10.png", "sha256": "689166ef253fed4297c8dde04a650eb43560f6b03577953cc0fee1a0b19b6ea7" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "방조제는 실제 해안에서 촬영할 수 있는 구조물이며, 조사된 경사형 단면과 돌로 덮인 표면을 실물 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "d8249b8191e1a84c", "totals": { "A": 1417, "B": 1050 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "프롬프트가 요구한 지형, 건물 배치, 참조 이미지의 형태(방호 블록, 암석 제방 등)를 물리적 오류 없이 완벽하게 구현한 모범적인 결과물입니다. ★위반: [gpt-high] 이전하지 말라고 명시한 참조의 가장자리 방호시설을 황색 콘크리트 기둥의 긴 열로 추가했다. / [gpt-high] 구조 설명에 없는 배경 건물군, 전주와 울타리 및 숲 산지와 원경 시가지를 도입해 주변 요소 제한을 위반했다." }, { "label": "B", "score": 1050, "verdict_ko": "관리사무소의 외부 계단이 1층 건물의 지붕 위 허공에 위치한 문으로 연결되는 치명적인 건축적 오류(물리적 불가능)가 있어 탈락입니다. ★위반: [gemini-pro] physically impossible anatomy or staging (관리사무소의 외부 계단이 1층 지붕 위 허공에 뜬 문으로 연결되는 구조적 오류) / [gpt-high] 참조에서 가져오지 말라고 명시한 가장자리 방호시설을 황색 콘크리트 기둥의 긴 열로 재현했다. / [gpt-high] 구조 설명에 없는 별도 건물군, 울타리와 전주를 추가하고 참조 주변의 숲 산지와 원경 시가지를 가져와, 허용된 영구 현장 요소만 보여 달라는 조건을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_coastal_abandoned_laboratory": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_coastal_abandoned_laboratory_sel.png", "seed_asset_id": "c9eeddba-70be-466d-b8a1-f5b11b99ba19", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The laboratory building, its exterior forecourt, the violet field, and the cliff edge form a connected site. Place the laboratory at one end of the layout, with its main iron entrance opening directly onto the forecourt. An upper-level window overlooks this same exterior ground. Place the separate secondary exit on the building's field-facing side, with unobstructed ground connecting it to the violet field. The forecourt adjoins the field, allowing continuous passage between them. A vehicle approach enters from the building end of the site and connects directly to the forecourt without crossing the cliff edge. The violet field extends away from the laboratory and terminates at the cliff, with continuous ground between the field interior and the cliff top. The cliff forms the outer limit of this layout; no connection beyond its edge is implied.\n- Ji Dong-hyun's laboratory building: Within the laboratory exterior and forecourt zone, the building stands at the end of the site opposite the cliff, adjoining the forecourt and the building-side margin of the violet field.\n- Laboratory main iron entrance: Set in the laboratory facade adjoining the forecourt, with the exterior threshold directly accessible from the forecourt.\n- Laboratory upper window overlooking the forecourt: Set above forecourt level in the laboratory's forecourt-facing facade, with a downward sightline onto the exterior ground.\n- Laboratory secondary exterior exit: Separate from the main iron entrance, on the field-facing side of the laboratory, opening onto ground continuous with the violet field and the forecourt.\n- Laboratory exterior forecourt: Directly outside the laboratory main entrance and beneath the overlooking window, adjoining the violet field on its outer side and the vehicle approach at its building-side end.\n- Laboratory vehicle approach: Connects the building-side site boundary directly to the laboratory forecourt, running beside the laboratory rather than toward or across the cliff edge.\n- Laboratory violet field: Adjoins the laboratory forecourt and the ground outside the secondary exit, extending away from the building to the cliff-top edge.\n- Cliff edge at the far end of the violet field: Forms the terminal boundary of the violet field opposite the laboratory; the field ground reaches the cliff top without an intervening structure.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 지동현의 연구소 앞 제비꽃밭: 바닷바람에 너풀거리는 끝없이 넓은 보라색 제비꽃의 화려한 군락지. / 지동현의 연구소 건물 밖과 트럭 정차 지점: 유빅사의 군용 트럭 여러 대가 줄지어 정차하고 인공지능 용병들이 쏟아져 내리는 흙마당.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 지동현의 연구소 1층과 뒷문 안쪽: 끼익 소리를 내는 낡은 철문과 먼지가 쌓인 나선형 계단, 바닥에 깨진 액자가 뒹구는 오랫동안 폐쇄된 연구소 출입구. / 지동현의 연구소 2층 피아노 공간: 텅 빈 2층 공간 한가운데 튜닝이 나간 오래된 목재 피아노가 덩그러니 놓여 있는 방치된 구역.\n\nTHE LOCATION: **72. 지동현의 연구소 - D**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Ubik trucks and other vehicles; Mud at the vehicle stopping area; Human occupants and artificial-intelligence soldiers; Sunset over the violet field; Overturned and damaged car\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "b188ab30-d879-4446-877f-715ba8327852", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_coastal_abandoned_laboratory/rounds/r001/cand_19.png", "sha256": "aec7a3515c056f5d295ececa34a2b15f3ee18418b3048ae119c00583e9c5db77", "fittings": [ { "target_native": "제비꽃 군락", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_coastal_abandoned_laboratory/rounds/r001/cand_25.png", "sha256": "8c419179b171950889167a377bff7a22724df18bf187fbaf73c812a8b6bd918d" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "제비꽃 군락은 실제로 관찰하고 촬영할 수 있으며, 현재 사진으로 식물의 기본 형태를 참고할 수 있지만 미래의 분포와 밀도까지 확인할 수는 없다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "3a55a80cc357e08d", "totals": { "A": 1375, "B": 1700 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1375, "verdict_ko": "레퍼런스 이미지에 제시된 제비꽃의 고유한 형태를 매우 정확하게 재현하였으며, 건물의 구조적 특징과 동선 배치 지시사항을 완벽하게 구현한 훌륭한 결과물입니다. ★위반: [gpt-high] 건물 왼쪽에 설명에서 배치하지 않은 금속 난간과 단형 시설을 추가했다. 명시되지 않은 난간·플랫폼 등을 넣지 말라는 금지에 해당한다." }, { "label": "B", "score": 1700, "verdict_ko": "건물과 부지의 전반적인 배치는 지시를 따랐으나, 정문 위의 돌출된 캐노피가 2층 창문의 하향 시야를 일부 간섭하며, 제비꽃의 형태가 레퍼런스와 달리 다소 일반적인 지피식물처럼 묘사되었습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_coastal_cliff_edge": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_coastal_cliff_edge_sel.png", "seed_asset_id": "028b3ce5-f561-4770-8eaa-0b953b434726", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a violet field and the adjoining field-edge ground from which the field can be overlooked. The field extends away from this viewing edge, with Ji Dong-hyeon's laboratory visible in the distance beyond it. Treat the laboratory as a background landmark rather than an adjoining building: its connection to the field and its access route are unspecified. Keep the field-edge ground directly contiguous with the field, without introducing a separate constructed path or enclosure.\n- Violet field: Directly adjoining the field-edge viewing ground and extending into the foreground of the distant laboratory outlook.\n- Field-edge viewing ground: Along the near edge of the violet field, providing a standing surface overlooking the flowers toward the distant laboratory.\n- Distant Ji Dong-hyeon laboratory: In the distant background of the violet-field outlook, visible from the field-edge viewing ground; no direct adjacency to the field is established.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 지동현의 연구소 인근 절벽 끝: 꽃밭을 가로질러 도망치다 마주하는, 아래로 바다가 출렁이는 깎아지른 아찔한 해안 낭떠러지.\n\nTHE LOCATION: **71. 도로 위, 현우의 트럭 – 새벽**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's truck; Paper flower drawing and drawing implements; Companions at the flower field; Violets in full bloom; Falling cliff-edge soil and pebbles; Encircling soldiers and aimed firearms\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "3cb28900-cd85-43a7-a373-267cbf8f5510", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_coastal_cliff_edge/rounds/r001/cand_04.png", "sha256": "1028a8e2a4d87006e9d013645c0927f181662c2276b27f45eb5bd1563eedc2df", "fittings": [ { "target_native": "제비꽃 군락", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_coastal_cliff_edge/rounds/r001/cand_07.png", "sha256": "8e4f44d1c9fc505df207ea60abbf4e5596c4f9edcdf54972eeaf8327a5ce0a17" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "제비꽃 군락은 실제로 관찰하고 촬영할 수 있는 자연 식생이며, 미래 시점과 무관하게 실제 군락의 생김새를 참고할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "0797b07db8556c0b", "totals": { "A": 1417, "B": 1417 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "제외 지시된 '만개한 제비꽃'을 피해 산재된 형태로 지형을 잘 구현했으나, 새벽 시간대가 맑은 낮으로 묘사되어 감점됨. ★위반: [gpt-high] 명시적으로 제외된 만개한 제비꽃을 전경에 밀집해 묘사했습니다. / [gpt-high] 배치 근거가 없는 광범위한 수림을 주변환경으로 추가했습니다. / [gpt-high] 설명이나 참조로 뒷받침되지 않는 안테나와 접시형 옥상 설비를 연구소에 추가했습니다." }, { "label": "B", "score": 1417, "verdict_ko": "제외 지시된 만개한 제비꽃을 들판 가득 묘사하고, 금지된 레퍼런스의 레이아웃(나무 기둥)을 임의로 복사하여 크게 감점됨. ★위반: [gemini-pro] 컨텍스트에 없는 주변 환경(좌측 나무 기둥)을 임의로 발명하여 추가함 / [gpt-high] 명시적으로 제외된 만개한 제비꽃을 넓은 꽃밭 전체에 묘사했습니다. / [gpt-high] 배치 근거가 없는 큰 전경 소나무와 광범위한 수림을 주변환경으로 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_coastal_hill_overlook": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_coastal_hill_overlook_sel.png", "seed_asset_id": "3e51b6e9-6c91-4500-b642-35d55d0f8d22", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a recess between rocks and the vehicle-accessible ground adjoining it. The rocks define the recessed side of the space; the ground extends into the recess and continues outward through its open side, providing a continuous vehicle approach. Camera positions occupy this ground beside the rock recess, with views directed either toward the rocks or across the adjoining ground. No constructed parking facility or separate roadway is specified.\n- Rocks defining the recess: The rocks bound the recessed side of the site and directly adjoin the vehicle-accessible ground. The recess opens onto the outward continuation of that ground.\n- Vehicle-accessible ground at the rock recess: This ground meets the rocks, extends into their recess, and continues outward through the open side as the vehicle approach. It is continuous ground rather than a separately specified parking structure.