{
  "status": "completed",
  "applicable_count": 71,
  "completed_count": 71,
  "failed_count": 0,
  "schema_version": 3,
  "config_hash": "787c440f826114ed",
  "data": {
    "groups": {
      "L02B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L02",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L02B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역에서 21세기 초·중반에 실제로 운영되었을 법한 소박한 동네 가족식당의 밤 실내. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담백하고 과장 없는 모습이다. 후면 주방 개구부 가까이에 카메라를 두고 약 1.6m의 서 있는 사람 눈높이에서 35mm급 중간 광각 렌즈로 촬영한다. 카메라는 식당 홀을 대각선으로 가로질러 남쪽 거리 쪽 중앙 미닫이 출입문을 바라본다. 출입문 양옆에는 전면 창이 있고, 홀 중앙 뒤쪽의 식탁 세트는 주방과 출입구 사이 통로 옆에 놓여 있다. 전면 좌우 식탁과 후면 측면 식탁의 배열, 동쪽 벽의 텔레비전과 고정 받침대, 주방 경계의 붙박이 서비스 카운터, 주방 안쪽 싱크가 공간의 실제 깊이 속에서 자연스럽게 이어진다. 주방에서 거리 출입구까지의 통로는 막히지 않고, 식탁 줄과 얕은 출입구 문턱이 한 프레임에서 명확히 읽힌다. 늦은 밤의 현실적인 실내 조명과 전면 유리를 통해 들어오는 약한 거리 빛이 섞이고, 밝기는 마감 시간대 식당처럼 절제되어 있으며 대비는 중간 이하이다. 알루미늄 미닫이문과 유리의 실제 반사, 오래 사용한 식탁 상판과 의자의 미세한 마모, 카운터 표면, 금속 싱크의 생활 흔적, 벽과 바닥의 평범한 사용감이 사실적으로 보인다. 공간은 깨끗하고 흐트러지지 않은 상태이다. 사람, 얼굴, 신체 형상, 실루엣이나 사람처럼 보이는 반사를 전혀 넣지 않는다. 자연스러운 원근과 피사계 심도, 정확한 재료 질감, 절제된 자연색을 유지하고 후보정 효과 없이 촬영한 실제 DSLR 또는 미러리스 카메라 사진으로 표현한다. 위에서 내려다본 평면도, 건축 도면, 삽화, 그래픽 이미지가 아닌 실제 장소의 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "주방 개구부 가까이에서 홀을 대각선으로 가로질러 중앙의 미닫이 출입문을 바라본다. 중앙 식탁은 동선 옆에 두고, 전면 양쪽 식탁과 출입구 문턱까지 함께 보여 주어 주방과 거리 사이의 통로가 명확하게 읽히게 한다. 인물이나 사람 형상의 반사 없이 빈 배경만 유지한다.",
            "shot_id": "S2_Shot5"
          },
          {
            "guide_text": "동일한 눈높이와 대각선 축을 유지하되 출입구와 그 앞의 여유 공간이 조금 더 분명하게 보이도록 구성한다. 식탁 줄과 주방 쪽 경계를 프레임에 남겨 내부에서 출입구로 이어지는 이동 경로가 한눈에 파악되게 하며, 사람·얼굴·실루엣은 포함하지 않는다.",
            "shot_id": "S2_Shot6"
          }
        ],
        "shot_ids": [
          "S2_Shot5",
          "S2_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 7 (kitchen opening), facing diagonally across number 1 (dining hall) toward number 4 (sliding entrance), with number 8 (central table set) beside the crossing path",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the route between the kitchen and street entrance unobstructed; include the table rows and entrance threshold so simultaneous exiting and entering actions remain readable."
        },
        "reference_decision": {
          "bg_id": "L02B02",
          "fp_id": "fp_l02_dining_hall",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L02B02 is the sole clean anchor candidate and establishes the fixed dwelling identity directly from the floor plan. Camera unit 1 looking toward unit 3 with a wide lens supports both consuming shots by retaining the route through unit 1 toward opening marker 4 and the threshold represented by unit 3.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l02_dining_hall.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the advertised broad view from unit 1 toward unit 3 to support the close oblique staging in S2_Shot5 and the foreground-background entrance relation in S2_Shot6.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              7
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show the fixed portion of unit 1 leading toward unit 3 and opening marker 4. With the wide cone, retain the floor-plan relationships of nearby opening markers 5 and 6 and the fixed marker layout of unit 1 where visible, while treating visibility of unit 2 and opening marker 7 only as geometry candidates rather than mandatory content.",
            "camera_framing_directive": "Frame broadly from camera unit 1 at cell [5,4] toward look-at unit 3 at cell [7,7] with the wide 90-degree lens. Preserve enough foreground and background depth for the close oblique subject treatment in S2_Shot5 and the middle-left foreground versus middle-right background relation in S2_Shot6.",
            "subject_position_directive": "For S2_Shot5, reserve a close oblique foreground position below the shoulders for one turning subject, with the raised hand in the upper frame and the route toward opening marker 4 behind the turning shoulder. For S2_Shot6, reserve middle-left foreground space for a back-facing subject moving toward opening marker 4 and middle-right background space for a second subject at that opening.",
            "state_cue_directive": "The BG is expected to be clean and carries no transient marker. No committed state cue beyond clean residential space applies; refrain from inventing additional state cues while retaining the staged low-key, restrained, moderate-to-low-contrast ambience.",
            "negative_continuity_directive": "Exclude transient overlay markers 15 and 16 and do not add uncommitted scenario-specific elements. Do not depict units or openings outside the chosen unit-1-to-unit-3 view cone, and do not relocate base markers 1 through 14 from their floor-plan relationships."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 1 toward unit 3 to support the close oblique staging in S2_Shot5 and the foreground-background entrance relation in S2_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed portion of unit 1 leading toward unit 3 and opening marker 4. With the wide cone, retain the floor-plan relationships of nearby opening markers 5 and 6 and the fixed marker layout of unit 1 where visible, while treating visibility of unit 2 and opening marker 7 only as geometry candidates rather than mandatory content.\n  - camera_framing_directive: Frame broadly from camera unit 1 at cell [5,4] toward look-at unit 3 at cell [7,7] with the wide 90-degree lens. Preserve enough foreground and background depth for the close oblique subject treatment in S2_Shot5 and the middle-left foreground versus middle-right background relation in S2_Shot6.\n  - subject_position_directive: For S2_Shot5, reserve a close oblique foreground position below the shoulders for one turning subject, with the raised hand in the upper frame and the route toward opening marker 4 behind the turning shoulder. For S2_Shot6, reserve middle-left foreground space for a back-facing subject moving toward opening marker 4 and middle-right background space for a second subject at that opening.\n  - state_cue_directive: The BG is expected to be clean and carries no transient marker. No committed state cue beyond clean residential space applies; refrain from inventing additional state cues while retaining the staged low-key, restrained, moderate-to-low-contrast ambience.\n  - negative_continuity_directive: Exclude transient overlay markers 15 and 16 and do not add uncommitted scenario-specific elements. Do not depict units or openings outside the chosen unit-1-to-unit-3 view cone, and do not relocate base markers 1 through 14 from their floor-plan relationships.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 1 toward unit 3 to support the close oblique staging in S2_Shot5 and the foreground-background entrance relation in S2_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed portion of unit 1 leading toward unit 3 and opening marker 4. With the wide cone, retain the floor-plan relationships of nearby opening markers 5 and 6 and the fixed marker layout of unit 1 where visible, while treating visibility of unit 2 and opening marker 7 only as geometry candidates rather than mandatory content.\n  - camera_framing_directive: Frame broadly from camera unit 1 at cell [5,4] toward look-at unit 3 at cell [7,7] with the wide 90-degree lens. Preserve enough foreground and background depth for the close oblique subject treatment in S2_Shot5 and the middle-left foreground versus middle-right background relation in S2_Shot6.\n  - subject_position_directive: For S2_Shot5, reserve a close oblique foreground position below the shoulders for one turning subject, with the raised hand in the upper frame and the route toward opening marker 4 behind the turning shoulder. For S2_Shot6, reserve middle-left foreground space for a back-facing subject moving toward opening marker 4 and middle-right background space for a second subject at that opening.\n  - state_cue_directive: The BG is expected to be clean and carries no transient marker. No committed state cue beyond clean residential space applies; refrain from inventing additional state cues while retaining the staged low-key, restrained, moderate-to-low-contrast ambience.\n  - negative_continuity_directive: Exclude transient overlay markers 15 and 16 and do not add uncommitted scenario-specific elements. Do not depict units or openings outside the chosen unit-1-to-unit-3 view cone, and do not relocate base markers 1 through 14 from their floor-plan relationships.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 1 toward unit 3 to support the close oblique staging in S2_Shot5 and the foreground-background entrance relation in S2_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the fixed portion of unit 1 leading toward unit 3 and opening marker 4. With the wide cone, retain the floor-plan relationships of nearby opening markers 5 and 6 and the fixed marker layout of unit 1 where visible, while treating visibility of unit 2 and opening marker 7 only as geometry candidates rather than mandatory content.\n  - camera_framing_directive: Frame broadly from camera unit 1 at cell [5,4] toward look-at unit 3 at cell [7,7] with the wide 90-degree lens. Preserve enough foreground and background depth for the close oblique subject treatment in S2_Shot5 and the middle-left foreground versus middle-right background relation in S2_Shot6.\n  - subject_position_directive: For S2_Shot5, reserve a close oblique foreground position below the shoulders for one turning subject, with the raised hand in the upper frame and the route toward opening marker 4 behind the turning shoulder. For S2_Shot6, reserve middle-left foreground space for a back-facing subject moving toward opening marker 4 and middle-right background space for a second subject at that opening.\n  - state_cue_directive: The BG is expected to be clean and carries no transient marker. No committed state cue beyond clean residential space applies; refrain from inventing additional state cues while retaining the staged low-key, restrained, moderate-to-low-contrast ambience.\n  - negative_continuity_directive: Exclude transient overlay markers 15 and 16 and do not add uncommitted scenario-specific elements. Do not depict units or openings outside the chosen unit-1-to-unit-3 view cone, and do not relocate base markers 1 through 14 from their floor-plan relationships.\n\n대한민국 전라남도·광주광역시 권역에서 21세기 초·중반에 실제로 운영되었을 법한 소박한 동네 가족식당의 밤 실내. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 기록 사진처럼 담백하고 과장 없는 모습이다. 후면 주방 개구부 가까이에 카메라를 두고 약 1.6m의 서 있는 사람 눈높이에서 35mm급 중간 광각 렌즈로 촬영한다. 카메라는 식당 홀을 대각선으로 가로질러 남쪽 거리 쪽 중앙 미닫이 출입문을 바라본다. 출입문 양옆에는 전면 창이 있고, 홀 중앙 뒤쪽의 식탁 세트는 주방과 출입구 사이 통로 옆에 놓여 있다. 전면 좌우 식탁과 후면 측면 식탁의 배열, 동쪽 벽의 텔레비전과 고정 받침대, 주방 경계의 붙박이 서비스 카운터, 주방 안쪽 싱크가 공간의 실제 깊이 속에서 자연스럽게 이어진다. 주방에서 거리 출입구까지의 통로는 막히지 않고, 식탁 줄과 얕은 출입구 문턱이 한 프레임에서 명확히 읽힌다. 늦은 밤의 현실적인 실내 조명과 전면 유리를 통해 들어오는 약한 거리 빛이 섞이고, 밝기는 마감 시간대 식당처럼 절제되어 있으며 대비는 중간 이하이다. 알루미늄 미닫이문과 유리의 실제 반사, 오래 사용한 식탁 상판과 의자의 미세한 마모, 카운터 표면, 금속 싱크의 생활 흔적, 벽과 바닥의 평범한 사용감이 사실적으로 보인다. 공간은 깨끗하고 흐트러지지 않은 상태이다. 사람, 얼굴, 신체 형상, 실루엣이나 사람처럼 보이는 반사를 전혀 넣지 않는다. 자연스러운 원근과 피사계 심도, 정확한 재료 질감, 절제된 자연색을 유지하고 후보정 효과 없이 촬영한 실제 DSLR 또는 미러리스 카메라 사진으로 표현한다. 위에서 내려다본 평면도, 건축 도면, 삽화, 그래픽 이미지가 아닌 실제 장소의 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            5,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the advertised broad view from unit 1 toward unit 3 to support the close oblique staging in S2_Shot5 and the foreground-background entrance relation in S2_Shot6.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            7
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the fixed portion of unit 1 leading toward unit 3 and opening marker 4. With the wide cone, retain the floor-plan relationships of nearby opening markers 5 and 6 and the fixed marker layout of unit 1 where visible, while treating visibility of unit 2 and opening marker 7 only as geometry candidates rather than mandatory content.",
          "camera_framing_directive": "Frame broadly from camera unit 1 at cell [5,4] toward look-at unit 3 at cell [7,7] with the wide 90-degree lens. Preserve enough foreground and background depth for the close oblique subject treatment in S2_Shot5 and the middle-left foreground versus middle-right background relation in S2_Shot6.",
          "subject_position_directive": "For S2_Shot5, reserve a close oblique foreground position below the shoulders for one turning subject, with the raised hand in the upper frame and the route toward opening marker 4 behind the turning shoulder. For S2_Shot6, reserve middle-left foreground space for a back-facing subject moving toward opening marker 4 and middle-right background space for a second subject at that opening.",
          "state_cue_directive": "The BG is expected to be clean and carries no transient marker. No committed state cue beyond clean residential space applies; refrain from inventing additional state cues while retaining the staged low-key, restrained, moderate-to-low-contrast ambience.",
          "negative_continuity_directive": "Exclude transient overlay markers 15 and 16 and do not add uncommitted scenario-specific elements. Do not depict units or openings outside the chosen unit-1-to-unit-3 view cone, and do not relocate base markers 1 through 14 from their floor-plan relationships."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l02_dining_hall",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l02_dining_hall"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L02B01": {
        "status": "ok",
        "location_id": "L02",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L02B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 소박한 동네 한식당 내부, 2010년대 중후반의 밤. 영업이 끝나 손님이 전혀 없는 작은 식당 안쪽에서 출입구를 바라보는 시점이다. 알루미늄 프레임과 반투명 무늬유리로 된 오래된 미닫이문 한쪽이 누군가 갑자기 밀고 들어온 직후처럼 절반가량 열려 있고, 열린 틈 너머로 어두운 골목과 차가운 외부 조명만 보인다. 사람, 얼굴, 신체 일부는 어디에도 없다. 출입문 주변에는 생활 흠집이 난 작은 사각 식탁과 서로 맞지 않는 등받이 의자, 플라스틱 양념통과 냅킨 통, 벽에 붙은 소박한 한글 메뉴판, 계산대, 음료 냉장고, 평범한 벽시계가 있다. 테이블은 대체로 정돈되어 있지만 급작스럽게 문이 열린 순간의 긴장감이 빈 공간과 열린 문에서 느껴진다. 천장의 백색 형광등 일부만 켜져 있어 실내는 moderate-to-low contrast의 담담하고 어두운 밝기이며, 문틈의 밤빛과 형광등이 자연스럽게 섞인다. 실제 콘크리트와 도장 벽의 얼룩, 알루미늄의 잔흠집과 산화 흔적, 무늬유리의 반사, 비닐 시트와 합판 가구의 마모, 플라스틱 용기의 생활 때를 정확하고 사실적으로 표현한다. 지나치게 깨끗한 광고 사진이 아니라 실제 영업해 온 서민 식당의 일상적인 사용감과 지역적 현실성이 있는 장소 기록 사진. 약 1.6미터의 사람 눈높이에서 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 절제된 자연색, 사실적인 노출, 후처리 없는 실제 장소 참고 사진. 탑다운 시점, 평면도, 건축 도면, 삽화, 그래픽 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "사람이 서 있는 높이의 카메라를 빈 식당 안쪽 통로에 두고, 미닫이문과 그 주변 좌석이 한 프레임에 들어오도록 정면에서 약간 비껴 바라본다. 갑작스러운 출입이 느껴지도록 문 한쪽이 막 미끄러져 열린 듯 절반가량 열려 있어야 하지만, 문 안팎 어디에도 사람이나 신체 일부, 얼굴을 보이지 않는다. 열린 틈 너머에는 어두운 밤의 골목과 희미한 외부 조명만 보이게 한다.",
            "shot_id": "S71_Shot1"
          }
        ],
        "shot_ids": [
          "S71_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "transition_zone",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 전라남도·광주광역시 권역의 소박한 동네 한식당 내부, 2010년대 중후반의 밤. 영업이 끝나 손님이 전혀 없는 작은 식당 안쪽에서 출입구를 바라보는 시점이다. 알루미늄 프레임과 반투명 무늬유리로 된 오래된 미닫이문 한쪽이 누군가 갑자기 밀고 들어온 직후처럼 절반가량 열려 있고, 열린 틈 너머로 어두운 골목과 차가운 외부 조명만 보인다. 사람, 얼굴, 신체 일부는 어디에도 없다. 출입문 주변에는 생활 흠집이 난 작은 사각 식탁과 서로 맞지 않는 등받이 의자, 플라스틱 양념통과 냅킨 통, 벽에 붙은 소박한 한글 메뉴판, 계산대, 음료 냉장고, 평범한 벽시계가 있다. 테이블은 대체로 정돈되어 있지만 급작스럽게 문이 열린 순간의 긴장감이 빈 공간과 열린 문에서 느껴진다. 천장의 백색 형광등 일부만 켜져 있어 실내는 moderate-to-low contrast의 담담하고 어두운 밝기이며, 문틈의 밤빛과 형광등이 자연스럽게 섞인다. 실제 콘크리트와 도장 벽의 얼룩, 알루미늄의 잔흠집과 산화 흔적, 무늬유리의 반사, 비닐 시트와 합판 가구의 마모, 플라스틱 용기의 생활 때를 정확하고 사실적으로 표현한다. 지나치게 깨끗한 광고 사진이 아니라 실제 영업해 온 서민 식당의 일상적인 사용감과 지역적 현실성이 있는 장소 기록 사진. 약 1.6미터의 사람 눈높이에서 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 절제된 자연색, 사실적인 노출, 후처리 없는 실제 장소 참고 사진. 탑다운 시점, 평면도, 건축 도면, 삽화, 그래픽 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_anchor:L57B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L57B01",
          "group_id": "bg_neighborhood_restaurant"
        }
      },
      "L02B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L02",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L02B03.png",
        "t2i_prompt": "21세기 초·중반 대한민국 전라남도·광주권에서 오래 영업해 온 소박한 동네 한식당의 늦은 밤 내부. 실제 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이며, 깨끗한 광고 사진이 아니라 실제 장소를 담은 담담한 현장 참고 사진처럼 보여야 한다. 남쪽 중앙의 유리 미닫이 출입문 가까이에서 약 1.4미터 높이의 앉은 자세와 선 자세 사이 눈높이로, 35밀리미터급 자연스러운 광각 렌즈를 사용해 홀 안쪽을 대각선으로 바라본다. 중앙 뒤편 식탁, 동쪽 벽의 텔레비전과 고정 받침대, 북쪽 주방 개구부와 그 옆의 붙박이 서비스 카운터가 한 화면에서 읽히고, 앞쪽과 서쪽의 비어 있는 식탁과 의자들이 조용한 여백을 만든다. 출입문 양옆의 전면 유리창 너머는 인적 없는 어두운 밤거리이며, 실내의 소박한 천장등과 주방 쪽 불빛이 낮고 따뜻하게 남아 있다. 중앙 식탁 위에는 찌개 냄비가 약하게 보글거리며 가느다란 수증기가 자연스럽게 올라오고, 곁에는 초록색 유리 술병 한 병과 작은 음주용 유리잔들이 놓여 있다. 텔레비전 화면은 사람이나 얼굴이 보이지 않는 어두운 화면으로 처리한다. 실제 합판 식탁의 닳은 나뭇결, 금속 의자의 미세한 긁힘과 사용감, 유리창의 희미한 얼룩과 반사, 서비스 카운터와 싱크대의 현실적인 스테인리스 질감, 오래된 벽과 바닥의 일상적인 마모를 정확하게 표현한다. 과도하게 정돈되거나 새것 같은 분위기를 피하고, 절제된 자연색과 중저대비의 현실적인 야간 조명, 자연스러운 심도와 광학적 원근감을 사용한다. 사람, 얼굴, 인체 형태의 장식물은 전혀 없으며 삽화, 건축 도면, 위에서 내려다본 시점, 컴퓨터 그래픽, 건축 시각화가 아닌 무보정 실제 카메라 촬영본이어야 한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 미닫이 출입문 가까이에서 홀 안쪽을 대각선으로 바라본다. 중앙 뒤편 테이블의 끓는 찌개 냄비와 술병, 작은 잔들이 분명히 보이도록 하면서 동쪽 벽 텔레비전과 뒤쪽 주방 개구부도 한 프레임에 담는다. 주변의 비어 있는 테이블들이 충분히 보여 늦은 밤의 조용한 공간감이 유지되어야 한다.",
            "shot_id": "S71_Shot4"
          },
          {
            "guide_text": "같은 출입구 쪽 시점과 공간 연속성을 유지하되 중앙 테이블의 냄비에서 올라오는 가느다란 김, 술병과 잔의 실제 유리 질감을 읽을 수 있게 한다. 화면 가장자리에는 비어 있는 앞쪽 테이블들을 남기고, 뒤쪽 서비스 카운터와 주방 연결부가 자연스러운 깊이 속에 보이게 구성한다.",
            "shot_id": "S71_Shot8"
          }
        ],
        "shot_ids": [
          "S71_Shot4",
          "S71_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 4 (sliding entrance), facing diagonally toward number 8 (central table set), number 12 (television), and number 7 (kitchen opening)",
          "camera_height": "eye-level seated-to-standing compromise, approximately 1.4 m",
          "lens_hint": "35mm natural wide angle",
          "framing_notes": "Emphasize the empty surrounding table sets while keeping the central conversation table, simmering pot, drink set, television, and distant kitchen connection legible."
        },
        "reference_decision": {
          "bg_id": "L02B03",
          "fp_id": "fp_l02_dining_hall",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L02B03 uses the same physical space and fixed marker inventory established by L02B02, but its camera looks from unit 1 toward unit 2 rather than toward unit 3. This genuinely different structural slice supports the staged tabletop and over-shoulder views, so it requires its own plate while inheriting fixed positions from the anchor.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L02B02.png"
          ],
          "source_bg_ids": [
            "L02B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l02_dining_hall:space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l02_dining_hall:space_1",
                "ref_bg_id": "L02B02",
                "space_description": "The shared fixed space represented by unit markers 1, 2, and 3 and base markers 4 through 14."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because L02B03 depicts the same physical space established by L02B02; no second distinct visible space requires a separate reference."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use a neutral unit-1-to-unit-2 view across the central fixed layout, supporting the tabletop-height medium staging in S71_Shot4 and the tighter over-shoulder staging in S71_Shot8.",
            "lens_enum": "normal",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 looking toward unit 2 and opening marker 7, with the fixed positions of markers 8, 13, and 14 carried forward positively from reference bg_id L02B02. Retain only the portions of other base markers that fall within the normal unit-1-to-unit-2 cone, and integrate transient markers 15 and 16 without changing the fixed layout.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [5,4] toward look-at unit 2 at cell [2,4] with the normal 50-degree lens for neutral coverage. Use the committed axis for the tabletop-height medium composition in S71_Shot4 and permit the closer right-center subject framing and soft foreground edge required by S71_Shot8.",
            "subject_position_directive": "For S71_Shot4, reserve the lower foreground for transient marker 15 and place the committed seated subject just right of center beyond it at tabletop height. For S71_Shot8, reserve most of the right-center frame for the primary seated subject, restrained look-space at frame left, and a soft foreground shoulder and partial-face edge beside the table axis.",
            "state_cue_directive": "Carry transient marker numbers 15 and 16 as the committed temporary state cues, with marker 15 active in the lower or softly held table region as required by the consuming shots and marker 16 retained as part of the committed setup where framing permits. Maintain the staged subdued, moderate-to-low-contrast ambience without inventing further state cues.",
            "negative_continuity_directive": "Do not import the unit-1-to-unit-3 entrance-facing framing of reference bg_id L02B02 into this unit-1-to-unit-2 view. Avoid spaces outside the selected view cone, do not relocate fixed markers inherited from L02B02, and do not add transient or scenario-specific elements beyond committed markers 15 and 16."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L02B02' physical_space_id='fp_l02_dining_hall:space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral unit-1-to-unit-2 view across the central fixed layout, supporting the tabletop-height medium staging in S71_Shot4 and the tighter over-shoulder staging in S71_Shot8.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 2 and opening marker 7, with the fixed positions of markers 8, 13, and 14 carried forward positively from reference bg_id L02B02. Retain only the portions of other base markers that fall within the normal unit-1-to-unit-2 cone, and integrate transient markers 15 and 16 without changing the fixed layout.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,4] toward look-at unit 2 at cell [2,4] with the normal 50-degree lens for neutral coverage. Use the committed axis for the tabletop-height medium composition in S71_Shot4 and permit the closer right-center subject framing and soft foreground edge required by S71_Shot8.\n  - subject_position_directive: For S71_Shot4, reserve the lower foreground for transient marker 15 and place the committed seated subject just right of center beyond it at tabletop height. For S71_Shot8, reserve most of the right-center frame for the primary seated subject, restrained look-space at frame left, and a soft foreground shoulder and partial-face edge beside the table axis.\n  - state_cue_directive: Carry transient marker numbers 15 and 16 as the committed temporary state cues, with marker 15 active in the lower or softly held table region as required by the consuming shots and marker 16 retained as part of the committed setup where framing permits. Maintain the staged subdued, moderate-to-low-contrast ambience without inventing further state cues.\n  - negative_continuity_directive: Do not import the unit-1-to-unit-3 entrance-facing framing of reference bg_id L02B02 into this unit-1-to-unit-2 view. Avoid spaces outside the selected view cone, do not relocate fixed markers inherited from L02B02, and do not add transient or scenario-specific elements beyond committed markers 15 and 16.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L02B02' physical_space_id='fp_l02_dining_hall:space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral unit-1-to-unit-2 view across the central fixed layout, supporting the tabletop-height medium staging in S71_Shot4 and the tighter over-shoulder staging in S71_Shot8.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 2 and opening marker 7, with the fixed positions of markers 8, 13, and 14 carried forward positively from reference bg_id L02B02. Retain only the portions of other base markers that fall within the normal unit-1-to-unit-2 cone, and integrate transient markers 15 and 16 without changing the fixed layout.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,4] toward look-at unit 2 at cell [2,4] with the normal 50-degree lens for neutral coverage. Use the committed axis for the tabletop-height medium composition in S71_Shot4 and permit the closer right-center subject framing and soft foreground edge required by S71_Shot8.\n  - subject_position_directive: For S71_Shot4, reserve the lower foreground for transient marker 15 and place the committed seated subject just right of center beyond it at tabletop height. For S71_Shot8, reserve most of the right-center frame for the primary seated subject, restrained look-space at frame left, and a soft foreground shoulder and partial-face edge beside the table axis.\n  - state_cue_directive: Carry transient marker numbers 15 and 16 as the committed temporary state cues, with marker 15 active in the lower or softly held table region as required by the consuming shots and marker 16 retained as part of the committed setup where framing permits. Maintain the staged subdued, moderate-to-low-contrast ambience without inventing further state cues.\n  - negative_continuity_directive: Do not import the unit-1-to-unit-3 entrance-facing framing of reference bg_id L02B02 into this unit-1-to-unit-2 view. Avoid spaces outside the selected view cone, do not relocate fixed markers inherited from L02B02, and do not add transient or scenario-specific elements beyond committed markers 15 and 16.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L02B02' physical_space_id='fp_l02_dining_hall:space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 2\n  - look_at_cell: [2, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral unit-1-to-unit-2 view across the central fixed layout, supporting the tabletop-height medium staging in S71_Shot4 and the tighter over-shoulder staging in S71_Shot8.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 2 and opening marker 7, with the fixed positions of markers 8, 13, and 14 carried forward positively from reference bg_id L02B02. Retain only the portions of other base markers that fall within the normal unit-1-to-unit-2 cone, and integrate transient markers 15 and 16 without changing the fixed layout.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,4] toward look-at unit 2 at cell [2,4] with the normal 50-degree lens for neutral coverage. Use the committed axis for the tabletop-height medium composition in S71_Shot4 and permit the closer right-center subject framing and soft foreground edge required by S71_Shot8.\n  - subject_position_directive: For S71_Shot4, reserve the lower foreground for transient marker 15 and place the committed seated subject just right of center beyond it at tabletop height. For S71_Shot8, reserve most of the right-center frame for the primary seated subject, restrained look-space at frame left, and a soft foreground shoulder and partial-face edge beside the table axis.\n  - state_cue_directive: Carry transient marker numbers 15 and 16 as the committed temporary state cues, with marker 15 active in the lower or softly held table region as required by the consuming shots and marker 16 retained as part of the committed setup where framing permits. Maintain the staged subdued, moderate-to-low-contrast ambience without inventing further state cues.\n  - negative_continuity_directive: Do not import the unit-1-to-unit-3 entrance-facing framing of reference bg_id L02B02 into this unit-1-to-unit-2 view. Avoid spaces outside the selected view cone, do not relocate fixed markers inherited from L02B02, and do not add transient or scenario-specific elements beyond committed markers 15 and 16.\n\n21세기 초·중반 대한민국 전라남도·광주권에서 오래 영업해 온 소박한 동네 한식당의 늦은 밤 내부. 실제 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이며, 깨끗한 광고 사진이 아니라 실제 장소를 담은 담담한 현장 참고 사진처럼 보여야 한다. 남쪽 중앙의 유리 미닫이 출입문 가까이에서 약 1.4미터 높이의 앉은 자세와 선 자세 사이 눈높이로, 35밀리미터급 자연스러운 광각 렌즈를 사용해 홀 안쪽을 대각선으로 바라본다. 중앙 뒤편 식탁, 동쪽 벽의 텔레비전과 고정 받침대, 북쪽 주방 개구부와 그 옆의 붙박이 서비스 카운터가 한 화면에서 읽히고, 앞쪽과 서쪽의 비어 있는 식탁과 의자들이 조용한 여백을 만든다. 출입문 양옆의 전면 유리창 너머는 인적 없는 어두운 밤거리이며, 실내의 소박한 천장등과 주방 쪽 불빛이 낮고 따뜻하게 남아 있다. 중앙 식탁 위에는 찌개 냄비가 약하게 보글거리며 가느다란 수증기가 자연스럽게 올라오고, 곁에는 초록색 유리 술병 한 병과 작은 음주용 유리잔들이 놓여 있다. 텔레비전 화면은 사람이나 얼굴이 보이지 않는 어두운 화면으로 처리한다. 실제 합판 식탁의 닳은 나뭇결, 금속 의자의 미세한 긁힘과 사용감, 유리창의 희미한 얼룩과 반사, 서비스 카운터와 싱크대의 현실적인 스테인리스 질감, 오래된 벽과 바닥의 일상적인 마모를 정확하게 표현한다. 과도하게 정돈되거나 새것 같은 분위기를 피하고, 절제된 자연색과 중저대비의 현실적인 야간 조명, 자연스러운 심도와 광학적 원근감을 사용한다. 사람, 얼굴, 인체 형태의 장식물은 전혀 없으며 삽화, 건축 도면, 위에서 내려다본 시점, 컴퓨터 그래픽, 건축 시각화가 아닌 무보정 실제 카메라 촬영본이어야 한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            5,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use a neutral unit-1-to-unit-2 view across the central fixed layout, supporting the tabletop-height medium staging in S71_Shot4 and the tighter over-shoulder staging in S71_Shot8.",
          "lens_enum": "normal",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 looking toward unit 2 and opening marker 7, with the fixed positions of markers 8, 13, and 14 carried forward positively from reference bg_id L02B02. Retain only the portions of other base markers that fall within the normal unit-1-to-unit-2 cone, and integrate transient markers 15 and 16 without changing the fixed layout.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [5,4] toward look-at unit 2 at cell [2,4] with the normal 50-degree lens for neutral coverage. Use the committed axis for the tabletop-height medium composition in S71_Shot4 and permit the closer right-center subject framing and soft foreground edge required by S71_Shot8.",
          "subject_position_directive": "For S71_Shot4, reserve the lower foreground for transient marker 15 and place the committed seated subject just right of center beyond it at tabletop height. For S71_Shot8, reserve most of the right-center frame for the primary seated subject, restrained look-space at frame left, and a soft foreground shoulder and partial-face edge beside the table axis.",
          "state_cue_directive": "Carry transient marker numbers 15 and 16 as the committed temporary state cues, with marker 15 active in the lower or softly held table region as required by the consuming shots and marker 16 retained as part of the committed setup where framing permits. Maintain the staged subdued, moderate-to-low-contrast ambience without inventing further state cues.",
          "negative_continuity_directive": "Do not import the unit-1-to-unit-3 entrance-facing framing of reference bg_id L02B02 into this unit-1-to-unit-2 view. Avoid spaces outside the selected view cone, do not relocate fixed markers inherited from L02B02, and do not add transient or scenario-specific elements beyond committed markers 15 and 16."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l02_dining_hall",
          "prior_bg_ids": [
            "L02B02"
          ],
          "attached_ref_labels": [
            "bg:L02B02"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L57B01": {
        "status": "ok",
        "location_id": "L57",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L57B01.png",
        "t2i_prompt": "2015~2017년 무렵 밤, 대한민국 광주광역시 또는 전라남도 도심의 좁은 먹자골목에 자리한 오래된 소규모 한식당 전면. 화면 중심에는 세월에 바랜 한글 식당 간판이 낮은 밝기로 켜져 있으며, 빛이 부분적으로 고르지 않고 아크릴 표면의 퇴색, 가장자리 금속 프레임의 녹과 먼지, 오래된 형광등식 내부 조명의 현실적인 흔적이 보인다. 구체적인 작품 고유 상호명이나 유명 상표는 사용하지 않고 평범한 식당임을 알 수 있는 일반적인 한글 표기만 넣는다. 간판 주변에는 2010년대 중후반 한국 유흥 골목에서 볼 수 있는 더 새롭고 밝은 주점 간판과 세로형 조명 간판이 겹쳐 보여, 낡은 식당 간판이 상대적으로 어둡고 초라하게 드러난다. 간판 아래에는 오래 사용한 유리 출입문, 음식 사진이 빛바랜 메뉴판, 짧은 비닐 차양, 얼룩진 타일과 도장 벽, 노출된 전선과 배관, 실외기, 창문 안쪽의 희미한 실내 형광등 빛이 있다. 젖은 듯 약간 반사되는 골목 바닥, 생활 먼지, 기름때, 빗물 자국과 작은 수선 흔적을 과장 없이 표현한다. 최신 세대 전광판이나 미래형 조명은 배제하고 당시 지역 상권의 현실적인 간판 재료와 시공 방식을 따른다. 사람, 얼굴, 차량의 두드러진 등장은 전혀 없이 빈 식당 전면만 보여 준다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 사실적이고 담담한 결과. 약 1.6미터의 서 있는 사람 눈높이에서 35mm급 렌즈로 골목 맞은편의 약간 비스듬한 정면을 촬영하며, 낡은 식당 간판과 출입구를 중심에 두고 주변의 밝은 주점 간판 일부까지 프레임에 포함한다. 실제 콘크리트, 금속 녹청, 아크릴, 비닐, 유리, 전선 피복과 벽 타일의 정확한 재질감, 자연스러운 야간 노출, 절제된 색감, 중저대비 조명, 현실적인 빛 번짐과 자연스러운 심도. 깨끗한 광고용 사진이 아니며, 후처리 없는 실제 현장 기록 사진. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 그래픽 이미지, 3차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "보행자가 골목 맞은편이나 비스듬한 전방에서 식당 간판을 확인하는 시점으로 촬영한다. 낡은 식당 간판이 화면의 중심이 되게 하고, 양옆과 위쪽에는 더 밝은 현대식 주점 간판 일부를 포함해 시각적 대비를 만든다. 간판 아래의 오래된 출입문, 창문, 차양과 벽면 흔적도 함께 보여 주되 빈 골목으로 유지한다.",
            "shot_id": "S70_Shot2"
          }
        ],
        "shot_ids": [
          "S70_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵 밤, 대한민국 광주광역시 또는 전라남도 도심의 좁은 먹자골목에 자리한 오래된 소규모 한식당 전면. 화면 중심에는 세월에 바랜 한글 식당 간판이 낮은 밝기로 켜져 있으며, 빛이 부분적으로 고르지 않고 아크릴 표면의 퇴색, 가장자리 금속 프레임의 녹과 먼지, 오래된 형광등식 내부 조명의 현실적인 흔적이 보인다. 구체적인 작품 고유 상호명이나 유명 상표는 사용하지 않고 평범한 식당임을 알 수 있는 일반적인 한글 표기만 넣는다. 간판 주변에는 2010년대 중후반 한국 유흥 골목에서 볼 수 있는 더 새롭고 밝은 주점 간판과 세로형 조명 간판이 겹쳐 보여, 낡은 식당 간판이 상대적으로 어둡고 초라하게 드러난다. 간판 아래에는 오래 사용한 유리 출입문, 음식 사진이 빛바랜 메뉴판, 짧은 비닐 차양, 얼룩진 타일과 도장 벽, 노출된 전선과 배관, 실외기, 창문 안쪽의 희미한 실내 형광등 빛이 있다. 젖은 듯 약간 반사되는 골목 바닥, 생활 먼지, 기름때, 빗물 자국과 작은 수선 흔적을 과장 없이 표현한다. 최신 세대 전광판이나 미래형 조명은 배제하고 당시 지역 상권의 현실적인 간판 재료와 시공 방식을 따른다. 사람, 얼굴, 차량의 두드러진 등장은 전혀 없이 빈 식당 전면만 보여 준다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 사실적이고 담담한 결과. 약 1.6미터의 서 있는 사람 눈높이에서 35mm급 렌즈로 골목 맞은편의 약간 비스듬한 정면을 촬영하며, 낡은 식당 간판과 출입구를 중심에 두고 주변의 밝은 주점 간판 일부까지 프레임에 포함한다. 실제 콘크리트, 금속 녹청, 아크릴, 비닐, 유리, 전선 피복과 벽 타일의 정확한 재질감, 자연스러운 야간 노출, 절제된 색감, 중저대비 조명, 현실적인 빛 번짐과 자연스러운 심도. 깨끗한 광고용 사진이 아니며, 후처리 없는 실제 현장 기록 사진. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 그래픽 이미지, 3차원 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_fp:fp_l02_dining_hall"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l02_dining_hall",
          "indoor_loc_sid": "L02",
          "group_id": "bg_neighborhood_restaurant",
          "fp_asset_id": "97786dc9-2416-46de-b541-d9a01e2ed88a"
        }
      },
      "L03B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L03",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L03B03.png",
        "t2i_prompt": "2001년 무렵 대한민국 전라남도·광주 권역의 오래된 서민 주택 안에 있는 자매의 공동 침실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 방 안쪽의 두 사람용 바닥 침구 가까이에 카메라를 두고, 약 1.4~1.6m의 사람 눈높이에서 35mm급 보통 광각 렌즈로 낮은 컴퓨터 책상 방향을 대각선으로 바라본다. 나란히 놓인 두 잠자리가 화면의 중심을 차지하며, 벽 쪽 옷장과 낮은 책상 위 가정용 유선전화, 부피가 큰 저해상도 모니터를 갖춘 2000년대 초반형 데스크톱 컴퓨터가 자연스럽게 보인다. 미닫이문은 방에서 중앙의 나무 마루로 이어지는 출구로 프레임 안에 포함하고, 문 너머 마루는 좁은 폭으로만 보이게 한다. 오래된 한국 주택의 도배지, 실제 나뭇결이 남은 바닥과 문틀, 생활감 있는 가구 표면, 전화기 플라스틱의 미세한 변색, 컴퓨터 외장의 현실적인 재질과 시대감을 정확히 표현한다. 깊은 밤의 어둡고 조용한 공동 침실로, 약한 실내 조명이 낮은 대비로 퍼지고 창밖에서는 푸른 기운이 거의 느껴지지 않을 정도의 희미한 야간광만 들어온다. 과장된 극적 조명 없이 절제되고 고요한 분위기, 자연스러운 명암과 색, 실제 재료의 마모와 얼룩, 현실적인 피사계 심도. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 인형이나 실루엣은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 현장에서 촬영한 사실적인 장소 기록 사진이며, 과도한 보정이 없는 담담한 사진이다. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 합성 이미지, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "방 안쪽의 바닥 침구 가까이에서 낮은 컴퓨터 책상과 유선전화, 데스크톱 컴퓨터를 대각선으로 바라본다. 침구가 화면의 중심을 차지하게 하고 옷장과 미닫이 출구를 함께 담되, 문 너머 중앙 나무 마루는 좁게만 보이게 한다. 사람이나 사람 형태는 배치하지 않는다.",
            "shot_id": "S3_Shot2"
          },
          {
            "guide_text": "같은 방의 야간 상태와 공간 연속성을 유지한다. 두 사람이 나란히 사용하는 바닥 침구를 전경과 중경의 주된 요소로 두고, 낮은 책상 위 유선전화와 2000년대 초반형 데스크톱 컴퓨터, 벽 쪽 옷장, 중앙 마루로 통하는 미닫이문을 한 프레임에 정돈되게 포함한다. 사람, 얼굴, 신체 형상의 실루엣은 보이지 않게 한다.",
            "shot_id": "S3_Shot5"
          }
        ],
        "shot_ids": [
          "S3_Shot2",
          "S3_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "inside number 1 near number 10, facing diagonally toward number 12, number 13, and number 14, with number 5 visible as the route into number 2",
          "camera_height": "eye-level seated-to-standing height, approximately 1.4–1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the shared sleeping area dominant; include the resting place, telephone, computer desk, wardrobe, and sliding exit while allowing only a narrow glimpse of the central hall."
        },
        "reference_decision": {
          "bg_id": "L03B03",
          "fp_id": "fp_old_house_main",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L03B03 is the sole clean anchor candidate and establishes dwelling identity without a prior reference. A wide unit-2 camera aimed into unit 1 provides a clean representative plate containing the fixed marker relationships needed for both consuming shots while allowing their close subject crops.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_old_house_main.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              5
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 2 toward unit 1 so markers 5 and 9-14 can support the distinct close framings required by S3_Shot2 and S3_Shot5.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              1
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from camera unit 2, retaining opening marker 5 and the fixed arrangement of markers 9-14. Unit 2 may remain at the camera-side edge, while the view is directed toward unit 1 rather than unrelated units.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [4,5] toward unit 1 and look-at cell [6,1] with a wide 90-degree field of view, providing broad coverage that can support the close compositions committed for S3_Shot2 and S3_Shot5.",
            "subject_position_directive": "For S3_Shot2, reserve foreground placement for one committed subject at middle center and another at lower left. For S3_Shot5, reserve middle center for the committed foreground subject while retaining marker 5 at middle right; do not invent additional subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies; refrain from inventing additional transient or state cues.",
            "negative_continuity_directive": "Exclude ignored overlay marker 16 and do not introduce unlisted scenario-specific elements. Keep units 3 and 4 from being forced into the unit-1-facing composition, and preserve the floor-plan relationships among markers 5 and 9-14."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so markers 5 and 9-14 can support the distinct close framings required by S3_Shot2 and S3_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera unit 2, retaining opening marker 5 and the fixed arrangement of markers 9-14. Unit 2 may remain at the camera-side edge, while the view is directed toward unit 1 rather than unrelated units.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,5] toward unit 1 and look-at cell [6,1] with a wide 90-degree field of view, providing broad coverage that can support the close compositions committed for S3_Shot2 and S3_Shot5.\n  - subject_position_directive: For S3_Shot2, reserve foreground placement for one committed subject at middle center and another at lower left. For S3_Shot5, reserve middle center for the committed foreground subject while retaining marker 5 at middle right; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies; refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 16 and do not introduce unlisted scenario-specific elements. Keep units 3 and 4 from being forced into the unit-1-facing composition, and preserve the floor-plan relationships among markers 5 and 9-14.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so markers 5 and 9-14 can support the distinct close framings required by S3_Shot2 and S3_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera unit 2, retaining opening marker 5 and the fixed arrangement of markers 9-14. Unit 2 may remain at the camera-side edge, while the view is directed toward unit 1 rather than unrelated units.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,5] toward unit 1 and look-at cell [6,1] with a wide 90-degree field of view, providing broad coverage that can support the close compositions committed for S3_Shot2 and S3_Shot5.\n  - subject_position_directive: For S3_Shot2, reserve foreground placement for one committed subject at middle center and another at lower left. For S3_Shot5, reserve middle center for the committed foreground subject while retaining marker 5 at middle right; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies; refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 16 and do not introduce unlisted scenario-specific elements. Keep units 3 and 4 from being forced into the unit-1-facing composition, and preserve the floor-plan relationships among markers 5 and 9-14.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [4, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 1]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so markers 5 and 9-14 can support the distinct close framings required by S3_Shot2 and S3_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera unit 2, retaining opening marker 5 and the fixed arrangement of markers 9-14. Unit 2 may remain at the camera-side edge, while the view is directed toward unit 1 rather than unrelated units.\n  - camera_framing_directive: Frame from camera unit 2 at cell [4,5] toward unit 1 and look-at cell [6,1] with a wide 90-degree field of view, providing broad coverage that can support the close compositions committed for S3_Shot2 and S3_Shot5.\n  - subject_position_directive: For S3_Shot2, reserve foreground placement for one committed subject at middle center and another at lower left. For S3_Shot5, reserve middle center for the committed foreground subject while retaining marker 5 at middle right; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies; refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Exclude ignored overlay marker 16 and do not introduce unlisted scenario-specific elements. Keep units 3 and 4 from being forced into the unit-1-facing composition, and preserve the floor-plan relationships among markers 5 and 9-14.\n\n2001년 무렵 대한민국 전라남도·광주 권역의 오래된 서민 주택 안에 있는 자매의 공동 침실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 방 안쪽의 두 사람용 바닥 침구 가까이에 카메라를 두고, 약 1.4~1.6m의 사람 눈높이에서 35mm급 보통 광각 렌즈로 낮은 컴퓨터 책상 방향을 대각선으로 바라본다. 나란히 놓인 두 잠자리가 화면의 중심을 차지하며, 벽 쪽 옷장과 낮은 책상 위 가정용 유선전화, 부피가 큰 저해상도 모니터를 갖춘 2000년대 초반형 데스크톱 컴퓨터가 자연스럽게 보인다. 미닫이문은 방에서 중앙의 나무 마루로 이어지는 출구로 프레임 안에 포함하고, 문 너머 마루는 좁은 폭으로만 보이게 한다. 오래된 한국 주택의 도배지, 실제 나뭇결이 남은 바닥과 문틀, 생활감 있는 가구 표면, 전화기 플라스틱의 미세한 변색, 컴퓨터 외장의 현실적인 재질과 시대감을 정확히 표현한다. 깊은 밤의 어둡고 조용한 공동 침실로, 약한 실내 조명이 낮은 대비로 퍼지고 창밖에서는 푸른 기운이 거의 느껴지지 않을 정도의 희미한 야간광만 들어온다. 과장된 극적 조명 없이 절제되고 고요한 분위기, 자연스러운 명암과 색, 실제 재료의 마모와 얼룩, 현실적인 피사계 심도. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 인형이나 실루엣은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 현장에서 촬영한 사실적인 장소 기록 사진이며, 과도한 보정이 없는 담담한 사진이다. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화, 합성 이미지, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            5
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 2 toward unit 1 so markers 5 and 9-14 can support the distinct close framings required by S3_Shot2 and S3_Shot5.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            1
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from camera unit 2, retaining opening marker 5 and the fixed arrangement of markers 9-14. Unit 2 may remain at the camera-side edge, while the view is directed toward unit 1 rather than unrelated units.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [4,5] toward unit 1 and look-at cell [6,1] with a wide 90-degree field of view, providing broad coverage that can support the close compositions committed for S3_Shot2 and S3_Shot5.",
          "subject_position_directive": "For S3_Shot2, reserve foreground placement for one committed subject at middle center and another at lower left. For S3_Shot5, reserve middle center for the committed foreground subject while retaining marker 5 at middle right; do not invent additional subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies; refrain from inventing additional transient or state cues.",
          "negative_continuity_directive": "Exclude ignored overlay marker 16 and do not introduce unlisted scenario-specific elements. Keep units 3 and 4 from being forced into the unit-1-facing composition, and preserve the floor-plan relationships among markers 5 and 9-14."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_old_house_main",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_old_house_main"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L03B02": {
        "status": "ok",
        "location_id": "L03",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L03B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 오래된 저층 주거지 인근, 밤의 좁고 어두운 골목을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 골목 입구 부근에서 안쪽 깊숙한 소실점을 바라보며, 서 있는 사람의 눈높이 약 1.6미터에 놓인 실제 DSLR 또는 미러리스 카메라와 35밀리미터급 렌즈로 촬영한다. 한 사람이 걸어서 멀어졌을 법한 비어 있는 골목의 깊이와 여백이 느껴지되 인물, 얼굴, 사람의 실루엣은 전혀 없다. 골목 양옆에는 세월이 밴 시멘트 블록 담장과 거칠게 미장된 주택 외벽, 낡은 금속 대문과 작은 출입문, 어두운 창문이 이어진다. 벽면에는 빗물 자국, 먼지, 옅은 이끼와 생활 오염이 불규칙하게 남아 있고, 실제 콘크리트의 거친 입자, 금속의 녹과 변색, 문틀의 벗겨진 도장 질감이 정확하게 보인다. 좁은 아스팔트와 시멘트 노면은 군데군데 보수 흔적과 미세한 균열이 있으며, 가장자리의 얕은 개방형 배수로가 골목 방향을 따라 이어진다. 오래된 전신주와 복잡하지만 현실적으로 연결된 가공 전선이 주택 지붕선 위로 지나간다. 작은 가로등 하나가 희미하고 누르스름한 빛을 내려 담장과 노면 일부만 불균일하게 밝히며, 나머지 골목은 짙은 밤의 자연스러운 저조도 속에서도 세부가 완전히 뭉개지지 않는다. 최신식 주거 설비나 미래형 장치는 배제하고, 2000년대 초반부터 2010년대 중후반까지 남아 있던 지역 구도심 주택가의 소박하고 낡은 생활 환경을 사실적으로 표현한다. 절제된 자연색, 중간 이하의 대비, 실제 저조도 노출, 가로등 주변의 미세한 명암 변화, 현실적인 자연 심도와 거리별 초점 저하. 깨끗하게 연출된 광고 사진이 아니라 실제 장소 기록용 사진처럼 일상적인 마모와 얼룩을 유지하고, 과장된 조명이나 인위적인 색 보정 없이 촬영한다. 삽화, 건축 도면, 평면도, 조감도, 위에서 내려다본 시점, CGI가 아닌 실제 장소의 담담한 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "카메라는 골목 입구 쪽에서 안쪽을 바라보며, 사람이 걸어서 멀어질 수 있는 좁은 통로와 깊은 소실점이 충분히 보이게 한다. 높이 약 1.6미터의 서 있는 사람 눈높이, 35밀리미터급 렌즈의 자연스러운 원근감으로 촬영한다. 화면 중심에서 약간 벗어난 희미한 가로등이 낡은 담과 노면 일부만 비추고, 골목 안쪽은 어둠 속에서도 구조가 식별될 정도로 남긴다. 인물과 얼굴은 전혀 배치하지 않는다.",
            "shot_id": "S3_Shot7"
          }
        ],
        "shot_ids": [
          "S3_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 전라남도·광주광역시 권역의 오래된 저층 주거지 인근, 밤의 좁고 어두운 골목을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 골목 입구 부근에서 안쪽 깊숙한 소실점을 바라보며, 서 있는 사람의 눈높이 약 1.6미터에 놓인 실제 DSLR 또는 미러리스 카메라와 35밀리미터급 렌즈로 촬영한다. 한 사람이 걸어서 멀어졌을 법한 비어 있는 골목의 깊이와 여백이 느껴지되 인물, 얼굴, 사람의 실루엣은 전혀 없다. 골목 양옆에는 세월이 밴 시멘트 블록 담장과 거칠게 미장된 주택 외벽, 낡은 금속 대문과 작은 출입문, 어두운 창문이 이어진다. 벽면에는 빗물 자국, 먼지, 옅은 이끼와 생활 오염이 불규칙하게 남아 있고, 실제 콘크리트의 거친 입자, 금속의 녹과 변색, 문틀의 벗겨진 도장 질감이 정확하게 보인다. 좁은 아스팔트와 시멘트 노면은 군데군데 보수 흔적과 미세한 균열이 있으며, 가장자리의 얕은 개방형 배수로가 골목 방향을 따라 이어진다. 오래된 전신주와 복잡하지만 현실적으로 연결된 가공 전선이 주택 지붕선 위로 지나간다. 작은 가로등 하나가 희미하고 누르스름한 빛을 내려 담장과 노면 일부만 불균일하게 밝히며, 나머지 골목은 짙은 밤의 자연스러운 저조도 속에서도 세부가 완전히 뭉개지지 않는다. 최신식 주거 설비나 미래형 장치는 배제하고, 2000년대 초반부터 2010년대 중후반까지 남아 있던 지역 구도심 주택가의 소박하고 낡은 생활 환경을 사실적으로 표현한다. 절제된 자연색, 중간 이하의 대비, 실제 저조도 노출, 가로등 주변의 미세한 명암 변화, 현실적인 자연 심도와 거리별 초점 저하. 깨끗하게 연출된 광고 사진이 아니라 실제 장소 기록용 사진처럼 일상적인 마모와 얼룩을 유지하고, 과장된 조명이나 인위적인 색 보정 없이 촬영한다. 삽화, 건축 도면, 평면도, 조감도, 위에서 내려다본 시점, CGI가 아닌 실제 장소의 담담한 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L03B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L03",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L03B01.png",
        "t2i_prompt": "2001년 무렵 대한민국 전남·광주권의 소박하고 오래된 주택 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 중앙의 윤이 닳은 목재 마루를 중심으로 서쪽의 공용 침실이 미닫이문 너머로 직접 이어지고, 반대편에는 작은 주방 출입구와 외벽을 따라 놓인 낡은 조리대와 스테인리스 싱크대가 보인다. 남향 외부 유리 개구부로 들어온 조용한 아침 햇빛이 마루 바닥에 길고 부드럽게 번지며, 적당히 낮은 대비와 자연스러운 실내 그늘을 만든다. 침실 외벽의 창에서 들어오는 약한 보조광, 오래된 목재 문틀과 생활 흠집, 빛바랜 벽지, 실제 금속의 미세한 얼룩과 사용감 등 당시 지방 주택의 평범한 재료 질감을 정확하게 표현한다.\n\n침실 안쪽에는 서로 나란히 놓인 두 채의 바닥 이불과 옷장, 낮은 컴퓨터 책상이 보인다. 책상 위에는 2000년대 초반형 가정용 유선전화와 저해상도 CRT 모니터를 갖춘 베이지색 데스크톱 컴퓨터가 놓여 있어 시대가 분명히 드러난다. 옷장의 앞면이나 옆면에는 2001년 무렵 한국 고등학교 양식의 교복 한 벌이 눈에 잘 띄게 걸려 있으며, 실제 직물의 짜임과 자연스러운 주름, 옷걸이에 매달린 무게감을 사실적으로 보여 준다. 교복에는 읽을 수 있는 학교명이나 특정 표식이 없다. 침실과 마루, 주방 전체에는 사람이나 얼굴, 인체 형태의 장식물이 전혀 없고, 특히 두 사람이 쓰는 침실이 비어 있다는 인상이 명확하게 느껴지는 고요한 아침 상태다.\n\n카메라는 중앙 마루의 한쪽에 두고 약 1.6미터의 서 있는 사람 눈높이에서 침실 방향을 바라본다. 풀프레임 환산 28~35밀리미터 광각 렌즈로 햇빛이 비치는 마루를 넓게 포함하면서, 열린 침실과 옷장의 교복을 주요 초점으로 두고 프레임 한쪽에 주방 출입구와 싱크대까지 자연스럽게 연결한다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 과장되지 않은 노출, 현실적인 자연광, 일상적인 먼지와 마모를 담은 실제 장소 참고 사진이어야 한다. 깨끗한 광고 사진이나 건축 시각화가 아닌 담담한 현장 기록 사진이며, 인위적인 후처리 없이 실제 재료의 목재 결, 금속 표면, 천의 짜임을 선명하게 표현한다. 위에서 내려다보는 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서 있는 사람의 눈높이에서 중앙 마루를 가로질러 공용 침실 안쪽을 바라보며, 침실 미닫이문과 옷장에 걸린 교복이 선명하게 보이게 한다. 오른쪽 프레임에는 주방 출입구와 싱크대 일부를 함께 담아 세 공간의 연결을 읽을 수 있게 하고, 남향 유리 개구부로 들어온 아침 햇빛이 마루를 넓게 비추도록 한다. 공간에는 사람이나 얼굴, 신체 형태의 형상이 전혀 없어야 하며, 비어 있는 침실의 고요함을 사실적으로 유지한다.",
            "shot_id": "S4_Shot3"
          }
        ],
        "shot_ids": [
          "S4_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "within number 2 near number 8, facing diagonally through number 5 toward number 11 and number 16, while keeping number 6 and number 15 visible to one side",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28–35mm wide angle",
          "framing_notes": "Emphasize the sunlit central hall, the visibly unoccupied shared bedroom, the uniform at the wardrobe, and the clear connection to the kitchen."