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 해남 바다가 보이는 언덕과 트럭 주차 지점: 능선 너머로 바다 윤슬이 반짝이고 거대한 제비꽃밭과 연구소가 한눈에 내려다보이는 높은 구릉지.\n\nTHE LOCATION: **69. 현우의 트럭- D (현재)**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's truck and rear cargo bed; Movable shade screen; Sleeping companions in the cargo bed; Charlie beside the truck; Shade cast by the rocks\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "496bd6f6-d032-4c5f-b4b5-33f654346526", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_coastal_hill_overlook/rounds/r001/cand_01.png", "sha256": "acf5a7cc173fa4d90ffebfb1f9a02d963f45eb96cf40afdbc8f266f98366549b", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "움푹 들어간 공간을 이루는 자연 바위는 현실에서 촬영할 수 있으며, 미래 연도와 무관하게 실제 바위의 형태를 참고할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "183337ed70118476", "totals": { "A": 1833, "B": 1833 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1833, "verdict_ko": "프롬프트가 요구한 바다의 윤슬을 훌륭하게 표현했으며, 차량이 진입할 수 있는 평탄한 지면과 바위의 형태를 매우 정확하게 구현했습니다." }, { "label": "B", "score": 1833, "verdict_ko": "연구소와 제비꽃밭은 명확히 묘사되었으나, 바다의 윤슬 표현이 부족하고 차량이 접근할 지면이 다소 거칠게 렌더링되었습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_collapsed_department_store": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_collapsed_department_store_sel.png", "seed_asset_id": "9dcd2529-ce3b-4608-b19e-97c9ddf73437", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The approach path leads toward the partially collapsed department store through its vegetated exterior grounds. These grounds lie between the approach and the building and continue alongside its exterior, with broad areas of moss-covered ground and irregularly distributed trees. The approach connects across the exterior grounds to an accessible gap in the collapsed building. This gap belongs to the building envelope and directly joins the exterior ground to the interior; it is not a separate gateway or detached structure. The department-store mass forms the backdrop to views from the vegetated grounds, while the gap provides the principal spatial connection into the building. No specific elevated platform or lookout structure is established.\n- Department-store approach path: Outside the department store, leading into the vegetated exterior grounds and connecting through them to the gap in the collapsed building.\n- Moss-covered exterior ground: Across the exterior grounds between the approach path and the department-store envelope, directly adjoining the ground at the building gap and extending among the irregular tree growth.\n- Irregular exterior tree growth: Distributed irregularly through the moss-covered exterior grounds alongside the approach and the department store, without forming a separate enclosed garden.\n- Partially collapsed department store: At the destination of the approach path, directly adjoining the vegetated exterior grounds; its collapsed envelope contains the accessible gap connecting those grounds to the interior.\n- Accessible gap in the collapsed department store: Within the department-store envelope on the side reached from the approach through the vegetated exterior grounds, directly connecting exterior ground and building interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 무너진 백화점 외부와 주변 수풀: 지진으로 반쯤 붕괴된 거대한 상업 건물과 그 위를 빼곡하게 덮은 이끼, 마구잡이로 자라난 정글 같은 나무들.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 무너진 백화점 1층과 붕괴된 바닥 주변: 어두컴컴한 내부로, 지하로 이어진 에스컬레이터 잔해와 먼지 쌓인 층별 안내 비석이 있으며 바닥이 갑자기 꺼져 내리는 싱크홀 구역. / 무너진 백화점 지하 식품 코너: 거대한 천장 구멍으로 빛이 떨어지는 지하 매장으로, 흙먼지에 덮인 낡은 통조림, 와인병, 푸드코트 간판이 온전하게 남아 있는 공간.\n\nTHE LOCATION: **65. 무너진 백화점 - D**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Standing puddles; Birds and water deer; Newly opened flowers; Radiation meter; Gas masks; Observer overlooking the building gap\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "6efd0fab-93d1-477f-8a18-f4a8cd6212ef", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_collapsed_department_store/rounds/r001/cand_01.png", "sha256": "a2144266dd914ec7f4332ce40482ec892f2eb9d2b271d64f0527db06d6b3c4f7", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "부분 붕괴한 백화점은 현실의 건축물과 물리적 파손 상태에 해당하며, 작품만의 독자적인 미래 건축 형식은 지정되지 않았다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "77056a6397029a83", "totals": { "A": 1750, "B": 1357 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "지정된 시점과 붕괴된 핑크색 건물의 구조를 정확히 묘사했으며, 요구된 이끼와 식생을 잘 구현하면서도 인물과 차량을 완벽히 배제함. ★위반: [gpt-high] 설명에 없는 아파트와 도시 건물들을 주변 배경에 추가하여, 허용된 영구적 부지 요소의 범위를 벗어났습니다. / [gpt-high] 구조 설명이 설치하지 않은 난간식 외부 계단과 높인 테라스를 왼쪽 전면에 도입했습니다." }, { "label": "B", "score": 1357, "verdict_ko": "프롬프트의 전반적인 구조와 식생, 빈 공간 요구사항을 잘 따랐으나, 배너의 영문 텍스트 생성 등 일부 디테일에서 A보다 자연스러움이 떨어짐. ★위반: [gpt-high] 설명에 없는 아파트와 도시 건물들을 백화점 주변에 배치하여, 명시된 영구적 부지 요소만 허용한다는 조건을 위반했습니다. / [gpt-high] 구조 설명에 없는 난간식 외부 계단과 높인 테라스를 왼쪽 기단에 도입했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_flooded_settlement_surface": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_flooded_settlement_surface_sel.png", "seed_asset_id": "6b1f4dda-6ed9-43b9-8740-3d4044f03bc4", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site comprises the sea adjoining the refugee settlement and a fixed settlement wall at their interface. The settlement waters form the broad viewing area, while the wall provides a localized structural reference along the settlement side. Keep the water area continuous beside the wall rather than dividing it into enclosed basins. The settlement connects to the city beyond; no street arrangement, shoreline profile, or compass orientation is established. The wall's full extent and enclosure pattern are unspecified. Flood coverage and the water level relative to structures are moment-specific conditions, not permanent site geometry. Floating objects do not define fixed islands, platforms, routes, or camera positions.\n- Sea adjoining the refugee settlement: Forms the continuous water area adjoining the settlement and extending alongside the settlement wall; the event-specific inundation boundary is not a fixed edge of this marker.\n- Refugee settlement wall: Located on the settlement side of the water area, with water directly beside it in the scene. Retain it as a fixed structural reference without specifying a complete perimeter or a permanent waterline.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 수몰된 인천 난민촌 해상과 떠다니는 잔해 위: 동틀 무렵, 건물 꼭대기만 남고 완전히 물에 잠긴 도시 위에 컨테이너와 판자 조각들이 둥둥 떠다니는 수면.\n\nTHE LOCATION: 39. 수몰된 난민촌 몽타주 - D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Flood inundation following the embankment collapse; Containers beside the settlement wall; Floating boards and loose debris; Refugees and floating bodies; Reporting drone; Police helicopter and searchlight; Militia inflatable boat; Handheld probing pole\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "cd909264-b7f0-4c11-9141-1283a98df37f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_flooded_settlement_surface/rounds/r001/cand_03.png", "sha256": "d40f506d5dddab4121c32977ddcbf2edf012f7376c9f5af743e4d1ccf083ee5e", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "바다는 현실에서 관찰하고 촬영할 수 있으며, 미래라는 설정만으로 기본 형태가 달라지지 않는 대상이다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "edd44f71aa2e13d0", "totals": { "B": 1417, "A": 1500 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "B", "score": 1417, "verdict_ko": "제외 요소인 부유물을 명확히 배제하면서도 '건물 꼭대기만 남고 완전히 물에 잠긴 도시'라는 프롬프트의 핵심 묘사를 원경에 훌륭하게 구현했습니다. ★위반: [gpt-high] 허용된 영구 요소가 아닌 말뚝 한 개를 전경 수면에 추가했습니다. / [gpt-high] 건물 상부만 바다 위에 남기는 방식으로 명시적으로 제외된 도시 침수 상태를 묘사했습니다." }, { "label": "A", "score": 1500, "verdict_ko": "부유물 제외 조건은 잘 지켰으나, 물에 잠겨 건물 꼭대기만 남은 도시의 디테일이 원경에서 거의 드러나지 않아 묘사 충실도가 다소 떨어집니다. ★위반: [gpt-high] 허용된 영구 요소가 아닌 관 모양 말뚝 한 개를 전경 수면에 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_food_transport_fork": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_food_transport_fork_sel.png", "seed_asset_id": "3353276e-8593-44a0-8507-e9efa6680c2a", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a common road in Iksan and its fork into two separate road branches. For the site-plan orientation, place the common road at the bottom, continuing into the fork near the center. Beyond the fork, one branch extends toward the upper left and the other toward the upper right. Both branches connect directly to the common road through the same junction, forming a continuous Y-shaped road layout. Left and right are relative to the view from the common road toward the fork, not compass directions. The common approach, junction, and each branch provide distinct camera positions and sightlines along the road network.\n- Common road approaching the fork: Occupies the lower portion of the site plan and connects directly to the central road fork.\n- Central road fork: At the end of the common road, directly joining it to the left road branch and the right road branch.\n- Left road branch beyond the fork: Connects directly to the central road fork and extends toward the upper left of the site plan, diverging from the right road branch.\n- Right road branch beyond the fork: Connects directly to the central road fork and extends toward the upper right of the site plan, diverging from the left road branch.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 식량 운반 도로와 갈림길: 두 대의 트럭이 나란히 물리며 달리다가 방향을 틀어 서로 헤어지는 먼지 나는 Y자형 시골 포장도로.\n\nTHE LOCATION: **68. 익산 도로 위 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hyunwoo's and Subin's trucks; Following vehicles; Truck occupants; B-200's chest component; Baby bird; Vehicle-raised dust; Imagined Haenam flower field and distant laboratory\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "9a3af799-deb3-4424-845d-e2bd358aecdd", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_food_transport_fork/rounds/r001/cand_05.png", "sha256": "ceca79c73c1ee80e488e694720d3334cd7026ae7533022a5d0da1ae2215e2018", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "도로 갈림길은 현실에 존재하는 일상적 구조이며, 미래 배경에서도 기본 형태를 실제 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "d4cdfc0f9b017f59", "totals": { "A": 1750, "B": 845 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "명확한 Y자형 도로 구조와 지시된 빈 씬(Empty Scene)을 잘 구현했으나, 배제해야 할 레퍼런스의 주변 환경(정자, 나무)을 포함한 점은 감점 요인입니다. ★위반: [gpt-high] 허용된 도로 구조 외에 정자, 철도, 전주·전선, 표지, 주택·비닐하우스와 경작지를 추가하여 참고 사진의 주변 환경을 복제했습니다. / [gpt-high] 설명에서 허용하지 않은 정자의 마루·난간과 도로변 가드레일, 울타리 및 말뚝 시설을 포함했습니다." }, { "label": "B", "score": 845, "verdict_ko": "도로가 비대칭적이며, 레퍼런스의 전경 케이블을 하늘에 떠 있는 형태로 잘못 복사해 물리적 오류를 발생시켰습니다. ★위반: [gemini-pro] physically impossible staging (좌측 상단 허공에 떠서 나무에서 끊기는 검은 케이블) / [gpt-high] 도로만을 배치 근거로 삼으라는 지시와 달리, 참고 사진의 주변 요소인 정자, 철도, 전주·전선, 표지·거울, 배경 주택과 경작지를 대거 옮겨 넣었습니다. / [gpt-high] 설명에 배치되지 않은 정자의 관람·휴식용 마루와 난간, 주변 울타리 및 말뚝 시설을 포함했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_harbor_pier": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_harbor_pier_sel.png", "seed_asset_id": "9a426850-70d6-481f-8da7-a212290aacfa", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is a continuous harbor quay in Mokpo, with a landward walking surface directly adjoining the waterfront edge. Divide the quay into two connected areas: the waterfront quay area and the adjoining berth area. The waterfront quay area includes the quay edge and the walking surface immediately behind it. That same walking surface continues along the waterfront into the berth area without a separate enclosure. The berth edge directly meets the harbor water and is accessible from the adjoining quay surface. A fixed mooring attachment sits at the berth edge, and a fixed landing identification sign stands beside the landward approach to that edge. Harbor water extends outward from both waterfront areas. Camera positions can be grounded on the quay surface behind the waterfront edge or on the quay beside the berth, with clear spatial continuity between them.\n- Waterfront quay walking surface: Occupies the landward side of the waterfront quay edge and continues along the waterfront into the adjoining berth area.\n- Waterfront quay edge: Forms the water-facing boundary of the waterfront quay walking surface, directly adjoining harbor water and continuing toward the berth edge.\n- Quayside berth edge: Lies along the continuation of the waterfront quay edge in the adjoining berth area, directly touching harbor water with the quay walking surface immediately landward.\n- Quayside fixed mooring attachment: Is fixed at the quayside berth edge, accessible from the adjoining quay walking surface.\n- Quayside landing identification sign: Stands beside the quay walking surface immediately landward of the quayside berth edge, identifying the landing from its approach.\n- Harbor water adjoining the quay: Directly adjoins both the waterfront quay edge and the quayside berth edge and extends outward from their water-facing sides.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 목포 항구 부두: 출렁이는 검은 바닷물 위로 낡은 밀항선들이 정박해 있고, 두꺼운 밧줄과 닻이 묶인 어스름한 저녁의 선착장.\n\nTHE LOCATION: **78. 목포 항구 - N**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Moored harbor boats; Old boat undergoing maintenance; Mooring rope; Fish seller and fish for sale; Blanket covering the seated pair; Departing motorboat and disturbed water\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "7452f4fd-88ed-4920-a125-b1681af3b71b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_harbor_pier/rounds/r001/cand_05.png", "sha256": "f1e196106f057c630d9ef01b3b2320b734f71ce068b5c917ff44f5473a78e029", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "목포의 일반적인 부두는 현실에서 촬영할 수 있는 구조물이며, 제시된 대상에는 미래에만 존재하는 고유 형상이 없다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "ed84c8686af8d915", "totals": { "A": 1750, "B": 988 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "프롬프트가 요구한 '어스름한 저녁'의 시간대를 잘 반영했으며, 제외 대상인 배와 밧줄을 올바르게 배제하고 구조물의 형태를 잘 유지했습니다. ★위반: [gpt-high] 구조 명세에 없는 대형 갠트리 크레인과 여러 배경 크레인·하역시설을 추가하여, 참조에서 형태만 취하고 배치와 다른 시설은 가져오지 말라는 제한을 위반했다. / [gpt-high] 지원되지 않은 조명탑·컨테이너 야드·배후 건축물 등 주변 시설을 추가했다." }, { "label": "B", "score": 988, "verdict_ko": "제외 대상인 객체들은 잘 배제했으나, 텍스트가 요구한 '어스름한 저녁' 대신 레퍼런스 이미지의 주간 조명과 날씨를 그대로 복사하여 감점되었습니다. ★위반: [gpt-high] 구조 명세에 없는 거대한 갠트리 크레인과 여러 배경 크레인·하역시설을 추가하여, 허용된 영구 시설만으로 구성해야 하는 장면을 다른 산업시설 장면으로 바꿨다. / [gpt-high] 명세에서 지원하지 않는 조명탑·컨테이너 야드·배후 도시 경관을 추가해 주변 환경 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_island_research_complex": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_island_research_complex_sel.png", "seed_asset_id": "65007d02-9a82-4f55-987f-29e526ed7aee", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized as a coastal research building, its adjoining beach and sea, and a rooftop park. In plan, use the shoreline as the reference axis: the sea lies on the seaward side, the beach directly meets the sea, and the research building stands landward of the beach. The building entrance opens onto the exterior ground on the beach-facing side, providing a continuous ground-level connection between the beach and the building. Above the building, the rooftop park contains a lawn, a giant antenna, and an all-direction speaker installation. Place the antenna and speaker installation beside one another within the lawn area, leaving rooftop ground around them connected to the roof access point. The roof access point connects the building interior to the rooftop park. The roof perimeter bounds this elevated exterior area and provides an edge overlooking the coastal surroundings. Shoreline shape, building footprint, roof outline, and compass orientation remain unspecified.\n- Research complex beach: Within the Beach and waterfront zone, directly between the coastal sea and the landward research building exterior; its seaward boundary meets the water.\n- Coastal sea adjoining the research complex beach: Within the Beach and waterfront zone, directly adjoining the seaward edge of the research complex beach, with no intervening land strip.\n- Jeju research building: Within the Research building exterior zone, landward of the research complex beach; the rooftop park occupies its roof.\n- Beach-facing research building entrance: On the beach-facing side of the Jeju research building, directly adjoining exterior ground connected to the landward side of the research complex beach.\n- Research building rooftop park lawn: Within the Rooftop park zone, on top of the Jeju research building and inside its roof perimeter; it contains the antenna and all-direction speaker installation.\n- Giant rooftop park antenna: Within the rooftop park lawn, beside the all-direction speaker installation and inside the roof perimeter.\n- All-direction rooftop speaker installation: Within the rooftop park lawn, beside the giant rooftop park antenna, with speakers facing outward in all directions.\n- Research building rooftop access point: At the connection between the Jeju research building interior and the rooftop park, opening onto rooftop ground contiguous with the lawn and equipment area.\n- Research building roof perimeter: Around the outer boundary of the Rooftop park zone, above the research building exterior and enclosing the lawn, antenna, speaker installation, and roof access point.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 제주도 연구소 외부와 주변 해상: 맑고 푸른 바다 한가운데 우뚝 솟아 있는 섬 형태의 거대한 첨단 시설 외관. / 제주도 연구소 앞 해변과 상륙 지점: 특임대의 군용 상륙선들이 모래사장에 도착해 무장 병력들이 쏟아져 내리는 넓은 백사장. / 제주도 연구소 옥상 잔디밭과 안테나·스피커 설치 구역: 옥상에 인공 잔디가 깔려 있고, 사방으로 향한 360도 거대 스피커와 대형 안테나가 설치된 탁 트인 방어 구역.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 제주도 연구소 임시보호소 병실: 눈을 찌를 듯 새하얀 침구와 강렬한 형광등 조명, 멸균된 복장 등 극도로 깨끗하고 미래적인 병상. / 제주도 임시보호소 숙소 방: 깔끔하게 정돈된 개인 방으로, 벽면에는 외부와 화상통화가 가능한 대형 디스플레이가 내장되어 있다. / 제주도 연구소 복도: 보안 카드를 대면 스르륵 열리는 자동문이 있고, 티끌 하나 없이 깨끗한 최첨단 흰색 통로. / 제주도 연구소 메인 연구센터 공용 공간: 첨단 컴퓨터 서버와 알 수 없는 원자력 발전소 같은 거대 기계들 사이로 열대 식물과 꽃들이 정글처럼 가득한 웅장한 온실 융합 구역. / 제주도 연구소 메인 실험실: 중앙에 원형 유리벽이 설치되어 있고 그 안에 차가운 스테인리스 수술대가 놓인 통제된 분석실. / 제주도 연구소 소장실: 메인 센터와 연결된 깔끔하고 모던한 개인 공간으로 중앙 홀 쪽에 오래된 낡은 피아노가 놓여 있는 방. / 제주도 연구소 식당: 풍성하고 먹음직스러운 빵과 자급자족 농장에서 기른 식자재가 배식되는 깔끔한 대형 구내식당. / 제주도 연구소 통제실: 방어 무기인 나비드론의 시야가 실시간으로 공유되고, 에너지 그래프가 미친 듯이 솟구치는 벽면 가득한 스크린 룸. / 제주도 연구소 옥상으로 이어지는 계단: 비상 상황에서 뛰어 올라갈 수 있는 건물 상층부의 기능적인 철제 혹은 콘크리트 계단실. / 찰리의 부품 보관과 재조립이 이루어지는 제주도 연구실: 어둡고 넓은 공간에 전 세계 각지의 대형 모니터 화면이 떠 있고, 제단 같은 테이블 위에 금속 부품들이 정갈하게 놓인 복원실.\n\nTHE LOCATION: 89. 교차. 