        },
        "reference_decision": {
          "bg_id": "L03B01",
          "fp_id": "fp_old_house_main",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L03B01 overlaps the anchor's connected physical space and repeats markers 1, 2, 5, and 9-14, so L03B03 supplies the fixed layout continuity. The camera moves to unit 4 and uses a wider connected-space view that also introduces committed markers 3, 6, 8, and 15, requiring a new plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L03B03.png"
          ],
          "source_bg_ids": [
            "L03B03"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_old_house_main_connected_space_1_2"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_old_house_main_connected_space_1_2",
                "ref_bg_id": "L03B03",
                "space_description": "Connected physical space defined by units 1 and 2 and their fixed markers."
              }
            ],
            "why_single_ref_or_two_refs": "A single earlier reference is sufficient because it commits the shared unit-1/unit-2 layout and marker positions; the additional unit-3 slice is established from the same floor plan rather than from a second rendered reference."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              5
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 4 through unit 2 toward unit 1, centered near marker 11, so the foreground staging and the committed markers in units 1-3 can share the frame.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 4, show the connected view through unit 2 toward unit 1, with opening marker 5 and markers 9-14 retaining the positions established by L03B03. The wide cone may also include unit 3 through opening marker 6, with markers 8 and 15 placed according to the floor-plan readback.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,5] toward unit 1 and look-at cell [3,3] with a wide 90-degree field of view. Use broad coverage through unit 2, leaving lower-left and lower-right foreground zones available while keeping the unit-1 background prominent.",
            "subject_position_directive": "Reserve separate foreground edge positions for the two committed subjects: one at lower left and one at lower right, both oriented toward the background. Keep the central and upper field available for unit 1 and transient marker 16; do not invent additional subjects.",
            "state_cue_directive": "Carry transient marker 16 at its committed association with marker 11, and retain the committed morning illumination across unit 2. Do not add state cues beyond marker 16 and the listed numbered elements.",
            "negative_continuity_directive": "Do not shift the inherited positions of markers 5 and 9-14 relative to units 1 and 2 or contradict reference L03B03. Do not invent additional overlay markers, scenario-specific elements, or spaces outside the broad unit-4-to-unit-1 view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L03B03' physical_space_id='fp_old_house_main_connected_space_1_2'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 through unit 2 toward unit 1, centered near marker 11, so the foreground staging and the committed markers in units 1-3 can share the frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the connected view through unit 2 toward unit 1, with opening marker 5 and markers 9-14 retaining the positions established by L03B03. The wide cone may also include unit 3 through opening marker 6, with markers 8 and 15 placed according to the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 and look-at cell [3,3] with a wide 90-degree field of view. Use broad coverage through unit 2, leaving lower-left and lower-right foreground zones available while keeping the unit-1 background prominent.\n  - subject_position_directive: Reserve separate foreground edge positions for the two committed subjects: one at lower left and one at lower right, both oriented toward the background. Keep the central and upper field available for unit 1 and transient marker 16; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 16 at its committed association with marker 11, and retain the committed morning illumination across unit 2. Do not add state cues beyond marker 16 and the listed numbered elements.\n  - negative_continuity_directive: Do not shift the inherited positions of markers 5 and 9-14 relative to units 1 and 2 or contradict reference L03B03. Do not invent additional overlay markers, scenario-specific elements, or spaces outside the broad unit-4-to-unit-1 view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L03B03' physical_space_id='fp_old_house_main_connected_space_1_2'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 through unit 2 toward unit 1, centered near marker 11, so the foreground staging and the committed markers in units 1-3 can share the frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the connected view through unit 2 toward unit 1, with opening marker 5 and markers 9-14 retaining the positions established by L03B03. The wide cone may also include unit 3 through opening marker 6, with markers 8 and 15 placed according to the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 and look-at cell [3,3] with a wide 90-degree field of view. Use broad coverage through unit 2, leaving lower-left and lower-right foreground zones available while keeping the unit-1 background prominent.\n  - subject_position_directive: Reserve separate foreground edge positions for the two committed subjects: one at lower left and one at lower right, both oriented toward the background. Keep the central and upper field available for unit 1 and transient marker 16; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 16 at its committed association with marker 11, and retain the committed morning illumination across unit 2. Do not add state cues beyond marker 16 and the listed numbered elements.\n  - negative_continuity_directive: Do not shift the inherited positions of markers 5 and 9-14 relative to units 1 and 2 or contradict reference L03B03. Do not invent additional overlay markers, scenario-specific elements, or spaces outside the broad unit-4-to-unit-1 view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L03B03' physical_space_id='fp_old_house_main_connected_space_1_2'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 4 through unit 2 toward unit 1, centered near marker 11, so the foreground staging and the committed markers in units 1-3 can share the frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the connected view through unit 2 toward unit 1, with opening marker 5 and markers 9-14 retaining the positions established by L03B03. The wide cone may also include unit 3 through opening marker 6, with markers 8 and 15 placed according to the floor-plan readback.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 and look-at cell [3,3] with a wide 90-degree field of view. Use broad coverage through unit 2, leaving lower-left and lower-right foreground zones available while keeping the unit-1 background prominent.\n  - subject_position_directive: Reserve separate foreground edge positions for the two committed subjects: one at lower left and one at lower right, both oriented toward the background. Keep the central and upper field available for unit 1 and transient marker 16; do not invent additional subjects.\n  - state_cue_directive: Carry transient marker 16 at its committed association with marker 11, and retain the committed morning illumination across unit 2. Do not add state cues beyond marker 16 and the listed numbered elements.\n  - negative_continuity_directive: Do not shift the inherited positions of markers 5 and 9-14 relative to units 1 and 2 or contradict reference L03B03. Do not invent additional overlay markers, scenario-specific elements, or spaces outside the broad unit-4-to-unit-1 view cone.\n\n2001년 무렵 대한민국 전남·광주권의 소박하고 오래된 주택 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 중앙의 윤이 닳은 목재 마루를 중심으로 서쪽의 공용 침실이 미닫이문 너머로 직접 이어지고, 반대편에는 작은 주방 출입구와 외벽을 따라 놓인 낡은 조리대와 스테인리스 싱크대가 보인다. 남향 외부 유리 개구부로 들어온 조용한 아침 햇빛이 마루 바닥에 길고 부드럽게 번지며, 적당히 낮은 대비와 자연스러운 실내 그늘을 만든다. 침실 외벽의 창에서 들어오는 약한 보조광, 오래된 목재 문틀과 생활 흠집, 빛바랜 벽지, 실제 금속의 미세한 얼룩과 사용감 등 당시 지방 주택의 평범한 재료 질감을 정확하게 표현한다.\n\n침실 안쪽에는 서로 나란히 놓인 두 채의 바닥 이불과 옷장, 낮은 컴퓨터 책상이 보인다. 책상 위에는 2000년대 초반형 가정용 유선전화와 저해상도 CRT 모니터를 갖춘 베이지색 데스크톱 컴퓨터가 놓여 있어 시대가 분명히 드러난다. 옷장의 앞면이나 옆면에는 2001년 무렵 한국 고등학교 양식의 교복 한 벌이 눈에 잘 띄게 걸려 있으며, 실제 직물의 짜임과 자연스러운 주름, 옷걸이에 매달린 무게감을 사실적으로 보여 준다. 교복에는 읽을 수 있는 학교명이나 특정 표식이 없다. 침실과 마루, 주방 전체에는 사람이나 얼굴, 인체 형태의 장식물이 전혀 없고, 특히 두 사람이 쓰는 침실이 비어 있다는 인상이 명확하게 느껴지는 고요한 아침 상태다.\n\n카메라는 중앙 마루의 한쪽에 두고 약 1.6미터의 서 있는 사람 눈높이에서 침실 방향을 바라본다. 풀프레임 환산 28~35밀리미터 광각 렌즈로 햇빛이 비치는 마루를 넓게 포함하면서, 열린 침실과 옷장의 교복을 주요 초점으로 두고 프레임 한쪽에 주방 출입구와 싱크대까지 자연스럽게 연결한다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 과장되지 않은 노출, 현실적인 자연광, 일상적인 먼지와 마모를 담은 실제 장소 참고 사진이어야 한다. 깨끗한 광고 사진이나 건축 시각화가 아닌 담담한 현장 기록 사진이며, 인위적인 후처리 없이 실제 재료의 목재 결, 금속 표면, 천의 짜임을 선명하게 표현한다. 위에서 내려다보는 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            8,
            5
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 4 through unit 2 toward unit 1, centered near marker 11, so the foreground staging and the committed markers in units 1-3 can share the frame.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 4, show the connected view through unit 2 toward unit 1, with opening marker 5 and markers 9-14 retaining the positions established by L03B03. The wide cone may also include unit 3 through opening marker 6, with markers 8 and 15 placed according to the floor-plan readback.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,5] toward unit 1 and look-at cell [3,3] with a wide 90-degree field of view. Use broad coverage through unit 2, leaving lower-left and lower-right foreground zones available while keeping the unit-1 background prominent.",
          "subject_position_directive": "Reserve separate foreground edge positions for the two committed subjects: one at lower left and one at lower right, both oriented toward the background. Keep the central and upper field available for unit 1 and transient marker 16; do not invent additional subjects.",
          "state_cue_directive": "Carry transient marker 16 at its committed association with marker 11, and retain the committed morning illumination across unit 2. Do not add state cues beyond marker 16 and the listed numbered elements.",
          "negative_continuity_directive": "Do not shift the inherited positions of markers 5 and 9-14 relative to units 1 and 2 or contradict reference L03B03. Do not invent additional overlay markers, scenario-specific elements, or spaces outside the broad unit-4-to-unit-1 view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_old_house_main",
          "prior_bg_ids": [
            "L03B03"
          ],
          "attached_ref_labels": [
            "bg:L03B03"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L06B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L06",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L06B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주광역시 권역에서 실제 운행되던 중형 스포츠유틸리티차량의 조용한 해 질 무렵 실내를 기록한, 실제 카메라로 촬영한 다큐멘터리 풍 사진. 최신형이나 미래형 장비가 아닌 당시 차량 특유의 짙은 회색 성형 플라스틱 대시보드, 사용감 있는 직물 또는 인조가죽 좌석, 미세한 긁힘이 남은 중앙 콘솔, 현실적인 금속과 고무 부품, 손때와 옅은 먼지, 유리의 작은 얼룩과 자연스러운 반사를 세밀하게 보여 준다. 전방 왼쪽 운전석과 조향 장치, 전방 오른쪽 조수석, 두 좌석 사이의 중앙 콘솔, 뒤쪽 일체형 좌석, 전면 유리, 왼쪽 앞뒤 측면 유리와 실내 후사경이 실제 차량 구조에 맞게 이어진다. 카메라는 조수석 구역 가까이에 놓고 운전석을 대각선으로 가로질러 뒤쪽 좌석을 바라보며, 실내 후사경과 왼쪽 뒤 측면 유리가 같은 시선 안에 들어오게 한다. 차량 바닥에서 약 1.25미터인 자연스러운 착석 눈높이이며 외부 지면 기준으로는 약 1.6미터에 가까운 사람 눈높이 감각, 풀프레임 디지털 일안 카메라 또는 미러리스 카메라와 28밀리미터 보통 광각 렌즈로 촬영한 구도. 조향 장치 가까이에는 잠시 다루다 놓은 듯한 낡은 가죽 지갑이 있고, 안쪽에 학생사진 규격의 작은 흑백 인화지가 끼워져 있다. 인화지의 오래된 종이 결은 보이지만 사진 내용은 지갑 덮개, 반사와 얕은 초점에 가려져 얼굴이나 신체 형상이 전혀 판독되지 않는다. 왼쪽 뒤 측면 유리 너머에는 해 질 무렵 거리 집회를 알리는 수많은 촛불의 따뜻한 점광원과 유리 위의 겹친 반사가 보이지만, 참가자나 사람 형태는 프레임에 나타나지 않는다. 주차된 듯 고요하게 가라앉은 실내에서 푸른 회색의 남은 자연광과 창밖 촛불의 약한 주황빛이 낮은 대비로 섞이고, 과장되지 않은 침잠한 정서가 느껴진다. 실제 플라스틱 표면, 직물 짜임, 가죽의 마모, 금속의 미세한 변색, 유리 반사와 현실적인 자연 심도에 집중한 현장 참고 사진이며 깨끗한 광고 사진처럼 보이지 않게 한다. 인물, 얼굴, 신체 형태는 어디에도 묘사하지 않는다. 후처리 없는 사실적인 사진, 위에서 내려다본 시점이나 평면도나 건축 도해가 아닌 실제 차량 실내 관찰 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "조수석 가까운 위치에서 운전석을 대각선으로 가로질러 뒤쪽 좌석까지 보이게 구성한다. 조향 장치 주변의 낡은 지갑과 그 안의 작은 흑백 학생사진 인화지가 조용히 눈에 들어오되, 사진 속 얼굴이나 신체 형상은 보이지 않게 한다. 실내 후사경과 왼쪽 뒤 측면 유리를 같은 시선축에 포함한다.",
            "shot_id": "S7_Shot1"
          },
          {
            "guide_text": "운전석과 조향 장치 주변을 조금 더 주의 깊게 보여 주면서 중앙 콘솔과 뒤쪽 좌석이 공간적 맥락을 유지하도록 한다. 지갑의 닳은 가죽 결, 접힌 모서리, 흑백 학생사진 인화지의 오래된 종이 질감을 사실적으로 기록하고 사진 내용은 지갑 덮개와 얕은 초점으로 가린다.",
            "shot_id": "S7_Shot3"
          },
          {
            "guide_text": "왼쪽 뒤 측면 유리가 시선의 종착점이 되도록 운전석 너머에서 뒤쪽 좌석 방향을 잡는다. 해 질 무렵 차창 밖 거리 집회를 나타내는 촛불 점광원과 유리 반사를 선명하게 포함하되, 참가자나 사람 형태는 프레임에 넣지 않는다. 실내는 어둡고 차분하게 유지하며 촛불빛이 창가 표면에 약하게 번지게 한다.",
            "shot_id": "S90_Shot8"
          }
        ],
        "shot_ids": [
          "S7_Shot1",
          "S7_Shot3",
          "S90_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 2 (front passenger zone), facing diagonally across number 8 (driver seat) toward number 10 (rear bench), with number 22 (interior rearview mirror) and number 18 (rear left window) in the sightline",
          "camera_height": "seated eye level, approximately 1.25m above the cabin floor",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Use a restrained interior-wide composition that can accommodate the driver inspecting number 25 near the steering wheel and rear passengers looking through the side window at number 26. Keep the dashboard, rearview mirror, rear bench, and rear left window prominent."