제주도 해변가 + 연구실, 제주도 연구소 -D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Military landing craft; Butterfly defense drones; Military aircraft and armed helicopters; Personnel and robots on the beach and rooftop; Portable wireless receiver; Bombardment, projectiles, and resulting damage; Charlie's energy beam; Charlie's remaining torso fragment\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "a97499f1-5344-4984-9bcd-b8c03f8d463b", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_island_research_complex/rounds/r001/cand_01.png", "sha256": "8493784b84fd9babb272f25c14d709f6e40421b63d61de5ef38363c98e9015be", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "연구소 건물은 현실에서 촬영할 수 있는 일반적인 건축 유형이며, 설명에 작품만의 고유한 미래 건축 형태는 지정되어 있지 않다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "66a8d1acf615054b", "totals": { "A": 1750, "B": 921 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "해변과의 평탄한 연결 및 옥상 구조물 지시를 정확히 따랐으며, 주변 환경을 복사하지 말라는 지침을 훌륭히 준수함. ★위반: [gpt-high] 주변을 명시된 영구 요소로 제한하라는 조건과 달리 해변 도로, 조경 화단, 옹벽·계단 및 배경 건물군을 추가했다." }, { "label": "B", "score": 921, "verdict_ko": "입구와 해변 사이에 계단을 배치해 평탄한 연결 지시를 어겼고, 참조 이미지의 주변 환경(풍력 발전기)을 그대로 복사하여 감점됨. ★위반: [gpt-high] 구조에 명시되지 않은 풍력발전기를 배경에 추가했다. / [gpt-high] 지정된 안테나와 스피커 설치물 외에 낮은 옥상에 별도 혼형·접시형 장비군을 추가했다. / [gpt-high] 명시되지 않은 해변 도로·조경대·긴 계단을 추가했으며, 계단과 단차가 해변에서 건물로 이어지는 지면 높이의 연결을 바꾸었다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_luxury_house": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_luxury_house_sel.png", "seed_asset_id": "93e38602-1247-4591-8e5c-e38083816dd4", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A house stands inside a perimeter wall, with exterior ground between the house and the enclosure. A pedestrian access opening in the wall connects to the approach in front of the house entrance. The entrance door carries an old-model door lock. The entrance approach continues along the house exterior to the living-room window frontage. A large, openable living-room glass window faces this exterior space, allowing a view into the living room. A building corner adjoins the window frontage, with exterior ground continuing around the return wall; this corner interrupts the sightline from the window. An upper-floor window overlooks the exterior ground beside the house. For the site plan, place the entrance frontage and living-room window frontage on adjoining parts of the house exterior, with the building corner at the end of the living-room window frontage. Keep the ground below the upper-floor window connected to this same exterior circulation area. The wall access opening and entrance approach are minimum functional provisions; their construction and dimensions are unspecified.\n- House perimeter wall: Encloses the exterior ground around the house and separates the property interior from the outside approach.\n- Perimeter pedestrian access opening: Interrupts the perimeter wall on the entrance-facing side of the property and connects directly to the house entrance approach.\n- Residential house: Stands within the perimeter wall, adjoining the entrance approach and the exterior ground along the living-room window frontage.\n- House entrance door: Set in the house exterior at the end of the entrance approach, with exterior circulation continuing toward the living-room window frontage.\n- Old-model entrance door lock: Mounted on the house entrance door and accessible from the entrance approach.\n- House entrance approach: Connects the perimeter pedestrian access opening to the house entrance door and joins the exterior ground leading to the living-room window frontage.\n- Openable living-room glass window: Set in the house exterior facing the window-side ground, beside the adjoining building corner; the living room lies directly behind the glazing.\n- Building corner beside the living-room window: Terminates the living-room window frontage and forms a return wall, with connected exterior ground on both sides of the corner.\n- Second-floor exterior window: Set in the upper part of the house exterior overlooking the connected window-side ground, above exterior standing space rather than another enclosed structure.\n- Window-side exterior ground: Adjoins the living-room window, extends around the building corner and beneath the second-floor exterior window, and connects to the entrance approach inside the perimeter wall.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 고급주택 담장·현관 앞·정원: 구형 도어락이 설치된 현관문과 거실 내부가 훤히 들여다보이는 통유리창, 잘 다듬어진 정원.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 고급주택 거실: 비싼 가구와 청소 로봇, 집사 로봇이 배치된 넓고 깨끗한 1층 거실. / 고급주택 2층으로 이어지는 나무 계단: 거실에서 2층 공간으로 이어지는 넓은 목재 계단. / 고급주택 2층 침실: 노부부가 자고 있던 고급스러운 침실로, 바깥으로 뛰어내릴 수 있는 창문이 열려 있다.\n\nTHE LOCATION: 5. 고급주택가 + 집안 거실 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Mobile phone at the living-room window; Pedro's laptop; Female household robot; Shepherd dog; Police surrounding Hyunwoo; Pedro's car; Sounding alarm\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "9b61adf0-3429-4f6d-914f-427481971583", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_luxury_house/rounds/r001/cand_06.png", "sha256": "f18411f6187080256a85971e2b98e248ceefbadd337f217c70d2e83b272023df", "fittings": [ { "target_native": "열쇠로 여는 현관 잠금장치", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_luxury_house/rounds/r001/cand_12.png", "sha256": "f17b45d46a32023579a5de943a79236d7aff5ecd3d2921caeab1060a152b8899" }, { "target_native": "열리는 거실 통유리창", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_luxury_house/rounds/r001/cand_13.png", "sha256": "3d5819a334c8cd7b32182d2d06edaea7f8b60fe29d4d013c6ea8cbfb0066a007" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "단독주택은 현실에서 촬영할 수 있는 건축 유형이며, 제시된 설명은 작품 고유의 미래 건축 형식을 요구하지 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "2fedf6b9b971ed35", "totals": { "B": 1500, "A": 1528 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "B", "score": 1500, "verdict_ko": "제시된 형태 참조 이미지의 건축 양식을 훌륭하게 구현했으며, 특히 현관문의 구형 도어락(피팅 참조 1)과 통유리창(피팅 참조 2)의 디테일을 프롬프트에 맞게 정확히 반영하여 가장 우수합니다. ★위반: [gpt-high] 최소 보행 출입구 외에 넓은 양개 대문과 별도 개구부를 추가했습니다. / [gpt-high] 주변에 별도 주택들을 만들어, 명시된 영구 현장 요소만 허용한 조건을 위반했습니다. / [gpt-high] 규모 판단에만 사용하고 시각화하지 말라고 한 실내 가구와 목재 계단을 거실창 너머에 묘사했습니다. / [gpt-high] 상층 창 바로 아래에 하층 지붕이 놓여, 다른 밀폐 구조물이 아닌 외부 서 있을 공간 위에 창을 두라는 배치 조건을 위반했습니다." }, { "label": "A", "score": 1528, "verdict_ko": "전체적인 구조와 배치, 형태 참조 이미지의 분위기는 잘 따랐으나, 현관문에 지시된 구형 도어락 대신 현대적인 디지털 도어락을 그려 넣어 피팅 참조를 위반했습니다. ★위반: [gpt-high] 최소 보행 출입구 외에 넓은 양개 대문과 별도 개구부를 추가했습니다. / [gpt-high] 명시되지 않은 이웃 주택들을 배경에 만들어 주변 요소 제한을 위반했습니다. / [gpt-high] 규모 증거로만 제공된 실내 가구와 목재 계단을 직접 시각화했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_militia_road_checkpoint": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_militia_road_checkpoint_sel.png", "seed_asset_id": "b4c18cf3-5ae5-4429-8e1c-57108458b82e", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a continuous vehicular roadway and its immediately adjoining roadside margin. The roadway extends through the site, with both ends continuing beyond the mapped area. The roadside margin follows one lateral edge and connects directly to the roadway without an intervening enclosure. These adjoining surfaces provide the site's spatial reference; their materials, dimensions and compass orientation are unspecified. No permanent checkpoint installation is established by the scene.\n- Through roadway: Extends continuously through the site and beyond both ends of the mapped area, directly adjoining the roadside margin along one lateral edge.\n- Adjoining roadside margin: Occupies the ground immediately beside one lateral edge of the through roadway, with direct access between the two surfaces; no separate sidewalk or constructed shoulder is specified.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 신부의 승합차가 통과하는 민병대 검문 지점: 어두운 도로변에 민병대원들이 바리케이드를 치고 손전등으로 통행 차량을 비추는 임시 검문소.\n\nTHE LOCATION: 28. 신부님 차 안 - N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Priest's van; Van-mounted halogen cross; Rear-seat cargo boxes; Militia personnel; Temporary checkpoint barricades; Handheld flashlights and their beams\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "72f933ba-d82f-453d-b92a-09b8fa35d894", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_militia_road_checkpoint/rounds/r001/cand_02.png", "sha256": "2fe603db20a6d9f1b758daeea352488cd1ac205cb7383493352a81ee99fd6c79", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "차량이 다니는 일반 도로는 현실에서 촬영할 수 있으며, 미래 배경만으로 고유한 가상 구조물이 되지 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "490f24b24f523b71", "totals": { "A": 1250, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "명시된 '어두운 도로변'과 주변 환경 복사 금지 지시를 어기고 레퍼런스를 그대로 복제하여 실패했습니다. ★위반: [gemini-pro] 레퍼런스의 구도, 배경(공장, 울타리 등), 날씨, 낮 시간대를 그대로 복사함 ('어두운 도로변' 및 레이아웃 복사 금지 지시 위반) / [gpt-high] 지정되지 않은 양쪽 연석과 별도 보도를 만들어, 차도 한쪽의 직접 접근 가능한 도로변 여백이라는 구조 조건을 위반했다. / [gpt-high] 구조 설명이 허용하지 않은 울타리, 가로등, 전기함, 지지목 달린 가로수 및 배경 공장·크레인·조명탑을 추가했다." }, { "label": "B", "score": 1750, "verdict_ko": "명시된 '어두운 도로변'과 주변 환경 복사 금지 지시를 어기고 레퍼런스를 그대로 복제하여 실패했습니다. ★위반: [gemini-pro] 레퍼런스의 구도, 배경(공장, 울타리 등), 날씨, 낮 시간대를 그대로 복사함 ('어두운 도로변' 및 레이아웃 복사 금지 지시 위반) / [gpt-high] 구조 설명에 없는 양쪽의 연석과 별도 보도를 추가하여, 차도 한쪽에 지면이 직접 접속하는 지정 구조를 다른 구조로 바꾸었다. / [gpt-high] 허용되지 않은 철망 울타리, 가로등, 전기함, 지지목 달린 가로수, 공장 및 크레인·조명탑 등 주변 시설을 참조에서 가져와 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_outdoor_reception": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_outdoor_reception_sel.png", "seed_asset_id": "24131eeb-c517-44d7-890e-15c4f0bbe013", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is an open clearing within the refugee settlement. Its interior forms one continuous ground area extending to an open access edge. A vehicle-accessible settlement passage directly adjoins this edge and connects the clearing to the surrounding settlement; pedestrian access uses the same open connection. Streetlights stand along the settlement passage beside the clearing, outside its central open area. The clearing interior and its access edge are the two camera zones. No separate gate, enclosed entrance, or permanent subdivision is established.\n- Refugee settlement open clearing: The continuous open ground of the site, directly adjoining the settlement access passage along its open access edge.\n- Settlement passage adjoining the clearing: Runs beside the clearing's access edge and connects directly into the open ground, providing continuous vehicle and pedestrian access from the surrounding settlement.\n- Settlement streetlights beside the clearing approach: Stand along the settlement passage at the clearing's access edge, outside the central open ground and clear of the access connection.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 피로연장 천막과 공터: 빈 공터에 가설 천막을 치고 낡은 주크박스의 음악에 맞춰 난민들이 모여 춤을 추는 야외 연회 장소.\n\nTHE LOCATION: 25. 난민촌 + 피로연장 – 해질무렵\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Reception tent; Amber's jukebox; Additional reception lamps; Reception crowd; Militia truck; Lighting blackout and reillumination\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "c5207a0f-cb73-4b76-8a9b-f2c2763b239e", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_03.png", "sha256": "ced8ee0367bf34451e45c7a11b5cd63b97d6d445742c11539441a6244c17c618", "fittings": [ { "target_native": "야외 행사 천막", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_08.png", "sha256": "aeeed8195b68c2b96aa2f6c82e34b44385ce5b9d05c13ad25c7a728eba64cab4" }, { "target_native": "주거지 가로등", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_outdoor_reception/rounds/r001/cand_16.png", "sha256": "f09f61cc5e8a10cae8cc64fd1d78d1af2968b9a449d1b7d3d033f584c166f199" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "공터는 현실에 존재하는 보편적인 지면 공간으로, 미래 배경에서도 실제 공터 사진으로 기본 형태를 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "53d15740a83f5f52", "totals": { "A": 1250, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "명시적으로 제외된 '피로연장 천막(Reception tent)' 및 임시 집기(테이블)가 화면 중앙에 포함되어 있어 치명적인 프롬프트 위반입니다. ★위반: [gemini-pro] 명시적으로 제외된 'Reception tent' 포함 / [gemini-pro] 금지된 임시 장비(테이블) 포함 / [gemini-pro] 지정되지 않은 전통 담장(발명된 구조물) 포함 / [gpt-high] 명시적으로 제외한 피로연 천막 1동과 임시 탁자 2개, 고정용 주머니를 배치했다. / [gpt-high] 구조 설명에 없는 기와 돌담과 건물, 철망 울타리, 고층 건물군을 도입하고 참조의 대형 문자·그림 간판까지 재현했다. / [gpt-high] 빈 장면에서 금지한 차량들이 배경 울타리 너머에 보인다." }, { "label": "B", "score": 1750, "verdict_ko": "지침에서 배제하도록 명시된 '피로연장 천막(Reception tent)'과 테이블을 그려 넣어 핵심 지시사항을 위반했습니다. ★위반: [gemini-pro] 명시적으로 제외된 'Reception tent' 포함 / [gemini-pro] 금지된 임시 장비(테이블) 포함 / [gemini-pro] 지정되지 않은 전통 담장(발명된 구조물) 포함 / [gpt-high] 명시적으로 제외한 피로연 천막 1동과 임시 탁자 2개, 고정용 주머니를 중앙에 배치했다. / [gpt-high] 구조 설명에 없는 기와 돌담, 철망 울타리, 고층 건물군과 대형 간판을 참조의 주변 환경에서 가져왔다. / [gpt-high] 빈 장면에서 금지한 차량 여러 대가 뒤쪽 가장자리에 보인다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_primary_container_home": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_primary_container_home_sel.png", "seed_asset_id": "b86d0aae-cb8e-4c9d-bb09-59a96b48673d", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site links the refugee camp entrance to the exterior entrance of Hyun-woo's container home. A vehicle-access surface directly adjoins the camp entrance, allowing access without separating the entrance from the roadway. From the camp entrance, a pedestrian approach continues into the camp and meets the container home's doorway. The container exterior forms the building-side edge of this approach, with standing space immediately outside the doorway for views toward the opening or obliquely along the exterior. The doorway connects this outdoor frontage directly to the home interior. The camp entrance and the home frontage are distinct exterior camera zones connected by the pedestrian approach; their separation and compass orientation are not specified.\n- Refugee camp entrance: At the connection between the vehicle-access surface and the pedestrian approach leading into the camp toward the container home.\n- Camp entrance vehicle-access surface: Directly adjoining the refugee camp entrance and meeting the pedestrian approach at that entrance.\n- Hyun-woo's container home exterior: Inside the camp at the home end of the pedestrian approach, with its entrance face bordering the outdoor frontage and containing the home doorway.\n- Container home entrance doorway: In the container home's entrance face, directly adjoining the pedestrian approach and connecting the outdoor frontage to the interior.\n- Container home pedestrian approach: Extending from the refugee camp entrance to the container home doorway, including the exterior standing area directly against the home's entrance face.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 이현우의 컨테이너 7-31 앞: 7-31이라는 식별 번호가 거칠게 적혀 있는 낡은 철제 컨테이너 외벽과 문고리.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 이현우의 컨테이너 내부 식탁과 공용 생활공간: 전력 공급이 끊겨 촛불에 의지하는 좁고 낡은 컨테이너 내부 생활 공간. / 이현우의 컨테이너 내부 앰버의 방: 좁은 방문 너머로 보이는 앰버의 작은 개인 공간.\n\nTHE LOCATION: 24. 현우의 컨테이너 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Car at the refugee camp entrance; Hyun-woo and Pedro\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "323d1ccb-615c-42c0-b2ff-1b3c5350dd7f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_primary_container_home/rounds/r001/cand_01.png", "sha256": "e7b56fed1e360228ebb930333f14d417c4f5ffb5d5e65e21cd9c79e711ec40a3", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주거용 컨테이너는 국내에 실재하는 구조물이며, 확인된 일상적 외형을 실제 사진으로 참조할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "5cb8746d1ff5bd38", "totals": { "B": 1750, "A": 988 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "지정된 텍스트 '7-31'을 오른쪽 문에 성공적으로 반영하였으며, 참조 이미지의 구조와 형태를 충실히 재현함. ★위반: [gpt-high] 형태만 취하고 배치는 복사하지 말라는 지시와 달리, 구조 설명에 없는 상부 컨테이너 두 동을 참조처럼 적층해 추가했다. / [gpt-high] 허용된 영구 부지 요소만 남겨야 하는데 주변의 별도 컨테이너·건물과 가공 전선을 추가했다." }, { "label": "A", "score": 988, "verdict_ko": "구조는 잘 재현했으나, 지정된 텍스트 '7-31' 대신 참조 이미지의 '원로실 9'를 그대로 남겨두어 텍스트 지시를 위반함. ★위반: [gpt-high] 구조 설명에서 정하지 않은 상부 컨테이너 두 동을 참조와 같은 적층 배치로 추가해 형태만 참조하라는 지시를 위반했다. / [gpt-high] 주변에 별도 컨테이너 여러 동과 전주·가공 전선을 추가해 명시된 영구 부지 요소만 허용한다는 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_camp_gate": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_refugee_camp_gate_sel.png", "seed_asset_id": "44c554ff-13e3-458c-83bf-864316dac1cf", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a continuous entrance route: the exterior approach road meets the camp gate, and the interior street continues beyond the gate into the camp. For plan orientation, place the exterior approach at the bottom and the camp interior at the top. The camp perimeter boundary extends laterally from the gate, separating the exterior road from the interior street; its construction is unspecified. The exterior approach road provides the vehicle-access surface directly beside the entrance, without a separate parking or stopping bay. A camp loudspeaker is positioned beside the gate. Inside the boundary, shopfronts open onto the interior street, with streetlights along its edges. Container housing adjoins one side of this street. An alley branches from the street between the container homes and reaches the entrance of container home 7-31. The home's door and handle face this alley. The exterior road, gate threshold, interior street, and residential alley form connected camera areas within the same site.\n- Exterior camp approach road: Extends from outside the camp directly to the camp entrance gate and joins the interior camp street through the gate threshold. The road surface beside the gate accommodates vehicle access without a separately defined stopping bay.\n- Camp entrance gate: Spans the entrance route between the exterior camp approach road and the interior camp street, with the camp perimeter boundary meeting it on both sides.\n- Camp entrance perimeter boundary: Continues laterally from both sides of the camp entrance gate, separating the exterior approach from the camp interior. Its material and construction are unspecified.\n- Gate-area camp loudspeaker: Located beside the camp entrance gate at the edge of the entrance route, adjacent to the camp perimeter boundary.\n- Interior camp street: Continues inward from the camp entrance gate. Shopfronts border the street, and the container housing alley branches from one side.\n- Interior street shopfronts: Line the edges of the interior camp street, with shop entrances facing directly onto the street and the residential alley connection left accessible.\n- Interior camp streetlights: Stand along the edges of the interior camp street beside its shopfront and housing frontage, outside the through route.\n- Container housing access alley: Branches from one side of the interior camp street and runs between container homes to the alley-facing entrance of container home 7-31.\n- Alley-side container homes: Occupy the housing area adjoining the interior camp street and flank the container housing access alley. Container home 7-31 is one of the homes along this alley.\n- Container home numbered 7-31: Sits among the alley-side container homes, with its entrance directly adjoining the container housing access alley.