        },
        "reference_decision": {
          "bg_id": "L06B02",
          "fp_id": "fp_suv_cabin",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L06B02 is the sole supplied clean-anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 2 at [1,5], looking toward unit 3 at [2,3] with the advertised 90-degree wide lens, provides the broadest committed coverage for shots that use unit markers 1, 2, and 3 and require both front-side and rear-side context plus an insert-scale crop.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_suv_cabin.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No earlier same-fp node or catalog reference exists; this first node must seed the dwelling identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              5
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use the advertised wide view from unit 2 toward unit 3 to provide broad coverage of the staged front-side, rear-side, and insert compositions associated with this shared background.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 2 looking toward unit 3, show the connected cabin structure needed by target units 1, 2, and 3, prioritizing base markers 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 where they fall within the broad 90-degree view. Keep unit 3 and its side-opening context legible while retaining sufficient unit-2 foreground structure for the staged crops.",
            "camera_framing_directive": "Place the camera in unit 2 at cell [1,5] and aim toward unit 3 at cell [2,3]. Use the wide 90-degree field of view for broad coverage, preserving enough surrounding structure for the medium profile composition, the close profile composition, and a later insert crop without changing the fixed layout.",
            "subject_position_directive": "For S7_Shot1, stage the committed seated subject in the left half of a medium frame with the closed side window and exterior view on the right. For S7_Shot3, use a steep overhead insert centered on the committed hand, lap, and marker-25 content. For S90_Shot8, stage the committed profile and hand on the left beside the side window on the right, with marker 26 beyond the glass. These are separate shot compositions and must not be combined into one simultaneous subject arrangement.",
            "state_cue_directive": "Carry transient marker 25 for the insert-specific state and transient marker 26 for the view beyond the side glazing where required by the consuming shot. Retain the staged low-contrast evening condition; treat these transient cues as shot-specific layers rather than changes to the fixed structure.",
            "negative_continuity_directive": "Do not invent numbered elements beyond the committed marker set, do not introduce additional state overlays beyond markers 25 and 26, and do not imply spaces or openings outside the camera-unit 2 view cone toward unit 3. Preserve the floor-plan positions of base markers 1, 2, 3, 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 across all consuming-shot crops."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 2 toward unit 3 to provide broad coverage of the staged front-side, rear-side, and insert compositions associated with this shared background.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2 looking toward unit 3, show the connected cabin structure needed by target units 1, 2, and 3, prioritizing base markers 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 where they fall within the broad 90-degree view. Keep unit 3 and its side-opening context legible while retaining sufficient unit-2 foreground structure for the staged crops.\n  - camera_framing_directive: Place the camera in unit 2 at cell [1,5] and aim toward unit 3 at cell [2,3]. Use the wide 90-degree field of view for broad coverage, preserving enough surrounding structure for the medium profile composition, the close profile composition, and a later insert crop without changing the fixed layout.\n  - subject_position_directive: For S7_Shot1, stage the committed seated subject in the left half of a medium frame with the closed side window and exterior view on the right. For S7_Shot3, use a steep overhead insert centered on the committed hand, lap, and marker-25 content. For S90_Shot8, stage the committed profile and hand on the left beside the side window on the right, with marker 26 beyond the glass. These are separate shot compositions and must not be combined into one simultaneous subject arrangement.\n  - state_cue_directive: Carry transient marker 25 for the insert-specific state and transient marker 26 for the view beyond the side glazing where required by the consuming shot. Retain the staged low-contrast evening condition; treat these transient cues as shot-specific layers rather than changes to the fixed structure.\n  - negative_continuity_directive: Do not invent numbered elements beyond the committed marker set, do not introduce additional state overlays beyond markers 25 and 26, and do not imply spaces or openings outside the camera-unit 2 view cone toward unit 3. Preserve the floor-plan positions of base markers 1, 2, 3, 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 across all consuming-shot crops.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 2 toward unit 3 to provide broad coverage of the staged front-side, rear-side, and insert compositions associated with this shared background.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2 looking toward unit 3, show the connected cabin structure needed by target units 1, 2, and 3, prioritizing base markers 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 where they fall within the broad 90-degree view. Keep unit 3 and its side-opening context legible while retaining sufficient unit-2 foreground structure for the staged crops.\n  - camera_framing_directive: Place the camera in unit 2 at cell [1,5] and aim toward unit 3 at cell [2,3]. Use the wide 90-degree field of view for broad coverage, preserving enough surrounding structure for the medium profile composition, the close profile composition, and a later insert crop without changing the fixed layout.\n  - subject_position_directive: For S7_Shot1, stage the committed seated subject in the left half of a medium frame with the closed side window and exterior view on the right. For S7_Shot3, use a steep overhead insert centered on the committed hand, lap, and marker-25 content. For S90_Shot8, stage the committed profile and hand on the left beside the side window on the right, with marker 26 beyond the glass. These are separate shot compositions and must not be combined into one simultaneous subject arrangement.\n  - state_cue_directive: Carry transient marker 25 for the insert-specific state and transient marker 26 for the view beyond the side glazing where required by the consuming shot. Retain the staged low-contrast evening condition; treat these transient cues as shot-specific layers rather than changes to the fixed structure.\n  - negative_continuity_directive: Do not invent numbered elements beyond the committed marker set, do not introduce additional state overlays beyond markers 25 and 26, and do not imply spaces or openings outside the camera-unit 2 view cone toward unit 3. Preserve the floor-plan positions of base markers 1, 2, 3, 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 across all consuming-shot crops.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 5]\n  - look_at_unit: 3\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 2 toward unit 3 to provide broad coverage of the staged front-side, rear-side, and insert compositions associated with this shared background.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2 looking toward unit 3, show the connected cabin structure needed by target units 1, 2, and 3, prioritizing base markers 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 where they fall within the broad 90-degree view. Keep unit 3 and its side-opening context legible while retaining sufficient unit-2 foreground structure for the staged crops.\n  - camera_framing_directive: Place the camera in unit 2 at cell [1,5] and aim toward unit 3 at cell [2,3]. Use the wide 90-degree field of view for broad coverage, preserving enough surrounding structure for the medium profile composition, the close profile composition, and a later insert crop without changing the fixed layout.\n  - subject_position_directive: For S7_Shot1, stage the committed seated subject in the left half of a medium frame with the closed side window and exterior view on the right. For S7_Shot3, use a steep overhead insert centered on the committed hand, lap, and marker-25 content. For S90_Shot8, stage the committed profile and hand on the left beside the side window on the right, with marker 26 beyond the glass. These are separate shot compositions and must not be combined into one simultaneous subject arrangement.\n  - state_cue_directive: Carry transient marker 25 for the insert-specific state and transient marker 26 for the view beyond the side glazing where required by the consuming shot. Retain the staged low-contrast evening condition; treat these transient cues as shot-specific layers rather than changes to the fixed structure.\n  - negative_continuity_directive: Do not invent numbered elements beyond the committed marker set, do not introduce additional state overlays beyond markers 25 and 26, and do not imply spaces or openings outside the camera-unit 2 view cone toward unit 3. Preserve the floor-plan positions of base markers 1, 2, 3, 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 across all consuming-shot crops.\n\n2010년대 중후반 대한민국 전라남도·광주광역시 권역에서 실제 운행되던 중형 스포츠유틸리티차량의 조용한 해 질 무렵 실내를 기록한, 실제 카메라로 촬영한 다큐멘터리 풍 사진. 최신형이나 미래형 장비가 아닌 당시 차량 특유의 짙은 회색 성형 플라스틱 대시보드, 사용감 있는 직물 또는 인조가죽 좌석, 미세한 긁힘이 남은 중앙 콘솔, 현실적인 금속과 고무 부품, 손때와 옅은 먼지, 유리의 작은 얼룩과 자연스러운 반사를 세밀하게 보여 준다. 전방 왼쪽 운전석과 조향 장치, 전방 오른쪽 조수석, 두 좌석 사이의 중앙 콘솔, 뒤쪽 일체형 좌석, 전면 유리, 왼쪽 앞뒤 측면 유리와 실내 후사경이 실제 차량 구조에 맞게 이어진다. 카메라는 조수석 구역 가까이에 놓고 운전석을 대각선으로 가로질러 뒤쪽 좌석을 바라보며, 실내 후사경과 왼쪽 뒤 측면 유리가 같은 시선 안에 들어오게 한다. 차량 바닥에서 약 1.25미터인 자연스러운 착석 눈높이이며 외부 지면 기준으로는 약 1.6미터에 가까운 사람 눈높이 감각, 풀프레임 디지털 일안 카메라 또는 미러리스 카메라와 28밀리미터 보통 광각 렌즈로 촬영한 구도. 조향 장치 가까이에는 잠시 다루다 놓은 듯한 낡은 가죽 지갑이 있고, 안쪽에 학생사진 규격의 작은 흑백 인화지가 끼워져 있다. 인화지의 오래된 종이 결은 보이지만 사진 내용은 지갑 덮개, 반사와 얕은 초점에 가려져 얼굴이나 신체 형상이 전혀 판독되지 않는다. 왼쪽 뒤 측면 유리 너머에는 해 질 무렵 거리 집회를 알리는 수많은 촛불의 따뜻한 점광원과 유리 위의 겹친 반사가 보이지만, 참가자나 사람 형태는 프레임에 나타나지 않는다. 주차된 듯 고요하게 가라앉은 실내에서 푸른 회색의 남은 자연광과 창밖 촛불의 약한 주황빛이 낮은 대비로 섞이고, 과장되지 않은 침잠한 정서가 느껴진다. 실제 플라스틱 표면, 직물 짜임, 가죽의 마모, 금속의 미세한 변색, 유리 반사와 현실적인 자연 심도에 집중한 현장 참고 사진이며 깨끗한 광고 사진처럼 보이지 않게 한다. 인물, 얼굴, 신체 형태는 어디에도 묘사하지 않는다. 후처리 없는 사실적인 사진, 위에서 내려다본 시점이나 평면도나 건축 도해가 아닌 실제 차량 실내 관찰 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            1,
            5
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use the advertised wide view from unit 2 toward unit 3 to provide broad coverage of the staged front-side, rear-side, and insert compositions associated with this shared background.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 2 looking toward unit 3, show the connected cabin structure needed by target units 1, 2, and 3, prioritizing base markers 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 where they fall within the broad 90-degree view. Keep unit 3 and its side-opening context legible while retaining sufficient unit-2 foreground structure for the staged crops.",
          "camera_framing_directive": "Place the camera in unit 2 at cell [1,5] and aim toward unit 3 at cell [2,3]. Use the wide 90-degree field of view for broad coverage, preserving enough surrounding structure for the medium profile composition, the close profile composition, and a later insert crop without changing the fixed layout.",
          "subject_position_directive": "For S7_Shot1, stage the committed seated subject in the left half of a medium frame with the closed side window and exterior view on the right. For S7_Shot3, use a steep overhead insert centered on the committed hand, lap, and marker-25 content. For S90_Shot8, stage the committed profile and hand on the left beside the side window on the right, with marker 26 beyond the glass. These are separate shot compositions and must not be combined into one simultaneous subject arrangement.",
          "state_cue_directive": "Carry transient marker 25 for the insert-specific state and transient marker 26 for the view beyond the side glazing where required by the consuming shot. Retain the staged low-contrast evening condition; treat these transient cues as shot-specific layers rather than changes to the fixed structure.",
          "negative_continuity_directive": "Do not invent numbered elements beyond the committed marker set, do not introduce additional state overlays beyond markers 25 and 26, and do not imply spaces or openings outside the camera-unit 2 view cone toward unit 3. Preserve the floor-plan positions of base markers 1, 2, 3, 5, 6, 7, 8, 9, 10, 15, 16, 18, and 22 across all consuming-shot crops."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_suv_cabin",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_suv_cabin"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L06B01": {
        "status": "ok",
        "location_id": "L06",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L06B01.png",
        "t2i_prompt": "2015~2017년 무렵 초겨울 해 질 녘, 대한민국 광주광역시 도심을 달리는 평범한 승용차의 옆 창문 너머로 바라본 촛불 집회 거리. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, DSLR 또는 미러리스 카메라와 35mm급 렌즈를 사용한 실제 장소 기록 사진처럼 보여야 한다. 카메라는 이동 중인 차 안에서 창밖을 향하고, 외부 기준 약 1.6미터의 사람 눈높이로 느껴지는 수평 시점이다. 화면 가장자리에는 검은색 차창 프레임과 실제 유리의 약한 먼지, 미세한 얼룩, 실내 반사가 자연스럽게 남아 있다. 도로와 인도는 집회 물품으로 매우 빽빽하게 채워져 있으며, 화면 아래쪽과 프레임 바깥에서 이어지는 수많은 작은 촛불 불빛, 흰 종이컵 촛불 받침, 평범한 손글씨 피켓, 인쇄 현수막이 거리 깊숙이 연속된다. 사람이나 얼굴, 신체는 전혀 보이지 않게 하고, 집회 참여자는 차창 아래와 프레임 밖에 완전히 가려진 상태로 처리하여 촛불과 피켓만으로 대규모 군중의 밀도를 간접적으로 전달한다. 촛불은 공중에 떠 있는 것처럼 보이지 않도록 화면 하단의 가려진 영역과 자연스럽게 연결한다. 늦은 황혼의 차가운 청회색 자연광과 수천 개 촛불의 따뜻한 주황빛이 절제된 대비를 이루며, 상가 간판 조명과 가로등이 막 켜지기 시작한 시간이다. 2010년대 중후반 한국 지방 대도시의 현실적인 왕복 도로, 보도블록, 전신주와 배선, 낮은 상가 건물, 유리 출입문, 낡은 외장 타일과 석재 마감, 당시 형태의 교통 신호등과 거리 시설물을 배치한다. 최신형 미래 도시 요소나 2000년대 초반 차량·통신기기 분위기는 배제한다. 이동하는 차 때문에 가까운 촛불과 차창 반사에만 약한 방향성 흔들림이 있고, 중경의 피켓과 상가 윤곽은 식별 가능하며 원경은 자연스러운 대기 원근과 얕지 않은 실제 렌즈 심도로 부드럽게 흐려진다. 실제 아스팔트의 균열과 타이어 자국, 금속의 생활성 부식, 종이컵의 얇은 질감, 현수막 섬유 조직, 유리의 반사와 얼룩을 정확하게 표현한다. 과장된 조명이나 미술적 색보정 없이 절제된 자연색, 중저대비, 일상적인 노출, 실제 현장 취재 사진 같은 무가공 질감. 깨끗한 스톡 사진, CGI, 삽화, 건축 시각화, 평면도, 조감도, 탑다운 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "이동하는 승용차 안에서 옆 창문 너머를 바라보는 시점. 카메라는 앉은 승객의 눈높이에 가까우면서도 외부 기준 약 1.6미터 높이로 느껴지게 하고, 35mm급 화각으로 차창 프레임 일부와 유리 반사, 가까운 촛불의 약한 이동 흔들림, 중경의 피켓과 상가 거리, 원경의 신호등과 건물을 함께 담는다. 사람이나 얼굴은 그리지 않으며, 수많은 촛불과 집회 물품이 화면 아래와 바깥에서 이어져 빽빽한 군중의 존재만 간접적으로 드러나게 한다.",
            "shot_id": "S90_Shot5"
          }
        ],
        "shot_ids": [
          "S90_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵 초겨울 해 질 녘, 대한민국 광주광역시 도심을 달리는 평범한 승용차의 옆 창문 너머로 바라본 촛불 집회 거리. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, DSLR 또는 미러리스 카메라와 35mm급 렌즈를 사용한 실제 장소 기록 사진처럼 보여야 한다. 카메라는 이동 중인 차 안에서 창밖을 향하고, 외부 기준 약 1.6미터의 사람 눈높이로 느껴지는 수평 시점이다. 화면 가장자리에는 검은색 차창 프레임과 실제 유리의 약한 먼지, 미세한 얼룩, 실내 반사가 자연스럽게 남아 있다. 도로와 인도는 집회 물품으로 매우 빽빽하게 채워져 있으며, 화면 아래쪽과 프레임 바깥에서 이어지는 수많은 작은 촛불 불빛, 흰 종이컵 촛불 받침, 평범한 손글씨 피켓, 인쇄 현수막이 거리 깊숙이 연속된다. 사람이나 얼굴, 신체는 전혀 보이지 않게 하고, 집회 참여자는 차창 아래와 프레임 밖에 완전히 가려진 상태로 처리하여 촛불과 피켓만으로 대규모 군중의 밀도를 간접적으로 전달한다. 촛불은 공중에 떠 있는 것처럼 보이지 않도록 화면 하단의 가려진 영역과 자연스럽게 연결한다. 늦은 황혼의 차가운 청회색 자연광과 수천 개 촛불의 따뜻한 주황빛이 절제된 대비를 이루며, 상가 간판 조명과 가로등이 막 켜지기 시작한 시간이다. 2010년대 중후반 한국 지방 대도시의 현실적인 왕복 도로, 보도블록, 전신주와 배선, 낮은 상가 건물, 유리 출입문, 낡은 외장 타일과 석재 마감, 당시 형태의 교통 신호등과 거리 시설물을 배치한다. 최신형 미래 도시 요소나 2000년대 초반 차량·통신기기 분위기는 배제한다. 이동하는 차 때문에 가까운 촛불과 차창 반사에만 약한 방향성 흔들림이 있고, 중경의 피켓과 상가 윤곽은 식별 가능하며 원경은 자연스러운 대기 원근과 얕지 않은 실제 렌즈 심도로 부드럽게 흐려진다. 실제 아스팔트의 균열과 타이어 자국, 금속의 생활성 부식, 종이컵의 얇은 질감, 현수막 섬유 조직, 유리의 반사와 얼룩을 정확하게 표현한다. 과장된 조명이나 미술적 색보정 없이 절제된 자연색, 중저대비, 일상적인 노출, 실제 현장 취재 사진 같은 무가공 질감. 깨끗한 스톡 사진, CGI, 삽화, 건축 시각화, 평면도, 조감도, 탑다운 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L08B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L08",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L08B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 2010년대 중후반, 아침 시간의 소규모 지방 경찰서 앞마당과 정문 진입로를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 정문 문턱 가까이에서 중앙 차량 진입로의 한쪽 옆에 서 있으며, 약 1.6m의 사람 눈높이와 35mm급 보통 광각 렌즈로 포장된 앞마당과 북쪽의 경찰서 정면을 대각선으로 바라본다. 정면 중앙에는 실용적인 주 출입문이 있고 그 좌우로 단정한 창문군이 이어지며, 과장된 위엄 없이 지역 관공서다운 낮고 소박한 건물 외관과 절제된 공식 표지판이 보인다. 정문 양쪽에는 현실적인 마모와 얼룩이 남은 한 쌍의 문기둥이 서 있고, 남쪽으로 이어지는 차량 진입로 양편의 좁은 식재대에는 성숙한 메타세쿼이아가 평행한 줄을 이루어 접근로의 깊이를 만든다. 검은 SUV 한 대가 나무가 늘어선 진입로 위에서 북쪽 정문을 향해 막 도착하는 순간이며, 자연스러운 주행 위치와 실제 차체 반사, 타이어와 도로의 접촉감이 드러난다. 인물, 얼굴, 사람 형태의 조형물은 전혀 없다. 부드러운 아침 자연광, 절제된 색감, 중간 이하의 대비, 실제 콘크리트와 아스팔트의 거친 입자, 금속의 미세한 산화와 사용 흔적, 유리의 현실적인 반사, 나무껍질과 잎의 세부 질감, 배수 흔적과 일상적인 오염을 사실적으로 표현한다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 과도한 후보정이 없는 현장 기록 사진이어야 하며 깨끗한 상업용 스톡 사진처럼 보이지 않아야 한다. CGI, 삽화, 건축 시각화, 평면도, 하향식 시점이 아닌 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "정문 문턱 가까이 진입로 옆에서 약 1.6m 눈높이로 바라본다. 35mm급 보통 광각으로 포장 앞마당과 소박한 경찰서 정면을 대각선 방향에 담고, 양쪽 메타세쿼이아 나무줄 사이를 따라 정문으로 다가오는 검은 SUV가 명확히 보이게 한다. 사람은 전혀 등장하지 않는다.",
            "shot_id": "S8_Shot1"
          },
          {
            "guide_text": "같은 정문 인접 시점과 아침의 자연광을 유지하되, 나무가 늘어선 진입로의 깊이와 문기둥 사이로 들어오는 검은 SUV의 이동 방향이 잘 읽히도록 구성한다. 경찰서 중앙 출입문과 좌우 창문군, 앞마당을 함께 보여 주며 실제 장소 기록 사진처럼 담담하게 표현한다.",
            "shot_id": "S9_Shot2"
          }
        ],
        "shot_ids": [
          "S8_Shot1",
          "S9_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 at the gate threshold, offset beside number 3, facing diagonally north toward number 2, number 5, and number 1 while looking back along the tree-lined route formed by numbers 10 and 11",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the modest station frontage beyond the gate, preserve the long visual corridor between both tree rows, and include transient number 12 arriving along the approach lane without blocking the entrance."
        },
        "reference_decision": {
          "bg_id": "L08B01",
          "fp_id": "fp_l08_forecourt",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L08B01 is the sole clean-anchor candidate supplied for this fp_id and must establish the dwelling identity without a prior reference. Camera unit 3 provides the committed approach-axis viewpoint, look-at unit 1 supports the frontage destination used by both surfaced shots, and the 90-degree wide lens accommodates the lateral fixed markers and lower-to-upper framing requirements.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l08_forecourt.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference exists in the candidate catalog, so the anchor is rendered directly from the floor plan without selected references."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              5
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use the supplied wide view from unit 3 toward unit 1, centering the sightline on look-at cell [3,5] so the approach axis, frontage, and lateral fixed markers can support both surfaced wide shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              5
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the broad physical-space axis from camera unit 3 toward look-at unit 1, with unit 2 between them and lateral target units 8 and 9 supporting the wide coverage. Include the applicable portions of opening markers 4, 5, 6, and 7 and retain fixed markers 10, 11, and 13 in their floor-plan positions where they fall within the 90-degree view.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [7,5] toward look-at unit 1 using the exact look-at cell [3,5]. Use the 90-degree wide lens for broad coverage along the unit 3 to unit 1 axis, retaining lower-middle subject space and sufficient upper-frame coverage for the fixed frontage.",
            "subject_position_directive": "For S8_Shot1, place transient marker 12 centered in the lower-middle frame on the unit 3 approach axis, presenting the committed front three-quarter aspect while advancing toward the camera. For S9_Shot2, reserve the lower center for the committed full back-facing figure beside the closed transient element, with the gaze directed upward toward the upper-center fixed exterior; introduce no other subjects.",
            "state_cue_directive": "Carry transient marker 12 in the slowly advancing state committed by S8_Shot1, with restrained natural morning light and moderate-to-low contrast as specified by both surfaced shots. Preserve the states of numbered elements used by the staging and do not invent additional transient cues.",
            "negative_continuity_directive": "No numbered elements or state-overlay markers are designated for exclusion. Keep all depicted geometry consistent with markers 1 through 11 and 13, restrict visibility to the supplied unit and opening candidate sets for camera unit 3, and do not introduce uncommitted subjects, marker-like fixtures, or scenario-specific additions."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the supplied wide view from unit 3 toward unit 1, centering the sightline on look-at cell [3,5] so the approach axis, frontage, and lateral fixed markers can support both surfaced wide shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the broad physical-space axis from camera unit 3 toward look-at unit 1, with unit 2 between them and lateral target units 8 and 9 supporting the wide coverage. Include the applicable portions of opening markers 4, 5, 6, and 7 and retain fixed markers 10, 11, and 13 in their floor-plan positions where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,5] toward look-at unit 1 using the exact look-at cell [3,5]. Use the 90-degree wide lens for broad coverage along the unit 3 to unit 1 axis, retaining lower-middle subject space and sufficient upper-frame coverage for the fixed frontage.\n  - subject_position_directive: For S8_Shot1, place transient marker 12 centered in the lower-middle frame on the unit 3 approach axis, presenting the committed front three-quarter aspect while advancing toward the camera. For S9_Shot2, reserve the lower center for the committed full back-facing figure beside the closed transient element, with the gaze directed upward toward the upper-center fixed exterior; introduce no other subjects.\n  - state_cue_directive: Carry transient marker 12 in the slowly advancing state committed by S8_Shot1, with restrained natural morning light and moderate-to-low contrast as specified by both surfaced shots. Preserve the states of numbered elements used by the staging and do not invent additional transient cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are designated for exclusion. Keep all depicted geometry consistent with markers 1 through 11 and 13, restrict visibility to the supplied unit and opening candidate sets for camera unit 3, and do not introduce uncommitted subjects, marker-like fixtures, or scenario-specific additions.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the supplied wide view from unit 3 toward unit 1, centering the sightline on look-at cell [3,5] so the approach axis, frontage, and lateral fixed markers can support both surfaced wide shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the broad physical-space axis from camera unit 3 toward look-at unit 1, with unit 2 between them and lateral target units 8 and 9 supporting the wide coverage. Include the applicable portions of opening markers 4, 5, 6, and 7 and retain fixed markers 10, 11, and 13 in their floor-plan positions where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,5] toward look-at unit 1 using the exact look-at cell [3,5]. Use the 90-degree wide lens for broad coverage along the unit 3 to unit 1 axis, retaining lower-middle subject space and sufficient upper-frame coverage for the fixed frontage.\n  - subject_position_directive: For S8_Shot1, place transient marker 12 centered in the lower-middle frame on the unit 3 approach axis, presenting the committed front three-quarter aspect while advancing toward the camera. For S9_Shot2, reserve the lower center for the committed full back-facing figure beside the closed transient element, with the gaze directed upward toward the upper-center fixed exterior; introduce no other subjects.\n  - state_cue_directive: Carry transient marker 12 in the slowly advancing state committed by S8_Shot1, with restrained natural morning light and moderate-to-low contrast as specified by both surfaced shots. Preserve the states of numbered elements used by the staging and do not invent additional transient cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are designated for exclusion. Keep all depicted geometry consistent with markers 1 through 11 and 13, restrict visibility to the supplied unit and opening candidate sets for camera unit 3, and do not introduce uncommitted subjects, marker-like fixtures, or scenario-specific additions.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the supplied wide view from unit 3 toward unit 1, centering the sightline on look-at cell [3,5] so the approach axis, frontage, and lateral fixed markers can support both surfaced wide shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the broad physical-space axis from camera unit 3 toward look-at unit 1, with unit 2 between them and lateral target units 8 and 9 supporting the wide coverage. Include the applicable portions of opening markers 4, 5, 6, and 7 and retain fixed markers 10, 11, and 13 in their floor-plan positions where they fall within the 90-degree view.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,5] toward look-at unit 1 using the exact look-at cell [3,5]. Use the 90-degree wide lens for broad coverage along the unit 3 to unit 1 axis, retaining lower-middle subject space and sufficient upper-frame coverage for the fixed frontage.\n  - subject_position_directive: For S8_Shot1, place transient marker 12 centered in the lower-middle frame on the unit 3 approach axis, presenting the committed front three-quarter aspect while advancing toward the camera. For S9_Shot2, reserve the lower center for the committed full back-facing figure beside the closed transient element, with the gaze directed upward toward the upper-center fixed exterior; introduce no other subjects.\n  - state_cue_directive: Carry transient marker 12 in the slowly advancing state committed by S8_Shot1, with restrained natural morning light and moderate-to-low contrast as specified by both surfaced shots. Preserve the states of numbered elements used by the staging and do not invent additional transient cues.\n  - negative_continuity_directive: No numbered elements or state-overlay markers are designated for exclusion. Keep all depicted geometry consistent with markers 1 through 11 and 13, restrict visibility to the supplied unit and opening candidate sets for camera unit 3, and do not introduce uncommitted subjects, marker-like fixtures, or scenario-specific additions.\n\n대한민국 전라남도·광주광역시 권역의 2010년대 중후반, 아침 시간의 소규모 지방 경찰서 앞마당과 정문 진입로를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 정문 문턱 가까이에서 중앙 차량 진입로의 한쪽 옆에 서 있으며, 약 1.6m의 사람 눈높이와 35mm급 보통 광각 렌즈로 포장된 앞마당과 북쪽의 경찰서 정면을 대각선으로 바라본다. 정면 중앙에는 실용적인 주 출입문이 있고 그 좌우로 단정한 창문군이 이어지며, 과장된 위엄 없이 지역 관공서다운 낮고 소박한 건물 외관과 절제된 공식 표지판이 보인다. 정문 양쪽에는 현실적인 마모와 얼룩이 남은 한 쌍의 문기둥이 서 있고, 남쪽으로 이어지는 차량 진입로 양편의 좁은 식재대에는 성숙한 메타세쿼이아가 평행한 줄을 이루어 접근로의 깊이를 만든다. 검은 SUV 한 대가 나무가 늘어선 진입로 위에서 북쪽 정문을 향해 막 도착하는 순간이며, 자연스러운 주행 위치와 실제 차체 반사, 타이어와 도로의 접촉감이 드러난다. 인물, 얼굴, 사람 형태의 조형물은 전혀 없다. 부드러운 아침 자연광, 절제된 색감, 중간 이하의 대비, 실제 콘크리트와 아스팔트의 거친 입자, 금속의 미세한 산화와 사용 흔적, 유리의 현실적인 반사, 나무껍질과 잎의 세부 질감, 배수 흔적과 일상적인 오염을 사실적으로 표현한다. 실제 DSLR 또는 미러리스 카메라의 자연스러운 원근감과 심도, 과도한 후보정이 없는 현장 기록 사진이어야 하며 깨끗한 상업용 스톡 사진처럼 보이지 않아야 한다. CGI, 삽화, 건축 시각화, 평면도, 하향식 시점이 아닌 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            7,
            5
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use the supplied wide view from unit 3 toward unit 1, centering the sightline on look-at cell [3,5] so the approach axis, frontage, and lateral fixed markers can support both surfaced wide shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            5
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the broad physical-space axis from camera unit 3 toward look-at unit 1, with unit 2 between them and lateral target units 8 and 9 supporting the wide coverage. Include the applicable portions of opening markers 4, 5, 6, and 7 and retain fixed markers 10, 11, and 13 in their floor-plan positions where they fall within the 90-degree view.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [7,5] toward look-at unit 1 using the exact look-at cell [3,5]. Use the 90-degree wide lens for broad coverage along the unit 3 to unit 1 axis, retaining lower-middle subject space and sufficient upper-frame coverage for the fixed frontage.",
          "subject_position_directive": "For S8_Shot1, place transient marker 12 centered in the lower-middle frame on the unit 3 approach axis, presenting the committed front three-quarter aspect while advancing toward the camera. For S9_Shot2, reserve the lower center for the committed full back-facing figure beside the closed transient element, with the gaze directed upward toward the upper-center fixed exterior; introduce no other subjects.",
          "state_cue_directive": "Carry transient marker 12 in the slowly advancing state committed by S8_Shot1, with restrained natural morning light and moderate-to-low contrast as specified by both surfaced shots. Preserve the states of numbered elements used by the staging and do not invent additional transient cues.",
          "negative_continuity_directive": "No numbered elements or state-overlay markers are designated for exclusion. Keep all depicted geometry consistent with markers 1 through 11 and 13, restrict visibility to the supplied unit and opening candidate sets for camera unit 3, and do not introduce uncommitted subjects, marker-like fixtures, or scenario-specific additions."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l08_forecourt",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l08_forecourt",
            "building_fp:fp_l13_investigation_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l13_investigation_chief_office",
          "indoor_loc_sid": "L13",
          "group_id": "bg_police_station",
          "fp_asset_id": "a51ba914-7eb7-439c-8b4b-7183f46683c0"
        }
      },
      "L09B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L09",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L09B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 21세기 초·중반 지방 경찰 관서에서 볼 수 있는 소박하고 실용적인 내부 복도. 중앙의 긴 동서 방향 복도를 서쪽에서 동쪽으로 바라보며, 남쪽 벽을 따라 가까운 화면 오른쪽에 강력반 출입문이 두드러지고, 더 먼 동쪽 끝에는 수사과장실 출입문이 보인다. 그 옆과 뒤로 계단참, 위층으로 이어지는 계단, 열린 쪽을 따라 설치된 금속 난간이 자연스럽게 이어진다. 공공기관 특유의 밝은 중성색 도장 벽, 내구성 있는 바닥 마감, 단순한 문과 문틀, 약간의 사용감이 남은 실제 금속 표면과 벽면 질감, 평범한 직선형 형광등을 현실적으로 표현한다. 낮 시간의 창문 밖 간접광과 실내 형광등이 섞인 절제된 중성 조명, 보통에서 낮은 대비, 일상적인 마모와 미세한 얼룩이 있는 사실적인 재료 표현. 공간은 깨끗하고 흐트러지지 않은 평상 상태이다. 사람, 얼굴, 인체 형태, 실루엣은 전혀 없다. 실제 35밀리미터급 미러리스 카메라와 28밀리미터 준광각 렌즈로 서 있는 사람의 눈높이 약 1.6미터에서 촬영한 다큐멘터리 풍 사진이며, 자연스러운 원근과 심도, 사실적인 노출을 갖춘 실제 장소 참고 사진이다. 깨끗한 광고용 사진이 아니며, 후처리한 연출 사진이나 컴퓨터 그래픽, 삽화, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 수평 눈높이 촬영. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "서쪽 복도에서 동쪽을 바라보는 동일한 눈높이 시점을 유지한다. 가까운 화면 오른쪽에는 강력반 출입문이 분명히 보이고, 복도 끝에는 수사과장실 출입문과 그 너머의 계단참 및 계단 연결부가 한 시야에 들어오게 한다. 빈 복도 배경만 담고 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S10_Shot8"
          },
          {
            "guide_text": "복도의 길이와 두 출입문 사이의 거리감이 읽히도록 서쪽에서 동쪽으로 이어지는 원근을 유지한다. 가까운 오른쪽 강력반 출입문을 주요 전경 기준점으로 삼되, 먼 수사과장실 출입문과 동쪽 계단참이 가려지지 않게 구성한다. 공간은 평범한 주간 근무 시간의 깨끗하고 흐트러지지 않은 상태로 보인다.",
            "shot_id": "S10_Shot10"
          },
          {
            "guide_text": "앞선 숏들과 같은 서쪽 복도 눈높이와 동향 시선을 유지하여 공간 연속성을 확보한다. 화면 오른쪽 전경의 강력반 출입문, 원경의 수사과장실 출입문, 그 뒤 동쪽 계단참과 난간이 차례로 읽히게 한다. 과장된 조명이나 연출 없이 실제 관서 내부를 기록한 현장 참고 사진처럼 표현한다.",
            "shot_id": "S10_Shot12"
          }
        ],
        "shot_ids": [
          "S10_Shot8",
          "S10_Shot10",
          "S10_Shot12"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 1 (main corridor) at the west side, facing east along the corridor toward number 7 (investigation chief office door), number 2 (stair landing), and number 3 (stair flight)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Keep number 5 prominent in the near right side, number 7 at the far end, and the stair landing visible beyond it to support the arrival and identification exchange."