\n- Alley-facing door and handle of container home 7-31: Set into the alley-facing side of container home numbered 7-31, directly accessible from the container housing access alley; the handle is attached to this door.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민 수용소 출입문과 입구 도로: 통금 시간을 알리는 거대한 스피커와 철조망, 닫히기 직전의 육중한 철제 출입문이 있는 통제 구역.\n\nTHE LOCATION: 11. 난민 수용서 전경 몽타주 – N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Newly installed approach checkpoints; Airborne surveillance drones; Body bag and Gu Do-hwan's body; Luxury sedan and its passenger door; Yoon Seong-chan's cane and handkerchief; Mud on the cane tip; Arriving refugees and the gate's closing position; Curfew broadcast, closed shops, and blackout\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "2a2b9ea9-df8d-47c7-8a4a-d758baff8038", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_camp_gate/rounds/r001/cand_01.png", "sha256": "d91208d55f4ebfc72aef962edd661ce749f76304d3516e1813f57b46975b91af", "fittings": [ { "target_native": "진입로 검문소", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_camp_gate/rounds/r001/cand_09.png", "sha256": "37a16d64a62455f8f7b6a3ef165848cf36801b748ada67d849aba65af288218e" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "출입구 검문소는 실제로 존재하고 일반적인 형태를 사진으로 확인할 수 있으므로, 미래 설정만을 이유로 창작 구조물로 취급하지 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "06d429632bfb74b9", "totals": { "B": 1750, "A": 845 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "지시된 골목 방향의 7-31 출입문 배치를 정확히 구현하고, 요구된 빈 씬과 정문 구조를 충실히 반영했습니다. ★위반: [gpt-high] 구조 목록에 없는 별도 검문실과 통행을 막는 차단봉을 추가했습니다. 참고 사진의 다른 시설을 옮기지 말라는 조건에 어긋납니다. / [gpt-high] 허용된 영구 현장 요소에 없는 산악 배경과 산 정상의 통신탑을 추가했습니다." }, { "label": "A", "score": 845, "verdict_ko": "골목을 향해야 할 7-31 출입문이 메인 거리를 향하고 마커가 중복 생성되어 구조 및 배치 지시를 위반했습니다. ★위반: [gemini-pro] 7-31 식별 마커가 서로 다른 두 컨테이너에 중복으로 생성됨 / [gemini-pro] 7-31 주택의 출입문이 골목이 아닌 메인 거리를 향하도록 잘못 배치됨 / [gpt-high] 서로 다른 컨테이너 두 곳에 7-31을 표시하여 단일 지정 주택을 중복했습니다. / [gpt-high] 구조 목록에 없는 별도 검문실과 통행을 막는 차단봉을 추가했습니다. 참고 사진의 다른 시설을 옮기지 말라는 조건에 어긋납니다. / [gpt-high] 허용된 영구 현장 요소에 없는 산악 배경과 산 정상의 송전탑을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_market_street": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_refugee_market_street_sel.png", "seed_asset_id": "557ad3c7-175c-42e9-9709-36354572bb5a", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a continuous market alley with a shop opening directly onto one side. For plan orientation, run the alley from the bottom to the top of the plan and place the shop on its right-hand side. The shop frontage forms the immediate interface between the shop and the alley, with its entrance adjoining the alley's walking surface rather than a separate forecourt. The alley continues past the frontage in both directions, allowing views along the market street and oblique views toward the shop entrance. Treat the alley and the shop frontage as adjoining camera zones within the same continuous exterior space.\n- Refugee settlement market alley: Runs continuously through the site, from bottom to top in the plan, directly adjoining the market shop frontage on its right-hand side and continuing beyond it in both directions.\n- Alley-facing market shop: Occupies the right-hand side of the plan beside the market alley, with its frontage facing directly onto the alley.\n- Market shop alley entrance: Lies within the alley-facing frontage of the market shop and connects the shop directly to the adjoining market alley walking surface.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 시장거리: 잡다한 물건을 파는 난전과 노점상들이 늘어서 있고 인파로 붐비는 비좁은 상업 골목.\n\nTHE LOCATION: 22. 난민촌 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Bananas and displayed merchandise; Market crowd; Charlie, Amber, Raul, and the shopkeeper; Movable stall displays and scattered boxes; Market tents\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "3185a3e3-a78f-40a3-85b8-d6241c0042ed", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_market_street/rounds/r001/cand_04.png", "sha256": "035b90737a1d3dbedb56b92d01fe1f682ede11b96bec66852a5026122334c185", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "시장 골목은 현실에서 촬영 가능한 일상 공간이며, 미래라는 설정만으로 고유한 가상 구조가 되지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "c44454da31ec2e77", "totals": { "B": 1750, "A": 821 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 1750, "verdict_ko": "이동식 소품을 모두 제거하여 '빈 공간(Empty Scene)' 제약을 훌륭히 준수했고, 우측 상점의 목재 계단 등 구조적 재질 묘사가 참조와 잘 일치합니다. ★위반: [gpt-high] 구조 설명에 없는 골목 횡단 시장 아치와 덮인 통로를 참고사진의 주변 배치에서 가져와 추가했다. 형태만 참고하고 명시되지 않은 주변 구조는 만들지 말라는 조건에 위배된다." }, { "label": "A", "score": 821, "verdict_ko": "반드시 배제해야 할 이동식 입간판(노란색 간판)을 골목 한가운데에 남겨두어 '빈 공간(Empty Scene)' 제약을 명백히 위반했습니다. ★위반: [gpt-high] 오른쪽 중경 보행면에 이동식 메뉴 입간판을 배치해 임시 장비와 활동 소품을 배제하는 빈 장면 조건을 위반했다. / [gpt-high] 구조 설명에 없는 골목 횡단 시장 아치와 덮인 통로를 참고사진의 주변 배치에서 가져와 추가했다. 형태만 참고하고 명시되지 않은 주변 구조는 만들지 말라는 조건에 위배된다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_refugee_residential_lanes": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_refugee_residential_lanes_sel.png", "seed_asset_id": "fb1c15d7-9723-4177-bf7c-6320da46869c", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: Use the roadway as the site's principal frontage, running left to right across the lower part of the plan. The manhole opening and its cover lie within the roadway, with streetlights positioned along its edge. Behind this frontage, a residential access passage opens off the road and serves Hyunwoo's container dwelling; the dwelling entrance faces directly onto the passage. The passage continues into the market street and alley corridor. A narrower side alley connects this market corridor back to the roadway, providing a second opening onto the frontage and a sightline from inside the alley toward the road. The residential passage, market corridor, and narrower side alley form connected ground-level circulation spaces rather than isolated pockets. This relative arrangement establishes the site plan without specifying compass orientation, dimensions, paving materials, or additional buildings.\n- Refugee settlement roadway: Runs across the front of the site, directly adjoining the residential access passage and the road-facing opening of the narrow side alley.\n- Roadway manhole opening and cover: Set within the refugee settlement roadway, with the opening accessible from the surrounding road surface.\n- Roadside streetlight line: Follows the edge of the refugee settlement roadway alongside its continuous travel surface.\n- Hyunwoo's container dwelling: Stands behind the roadway frontage, directly beside the residential access passage, with its entrance facing the passage.\n- Container dwelling entrance: Located in the passage-facing side of Hyunwoo's container dwelling and opening directly onto the residential access passage.\n- Residential container access passage: Connects the refugee settlement roadway to the container dwelling entrance and continues inland to meet the market corridor.\n- Market street and alley corridor: Lies behind the roadway frontage, continuing from the residential container access passage and meeting the inland end of the narrow side alley.\n- Narrow market side alley: Branches from the market corridor as a narrower passage and extends toward an opening directly onto the refugee settlement roadway; its roadward section has a view out onto the frontage.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 인천 난민촌 거리와 주거 골목: 녹슨 컨테이너 박스들이 빽빽하게 들어서 있고 낡은 가로등과 확성기가 달린 비좁은 슬럼가.\n\nTHE LOCATION: 20. 난민촌 일각 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Market alley boxes; Market traders and other people; Police and militia presence; Priest's vehicle and headlights; Small bird; Changing streetlight illumination; Open manhole cover position\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "70e2538d-6756-4cd7-949e-0e380f90d165", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_residential_lanes/rounds/r001/cand_04.png", "sha256": "98ab16187e6f1871f4fd53dab26d8d48102e4bcdafde60d8716cd60a16ba7dbf", "fittings": [ { "target_native": "주거용 컨테이너", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_residential_lanes/rounds/r001/cand_07.png", "sha256": "6881e374c7677a695e34ec6f2f563f1104b9039035c58e75ec84e55769d30db4" }, { "target_native": "도로 맨홀", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_refugee_residential_lanes/rounds/r001/cand_17.png", "sha256": "3d629beed490e7b07ef098372adfb53101f750d07b54e18a58827a0729331b74" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "주요 대상인 도로는 실제로 관찰하고 촬영할 수 있는 일상적 시설이며, 미래 배경만으로 고유한 미지의 구조가 되지는 않는다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "125dc7d1fa039990", "totals": { "A": 1417, "B": 1550 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1417, "verdict_ko": "레퍼런스의 외벽 재질과 맨홀 디테일을 훌륭하게 구현했으나, 컨테이너 출입구가 진입로가 아닌 도로를 향해 있어 핵심 공간 지침을 위반했습니다. ★위반: [gpt-high] 현우의 컨테이너 출입문을 주거 진입 통로가 아닌 도로 쪽으로 향하게 배치하여 필수 출입 관계를 위반했다. / [gpt-high] 구조 설명이 지정하지 않은 독립적인 기와·벽돌 건물과 높은 배경 건물들을 추가하여 주변 건물 발명 금지 조건을 위반했다." }, { "label": "B", "score": 1550, "verdict_ko": "컨테이너 출입구 방향 오류를 동일하게 범했으며, 외벽 재질의 묘사와 맨홀 텍스트의 선명도 면에서 A보다 완성도가 낮습니다. ★위반: [gpt-high] 현우의 컨테이너 출입문을 주거 진입 통로 쪽 측면이 아니라 도로 정면에 배치하여 필수 출입 관계를 위반했다. / [gpt-high] 구조 설명에 배치가 허용되지 않은 별도의 조적·기와 건물들을 주변에 추가하여, 참조의 형태만 취하고 추가 건물이나 주변 배치는 가져오지 말라는 제한을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_roadside_barrel_fire": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_roadside_barrel_fire_sel.png", "seed_asset_id": "02baceb0-aacc-4af3-8b75-a81171fa4c57", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a roadside space directly beside an artificial embankment. The road and its adjoining roadside space form a continuous approach, with the roadside space extending to the landward base of the embankment without an intervening building or enclosure. The embankment forms one side of this open space. Its face and structural supports are accessible from the same roadside ground, allowing movement from the road edge directly to the structure and along its base. Cracks occur in the embankment face, with supports alongside the affected portions. The two camera zones are the road-edge space and the ground immediately against the embankment; they are contiguous rather than separate compounds.