        },
        "reference_decision": {
          "bg_id": "L09B01",
          "fp_id": "fp_l09_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L09B01 is an approved clean anchor candidate and has the broadest committed marker coverage. A fresh floor-plan-seeded wide view from unit 1 toward unit 2 supports the corridor, landing, opening, and fixture geometry required across S10_Shot8, S10_Shot10, and S10_Shot12 without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l09_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_for_dwelling_identity_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node establishes the dwelling identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 2 and opening marker 3 so the staged corridor interactions, eastern landing geometry, and adjacent target markers can be supported by one clean plate.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 as the camera space looking toward unit 2, with the broad view supporting target units 4 and 6 where visible. Include the committed relationships to opening markers 3, 5, and 7 and fixed fixture marker 10 without asserting any additional opening-to-unit adjacency.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with a wide 90-degree field of view. Maintain broad coverage for medium staging, the corridor axis, the landing-side geometry, and the diagonal relationship to opening marker 3 and fixture marker 10.",
            "subject_position_directive": "Reserve the near-left foreground and right midground for the two-subject blocking in S10_Shot8; reserve the upper-middle diagonal landing-side region and lower-right foreground for S10_Shot10; reserve left and right halves for the medium-close two-subject staging in S10_Shot12. Do not invent additional subjects in the clean plate.",
            "state_cue_directive": "No dossier transient markers are committed. Maintain a clean residential space with the staged neutral daytime ambient illumination; where S10_Shot8 uses opening marker 7, preserve its staged closed state, and invent no additional state cues.",
            "negative_continuity_directive": "There are no numbered ignore elements or ignored overlay markers for this BG. Keep the plate free of invented scenario-specific elements and do not add units or openings outside the geometry readback's candidate view; preserve the floor-plan positions of markers 1, 2, 3, 4, 5, 6, 7, and 10."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 3 so the staged corridor interactions, eastern landing geometry, and adjacent target markers can be supported by one clean plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the camera space looking toward unit 2, with the broad view supporting target units 4 and 6 where visible. Include the committed relationships to opening markers 3, 5, and 7 and fixed fixture marker 10 without asserting any additional opening-to-unit adjacency.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with a wide 90-degree field of view. Maintain broad coverage for medium staging, the corridor axis, the landing-side geometry, and the diagonal relationship to opening marker 3 and fixture marker 10.\n  - subject_position_directive: Reserve the near-left foreground and right midground for the two-subject blocking in S10_Shot8; reserve the upper-middle diagonal landing-side region and lower-right foreground for S10_Shot10; reserve left and right halves for the medium-close two-subject staging in S10_Shot12. Do not invent additional subjects in the clean plate.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with the staged neutral daytime ambient illumination; where S10_Shot8 uses opening marker 7, preserve its staged closed state, and invent no additional state cues.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers for this BG. Keep the plate free of invented scenario-specific elements and do not add units or openings outside the geometry readback's candidate view; preserve the floor-plan positions of markers 1, 2, 3, 4, 5, 6, 7, and 10.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 3 so the staged corridor interactions, eastern landing geometry, and adjacent target markers can be supported by one clean plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the camera space looking toward unit 2, with the broad view supporting target units 4 and 6 where visible. Include the committed relationships to opening markers 3, 5, and 7 and fixed fixture marker 10 without asserting any additional opening-to-unit adjacency.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with a wide 90-degree field of view. Maintain broad coverage for medium staging, the corridor axis, the landing-side geometry, and the diagonal relationship to opening marker 3 and fixture marker 10.\n  - subject_position_directive: Reserve the near-left foreground and right midground for the two-subject blocking in S10_Shot8; reserve the upper-middle diagonal landing-side region and lower-right foreground for S10_Shot10; reserve left and right halves for the medium-close two-subject staging in S10_Shot12. Do not invent additional subjects in the clean plate.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with the staged neutral daytime ambient illumination; where S10_Shot8 uses opening marker 7, preserve its staged closed state, and invent no additional state cues.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers for this BG. Keep the plate free of invented scenario-specific elements and do not add units or openings outside the geometry readback's candidate view; preserve the floor-plan positions of markers 1, 2, 3, 4, 5, 6, 7, and 10.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 2 and opening marker 3 so the staged corridor interactions, eastern landing geometry, and adjacent target markers can be supported by one clean plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the camera space looking toward unit 2, with the broad view supporting target units 4 and 6 where visible. Include the committed relationships to opening markers 3, 5, and 7 and fixed fixture marker 10 without asserting any additional opening-to-unit adjacency.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with a wide 90-degree field of view. Maintain broad coverage for medium staging, the corridor axis, the landing-side geometry, and the diagonal relationship to opening marker 3 and fixture marker 10.\n  - subject_position_directive: Reserve the near-left foreground and right midground for the two-subject blocking in S10_Shot8; reserve the upper-middle diagonal landing-side region and lower-right foreground for S10_Shot10; reserve left and right halves for the medium-close two-subject staging in S10_Shot12. Do not invent additional subjects in the clean plate.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with the staged neutral daytime ambient illumination; where S10_Shot8 uses opening marker 7, preserve its staged closed state, and invent no additional state cues.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers for this BG. Keep the plate free of invented scenario-specific elements and do not add units or openings outside the geometry readback's candidate view; preserve the floor-plan positions of markers 1, 2, 3, 4, 5, 6, 7, and 10.\n\n대한민국 전라남도·광주광역시 권역의 21세기 초·중반 지방 경찰 관서에서 볼 수 있는 소박하고 실용적인 내부 복도. 중앙의 긴 동서 방향 복도를 서쪽에서 동쪽으로 바라보며, 남쪽 벽을 따라 가까운 화면 오른쪽에 강력반 출입문이 두드러지고, 더 먼 동쪽 끝에는 수사과장실 출입문이 보인다. 그 옆과 뒤로 계단참, 위층으로 이어지는 계단, 열린 쪽을 따라 설치된 금속 난간이 자연스럽게 이어진다. 공공기관 특유의 밝은 중성색 도장 벽, 내구성 있는 바닥 마감, 단순한 문과 문틀, 약간의 사용감이 남은 실제 금속 표면과 벽면 질감, 평범한 직선형 형광등을 현실적으로 표현한다. 낮 시간의 창문 밖 간접광과 실내 형광등이 섞인 절제된 중성 조명, 보통에서 낮은 대비, 일상적인 마모와 미세한 얼룩이 있는 사실적인 재료 표현. 공간은 깨끗하고 흐트러지지 않은 평상 상태이다. 사람, 얼굴, 인체 형태, 실루엣은 전혀 없다. 실제 35밀리미터급 미러리스 카메라와 28밀리미터 준광각 렌즈로 서 있는 사람의 눈높이 약 1.6미터에서 촬영한 다큐멘터리 풍 사진이며, 자연스러운 원근과 심도, 사실적인 노출을 갖춘 실제 장소 참고 사진이다. 깨끗한 광고용 사진이 아니며, 후처리한 연출 사진이나 컴퓨터 그래픽, 삽화, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 수평 눈높이 촬영. 16:9 가로 비율, 실제 카메라 촬영본.\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 2 and opening marker 3 so the staged corridor interactions, eastern landing geometry, and adjacent target markers can be supported by one clean plate.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 as the camera space looking toward unit 2, with the broad view supporting target units 4 and 6 where visible. Include the committed relationships to opening markers 3, 5, and 7 and fixed fixture marker 10 without asserting any additional opening-to-unit adjacency.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with a wide 90-degree field of view. Maintain broad coverage for medium staging, the corridor axis, the landing-side geometry, and the diagonal relationship to opening marker 3 and fixture marker 10.",
          "subject_position_directive": "Reserve the near-left foreground and right midground for the two-subject blocking in S10_Shot8; reserve the upper-middle diagonal landing-side region and lower-right foreground for S10_Shot10; reserve left and right halves for the medium-close two-subject staging in S10_Shot12. Do not invent additional subjects in the clean plate.",
          "state_cue_directive": "No dossier transient markers are committed. Maintain a clean residential space with the staged neutral daytime ambient illumination; where S10_Shot8 uses opening marker 7, preserve its staged closed state, and invent no additional state cues.",
          "negative_continuity_directive": "There are no numbered ignore elements or ignored overlay markers for this BG. Keep the plate free of invented scenario-specific elements and do not add units or openings outside the geometry readback's candidate view; preserve the floor-plan positions of markers 1, 2, 3, 4, 5, 6, 7, and 10."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l09_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l09_corridor",
            "building_anchor:L08B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L08B01",
          "group_id": "bg_police_station"
        }
      },
      "L09B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L09B01",
        "reused_from_bg_id": "L09B01",
        "location_id": "L09",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L09B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주권의 현실적인 경찰서 내부, 강력반 사무실 방향으로 이어지는 긴 복도를 촬영한 실제 카메라 다큐멘터리 풍 사진. 동쪽 계단참 가까이에서 약 1.6m 높이로 서서 서쪽을 바라보며, 35mm급 광각 렌즈의 자연스러운 원근감으로 중앙 복도와 남쪽 벽의 강력반 사무실 출입문을 함께 담는다. 전경에는 위층으로 연결되는 계단 입구와 실용적인 금속 난간이 보이되 시야를 가리지 않고, 복도 중앙에는 세 사람이 서서 대화할 수 있을 만큼 넓고 막힘 없는 바닥 공간을 확보한다. 2010년대 중후반 한국 공공청사에 흔한 무광 도장 벽, 튼튼한 사무실 문, 실용적인 바닥 마감, 단순한 천장 형광등을 사용하며 실제 콘크리트와 금속의 미세한 마모, 벽면 도장의 생활 흔적, 바닥의 은은한 사용감을 정확하게 표현한다. 낮 시간의 차분한 업무 환경으로, 창을 통해 스며드는 약한 자연광과 중성적인 천장 조명이 섞인 보통 밝기, 절제된 자연색, 중간에서 낮은 대비를 유지한다. 공간은 정돈되어 있고 훼손되지 않은 평상 상태다. 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없으며 배경 공간만 촬영한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 장소 기록 사진처럼 자연스러운 피사계 심도와 사실적인 재질을 유지하고, 과도하게 깨끗한 광고 사진이나 건축 시각화가 아닌 무보정에 가까운 담담한 현장 사진으로 표현한다. 하향 조감도, 평면도, 건축 도식이 아닌 수평 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "동쪽 계단참 부근의 약 1.6m 눈높이에서 서쪽 복도 끝 방향을 바라본다. 35mm급 광각 렌즈로 전경의 계단 연결부를 자연스럽게 포함하고, 복도 중앙에는 세 사람이 설 수 있는 넓고 가리지 않은 공간을 확보하며 남쪽 벽의 강력반 사무실 출입문이 명확히 보이게 한다. 인물이나 사람 형태는 촬영하지 않는다.",
            "shot_id": "S51_Shot7"
          },
          {
            "guide_text": "동쪽 계단참에서 서쪽으로 길게 뻗은 복도의 깊이와 실용적인 경찰서 내부 구조를 강조한다. 카메라는 약 1.6m 높이의 수평 시선이며 35mm급 렌즈를 사용하고, 전경 난간과 계단 연결부가 시야를 막지 않도록 하면서 강력반 사무실 출입문까지 이어지는 동선을 분명하게 보여 준다. 인물이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S51_Shot8"
          },
          {
            "guide_text": "동쪽 계단참 가까이에서 서쪽을 향한 정면성 있는 복도 구도를 사용한다. 중앙 바닥 면을 충분히 비워 두고 복도의 벽과 천장선이 남쪽 강력반 사무실 출입문으로 자연스럽게 시선을 이끌게 한다. 약 1.6m 눈높이와 35mm급 화각을 유지하며 계단 연결부는 전경의 장소 단서로만 담고, 인물이나 사람 형태는 배제한다.",
            "shot_id": "S51_Shot11"
          }
        ],
        "shot_ids": [
          "S51_Shot7",
          "S51_Shot8",
          "S51_Shot11"
        ],
        "scenes": [],
        "parent_id": "L09B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 2 (stair landing), facing west along number 1 (main corridor) toward number 5 (violent crimes office door)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Provide an unobstructed central corridor area for three standing figures, with the stair connection near the foreground and the office door clearly visible down the corridor."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L09B01",
          "selected_refs": [
            {
              "physical_space_id": "fp_l09_corridor_space_1",
              "ref_bg_id": "L09B01",
              "space_description": "The same unit-1 camera space and unit-2-facing view with overlapping markers 1, 2, 3, 4, 5, and 10."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Use camera unit 1 at cell [4,4] toward look-at unit 2 at cell [6,8] with the same wide 90-degree coverage as L09B01. Derive close and medium compositions by shot-specific cropping while retaining the same underlying perspective and fixed-element placement.",
          "negative_continuity_directive": "There are no numbered ignore elements or ignored overlay markers. Do not shift the fixed positions inherited from L09B01 for markers 1, 2, 3, 4, 5, and 10; do not bake shot-specific subjects or actions into the clean plate, and do not introduce spaces outside the candidate view cone.",
          "state_cue_directive": "No dossier transient markers are committed. Preserve the clean residential-space state and restrained daytime ambience established by L09B01, with no invented additional state cues from the staged exchanges.",
          "subject_position_directive": "For S51_Shot7, reserve the near side for the close-profile subject and the opposite corridor side for the softer eyeline target. For S51_Shot8, reserve an upper-body foreground region and an offset background position. For S51_Shot11, reserve middle-left for the bowed subject, opposite midground for the observer, and clear middle-right corridor space along the committed route. Keep the clean plate free of invented subjects.",
          "visible_space_directive": "Retain the L09B01 view from unit 1 toward unit 2, including the same fixed positions of target unit 4, opening markers 3 and 5, and fixture marker 10 wherever they fall within the wide coverage."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l09_corridor",
          "prior_bg_ids": [
            "L09B01"
          ],
          "attached_ref_labels": [
            "bg:L09B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L09B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L09",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L09B03.png",
        "t2i_prompt": "대한민국 남서부 지역의 실제 지방 경찰서 내부에서 촬영한 듯한, 21세기 초·중반 공공청사의 소박하고 실용적인 복도. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 꾸며진 광고 사진이 아닌 실제 장소 기록 사진처럼 보여야 한다. 복도 동쪽 절반에서 서쪽을 바라보는 서 있는 사람의 눈높이 약 1.6미터 시점, 35밀리미터급 자연스러운 광각 렌즈. 중앙의 긴 동서 방향 복도가 화면 깊숙이 이어지고, 북쪽 벽의 서장실 출입문과 문턱이 주된 초점이 되며 그 안쪽 사무실의 위치감이 자연스럽게 드러난다. 남쪽 벽의 강력계 사무실 출입문은 더 뒤쪽의 보조적인 깊이 지표로 보이게 한다. 이동 동선이 길고 조용하게 비어 보이도록 충분한 복도 여백을 남긴다. 사람, 얼굴, 인체 형상의 장식물은 전혀 없다. 낮 시간의 차분한 실내로, 천장의 실용적인 형광등과 주변에서 스며드는 약한 주간광이 섞인 중저대비 조명이다. 한국 공공청사 특유의 단순한 도장 벽, 금속 문틀, 오래 사용해 잔잔한 광택과 미세한 생활 마모가 남은 바닥, 약간 바랜 사무실 표지판, 현실적인 금속 손잡이와 경첩의 질감을 세밀하게 표현한다. 재료는 실제 콘크리트와 도장면, 금속의 미세한 산화와 손때, 바닥의 일상적인 마모가 과장 없이 보여야 한다. 공간은 깨끗하고 흐트러지지 않은 평온한 상태다. 자연스러운 원근과 절제된 심도, 사실적인 색, 무보정에 가까운 담담한 사진 표현. 건축 조감도, 평면도, 도식, 삽화, 삼차원 시각화가 아니라 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 동쪽 절반의 눈높이에서 서쪽을 바라본다. 북쪽 벽의 서장실 출입문과 문턱을 주된 시각적 중심으로 두고, 비어 있는 긴 복도 동선이 화면 깊숙이 이어지게 한다. 남쪽 강력계 사무실 출입문은 원근감 속의 보조 지표로 남긴다.",
            "shot_id": "S94_Shot1"
          },
          {
            "guide_text": "같은 동쪽 시점과 공간 방향을 유지해 장면 연결성을 확보한다. 서장실 문 앞의 조용한 여백과 길게 뻗은 빈 복도를 강조하고, 강력계 사무실 문은 과도하게 부각하지 않은 채 후퇴하는 깊이의 기준으로 보이게 한다.",
            "shot_id": "S94_Shot13"
          }
        ],
        "shot_ids": [
          "S94_Shot1",
          "S94_Shot13"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near the east half of number 1 (main corridor), facing west toward number 9 (station chief office door) and number 8 (station chief office)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm natural wide angle",
          "framing_notes": "Emphasize the office threshold and leave a long, quiet corridor path for the departing group; retain number 5 as a secondary depth landmark."