\n- Road beside the artificial embankment: Runs alongside the artificial embankment, directly adjoining the roadside space on its landward side.\n- Open roadside space at the embankment: Occupies the road edge immediately beside the artificial embankment and connects directly to the ground at its base.\n- Artificial embankment beside the road: Bounds one side of the open roadside space, with its landward face directly accessible from that space.\n- Structural supports of the roadside embankment: Adjoin the artificial embankment along its roadside face and meet the ground at the embankment base.\n- Cracks in the roadside embankment face: Occur at multiple places within the embankment face bordering the roadside space, alongside its structural supports.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 쿠마 일행이 모인 난민촌 노상 모닥불 주변: 인공제방 바로 옆 어두운 도로가에 양철통을 두고 피운 불 주위로 사람들이 모여 있는 노상 아지트.\n\nTHE LOCATION: 13. 난민 수용소 – N\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Fire barrel and flames; Barbecue grill, chicken skewers, and beer; Guns and clubs; People occupying the roadside; Exchanged banknotes; Water flowing on the embankment supports; Nighttime darkness\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "c38427d4-b46e-4d61-b5ca-5a14913b043f", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_roadside_barrel_fire/rounds/r001/cand_04.png", "sha256": "1d974ce501e326958dbda45f27b28c77f2114c19d4ff2ba3f4f3cd8e762315d9", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "방조제는 현실에 존재하는 토목 구조물이며, 연속된 둑과 경사진 보호면이라는 기본 형태는 실제 사진으로 확인할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "2f7a48bf102460a8", "totals": { "A": 1250, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "참조 이미지의 형태만 참고하라는 지침을 무시하고 금지된 주변 환경(바다), 날씨, 구도를 그대로 복사하였으며 요구된 구조적 지지대가 누락되었습니다. ★위반: [gemini-pro] 금지된 주변 환경(바다) 포함 / [gemini-pro] 참조 이미지의 구도, 날씨, 레이아웃 복사 (지침 위반) / [gpt-high] 도로를 제방 기슭이 아니라 물 쪽 사면의 상단에 두어, 도로 가장자리에서 육지 쪽 제방 면과 지지대 기부로 바로 이동해야 하는 공간 관계를 위반했습니다. / [gpt-high] 설명에 없는 해안과 원경 도시 환경을 참조에서 가져왔으며, 명시적으로 배제된 종류의 우측 울타리와 부대 시설도 추가했습니다." }, { "label": "B", "score": 1750, "verdict_ko": "참조 이미지의 환경(바다), 날씨, 구도를 그대로 복사하여 레이아웃 배제 지침을 위반하였으며, 프롬프트에 명시된 제방의 지지대와 균열이 반영되지 않았습니다. ★위반: [gemini-pro] 금지된 주변 환경(바다) 포함 / [gemini-pro] 참조 이미지의 구도, 날씨, 레이아웃 복사 (지침 위반) / [gpt-high] 도로와 열린 공간이 제방 육지 쪽 기슭에 연속해서 닿아야 하지만, 도로를 물 쪽으로 내려가는 사면의 상단에 배치하여 필수 공간 관계를 바꾸었습니다. / [gpt-high] 형태만 취해야 하는 참조에서 해안과 원경 도시 배치까지 가져와, 설명이 허용하지 않은 주변 환경을 추가했습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_ruined_village_church": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_ruined_village_church_sel.png", "seed_asset_id": "390d0127-8678-4a11-846c-55ca44e9c904", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site connects a village approach to the open ground in front of a church-like building. The vehicle-access surface continues directly into the church forecourt rather than ending at a separate pedestrian-only space. A tall tower resembling a water tank stands to one side of the village approach; its position relative to the church is not established by the scene. The church-like building defines the rear edge of the forecourt, with its entrance opening directly onto that ground. The statue of Jesus with outstretched arms stands in the forecourt beside the entrance approach, leaving a continuous route from the vehicle-access surface to the building entrance. The forecourt provides views of both the statue and the church frontage, while the entrance approach provides an oblique view of the statue with the building behind it. No separate enclosure, architectural style, construction material, or ruined fabric is specified.\n- Village vehicle approach: Connects the village circulation route directly to the church forecourt, providing a continuous vehicle-access surface up to the ground in front of the building.\n- Tall tower resembling a water tank: Stands to one side of the village vehicle approach and is visible from that approach. Its exact offset and direction relative to the church forecourt are unspecified.\n- Open ground in front of the church-like building: Lies directly between the village vehicle approach and the church frontage, adjoining the building entrance approach without an intervening barrier.\n- Jesus statue with outstretched arms: Stands within the church forecourt, to one side of the route leading to the building entrance, with the church frontage behind it when viewed from the outer forecourt.\n- Church-like village building: Adjoins the rear of the church forecourt, presenting its entrance frontage toward the village vehicle approach.\n- Forecourt-facing church entrance: Occupies the forecourt-facing side of the church-like village building and directly connects the forecourt approach to the building interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 마을 성당 앞: 트럭이 정차하는 파괴된 종교 건물 앞마당으로, 두 팔을 벌린 예수 동상조차 하회탈을 쓰고 있는 기괴한 장소.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 익산 마을 성당 내부와 단상: 부서진 천장과 스테인드글라스 사이로 빛이 스며드는 성당 내부. 2층 발코니에 궁사들이 도열해 있고 중앙에 육중한 왕좌가 있다.\n\nTHE LOCATION: **57. 익산 마을 - D**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Hahoe mask covering the Jesus statue; Truck and truck-mounted cage; Masked crowd with spears and clubs; Water distributor and water bottles; Prisoners and escorting soldiers\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "e876d3c9-3ba5-4961-824f-a97695a709ec", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_ruined_village_church/rounds/r001/cand_06.png", "sha256": "5f628d65eee2f5be3629ca4f281b186f2a57f1adbe5262ebae29dab847438aa1", "fittings": [ { "target_native": "하회탈", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_ruined_village_church/rounds/r001/cand_07.png", "sha256": "c5561d92c6dd5a8ff6456ad6f4dbdd6cc2bf2a08d14dbfd934ddc35bb0607be5" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "마을 교회 건물은 현실에서 촬영할 수 있는 일반적인 건축물이며, 이 대상에만 해당하는 미래형 구조는 지정되지 않았다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "2ba4a6355c7a165e", "totals": { "B": 1417, "A": 1639 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "B", "score": 1417, "verdict_ko": "제외 조건(하회탈 등)을 완벽히 준수하였으며, 연속된 차량 진입로, 추가된 예수상과 급수탑을 레퍼런스의 원본 구조(계단 없는 입구 등)를 훼손하지 않고 자연스럽게 잘 구현했습니다. ★위반: [gpt-high] 구조 설명에 없는 별도 출입구와 창을 갖춘 벽돌 부속동을 형태 참조에서 가져와 추가했다. / [gpt-high] 설명에서 뒷받침하지 않은 수면과 산지의 주변 입지 경관을 추가해, 지정된 영구적 현장 요소만 허용한다는 제한을 어겼다." }, { "label": "A", "score": 1639, "verdict_ko": "프롬프트의 주요 요구사항과 제외 조건을 잘 따랐으나, 지붕 위 십자가 우측에 불필요한 형태가 생성되었고 성당 입구에 레퍼런스에 없는 3단 계단을 임의로 추가한 점이 감점 요인입니다. ★위반: [gpt-high] 구조 설명에 없는 벽돌 부속동을 참조 사진의 배치와 함께 추가했다. / [gpt-high] 허용된 현장 요소에 없는 수면·해안 경관과 원경 건물군을 추가했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_seabed_debris": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_seabed_debris_sel.png", "seed_asset_id": "a83c0efc-7645-485a-a758-a3edf17b4932", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of a seabed with seawater directly above it. The seabed forms the lower spatial reference for both views across the bottom and upward views through the overlying water toward the sea surface. These views belong to one continuous underwater zone. No fixed subdivisions, enclosing structures, or constructed access routes are established.\n- Submerged seabed: Forms the bottom of the underwater site, directly beneath the overlying seawater and sea surface.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 쓰레기가 쌓인 바다 밑바닥: 푸른 바닷물 속 해저면에 헬리콥터 잔해, 부서진 선박, 녹슨 로봇 부품 등 잡다한 쓰레기 더미가 가라앉아 있는 수중 공간.\n\nTHE LOCATION: 1. 