        },
        "reference_decision": {
          "bg_id": "L09B03",
          "fp_id": "fp_l09_corridor",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L09B03 remains within the same connected physical space established by L09B01, but its unit-8-facing geometry and required markers 8 and 9 reveal a different structural slice. L09B01 therefore commits the shared fixed identity, while this node requires a new view rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L09B01.png"
          ],
          "source_bg_ids": [
            "L09B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l09_corridor_space_1"
            ],
            "rejected_refs": [
              {
                "reason": "L09B02 is a low-delta representative of the same earlier view and adds no distinct fixed-space information beyond L09B01.",
                "ref_bg_id": "L09B02"
              }
            ],
            "same_physical_space_dedup_decision": "selected_anchor_representative_over_low_delta_duplicate",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l09_corridor_space_1",
                "ref_bg_id": "L09B01",
                "space_description": "The shared connected physical space whose fixed structural identity is established by markers 1, 4, and 5 in L09B01."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because the shared physical-space identity comes from L09B01; the unit-8-facing view is a new structural slice, not a second distinct co-visible space requiring another reference."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Turn the unit 1 camera toward unit 8 and opening marker 9, using broad coverage for the full-length departure staging while retaining corridor depth for the close profile staging.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              2
            ],
            "look_at_unit": 8
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 looking toward unit 8, with opening marker 9 obliquely behind the staged movement path. Include target unit 4 and opening marker 5 where supported by the wide candidate view, while retaining the fixed shared-space geometry inherited from L09B01.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 8 at cell [3,2] using a wide 90-degree field of view. Provide broad depth for the full-length moving formation in S94_Shot1 while preserving enough receding background for the close side-profile composition in S94_Shot13.",
            "subject_position_directive": "For S94_Shot1, reserve frame-left foreground for the nearer leading pair, frame-right midground for the trailing pair, and upper-center background around opening marker 9 as their point of emergence. For S94_Shot13, reserve the upper-left for the close profile, the lower-center for the staged hand-held element, and open corridor depth beyond the subject's shoulder. Keep the base plate free of invented subjects.",
            "state_cue_directive": "No dossier transient markers are committed. Maintain a clean residential space with restrained daytime ambient illumination; S94_Shot1 commits opening marker 9 as open for that shot, while no additional persistent or transient state cue should be invented.",
            "negative_continuity_directive": "There are no numbered ignore elements or ignored overlay markers. Preserve the inherited fixed placement of shared markers 1, 4, and 5 from L09B01 while correctly introducing markers 8 and 9 in this new view; do not copy the unit-2-facing composition, do not invent spaces outside the candidate cone, and do not bake the shot-specific hand-held element into the clean plate."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L09B01' physical_space_id='fp_l09_corridor_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Turn the unit 1 camera toward unit 8 and opening marker 9, using broad coverage for the full-length departure staging while retaining corridor depth for the close profile staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 8, with opening marker 9 obliquely behind the staged movement path. Include target unit 4 and opening marker 5 where supported by the wide candidate view, while retaining the fixed shared-space geometry inherited from L09B01.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 8 at cell [3,2] using a wide 90-degree field of view. Provide broad depth for the full-length moving formation in S94_Shot1 while preserving enough receding background for the close side-profile composition in S94_Shot13.\n  - subject_position_directive: For S94_Shot1, reserve frame-left foreground for the nearer leading pair, frame-right midground for the trailing pair, and upper-center background around opening marker 9 as their point of emergence. For S94_Shot13, reserve the upper-left for the close profile, the lower-center for the staged hand-held element, and open corridor depth beyond the subject's shoulder. Keep the base plate free of invented subjects.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with restrained daytime ambient illumination; S94_Shot1 commits opening marker 9 as open for that shot, while no additional persistent or transient state cue should be invented.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers. Preserve the inherited fixed placement of shared markers 1, 4, and 5 from L09B01 while correctly introducing markers 8 and 9 in this new view; do not copy the unit-2-facing composition, do not invent spaces outside the candidate cone, and do not bake the shot-specific hand-held element into the clean plate.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L09B01' physical_space_id='fp_l09_corridor_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Turn the unit 1 camera toward unit 8 and opening marker 9, using broad coverage for the full-length departure staging while retaining corridor depth for the close profile staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 8, with opening marker 9 obliquely behind the staged movement path. Include target unit 4 and opening marker 5 where supported by the wide candidate view, while retaining the fixed shared-space geometry inherited from L09B01.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 8 at cell [3,2] using a wide 90-degree field of view. Provide broad depth for the full-length moving formation in S94_Shot1 while preserving enough receding background for the close side-profile composition in S94_Shot13.\n  - subject_position_directive: For S94_Shot1, reserve frame-left foreground for the nearer leading pair, frame-right midground for the trailing pair, and upper-center background around opening marker 9 as their point of emergence. For S94_Shot13, reserve the upper-left for the close profile, the lower-center for the staged hand-held element, and open corridor depth beyond the subject's shoulder. Keep the base plate free of invented subjects.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with restrained daytime ambient illumination; S94_Shot1 commits opening marker 9 as open for that shot, while no additional persistent or transient state cue should be invented.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers. Preserve the inherited fixed placement of shared markers 1, 4, and 5 from L09B01 while correctly introducing markers 8 and 9 in this new view; do not copy the unit-2-facing composition, do not invent spaces outside the candidate cone, and do not bake the shot-specific hand-held element into the clean plate.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L09B01' physical_space_id='fp_l09_corridor_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [3, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Turn the unit 1 camera toward unit 8 and opening marker 9, using broad coverage for the full-length departure staging while retaining corridor depth for the close profile staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 looking toward unit 8, with opening marker 9 obliquely behind the staged movement path. Include target unit 4 and opening marker 5 where supported by the wide candidate view, while retaining the fixed shared-space geometry inherited from L09B01.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward look-at unit 8 at cell [3,2] using a wide 90-degree field of view. Provide broad depth for the full-length moving formation in S94_Shot1 while preserving enough receding background for the close side-profile composition in S94_Shot13.\n  - subject_position_directive: For S94_Shot1, reserve frame-left foreground for the nearer leading pair, frame-right midground for the trailing pair, and upper-center background around opening marker 9 as their point of emergence. For S94_Shot13, reserve the upper-left for the close profile, the lower-center for the staged hand-held element, and open corridor depth beyond the subject's shoulder. Keep the base plate free of invented subjects.\n  - state_cue_directive: No dossier transient markers are committed. Maintain a clean residential space with restrained daytime ambient illumination; S94_Shot1 commits opening marker 9 as open for that shot, while no additional persistent or transient state cue should be invented.\n  - negative_continuity_directive: There are no numbered ignore elements or ignored overlay markers. Preserve the inherited fixed placement of shared markers 1, 4, and 5 from L09B01 while correctly introducing markers 8 and 9 in this new view; do not copy the unit-2-facing composition, do not invent spaces outside the candidate cone, and do not bake the shot-specific hand-held element into the clean plate.\n\n대한민국 남서부 지역의 실제 지방 경찰서 내부에서 촬영한 듯한, 21세기 초·중반 공공청사의 소박하고 실용적인 복도. 실제 카메라로 촬영한 다큐멘터리 풍 사진이며, 꾸며진 광고 사진이 아닌 실제 장소 기록 사진처럼 보여야 한다. 복도 동쪽 절반에서 서쪽을 바라보는 서 있는 사람의 눈높이 약 1.6미터 시점, 35밀리미터급 자연스러운 광각 렌즈. 중앙의 긴 동서 방향 복도가 화면 깊숙이 이어지고, 북쪽 벽의 서장실 출입문과 문턱이 주된 초점이 되며 그 안쪽 사무실의 위치감이 자연스럽게 드러난다. 남쪽 벽의 강력계 사무실 출입문은 더 뒤쪽의 보조적인 깊이 지표로 보이게 한다. 이동 동선이 길고 조용하게 비어 보이도록 충분한 복도 여백을 남긴다. 사람, 얼굴, 인체 형상의 장식물은 전혀 없다. 낮 시간의 차분한 실내로, 천장의 실용적인 형광등과 주변에서 스며드는 약한 주간광이 섞인 중저대비 조명이다. 한국 공공청사 특유의 단순한 도장 벽, 금속 문틀, 오래 사용해 잔잔한 광택과 미세한 생활 마모가 남은 바닥, 약간 바랜 사무실 표지판, 현실적인 금속 손잡이와 경첩의 질감을 세밀하게 표현한다. 재료는 실제 콘크리트와 도장면, 금속의 미세한 산화와 손때, 바닥의 일상적인 마모가 과장 없이 보여야 한다. 공간은 깨끗하고 흐트러지지 않은 평온한 상태다. 자연스러운 원근과 절제된 심도, 사실적인 색, 무보정에 가까운 담담한 사진 표현. 건축 조감도, 평면도, 도식, 삽화, 삼차원 시각화가 아니라 실제 디지털 일안 반사식 또는 미러리스 카메라로 현장에서 촬영한 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Turn the unit 1 camera toward unit 8 and opening marker 9, using broad coverage for the full-length departure staging while retaining corridor depth for the close profile staging.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            2
          ],
          "look_at_unit": 8
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 looking toward unit 8, with opening marker 9 obliquely behind the staged movement path. Include target unit 4 and opening marker 5 where supported by the wide candidate view, while retaining the fixed shared-space geometry inherited from L09B01.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward look-at unit 8 at cell [3,2] using a wide 90-degree field of view. Provide broad depth for the full-length moving formation in S94_Shot1 while preserving enough receding background for the close side-profile composition in S94_Shot13.",
          "subject_position_directive": "For S94_Shot1, reserve frame-left foreground for the nearer leading pair, frame-right midground for the trailing pair, and upper-center background around opening marker 9 as their point of emergence. For S94_Shot13, reserve the upper-left for the close profile, the lower-center for the staged hand-held element, and open corridor depth beyond the subject's shoulder. Keep the base plate free of invented subjects.",
          "state_cue_directive": "No dossier transient markers are committed. Maintain a clean residential space with restrained daytime ambient illumination; S94_Shot1 commits opening marker 9 as open for that shot, while no additional persistent or transient state cue should be invented.",
          "negative_continuity_directive": "There are no numbered ignore elements or ignored overlay markers. Preserve the inherited fixed placement of shared markers 1, 4, and 5 from L09B01 while correctly introducing markers 8 and 9 in this new view; do not copy the unit-2-facing composition, do not invent spaces outside the candidate cone, and do not bake the shot-specific hand-held element into the clean plate."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l09_corridor",
          "prior_bg_ids": [
            "L09B01"
          ],
          "attached_ref_labels": [
            "bg:L09B01",
            "building_anchor:L08B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L08B01",
          "group_id": "bg_police_station"
        }
      },
      "L10B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L10",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L10B01.png",
        "t2i_prompt": "대한민국 남서부 지방의 소도시 또는 지역 생활권에 있는 소박한 경찰서 앞 야외 휴게공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽의 포장된 보행 접근로 가까이에서 약 1.5m의 사람 눈높이로 서서, 중앙 휴게공간을 대각선으로 가로질러 바라본 구도다. 경찰서 전면부가 배경을 이루며 중앙의 실용적인 주 출입문과 그 양옆의 전면 창문이 보인다. 전면부 앞에는 건물과 나란한 벤치, 그쪽을 향해 비스듬히 놓인 고정식 의자 열, 두 좌석 구역 사이에서 통행을 방해하지 않는 고정식 재떨이가 있다. 남서쪽 가장자리에는 관리된 낮은 식재 띠가 포장 공간과 맞닿아 있다. 2010년대 중후반 대한민국 지방 공공청사에서 볼 수 있는 절제되고 실용적인 외관, 실제 콘크리트와 보도 포장재의 미세한 색 차이, 금속 좌석과 재떨이의 자연스러운 산화와 사용감, 출입문과 창틀의 현실적인 재질, 과도하게 새것 같지 않은 일상적 유지관리 상태를 표현한다. 차분한 낮 시간의 자연광, 흐리거나 옅게 갠 하늘에서 오는 부드러운 확산광, 중간에서 낮은 대비, 사실적인 색과 그림자, 자연스러운 피사계 심도. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 신체 형태의 조형물이나 실루엣은 전혀 없다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 촬영한 현장 기록 사진처럼 보여야 하며, 과도한 보정 없이 구체적인 생활 흔적과 정확한 재료 질감을 담는다. 위에서 내려다본 시점, 평면도, 건축 도식, 건축 시각화, 삽화, CGI가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 보행 접근로 부근의 약 1.5m 높이에서 휴게공간을 대각선으로 바라본다. 35mm급 중간 광각으로 벤치, 고정식 의자 열과 고정식 재떨이를 전경과 중경에 또렷하게 담고, 뒤쪽에는 소박한 경찰서 중앙 출입문과 양쪽 창문이 맥락을 제공하도록 한다. 좌석 주변에는 이후 인물 배치가 가능한 자연스러운 여백을 남기되, 배경 이미지 자체에는 사람이나 사람 형태를 넣지 않는다.",
            "shot_id": "S11_Shot2"
          }
        ],
        "shot_ids": [
          "S11_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_3",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (paved pedestrian approach), facing diagonally across number 2 (outdoor rest area) toward number 7 (bench), number 8 (chair row), and number 9 (ash receptacle), with number 1 (station frontage) behind them",
          "camera_height": "eye-level seated-to-standing range, approximately 1.4–1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame the seating prominently for a seated staff member and two standing colleagues, while retaining the modest station entrance and frontage windows as background context."
        },
        "reference_decision": {
          "bg_id": "L10B01",
          "fp_id": "fp_l10_rest_area",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L10B01 is the sole clean anchor candidate and has no available same-fp reference, so it establishes dwelling identity directly from the floor plan. Camera unit 3 at [7,4] looking into unit 2 at [3,3] supports the consuming shot's seated lower-center foreground and two upper midground subjects; the wide 90-degree view supports the required coverage of unit markers 1, 2, 3, and 10 and base markers 4 through 9.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l10_rest_area.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              4
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 3 toward unit 2, centered on base marker 7, while preserving the staged medium over-shoulder layering and enough surrounding context for the required numbered elements.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              3
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 3, show unit 3 as the foreground camera area and look toward unit 2, with units 1 and 10 included only as supported by the broad candidate-visible context. Preserve base markers 1, 2, 3, and 10; opening markers 4, 5, and 6; furniture markers 7 and 8; and fixture marker 9 in their committed floor-plan positions.",
            "camera_framing_directive": "Place the camera in unit 3 at cell [7,4] and aim toward unit 2 at look-at cell [3,3]. Use the wide lens at 90 degrees for broad coverage while retaining the committed medium, over-shoulder composition with a foreground frame and two midground screen positions.",
            "subject_position_directive": "Stage the seated subject back-to-camera in the lower-center foreground at shoulder-height framing. Place the pointing, forward-leaning subject in the upper-left midground and the standing subject in the upper-right midground, with both midground subjects directing attention toward the seated foreground subject.",
            "state_cue_directive": "No committed marker-based state cue beyond clean residential space applies. Maintain the staged natural daytime ambient light with restrained color and soft contrast, and refrain from inventing additional transient or state cues.",
            "negative_continuity_directive": "Keep markers 1 through 10 consistent with the floor-plan placement, do not introduce scenario-specific props or additional numbered elements, and do not imply units or openings outside the camera-unit-3 candidate-visible supersets. No ignored numbered elements or ignored state-overlay markers are specified."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centered on base marker 7, while preserving the staged medium over-shoulder layering and enough surrounding context for the required numbered elements.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 3 as the foreground camera area and look toward unit 2, with units 1 and 10 included only as supported by the broad candidate-visible context. Preserve base markers 1, 2, 3, and 10; opening markers 4, 5, and 6; furniture markers 7 and 8; and fixture marker 9 in their committed floor-plan positions.\n  - camera_framing_directive: Place the camera in unit 3 at cell [7,4] and aim toward unit 2 at look-at cell [3,3]. Use the wide lens at 90 degrees for broad coverage while retaining the committed medium, over-shoulder composition with a foreground frame and two midground screen positions.\n  - subject_position_directive: Stage the seated subject back-to-camera in the lower-center foreground at shoulder-height framing. Place the pointing, forward-leaning subject in the upper-left midground and the standing subject in the upper-right midground, with both midground subjects directing attention toward the seated foreground subject.\n  - state_cue_directive: No committed marker-based state cue beyond clean residential space applies. Maintain the staged natural daytime ambient light with restrained color and soft contrast, and refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Keep markers 1 through 10 consistent with the floor-plan placement, do not introduce scenario-specific props or additional numbered elements, and do not imply units or openings outside the camera-unit-3 candidate-visible supersets. No ignored numbered elements or ignored state-overlay markers are specified.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centered on base marker 7, while preserving the staged medium over-shoulder layering and enough surrounding context for the required numbered elements.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 3 as the foreground camera area and look toward unit 2, with units 1 and 10 included only as supported by the broad candidate-visible context. Preserve base markers 1, 2, 3, and 10; opening markers 4, 5, and 6; furniture markers 7 and 8; and fixture marker 9 in their committed floor-plan positions.\n  - camera_framing_directive: Place the camera in unit 3 at cell [7,4] and aim toward unit 2 at look-at cell [3,3]. Use the wide lens at 90 degrees for broad coverage while retaining the committed medium, over-shoulder composition with a foreground frame and two midground screen positions.\n  - subject_position_directive: Stage the seated subject back-to-camera in the lower-center foreground at shoulder-height framing. Place the pointing, forward-leaning subject in the upper-left midground and the standing subject in the upper-right midground, with both midground subjects directing attention toward the seated foreground subject.\n  - state_cue_directive: No committed marker-based state cue beyond clean residential space applies. Maintain the staged natural daytime ambient light with restrained color and soft contrast, and refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Keep markers 1 through 10 consistent with the floor-plan placement, do not introduce scenario-specific props or additional numbered elements, and do not imply units or openings outside the camera-unit-3 candidate-visible supersets. No ignored numbered elements or ignored state-overlay markers are specified.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 3 toward unit 2, centered on base marker 7, while preserving the staged medium over-shoulder layering and enough surrounding context for the required numbered elements.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, show unit 3 as the foreground camera area and look toward unit 2, with units 1 and 10 included only as supported by the broad candidate-visible context. Preserve base markers 1, 2, 3, and 10; opening markers 4, 5, and 6; furniture markers 7 and 8; and fixture marker 9 in their committed floor-plan positions.\n  - camera_framing_directive: Place the camera in unit 3 at cell [7,4] and aim toward unit 2 at look-at cell [3,3]. Use the wide lens at 90 degrees for broad coverage while retaining the committed medium, over-shoulder composition with a foreground frame and two midground screen positions.\n  - subject_position_directive: Stage the seated subject back-to-camera in the lower-center foreground at shoulder-height framing. Place the pointing, forward-leaning subject in the upper-left midground and the standing subject in the upper-right midground, with both midground subjects directing attention toward the seated foreground subject.\n  - state_cue_directive: No committed marker-based state cue beyond clean residential space applies. Maintain the staged natural daytime ambient light with restrained color and soft contrast, and refrain from inventing additional transient or state cues.\n  - negative_continuity_directive: Keep markers 1 through 10 consistent with the floor-plan placement, do not introduce scenario-specific props or additional numbered elements, and do not imply units or openings outside the camera-unit-3 candidate-visible supersets. No ignored numbered elements or ignored state-overlay markers are specified.\n\n대한민국 남서부 지방의 소도시 또는 지역 생활권에 있는 소박한 경찰서 앞 야외 휴게공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽의 포장된 보행 접근로 가까이에서 약 1.5m의 사람 눈높이로 서서, 중앙 휴게공간을 대각선으로 가로질러 바라본 구도다. 경찰서 전면부가 배경을 이루며 중앙의 실용적인 주 출입문과 그 양옆의 전면 창문이 보인다. 전면부 앞에는 건물과 나란한 벤치, 그쪽을 향해 비스듬히 놓인 고정식 의자 열, 두 좌석 구역 사이에서 통행을 방해하지 않는 고정식 재떨이가 있다. 남서쪽 가장자리에는 관리된 낮은 식재 띠가 포장 공간과 맞닿아 있다. 2010년대 중후반 대한민국 지방 공공청사에서 볼 수 있는 절제되고 실용적인 외관, 실제 콘크리트와 보도 포장재의 미세한 색 차이, 금속 좌석과 재떨이의 자연스러운 산화와 사용감, 출입문과 창틀의 현실적인 재질, 과도하게 새것 같지 않은 일상적 유지관리 상태를 표현한다. 차분한 낮 시간의 자연광, 흐리거나 옅게 갠 하늘에서 오는 부드러운 확산광, 중간에서 낮은 대비, 사실적인 색과 그림자, 자연스러운 피사계 심도. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 신체 형태의 조형물이나 실루엣은 전혀 없다. 실제 DSLR 또는 미러리스 카메라와 35mm급 렌즈로 촬영한 현장 기록 사진처럼 보여야 하며, 과도한 보정 없이 구체적인 생활 흔적과 정확한 재료 질감을 담는다. 위에서 내려다본 시점, 평면도, 건축 도식, 건축 시각화, 삽화, CGI가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            7,
            4
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 3 toward unit 2, centered on base marker 7, while preserving the staged medium over-shoulder layering and enough surrounding context for the required numbered elements.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            3
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 3, show unit 3 as the foreground camera area and look toward unit 2, with units 1 and 10 included only as supported by the broad candidate-visible context. Preserve base markers 1, 2, 3, and 10; opening markers 4, 5, and 6; furniture markers 7 and 8; and fixture marker 9 in their committed floor-plan positions.",
          "camera_framing_directive": "Place the camera in unit 3 at cell [7,4] and aim toward unit 2 at look-at cell [3,3]. Use the wide lens at 90 degrees for broad coverage while retaining the committed medium, over-shoulder composition with a foreground frame and two midground screen positions.",
          "subject_position_directive": "Stage the seated subject back-to-camera in the lower-center foreground at shoulder-height framing. Place the pointing, forward-leaning subject in the upper-left midground and the standing subject in the upper-right midground, with both midground subjects directing attention toward the seated foreground subject.",
          "state_cue_directive": "No committed marker-based state cue beyond clean residential space applies. Maintain the staged natural daytime ambient light with restrained color and soft contrast, and refrain from inventing additional transient or state cues.",
          "negative_continuity_directive": "Keep markers 1 through 10 consistent with the floor-plan placement, do not introduce scenario-specific props or additional numbered elements, and do not imply units or openings outside the camera-unit-3 candidate-visible supersets. No ignored numbered elements or ignored state-overlay markers are specified."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l10_rest_area",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l10_rest_area",
            "building_anchor:L08B01",
            "building_fp:fp_l13_investigation_chief_office"
          ],
          "ref_used": "refs_3",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l13_investigation_chief_office",
          "indoor_loc_sid": "L13",
          "group_id": "bg_police_station",
          "fp_asset_id": "a51ba914-7eb7-439c-8b4b-7183f46683c0"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L08B01",
          "group_id": "bg_police_station"
        }
      },
      "L11B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L11",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L11B01.png",
        "t2i_prompt": "대한민국 남서부 지역의 21세기 초·중반 관공서에서 실제로 볼 수 있는 소박하고 실용적인 경찰서 대회의실. 아침 직원 집합을 위해 정돈된 강당형 배치로, 넓은 중앙 및 후면 바닥에 왼쪽·가운데·오른쪽의 세 좌석 열군이 전면을 향해 가지런히 이어지고, 그 사이의 두 긴 중앙 통로가 발표 단상까지 막힘없이 연결된다. 북쪽 전면 중앙의 낮은 발표 단상이 분명하게 보이며, 동쪽 벽 앞쪽에는 측면 출입문이 있고 좌석 열을 따라 전면·중간·후면 창문이 이어진다. 남서쪽 뒤편에서 대회의실 안쪽을 대각선으로 바라보는 구도, 서 있는 사람의 눈높이 약 1.6미터, 28밀리미터 중간 광각 렌즈. 세 좌석 열군의 전체 깊이와 뒤쪽 좌석 부분을 모두 담고, 두 통로의 시선을 보존하며 전면 발표 단상을 뚜렷한 중심점으로 둔다. 동쪽 창문으로 들어오는 절제된 아침 자연광과 실내의 평범한 관공서 조명이 섞인 중저대비 조도, 과장되지 않은 중성 색감. 실제 바닥재의 미세한 사용감, 금속 의자 프레임의 현실적인 광택과 작은 마모, 좌석 직물의 짜임, 단상 표면의 실제 목재 무늬, 문과 창틀의 생활 흔적을 정확하게 표현한다. 공간은 깨끗하고 흐트러지지 않은 행사 전 상태다. 사람, 얼굴, 인체 형태의 모형이나 실루엣 없이 비어 있는 배경 공간만 보여준다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 실제 장소 기록 사진처럼 담담한 촬영, 과도한 후처리 없음. 위에서 내려다본 시점이나 평면도, 건축 도해, 삽화, 컴퓨터 생성 이미지가 아닌 현실의 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "대회의실 남서쪽 뒤편에서 전면 발표 단상을 향해 대각선으로 바라본 넓은 배경 사진. 세 좌석 열군의 전체 깊이와 두 중앙 통로의 명확한 시야를 유지하고, 전면 단상을 화면의 주요 기준점으로 삼는다. 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S12_Shot3"
          },
          {
            "guide_text": "남서쪽 뒤편의 눈높이 시점을 유지하면서 뒤쪽 좌석 열도 충분히 보이도록 구성한다. 전면 단상과 세 좌석 열군을 함께 담고, 두 중앙 통로가 앞쪽까지 자연스럽게 이어지게 하여 후면 좌석 주변에 후속 장면을 위한 여유 공간을 남긴다. 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S12_Shot6"
          }
        ],
        "shot_ids": [
          "S12_Shot3",
          "S12_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near the southwest rear corner of number 1 (audience area), facing diagonally across numbers 3, 4, and 5 (seating banks) toward number 2 (presentation platform)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Show the full depth of the occupied seating rows, preserve clear sightlines along numbers 6 and 7, and keep the presentation platform prominent at the front. The rear portions of the seating banks should remain visible for reactions from the back row."