바다 속 – D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Sunken rubbish pile; Protruding robot finger; Swimming fish; Descending crane; Bubbles from above\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "7f17ae8e-a8aa-4902-9380-c63a523942e0", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_seabed_debris/rounds/r001/cand_01.png", "sha256": "2f1429d858ec307a461fd933aeb487420d2de18138c064be3224a66bfc9c1141", "fittings": [ { "target_native": "바닷속 쓰레기 더미", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_seabed_debris/rounds/r001/cand_05.png", "sha256": "55218e9a759cf22e25ef3689e6d2102f6412683e9cb11ea2b85dc7991bdd7c3b" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "물에 잠긴 바다 밑바닥은 실제로 존재하며, 미래 배경과 무관하게 실물 사진으로 형태를 확인할 수 있는 자연 지형이다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "8c28132054b5435a", "totals": { "A": 1250, "B": 1750 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1250, "verdict_ko": "명시적으로 제외된 '가라앉은 쓰레기 더미(Sunken rubbish pile)'를 화면 중앙에 크게 묘사하여 지시를 심각하게 위반했습니다. ★위반: [gemini-pro] 제외 지시(EXCLUDED)를 어기고 '가라앉은 쓰레기 더미(Sunken rubbish pile)'를 묘사함 / [gpt-high] 명시적으로 금지된 침몰 쓰레기 더미를 전경의 중심 대상으로 크게 배치했다. / [gpt-high] 확정 구조에 없는 헬리콥터·선박 잔해와 다수의 기계·금속 폐기물을 추가하여 빈 해저 장면 조건을 위반했다." }, { "label": "B", "score": 1750, "verdict_ko": "명시적으로 제외된 '가라앉은 쓰레기 더미(Sunken rubbish pile)'를 화면 중앙에 크게 묘사하여 지시를 심각하게 위반했습니다. ★위반: [gemini-pro] 제외 지시(EXCLUDED)를 어기고 '가라앉은 쓰레기 더미(Sunken rubbish pile)'를 묘사함 / [gpt-high] 명시적 제외 대상인 침몰 쓰레기 더미를 중앙의 대형 주제로 묘사했다. / [gpt-high] 확정 구조가 허용하지 않는 헬리콥터·선박 잔해와 다수의 인공 폐기물을 해저 전역에 추가하여 빈 자연 공간 조건을 위반했다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_swamp_mud_clearing": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_swamp_mud_clearing_sel.png", "seed_asset_id": "21b3c525-8f13-484a-9366-828766ce2823", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site consists of the Iksan swamp and its adjoining mountain-road approach. The mountain road reaches the outer edge of the swamp, connecting the approach zone directly to the swamp-side ground. Place the fixed radiation-zone warning sign on the swamp side of this junction, beside rather than across the approach, with the swamp continuing beyond it. The sign and the adjoining swamp ground form a shared exterior viewing area, visible from both the road approach and positions along the swamp edge. Treat this edge as a terrain transition, not a constructed enclosure.\n- Mountain road adjoining the swamp: Runs into the site from outside its boundary and meets the outer edge of the Iksan swamp beside the radiation-zone warning sign.\n- Iksan swamp ground: Adjoins the mountain-road approach and extends beyond the radiation-zone warning sign into the site interior.\n- Rusty radiation-zone warning sign: Stands on the swamp-side ground beside the junction with the mountain-road approach, with the swamp extending behind it.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 늪지대와 캠핑카가 빠진 진흙 공터: 부식되어 글씨를 알아보기 힘든 방사능 경고 팻말이 꽂혀 있고, 바퀴가 푹 빠진 깊은 진흙 웅덩이가 있는 황량한 늪.\n\nTHE LOCATION: 55. 캠핑차 안 + 지방도로 -D\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Camper vehicle; Sunken wheel and muddy impact splash; Crow flock around the warning sign; Vehicle occupants and militia personnel\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "556d636e-b4f3-4158-bc57-04eb9ab82c73", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_swamp_mud_clearing/rounds/r001/cand_01.png", "sha256": "80067db433ef6429aac9dfb022c3da4fedaadb5075e803717669311111784a1b", "fittings": [ { "target_native": "방사능 구역 경고 팻말", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_swamp_mud_clearing/rounds/r001/cand_08.png", "sha256": "f434e3155ccc80aae4e9fd40e2b3691157d4dab4e77bd9715ae6e8cf72a9fa65" } ], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "방사선관리구역 경고 표지판은 대한민국의 실제 시설에서 사용되며, 조사로 확인된 표지 형식을 실물 사진으로 검증할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "fc10eda9be7a2396", "totals": { "A": 2000, "B": 1732 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 2000, "verdict_ko": "지정된 뷰와 제외 요소(캠핑카, 바퀴 등)를 정확히 준수하였으며, 도로 끝의 깊게 패인 진흙 웅덩이와 부식된 경고 팻말의 디테일을 프롬프트에 맞게 충실히 구현했습니다." }, { "label": "B", "score": 1732, "verdict_ko": "전반적인 구도와 제외 조건은 잘 따랐으나, 프롬프트에 명시된 '바퀴가 푹 빠진 깊은 진흙 웅덩이'의 질감과 형태 묘사가 A에 비해 다소 약합니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_village_bonfire_clearing": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/background_chain/seed_bg_village_bonfire_clearing_sel.png", "seed_asset_id": "476b4788-828b-41ae-bff5-dcf6666051ef", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, 2069; Korean-speaking by default, with multiethnic, multinational refugee communities and explicitly stated ethnic identities preserved.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The village clearing is the shared open ground connecting the storehouse frontages, the accommodation frontage and the vehicle approach. Its perimeter is the edge of the open ground, not a specified enclosing wall. Place the food storehouse along one side, with its iron doorway opening directly toward the clearing. On another side, place the disused warehouse with an exterior forecourt connected to the clearing and an entrance facing across it. Maintain an unobstructed sightline from that entrance into the clearing. The disused warehouse forecourt overlooks the accommodation frontage, which occupies the lower adjoining edge of the clearing. The accommodation entrance connects to the same open ground. A continuous vehicle-access surface meets the clearing at its perimeter and extends outward toward the ridge visible beyond the village. Keep the clearing interior connected to this approach without an intervening barrier. These relative positions establish the site layout without fixing compass orientation, dimensions or unspecified construction details.\n- Village central clearing: The shared open ground between the food storehouse threshold, the disused warehouse forecourt and the accommodation frontage; directly connected to the ridge-facing vehicle approach.\n- Village clearing perimeter: The outer edge of the village central clearing, adjoining the building frontages and interrupted by the continuous vehicle approach; no enclosing structure is specified.\n- Village accommodation building: Along the clearing edge below the disused warehouse forecourt, with its clearing-facing frontage visible from that forecourt.\n- Accommodation clearing entrance: In the clearing-facing frontage of the village accommodation building, directly accessible from the village central clearing.\n- Village food storehouse: Along one side of the village central clearing, with its entrance frontage adjoining the food storehouse threshold zone.\n- Food storehouse iron entrance door: Set in the clearing-facing frontage of the village food storehouse, connecting the exterior threshold directly to the storehouse interior.\n- Disused village warehouse: On another side of the clearing from the food storehouse, behind its own forecourt and above the accommodation frontage; its clearing-facing entrance has a sightline across the open ground.\n- Disused warehouse exterior forecourt: Directly outside the disused village warehouse entrance, connected to the village central clearing and overlooking the accommodation frontage below.\n- Disused warehouse forecourt entrance: Between the disused village warehouse interior and its exterior forecourt, facing the village central clearing and preserving a view into it.\n- Ridge-facing village vehicle approach: A continuous vehicle-access surface joining the village central clearing at its perimeter and extending outward on the ridge-facing side of the village.\n- Ridge beyond the village approach: Beyond the outer end of the ridge-facing village vehicle approach, forming the distant terrain reference visible from the clearing rather than an enclosure around it.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 익산 마을 공터와 모닥불 주변: 아이들이 낡은 축구공을 차고 놀거나, 밤에 주민들이 모여 앉아 고기를 나눠 먹고 춤을 추는 마을 중심 마당.\n\nTHE LOCATION: **62. 익산 한옥 마을 - D**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Bonfire; Old football; Village truck, dump truck and militia trucks; Food sacks and delivered provisions; Food plate and shared meal; Residents, visitors and robots; Bird box and young birds; Weapons, restraints and transport cage; Military helicopter and vehicle-mounted lights; Overturned vehicles, explosion, smoke and robot remains; Navigation map overlay; Sunset, full moon and airborne dust\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "960904c9-630b-45af-a30d-eabc183b0632", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/edfaa1fa-6366-4bfc-bca4-4403163b092e/images/089c4a91-4d48-420f-9ded-550269221fa0/structure_form_refs/bg_village_bonfire_clearing/rounds/r001/cand_05.png", "sha256": "5a2ad95075fe96a8022b8cf41edd425611872458885f9e27076cb7b7a100ba26", "fittings": [], "fittings_dropped": [], "pack_version": "14.202609081500", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "form_reference_authority": { "status": "ok", "visual_authority": "observable_real", "authority_reason_ko": "마을 공터는 현실에 존재하는 일상적인 열린 땅이며, 미래 배경에서도 그 기본 형태를 실제 사진으로 참고할 수 있다.", "contract": "1.202609050430" }, "seed_decision": { "input_fingerprint": "0f1da1ca7bbcb9e9", "totals": { "A": 1750, "B": 1417 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 1750, "verdict_ko": "요구된 수직적 구조(숙소 위 창고)를 무시하고 참조 이미지의 평면적 배치와 불필요한 주변 건물까지 그대로 복사하여 심각한 위반입니다. ★위반: [gemini-pro] 수직적 구조 위반 (창고가 숙소보다 위에 배치되지 않고 평면에 있음) / [gemini-pro] 지정되지 않은 주변 환경 포함 (참조 이미지의 왼쪽 벽돌 건물 복사) / [gpt-high] 빈 장면에서 금지한 이동식 생활 소품인 화분·장작·용기류와 비닐 조각을 배치했습니다. / [gpt-high] 구조 설명에 없는 붉은 벽돌 건물과 높은 철골 구조물 등 참고 사진의 주변 건축물을 가져왔습니다." }, { "label": "B", "score": 1417, "verdict_ko": "프롬프트의 새로운 배치 지침을 따르지 않고 참조 이미지의 평면 구조와 배경 건물을 복사하여 구조적 요구사항을 충족하지 못했습니다. ★위반: [gemini-pro] 수직적 구조 위반 (창고가 숙소보다 위에 배치되지 않고 평면에 있음) / [gemini-pro] 지정되지 않은 주변 환경 포함 (참조 이미지의 왼쪽 벽돌 건물 복사) / [gpt-high] 빈 장면에서 금지한 이동식 생활 소품인 화분·장작·운반 상자·용기류를 다수 배치했습니다. / [gpt-high] 구조 설명에 없는 붉은 벽돌 건물과 높은 철골 구조물 등 참고 사진의 주변 건축물을 가져왔습니다." } ], "critique_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "9187546e-ab3c-48ac-a52f-40960d34eb14", "resolved_model": "gemini-image", "updated_at": "2026-09-17T23:27:37.077631+00:00", "project_config_snapshot": {} }