        },
        "reference_decision": {
          "bg_id": "L11B01",
          "fp_id": "fp_l11_conference_hall",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole clean anchor candidate and has no same-fp catalog reference, so it must establish the dwelling identity directly from the floor plan. Camera unit 1 supports the committed seated-height observer position, while the look toward unit 2 and a normal 50-degree field provide neutral front-facing context for both the medium and close consuming shots.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l11_conference_hall.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use the listed camera position in unit 1 at seated chest height and direct the neutral field toward unit 2 through the listed look-at candidate [1,8]. Preserve enough lower-edge context for markers 3, 4, and 5 while allowing the consuming shots to use medium or close subject framing.",
            "lens_enum": "normal",
            "look_at_cell": [
              1,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from within its listed camera cell with unit 2 as the forward target. Use markers 3, 4, and 5 to establish lower-edge seating depth, with portions of units 6 and 7 only where the normal view admits them. Markers 10 and 11 may support the forward-side boundary when visible from this orientation; keep the remaining listed marker topology consistent without claiming off-cone visibility.",
            "camera_framing_directive": "Frame from camera unit 1 at camera cell [2,4], looking toward unit 2 through look-at cell [1,8], with a normal 50-degree lens for neutral coverage. Keep markers 3, 4, and 5 available along the lower or lateral frame edges, with unit 2 providing the forward spatial anchor; the composition must support the committed medium view and a tighter crop that retains only narrow background edges.",
            "subject_position_directive": "Reserve a midground subject zone near middle-center, shifting toward center-left for the committed forward-leaning pointing pose in S12_Shot3 and just off center for the tighter upper-body pose in S12_Shot6. The first shot's gesture points toward a rear-row target outside frame, while the second shot's gaze remains beyond the lens axis; add no subjects beyond those committed by the surfaced staging.",
            "state_cue_directive": "The background is committed as clean and has no transient marker numbers. No committed state cue beyond \"clean residential space\" applies; retain the listed structural and persistent elements without inventing additional state cues or overlays.",
            "negative_continuity_directive": "Do not invent unlisted numbered elements, transient overlays, scenario-specific additions, or spaces outside the normal 50-degree view. Preserve the floor-plan relationships among units 1, 2, 6, and 7 and fixed markers 3, 4, and 5; do not force unit 8 or markers 12 and 13 into the forward frame when they fall outside this camera cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed camera position in unit 1 at seated chest height and direct the neutral field toward unit 2 through the listed look-at candidate [1,8]. Preserve enough lower-edge context for markers 3, 4, and 5 while allowing the consuming shots to use medium or close subject framing.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from within its listed camera cell with unit 2 as the forward target. Use markers 3, 4, and 5 to establish lower-edge seating depth, with portions of units 6 and 7 only where the normal view admits them. Markers 10 and 11 may support the forward-side boundary when visible from this orientation; keep the remaining listed marker topology consistent without claiming off-cone visibility.\n  - camera_framing_directive: Frame from camera unit 1 at camera cell [2,4], looking toward unit 2 through look-at cell [1,8], with a normal 50-degree lens for neutral coverage. Keep markers 3, 4, and 5 available along the lower or lateral frame edges, with unit 2 providing the forward spatial anchor; the composition must support the committed medium view and a tighter crop that retains only narrow background edges.\n  - subject_position_directive: Reserve a midground subject zone near middle-center, shifting toward center-left for the committed forward-leaning pointing pose in S12_Shot3 and just off center for the tighter upper-body pose in S12_Shot6. The first shot's gesture points toward a rear-row target outside frame, while the second shot's gaze remains beyond the lens axis; add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: The background is committed as clean and has no transient marker numbers. No committed state cue beyond \"clean residential space\" applies; retain the listed structural and persistent elements without inventing additional state cues or overlays.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, transient overlays, scenario-specific additions, or spaces outside the normal 50-degree view. Preserve the floor-plan relationships among units 1, 2, 6, and 7 and fixed markers 3, 4, and 5; do not force unit 8 or markers 12 and 13 into the forward frame when they fall outside this camera cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed camera position in unit 1 at seated chest height and direct the neutral field toward unit 2 through the listed look-at candidate [1,8]. Preserve enough lower-edge context for markers 3, 4, and 5 while allowing the consuming shots to use medium or close subject framing.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from within its listed camera cell with unit 2 as the forward target. Use markers 3, 4, and 5 to establish lower-edge seating depth, with portions of units 6 and 7 only where the normal view admits them. Markers 10 and 11 may support the forward-side boundary when visible from this orientation; keep the remaining listed marker topology consistent without claiming off-cone visibility.\n  - camera_framing_directive: Frame from camera unit 1 at camera cell [2,4], looking toward unit 2 through look-at cell [1,8], with a normal 50-degree lens for neutral coverage. Keep markers 3, 4, and 5 available along the lower or lateral frame edges, with unit 2 providing the forward spatial anchor; the composition must support the committed medium view and a tighter crop that retains only narrow background edges.\n  - subject_position_directive: Reserve a midground subject zone near middle-center, shifting toward center-left for the committed forward-leaning pointing pose in S12_Shot3 and just off center for the tighter upper-body pose in S12_Shot6. The first shot's gesture points toward a rear-row target outside frame, while the second shot's gaze remains beyond the lens axis; add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: The background is committed as clean and has no transient marker numbers. No committed state cue beyond \"clean residential space\" applies; retain the listed structural and persistent elements without inventing additional state cues or overlays.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, transient overlays, scenario-specific additions, or spaces outside the normal 50-degree view. Preserve the floor-plan relationships among units 1, 2, 6, and 7 and fixed markers 3, 4, and 5; do not force unit 8 or markers 12 and 13 into the forward frame when they fall outside this camera cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed camera position in unit 1 at seated chest height and direct the neutral field toward unit 2 through the listed look-at candidate [1,8]. Preserve enough lower-edge context for markers 3, 4, and 5 while allowing the consuming shots to use medium or close subject framing.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from within its listed camera cell with unit 2 as the forward target. Use markers 3, 4, and 5 to establish lower-edge seating depth, with portions of units 6 and 7 only where the normal view admits them. Markers 10 and 11 may support the forward-side boundary when visible from this orientation; keep the remaining listed marker topology consistent without claiming off-cone visibility.\n  - camera_framing_directive: Frame from camera unit 1 at camera cell [2,4], looking toward unit 2 through look-at cell [1,8], with a normal 50-degree lens for neutral coverage. Keep markers 3, 4, and 5 available along the lower or lateral frame edges, with unit 2 providing the forward spatial anchor; the composition must support the committed medium view and a tighter crop that retains only narrow background edges.\n  - subject_position_directive: Reserve a midground subject zone near middle-center, shifting toward center-left for the committed forward-leaning pointing pose in S12_Shot3 and just off center for the tighter upper-body pose in S12_Shot6. The first shot's gesture points toward a rear-row target outside frame, while the second shot's gaze remains beyond the lens axis; add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: The background is committed as clean and has no transient marker numbers. No committed state cue beyond \"clean residential space\" applies; retain the listed structural and persistent elements without inventing additional state cues or overlays.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, transient overlays, scenario-specific additions, or spaces outside the normal 50-degree view. Preserve the floor-plan relationships among units 1, 2, 6, and 7 and fixed markers 3, 4, and 5; do not force unit 8 or markers 12 and 13 into the forward frame when they fall outside this camera cone.\n\n대한민국 남서부 지역의 21세기 초·중반 관공서에서 실제로 볼 수 있는 소박하고 실용적인 경찰서 대회의실. 아침 직원 집합을 위해 정돈된 강당형 배치로, 넓은 중앙 및 후면 바닥에 왼쪽·가운데·오른쪽의 세 좌석 열군이 전면을 향해 가지런히 이어지고, 그 사이의 두 긴 중앙 통로가 발표 단상까지 막힘없이 연결된다. 북쪽 전면 중앙의 낮은 발표 단상이 분명하게 보이며, 동쪽 벽 앞쪽에는 측면 출입문이 있고 좌석 열을 따라 전면·중간·후면 창문이 이어진다. 남서쪽 뒤편에서 대회의실 안쪽을 대각선으로 바라보는 구도, 서 있는 사람의 눈높이 약 1.6미터, 28밀리미터 중간 광각 렌즈. 세 좌석 열군의 전체 깊이와 뒤쪽 좌석 부분을 모두 담고, 두 통로의 시선을 보존하며 전면 발표 단상을 뚜렷한 중심점으로 둔다. 동쪽 창문으로 들어오는 절제된 아침 자연광과 실내의 평범한 관공서 조명이 섞인 중저대비 조도, 과장되지 않은 중성 색감. 실제 바닥재의 미세한 사용감, 금속 의자 프레임의 현실적인 광택과 작은 마모, 좌석 직물의 짜임, 단상 표면의 실제 목재 무늬, 문과 창틀의 생활 흔적을 정확하게 표현한다. 공간은 깨끗하고 흐트러지지 않은 행사 전 상태다. 사람, 얼굴, 인체 형태의 모형이나 실루엣 없이 비어 있는 배경 공간만 보여준다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 실제 장소 기록 사진처럼 담담한 촬영, 과도한 후처리 없음. 위에서 내려다본 시점이나 평면도, 건축 도해, 삽화, 컴퓨터 생성 이미지가 아닌 현실의 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use the listed camera position in unit 1 at seated chest height and direct the neutral field toward unit 2 through the listed look-at candidate [1,8]. Preserve enough lower-edge context for markers 3, 4, and 5 while allowing the consuming shots to use medium or close subject framing.",
          "lens_enum": "normal",
          "look_at_cell": [
            1,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from within its listed camera cell with unit 2 as the forward target. Use markers 3, 4, and 5 to establish lower-edge seating depth, with portions of units 6 and 7 only where the normal view admits them. Markers 10 and 11 may support the forward-side boundary when visible from this orientation; keep the remaining listed marker topology consistent without claiming off-cone visibility.",
          "camera_framing_directive": "Frame from camera unit 1 at camera cell [2,4], looking toward unit 2 through look-at cell [1,8], with a normal 50-degree lens for neutral coverage. Keep markers 3, 4, and 5 available along the lower or lateral frame edges, with unit 2 providing the forward spatial anchor; the composition must support the committed medium view and a tighter crop that retains only narrow background edges.",
          "subject_position_directive": "Reserve a midground subject zone near middle-center, shifting toward center-left for the committed forward-leaning pointing pose in S12_Shot3 and just off center for the tighter upper-body pose in S12_Shot6. The first shot's gesture points toward a rear-row target outside frame, while the second shot's gaze remains beyond the lens axis; add no subjects beyond those committed by the surfaced staging.",
          "state_cue_directive": "The background is committed as clean and has no transient marker numbers. No committed state cue beyond \"clean residential space\" applies; retain the listed structural and persistent elements without inventing additional state cues or overlays.",
          "negative_continuity_directive": "Do not invent unlisted numbered elements, transient overlays, scenario-specific additions, or spaces outside the normal 50-degree view. Preserve the floor-plan relationships among units 1, 2, 6, and 7 and fixed markers 3, 4, and 5; do not force unit 8 or markers 12 and 13 into the forward frame when they fall outside this camera cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l11_conference_hall",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l11_conference_hall"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L12B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L12",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B02.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시 권역의 현실적인 경찰서 강력반 공동 사무공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 평일 낮, 복도 출입문 바로 안쪽에서 약 1.6미터의 서 있는 사람 눈높이로 사무실 중앙을 대각선으로 바라본다. 35밀리미터 상당의 적당한 광각 렌즈로 중앙 대부분을 차지하는 직사각형 공동 업무 구역과 넓은 통로, 서로 마주 보는 두 줄의 공동 책상군, 남쪽 중앙의 주 담당 책상과 바로 옆 동료 책상, 북동쪽에서 출입구와 공동 책상을 바라보는 팀장 책상까지 자연스러운 공간 깊이로 담는다. 주 담당 책상의 안쪽 가장자리에는 공용 유선전화가 놓여 있고 뒤쪽에는 당시 관공서에서 사용하던 데스크톱 컴퓨터가 있으며, 옆 책상에는 2010년대 중후반형 모니터와 노트북 도킹 장치가 자리한다. 서쪽 벽을 따라 현실적인 금속 서류함이 이어지지만 화면의 주인공처럼 강조하지 않는다. 남쪽 외벽의 연속 창으로 들어오는 절제된 낮빛과 직사각형 형광등의 중성적인 실내광이 섞이고, 오래 사용한 관공서 특유의 도장 벽면, 실제 금속의 미세한 마모와 손때, 책상 표면의 사실적인 목재 무늬와 생활 흔적이 보인다. 최신형이나 미래형 장비는 배제하고 해당 시기의 한국 수사 사무실에 맞는 전화기와 컴퓨터 외형을 유지한다. 공간은 깨끗하고 흐트러짐 없이 정돈되어 있다. 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없는 빈 배경이다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근, 정확한 재질, 절제된 색감, 중저대비의 현실적인 노출, 자연스러운 피사계 심도를 사용하며 후처리 느낌이 없는 담담한 기록 사진으로 표현한다. 평면도, 위에서 내려다본 구도, 건축 도면, 삽화, 합성 이미지가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 출입문 안쪽의 사람 눈높이에서 공동 사무공간을 대각선으로 바라본다. 중앙의 두 줄 책상군, 남쪽 중앙의 주 담당 책상과 바로 옆 동료 책상, 안쪽 가장자리의 공용 유선전화, 뒤쪽의 컴퓨터와 모니터, 북동쪽 팀장 책상이 자연스러운 원근 속에 함께 보이도록 한다. 빈 배경 사진으로 유지하며 사람이나 사람 형태의 실루엣은 넣지 않는다.",
            "shot_id": "S13_Shot2"
          },
          {
            "guide_text": "같은 출입구 부근 시점과 낮 시간의 자연스러운 밝기를 유지한다. 35밀리미터 상당의 적당한 광각으로 중앙 통로와 여러 업무용 책상의 깊이를 보여 주되, 유선전화와 2010년대 중후반형 워크스테이션이 일상적인 사무실 요소로 읽히게 한다. 특정 벽면 수납 공간을 과도하게 부각하지 않고, 실제 사용 중인 부서의 정돈된 빈 사무공간처럼 촬영한다.",
            "shot_id": "S13_Shot6"
          }
        ],
        "shot_ids": [
          "S13_Shot2",
          "S13_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 4 (corridor entrance door), facing diagonally across number 1 (shared bullpen) toward number 6 (shared desk cluster), number 7 (primary detective desk), and number 12 (team leader desk)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the routine office depth, occupied desk positions, the landline at number 9, and several period-appropriate workstations without emphasizing the evidence storage corner."
        },
        "reference_decision": {
          "bg_id": "L12B02",
          "fp_id": "fp_l12_detective_office",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L12B02 uses the same physical space and overlapping fixed markers as L12B01 but requires a camera from unit 2 toward unit 1 for S13_Shot2 and S13_Shot6. L12B01 therefore commits the fixed layout, while the changed camera unit and look-at geometry justify a new same-space view rather than plate reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B01.png"
          ],
          "source_bg_ids": [
            "L12B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L12B01",
                "space_description": "The same fixed physical space containing units 1 and 2 and the overlapping base markers."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because all required markers belong to the same physical space already established by L12B01; no consuming shot commits two distinct co-visible spaces."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              8
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Neutral coverage from unit 2 toward the marker-9 position in unit 1 supports the staged medium exchange and the tighter reaction while retaining the fixed central arrangement.",
            "lens_enum": "normal",
            "look_at_cell": [
              6,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show the unit-2-to-unit-1 view with markers 6, 7, 8, 9, 10, 11, and 12 held in the same floor-plan positions established by L12B01. Marker 4 and the broader base context may remain available only where the normal view includes them; marker 5 and marker 13 must follow their supplied fixed positions rather than being repositioned for framing.",
            "camera_framing_directive": "Use neutral 50-degree coverage from camera unit 2 at cell [1,8], aimed into unit 1 at cell [6,4]. Frame for the middle-right upper-body placement and left-foreground shoulder in S13_Shot2, while retaining a tighter central crop around marker 9 for S13_Shot6.",
            "subject_position_directive": "For S13_Shot2, reserve the left foreground for a cropped near shoulder and the middle-right for a forward-leaning upper body with a hand-held transient shot element between them. For S13_Shot6, reserve the middle center above marker 9 for one tight upper-body subject. Keep all subjects and hand-held action out of the clean plate.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional cues and retain the subdued natural daytime illumination stated by S13_Shot2 and S13_Shot6.",
            "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not move the fixed markers inherited from L12B01, do not redraw uncommitted state overlays, and do not treat unit 3 as a committed visible space in this view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 8]\n  - look_at_unit: 1\n  - look_at_cell: [6, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 2 toward the marker-9 position in unit 1 supports the staged medium exchange and the tighter reaction while retaining the fixed central arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2-to-unit-1 view with markers 6, 7, 8, 9, 10, 11, and 12 held in the same floor-plan positions established by L12B01. Marker 4 and the broader base context may remain available only where the normal view includes them; marker 5 and marker 13 must follow their supplied fixed positions rather than being repositioned for framing.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 2 at cell [1,8], aimed into unit 1 at cell [6,4]. Frame for the middle-right upper-body placement and left-foreground shoulder in S13_Shot2, while retaining a tighter central crop around marker 9 for S13_Shot6.\n  - subject_position_directive: For S13_Shot2, reserve the left foreground for a cropped near shoulder and the middle-right for a forward-leaning upper body with a hand-held transient shot element between them. For S13_Shot6, reserve the middle center above marker 9 for one tight upper-body subject. Keep all subjects and hand-held action out of the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional cues and retain the subdued natural daytime illumination stated by S13_Shot2 and S13_Shot6.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not move the fixed markers inherited from L12B01, do not redraw uncommitted state overlays, and do not treat unit 3 as a committed visible space in this view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 8]\n  - look_at_unit: 1\n  - look_at_cell: [6, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 2 toward the marker-9 position in unit 1 supports the staged medium exchange and the tighter reaction while retaining the fixed central arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2-to-unit-1 view with markers 6, 7, 8, 9, 10, 11, and 12 held in the same floor-plan positions established by L12B01. Marker 4 and the broader base context may remain available only where the normal view includes them; marker 5 and marker 13 must follow their supplied fixed positions rather than being repositioned for framing.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 2 at cell [1,8], aimed into unit 1 at cell [6,4]. Frame for the middle-right upper-body placement and left-foreground shoulder in S13_Shot2, while retaining a tighter central crop around marker 9 for S13_Shot6.\n  - subject_position_directive: For S13_Shot2, reserve the left foreground for a cropped near shoulder and the middle-right for a forward-leaning upper body with a hand-held transient shot element between them. For S13_Shot6, reserve the middle center above marker 9 for one tight upper-body subject. Keep all subjects and hand-held action out of the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional cues and retain the subdued natural daytime illumination stated by S13_Shot2 and S13_Shot6.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not move the fixed markers inherited from L12B01, do not redraw uncommitted state overlays, and do not treat unit 3 as a committed visible space in this view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 8]\n  - look_at_unit: 1\n  - look_at_cell: [6, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 2 toward the marker-9 position in unit 1 supports the staged medium exchange and the tighter reaction while retaining the fixed central arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit-2-to-unit-1 view with markers 6, 7, 8, 9, 10, 11, and 12 held in the same floor-plan positions established by L12B01. Marker 4 and the broader base context may remain available only where the normal view includes them; marker 5 and marker 13 must follow their supplied fixed positions rather than being repositioned for framing.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 2 at cell [1,8], aimed into unit 1 at cell [6,4]. Frame for the middle-right upper-body placement and left-foreground shoulder in S13_Shot2, while retaining a tighter central crop around marker 9 for S13_Shot6.\n  - subject_position_directive: For S13_Shot2, reserve the left foreground for a cropped near shoulder and the middle-right for a forward-leaning upper body with a hand-held transient shot element between them. For S13_Shot6, reserve the middle center above marker 9 for one tight upper-body subject. Keep all subjects and hand-held action out of the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional cues and retain the subdued natural daytime illumination stated by S13_Shot2 and S13_Shot6.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not move the fixed markers inherited from L12B01, do not redraw uncommitted state overlays, and do not treat unit 3 as a committed visible space in this view.\n\n2015~2017년 무렵 대한민국 전라남도·광주광역시 권역의 현실적인 경찰서 강력반 공동 사무공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 평일 낮, 복도 출입문 바로 안쪽에서 약 1.6미터의 서 있는 사람 눈높이로 사무실 중앙을 대각선으로 바라본다. 35밀리미터 상당의 적당한 광각 렌즈로 중앙 대부분을 차지하는 직사각형 공동 업무 구역과 넓은 통로, 서로 마주 보는 두 줄의 공동 책상군, 남쪽 중앙의 주 담당 책상과 바로 옆 동료 책상, 북동쪽에서 출입구와 공동 책상을 바라보는 팀장 책상까지 자연스러운 공간 깊이로 담는다. 주 담당 책상의 안쪽 가장자리에는 공용 유선전화가 놓여 있고 뒤쪽에는 당시 관공서에서 사용하던 데스크톱 컴퓨터가 있으며, 옆 책상에는 2010년대 중후반형 모니터와 노트북 도킹 장치가 자리한다. 서쪽 벽을 따라 현실적인 금속 서류함이 이어지지만 화면의 주인공처럼 강조하지 않는다. 남쪽 외벽의 연속 창으로 들어오는 절제된 낮빛과 직사각형 형광등의 중성적인 실내광이 섞이고, 오래 사용한 관공서 특유의 도장 벽면, 실제 금속의 미세한 마모와 손때, 책상 표면의 사실적인 목재 무늬와 생활 흔적이 보인다. 최신형이나 미래형 장비는 배제하고 해당 시기의 한국 수사 사무실에 맞는 전화기와 컴퓨터 외형을 유지한다. 공간은 깨끗하고 흐트러짐 없이 정돈되어 있다. 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없는 빈 배경이다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근, 정확한 재질, 절제된 색감, 중저대비의 현실적인 노출, 자연스러운 피사계 심도를 사용하며 후처리 느낌이 없는 담담한 기록 사진으로 표현한다. 평면도, 위에서 내려다본 구도, 건축 도면, 삽화, 합성 이미지가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            1,
            8
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Neutral coverage from unit 2 toward the marker-9 position in unit 1 supports the staged medium exchange and the tighter reaction while retaining the fixed central arrangement.",
          "lens_enum": "normal",
          "look_at_cell": [
            6,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show the unit-2-to-unit-1 view with markers 6, 7, 8, 9, 10, 11, and 12 held in the same floor-plan positions established by L12B01. Marker 4 and the broader base context may remain available only where the normal view includes them; marker 5 and marker 13 must follow their supplied fixed positions rather than being repositioned for framing.",
          "camera_framing_directive": "Use neutral 50-degree coverage from camera unit 2 at cell [1,8], aimed into unit 1 at cell [6,4]. Frame for the middle-right upper-body placement and left-foreground shoulder in S13_Shot2, while retaining a tighter central crop around marker 9 for S13_Shot6.",
          "subject_position_directive": "For S13_Shot2, reserve the left foreground for a cropped near shoulder and the middle-right for a forward-leaning upper body with a hand-held transient shot element between them. For S13_Shot6, reserve the middle center above marker 9 for one tight upper-body subject. Keep all subjects and hand-held action out of the clean plate.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional cues and retain the subdued natural daytime illumination stated by S13_Shot2 and S13_Shot6.",
          "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not move the fixed markers inherited from L12B01, do not redraw uncommitted state overlays, and do not treat unit 3 as a committed visible space in this view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l12_detective_office",
          "prior_bg_ids": [
            "L12B01"
          ],
          "attached_ref_labels": [
            "bg:L12B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L12B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L12",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 호남권의 현실적인 경찰 수사 사무실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 평일 낮의 차분하고 실무적인 사무 환경이며, 과장 없이 절제된 자연색과 보통 수준 이하의 대비를 유지한다. 북동쪽 복도 출입문 바로 안쪽에서 서 있는 사람의 눈높이 약 1.6미터로 중앙 공동 사무 구역을 바라본다. 35밀리미터급 실제 카메라와 약 32밀리미터 중광각 렌즈를 사용한 시야로, 하향식 평면도나 건축 도면이 아닌 실제 장소의 수평 시점이다. 중앙에는 넓은 통로를 사이에 두고 두 줄로 짝지은 공동 책상군이 있고, 남쪽 중앙의 주 담당 형사 책상과 바로 옆 파트너 책상이 주요 초점이 된다. 두 책상의 맞닿은 안쪽 가장자리에는 공유 유선전화가 놓여 있으며, 주 담당 형사 책상 뒤쪽에는 당시 사무용 데스크톱 컴퓨터가, 파트너 책상 뒤쪽에는 모니터와 노트북 도킹 공간을 갖춘 2010년대 중후반형 디지털 작업 환경이 있다. 팀장 책상은 출입구와 공동 책상군을 함께 바라볼 수 있는 북동쪽 측면의 조금 먼 위치에 자연스럽게 보인다. 출입문에서 두 핵심 책상까지 시야가 명확하게 이어지고, 중앙 통로와 책상 사이의 실제 거리감이 드러나는 구성. 지방 관공서 특유의 실용적인 내부 마감, 실제 합성수지 바닥의 미세한 사용감, 도장된 벽면의 고른 질감, 금속과 플라스틱 사무기기의 자연스러운 표면, 책상 재료의 현실적인 나뭇결과 일상적인 마모를 세밀하게 표현한다. 낮의 실내광은 자연스럽고 균일하며, 과도하게 밝은 광고 사진처럼 보이지 않게 한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없다. 자연스러운 심도와 사실적인 원근감, 무보정에 가까운 실제 장소 기록 사진, 깨끗한 홍보용 사진이나 컴퓨터 그래픽, 삽화, 건축 시각화가 아닌 현실의 사무실 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 출입문 바로 안쪽의 서 있는 눈높이에서 공동 사무 구역을 넓게 바라본다. 출입구에서 주 담당 형사 책상과 인접한 파트너 책상까지 시야가 막히지 않도록 하고, 팀장 책상은 먼 측면에 자연스럽게 포함한다. 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S22_Shot1"
          },
          {
            "guide_text": "같은 출입구 축을 유지하되 짝을 이룬 두 책상을 화면의 중심에 조금 더 분명하게 배치한다. 두 책상 사이의 유선전화와 각 작업용 컴퓨터 구성이 식별되면서도 출입구와 중앙 통로의 공간 관계가 한눈에 읽혀야 한다. 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S22_Shot6"
          },
          {
            "guide_text": "출입구 문틀 일부가 화면 가장자리에 느껴지도록 하여 문턱에서 사무실 안을 바라보는 위치를 명확히 한다. 중앙의 짝지은 책상으로 이어지는 넓은 시선 통로를 확보하고, 한쪽 먼 곳의 팀장 책상까지 깊이감 있게 보이게 한다. 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S22_Shot10"
          }
        ],
        "shot_ids": [
          "S22_Shot1",
          "S22_Shot6",
          "S22_Shot10"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "just inside number 4 (corridor entrance door), facing number 7 (primary detective desk) and number 8 (adjacent partner desk), with number 12 (team leader desk) farther to one side",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Preserve a clear sightline from the entrance to the paired desks for the arrival, introduction, handshake, and doorway interruption."
        },
        "reference_decision": {
          "bg_id": "L12B01",
          "fp_id": "fp_l12_detective_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L12B01 is in the supplied clean anchor candidate set and provides the broadest clean identity plate for S22_Shot1, S22_Shot6, and S22_Shot10. A wide camera in unit 1 looking toward unit 2 establishes the fixed relationship between the central markers and marker 4 without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l12_detective_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and must be rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Broad representative framing from unit 1 toward unit 2, retaining the spatial relationship among markers 1, 2, 4, 6, 7, 8, 9, 10, 11, and 12 for the wide staged shots while allowing closer crops downstream.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 extending toward unit 2 through the wide view, with marker 4 available as the threshold frame and markers 6, 7, 8, 9, 10, 11, and 12 maintaining their supplied positions. Treat any additional units or openings in the geometry supersets as uncommitted.",
            "camera_framing_directive": "Use broad 90-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 2 at cell [3,8]. Preserve enough lateral and depth coverage for the wide threshold staging in S22_Shot1 and S22_Shot10 and for downstream close cropping in S22_Shot6.",
            "subject_position_directive": "Keep the background compatible with a full-body subject paused at the threshold in the midground for S22_Shot1 and S22_Shot10, and with two partial torsos and joined hands near frame center for the close crop in S22_Shot6. Subjects are shot-layer elements and must not be baked into the clean plate.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the restrained natural daytime illumination committed by the consuming shots.",
            "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not introduce spaces beyond units 1 and 2 as committed visible areas, and do not alter the floor-plan positions of markers 4, 6, 7, 8, 9, 10, 11, or 12."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad representative framing from unit 1 toward unit 2, retaining the spatial relationship among markers 1, 2, 4, 6, 7, 8, 9, 10, 11, and 12 for the wide staged shots while allowing closer crops downstream.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 extending toward unit 2 through the wide view, with marker 4 available as the threshold frame and markers 6, 7, 8, 9, 10, 11, and 12 maintaining their supplied positions. Treat any additional units or openings in the geometry supersets as uncommitted.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 2 at cell [3,8]. Preserve enough lateral and depth coverage for the wide threshold staging in S22_Shot1 and S22_Shot10 and for downstream close cropping in S22_Shot6.\n  - subject_position_directive: Keep the background compatible with a full-body subject paused at the threshold in the midground for S22_Shot1 and S22_Shot10, and with two partial torsos and joined hands near frame center for the close crop in S22_Shot6. Subjects are shot-layer elements and must not be baked into the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the restrained natural daytime illumination committed by the consuming shots.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not introduce spaces beyond units 1 and 2 as committed visible areas, and do not alter the floor-plan positions of markers 4, 6, 7, 8, 9, 10, 11, or 12.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad representative framing from unit 1 toward unit 2, retaining the spatial relationship among markers 1, 2, 4, 6, 7, 8, 9, 10, 11, and 12 for the wide staged shots while allowing closer crops downstream.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 extending toward unit 2 through the wide view, with marker 4 available as the threshold frame and markers 6, 7, 8, 9, 10, 11, and 12 maintaining their supplied positions. Treat any additional units or openings in the geometry supersets as uncommitted.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 2 at cell [3,8]. Preserve enough lateral and depth coverage for the wide threshold staging in S22_Shot1 and S22_Shot10 and for downstream close cropping in S22_Shot6.\n  - subject_position_directive: Keep the background compatible with a full-body subject paused at the threshold in the midground for S22_Shot1 and S22_Shot10, and with two partial torsos and joined hands near frame center for the close crop in S22_Shot6. Subjects are shot-layer elements and must not be baked into the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the restrained natural daytime illumination committed by the consuming shots.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not introduce spaces beyond units 1 and 2 as committed visible areas, and do not alter the floor-plan positions of markers 4, 6, 7, 8, 9, 10, 11, or 12.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 2\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad representative framing from unit 1 toward unit 2, retaining the spatial relationship among markers 1, 2, 4, 6, 7, 8, 9, 10, 11, and 12 for the wide staged shots while allowing closer crops downstream.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 extending toward unit 2 through the wide view, with marker 4 available as the threshold frame and markers 6, 7, 8, 9, 10, 11, and 12 maintaining their supplied positions. Treat any additional units or openings in the geometry supersets as uncommitted.\n  - camera_framing_directive: Use broad 90-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 2 at cell [3,8]. Preserve enough lateral and depth coverage for the wide threshold staging in S22_Shot1 and S22_Shot10 and for downstream close cropping in S22_Shot6.\n  - subject_position_directive: Keep the background compatible with a full-body subject paused at the threshold in the midground for S22_Shot1 and S22_Shot10, and with two partial torsos and joined hands near frame center for the close crop in S22_Shot6. Subjects are shot-layer elements and must not be baked into the clean plate.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the restrained natural daytime illumination committed by the consuming shots.\n  - negative_continuity_directive: Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not introduce spaces beyond units 1 and 2 as committed visible areas, and do not alter the floor-plan positions of markers 4, 6, 7, 8, 9, 10, 11, or 12.\n\n2015~2017년 무렵 대한민국 호남권의 현실적인 경찰 수사 사무실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 평일 낮의 차분하고 실무적인 사무 환경이며, 과장 없이 절제된 자연색과 보통 수준 이하의 대비를 유지한다. 북동쪽 복도 출입문 바로 안쪽에서 서 있는 사람의 눈높이 약 1.6미터로 중앙 공동 사무 구역을 바라본다. 35밀리미터급 실제 카메라와 약 32밀리미터 중광각 렌즈를 사용한 시야로, 하향식 평면도나 건축 도면이 아닌 실제 장소의 수평 시점이다. 중앙에는 넓은 통로를 사이에 두고 두 줄로 짝지은 공동 책상군이 있고, 남쪽 중앙의 주 담당 형사 책상과 바로 옆 파트너 책상이 주요 초점이 된다. 두 책상의 맞닿은 안쪽 가장자리에는 공유 유선전화가 놓여 있으며, 주 담당 형사 책상 뒤쪽에는 당시 사무용 데스크톱 컴퓨터가, 파트너 책상 뒤쪽에는 모니터와 노트북 도킹 공간을 갖춘 2010년대 중후반형 디지털 작업 환경이 있다. 팀장 책상은 출입구와 공동 책상군을 함께 바라볼 수 있는 북동쪽 측면의 조금 먼 위치에 자연스럽게 보인다. 출입문에서 두 핵심 책상까지 시야가 명확하게 이어지고, 중앙 통로와 책상 사이의 실제 거리감이 드러나는 구성. 지방 관공서 특유의 실용적인 내부 마감, 실제 합성수지 바닥의 미세한 사용감, 도장된 벽면의 고른 질감, 금속과 플라스틱 사무기기의 자연스러운 표면, 책상 재료의 현실적인 나뭇결과 일상적인 마모를 세밀하게 표현한다. 낮의 실내광은 자연스럽고 균일하며, 과도하게 밝은 광고 사진처럼 보이지 않게 한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 모형이나 실루엣은 전혀 없다. 자연스러운 심도와 사실적인 원근감, 무보정에 가까운 실제 장소 기록 사진, 깨끗한 홍보용 사진이나 컴퓨터 그래픽, 삽화, 건축 시각화가 아닌 현실의 사무실 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Broad representative framing from unit 1 toward unit 2, retaining the spatial relationship among markers 1, 2, 4, 6, 7, 8, 9, 10, 11, and 12 for the wide staged shots while allowing closer crops downstream.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 extending toward unit 2 through the wide view, with marker 4 available as the threshold frame and markers 6, 7, 8, 9, 10, 11, and 12 maintaining their supplied positions. Treat any additional units or openings in the geometry supersets as uncommitted.",
          "camera_framing_directive": "Use broad 90-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 2 at cell [3,8]. Preserve enough lateral and depth coverage for the wide threshold staging in S22_Shot1 and S22_Shot10 and for downstream close cropping in S22_Shot6.",
          "subject_position_directive": "Keep the background compatible with a full-body subject paused at the threshold in the midground for S22_Shot1 and S22_Shot10, and with two partial torsos and joined hands near frame center for the close crop in S22_Shot6. Subjects are shot-layer elements and must not be baked into the clean plate.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues; retain the restrained natural daytime illumination committed by the consuming shots.",
          "negative_continuity_directive": "Exclude overlay markers 15, 16, 17, 18, 19, and 20. Do not introduce spaces beyond units 1 and 2 as committed visible areas, and do not alter the floor-plan positions of markers 4, 6, 7, 8, 9, 10, 11, or 12."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l12_detective_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l12_detective_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L12B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L12",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B03.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지역의 현실적인 경찰 수사 사무실 중앙 공용 업무 구역. 옆 수사관 책상 바로 곁에서 주 수사관 책상을 바라보는 앉은 눈높이 약 1.2m의 수평 시점이며, 45mm 표준 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이다. 두 줄로 짝지어진 공용 책상군과 넓은 통로가 있는 실무적인 배치 속에서 주 책상과 바로 인접한 동료 책상의 관계가 자연스럽게 읽힌다. 주 책상 안쪽 가장자리에는 업무용 유선전화가 놓여 있고 뒤쪽에는 해당 시기의 평범한 데스크톱 컴퓨터가 있으며, 옆 책상 뒤쪽에는 모니터와 노트북 도킹 장비가 보인다. 최신형이나 미래형 장비가 아닌 2015~2017년 무렵의 한국 공공기관 사무실에 맞는 투박하고 실용적인 전산 장비와 사무 가구를 사용한다. 낮 시간의 부드러운 주변광과 절제된 사무실 조명이 섞인 보통 밝기, 중저대비의 사실적인 노출. 책상 표면에는 오랜 사용으로 생긴 잔기스와 손때가 있고, 플라스틱과 금속 장비에는 미세한 마모와 현실적인 먼지가 남아 있다. 주 책상의 상당 부분을 두꺼운 사건 기록철과 종이 서류 더미가 불규칙하게 덮고 있으며, 책상 앞쪽에는 어둡고 인쇄 품질이 낮아 세부가 검게 뭉개진 부검 자료 복사본 여러 장이 기록 사이에 펼쳐져 있다. 복사본은 비그래픽하고 임상적인 수사 자료로 보이며 얼굴이나 식별 가능한 인체 형상은 드러나지 않는다. 과도하게 정돈된 광고 사진이 아니라 실제 업무가 진행되던 장소를 있는 그대로 기록한 사진처럼 종이의 구김, 복사 토너의 번짐, 기록철 모서리의 닳음, 케이블과 장비의 일상적 사용감이 자연스럽다. 사람, 얼굴, 인체 형태의 모형이나 형상은 전혀 없다. 실제 재료 질감과 자연스러운 피사계 심도, 무보정에 가까운 담담한 색감의 실제 장소 참고 사진이며, 평면도나 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "옆 수사관 책상 가까이의 앉은 눈높이 약 1.2m에서 주 수사관 책상을 정면에 가깝게 바라본다. 45mm 표준 렌즈로 주 책상 전면의 검게 뭉개진 저품질 부검 복사본과 겹겹이 쌓인 사건 기록철을 선명한 중심에 두고, 안쪽 가장자리의 유선전화와 뒤쪽 데스크톱 컴퓨터가 같은 업무 공간 안에서 자연스럽게 보이게 한다. 옆 책상의 모니터와 노트북 도킹 장비는 프레임 가장자리의 공간적 단서로만 제한한다. 사람이나 얼굴, 식별 가능한 인체 형상은 포함하지 않는다.",
            "shot_id": "S24_Shot3"
          }
        ],
        "shot_ids": [
          "S24_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "beside number 8 (adjacent partner desk), facing number 7 (primary detective desk), number 9 (landline telephone), and number 10 (desktop computer)",
          "camera_height": "seated eye level, approximately 1.2m",
          "lens_hint": "45mm normal lens",
          "framing_notes": "Use a desk-focused medium shot in which number 15 (piled case records) and number 16 (dark low-quality photocopies) dominate the foreground while the adjacent workstation remains legible."
        },
        "reference_decision": {
          "bg_id": "L12B03",
          "fp_id": "fp_l12_detective_office",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L12B03 occupies the same physical space established by L12B01 and shares markers 1, 6, 7, 8, 9, 10, and 11, but S24_Shot3 requires a narrow close view aimed at marker 7. The changed look-at unit and cell reveal a materially different slice and scale of the fixed arrangement, so a new same-space plate is required.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B01.png"
          ],
          "source_bg_ids": [
            "L12B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L12B01",
                "space_description": "The same fixed physical space, concentrated on the marker-7 area within unit 1."
              }
            ],
            "why_single_ref_or_two_refs": "L12B01 alone commits all overlapping fixed markers needed for this close view, and S24_Shot3 does not establish two distinct co-visible physical spaces."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Compressed narrow coverage within unit 1, aimed at marker 7, isolates the close staged view and its lower-band surface cues.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              6,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show only the narrow unit 1 slice around markers 6, 7, 8, 9, 10, and 11, centered toward marker 7. Maintain every fixed marker in the same position established by L12B01 while allowing transient markers 15 and 16 to occupy their shot-specific layer.",
            "camera_framing_directive": "Use compressed 25-degree coverage from camera unit 1 at cell [2,5], aimed within unit 1 at cell [6,3]. Hold a narrow lower band for the marker-7 surface and transient markers 15 and 16 while supporting the close facial framing committed by S24_Shot3.",
            "subject_position_directive": "Reserve most of the close frame for one three-quarter subject reclining with chin lowered and gaze directed toward the lower-band transient markers. Keep the near surface edge across the bottom and leave marker 15 softly behind the focal plane; do not bake the subject into the plate.",
            "state_cue_directive": "Place transient markers 15 and 16 on the marker-7 working surface as committed by S24_Shot3, with marker 16 visible but indistinct and marker 15 providing soft background context. Retain restrained daytime illumination and do not add unlisted state cues.",
            "negative_continuity_directive": "Exclude overlay markers 17, 18, 19, and 20. Keep markers 6, 7, 8, 9, 10, and 11 in the fixed positions inherited from L12B01, and do not add units or openings outside this narrow unit-1 view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 3]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Compressed narrow coverage within unit 1, aimed at marker 7, isolates the close staged view and its lower-band surface cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show only the narrow unit 1 slice around markers 6, 7, 8, 9, 10, and 11, centered toward marker 7. Maintain every fixed marker in the same position established by L12B01 while allowing transient markers 15 and 16 to occupy their shot-specific layer.\n  - camera_framing_directive: Use compressed 25-degree coverage from camera unit 1 at cell [2,5], aimed within unit 1 at cell [6,3]. Hold a narrow lower band for the marker-7 surface and transient markers 15 and 16 while supporting the close facial framing committed by S24_Shot3.\n  - subject_position_directive: Reserve most of the close frame for one three-quarter subject reclining with chin lowered and gaze directed toward the lower-band transient markers. Keep the near surface edge across the bottom and leave marker 15 softly behind the focal plane; do not bake the subject into the plate.\n  - state_cue_directive: Place transient markers 15 and 16 on the marker-7 working surface as committed by S24_Shot3, with marker 16 visible but indistinct and marker 15 providing soft background context. Retain restrained daytime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Exclude overlay markers 17, 18, 19, and 20. Keep markers 6, 7, 8, 9, 10, and 11 in the fixed positions inherited from L12B01, and do not add units or openings outside this narrow unit-1 view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 3]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Compressed narrow coverage within unit 1, aimed at marker 7, isolates the close staged view and its lower-band surface cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show only the narrow unit 1 slice around markers 6, 7, 8, 9, 10, and 11, centered toward marker 7. Maintain every fixed marker in the same position established by L12B01 while allowing transient markers 15 and 16 to occupy their shot-specific layer.\n  - camera_framing_directive: Use compressed 25-degree coverage from camera unit 1 at cell [2,5], aimed within unit 1 at cell [6,3]. Hold a narrow lower band for the marker-7 surface and transient markers 15 and 16 while supporting the close facial framing committed by S24_Shot3.\n  - subject_position_directive: Reserve most of the close frame for one three-quarter subject reclining with chin lowered and gaze directed toward the lower-band transient markers. Keep the near surface edge across the bottom and leave marker 15 softly behind the focal plane; do not bake the subject into the plate.\n  - state_cue_directive: Place transient markers 15 and 16 on the marker-7 working surface as committed by S24_Shot3, with marker 16 visible but indistinct and marker 15 providing soft background context. Retain restrained daytime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Exclude overlay markers 17, 18, 19, and 20. Keep markers 6, 7, 8, 9, 10, and 11 in the fixed positions inherited from L12B01, and do not add units or openings outside this narrow unit-1 view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 1\n  - look_at_cell: [6, 3]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Compressed narrow coverage within unit 1, aimed at marker 7, isolates the close staged view and its lower-band surface cues.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show only the narrow unit 1 slice around markers 6, 7, 8, 9, 10, and 11, centered toward marker 7. Maintain every fixed marker in the same position established by L12B01 while allowing transient markers 15 and 16 to occupy their shot-specific layer.\n  - camera_framing_directive: Use compressed 25-degree coverage from camera unit 1 at cell [2,5], aimed within unit 1 at cell [6,3]. Hold a narrow lower band for the marker-7 surface and transient markers 15 and 16 while supporting the close facial framing committed by S24_Shot3.\n  - subject_position_directive: Reserve most of the close frame for one three-quarter subject reclining with chin lowered and gaze directed toward the lower-band transient markers. Keep the near surface edge across the bottom and leave marker 15 softly behind the focal plane; do not bake the subject into the plate.\n  - state_cue_directive: Place transient markers 15 and 16 on the marker-7 working surface as committed by S24_Shot3, with marker 16 visible but indistinct and marker 15 providing soft background context. Retain restrained daytime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Exclude overlay markers 17, 18, 19, and 20. Keep markers 6, 7, 8, 9, 10, and 11 in the fixed positions inherited from L12B01, and do not add units or openings outside this narrow unit-1 view.\n\n2010년대 중후반 대한민국 남서부 지역의 현실적인 경찰 수사 사무실 중앙 공용 업무 구역. 옆 수사관 책상 바로 곁에서 주 수사관 책상을 바라보는 앉은 눈높이 약 1.2m의 수평 시점이며, 45mm 표준 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진이다. 두 줄로 짝지어진 공용 책상군과 넓은 통로가 있는 실무적인 배치 속에서 주 책상과 바로 인접한 동료 책상의 관계가 자연스럽게 읽힌다. 주 책상 안쪽 가장자리에는 업무용 유선전화가 놓여 있고 뒤쪽에는 해당 시기의 평범한 데스크톱 컴퓨터가 있으며, 옆 책상 뒤쪽에는 모니터와 노트북 도킹 장비가 보인다. 최신형이나 미래형 장비가 아닌 2015~2017년 무렵의 한국 공공기관 사무실에 맞는 투박하고 실용적인 전산 장비와 사무 가구를 사용한다. 낮 시간의 부드러운 주변광과 절제된 사무실 조명이 섞인 보통 밝기, 중저대비의 사실적인 노출. 책상 표면에는 오랜 사용으로 생긴 잔기스와 손때가 있고, 플라스틱과 금속 장비에는 미세한 마모와 현실적인 먼지가 남아 있다. 주 책상의 상당 부분을 두꺼운 사건 기록철과 종이 서류 더미가 불규칙하게 덮고 있으며, 책상 앞쪽에는 어둡고 인쇄 품질이 낮아 세부가 검게 뭉개진 부검 자료 복사본 여러 장이 기록 사이에 펼쳐져 있다. 복사본은 비그래픽하고 임상적인 수사 자료로 보이며 얼굴이나 식별 가능한 인체 형상은 드러나지 않는다. 과도하게 정돈된 광고 사진이 아니라 실제 업무가 진행되던 장소를 있는 그대로 기록한 사진처럼 종이의 구김, 복사 토너의 번짐, 기록철 모서리의 닳음, 케이블과 장비의 일상적 사용감이 자연스럽다. 사람, 얼굴, 인체 형태의 모형이나 형상은 전혀 없다. 실제 재료 질감과 자연스러운 피사계 심도, 무보정에 가까운 담담한 색감의 실제 장소 참고 사진이며, 평면도나 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Compressed narrow coverage within unit 1, aimed at marker 7, isolates the close staged view and its lower-band surface cues.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            6,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show only the narrow unit 1 slice around markers 6, 7, 8, 9, 10, and 11, centered toward marker 7. Maintain every fixed marker in the same position established by L12B01 while allowing transient markers 15 and 16 to occupy their shot-specific layer.",
          "camera_framing_directive": "Use compressed 25-degree coverage from camera unit 1 at cell [2,5], aimed within unit 1 at cell [6,3]. Hold a narrow lower band for the marker-7 surface and transient markers 15 and 16 while supporting the close facial framing committed by S24_Shot3.",
          "subject_position_directive": "Reserve most of the close frame for one three-quarter subject reclining with chin lowered and gaze directed toward the lower-band transient markers. Keep the near surface edge across the bottom and leave marker 15 softly behind the focal plane; do not bake the subject into the plate.",
          "state_cue_directive": "Place transient markers 15 and 16 on the marker-7 working surface as committed by S24_Shot3, with marker 16 visible but indistinct and marker 15 providing soft background context. Retain restrained daytime illumination and do not add unlisted state cues.",
          "negative_continuity_directive": "Exclude overlay markers 17, 18, 19, and 20. Keep markers 6, 7, 8, 9, 10, and 11 in the fixed positions inherited from L12B01, and do not add units or openings outside this narrow unit-1 view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l12_detective_office",
          "prior_bg_ids": [
            "L12B01"
          ],
          "attached_ref_labels": [
            "bg:L12B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L12B04": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L12",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B04.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주·전남권의 야간 강력 수사 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 주 수사 책상 가까이에서 약 1.4m 높이의 앉은 눈높이와 선 눈높이 사이에 카메라를 두고, 바로 옆 동료 책상 너머 북서쪽 증거 보관 구역과 북·서쪽 벽면 선반을 바라본다. 실제 35mm급 렌즈의 중간 광각 시야로 중앙 공동 사무 구역의 두 줄 책상 군과 넓은 통로, 남쪽 중앙의 서로 붙어 있는 두 작업대, 뒤쪽 증거 보관 공간의 현실적인 깊이 관계를 담는다.\n\n주 수사 책상 안쪽 경계에는 공용 유선전화가 놓여 있고 뒤쪽에는 당시형 데스크톱 컴퓨터가 있으며, 옆 동료 작업대 뒤쪽에는 모니터와 노트북 도킹 환경이 있다. 노트북 화면에는 야간 조사 중 확인하는 선명한 법의학 부검 사진이 표시되어 있다. 사진은 디지털 화면 테두리 안에만 제한하고, 얼굴이나 전신 형태 없이 신원 식별이 불가능한 국소 임상 자료로 구성하며, 비그래픽하고 절차적인 기록 화면으로 보이게 한다. 두 책상 사이에는 피해자의 일기장이 펼쳐져 있고, 동료 작업대 위나 바로 곁에는 배달된 소포 상자가 놓여 있다. 북서쪽 증거 보관 구역에서는 열린 증거 상자들과 꺼내 놓은 종이 기록들이 서로 붙은 작업대 방향까지 이어져 있어 늦은 밤 진행 중인 조사 상태를 드러낸다.\n\n한국 관공서 사무실 특유의 실용적인 마감, 무광 도장 금속 선반의 잔잔한 마모와 모서리 흠집, 합판 책상의 실제 나뭇결과 손때, 플라스틱 전화기와 전자기기의 생활 스크래치, 종이 기록철과 상자의 섬유 질감, 오래 사용한 바닥과 벽의 미세한 얼룩을 사실적으로 표현한다. 천장 형광등의 차갑고 고른 야간 조명이 주광원이 되며, 중간 이하 대비와 절제된 자연색, 밝은 부분의 과도한 번짐 없이 현실적인 사무실 노출을 유지한다. 최신 세대 기기나 미래형 인터페이스는 배제하고 2015~2017년 무렵의 노트북, 모니터, 데스크톱 장비 외형을 사용한다. 사람, 얼굴, 실물 인체 형상은 전혀 없고 공간과 증거 자료만 보인다. 깨끗한 광고 사진이 아니라 실제 근무 공간의 사용감이 남은 객관적인 현장 참고 사진이며, 실제 DSLR 또는 미러리스 카메라 촬영, 자연스러운 피사계 심도, 실제 재료 질감, 후처리 없는 사실적 기록 사진. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "주 수사 책상 가까이의 약 1.4m 높이에서 동료 책상 너머 북서쪽 증거 보관 구역과 벽면 선반을 바라본다. 35mm 중간 광각으로 두 책상 사이에 펼쳐진 일기장, 동료 작업대의 배송 소포 상자, 열린 증거 상자에서 작업대 쪽으로 이어지는 기록물, 노트북 화면 안의 선명하지만 비그래픽한 임상 부검 자료가 한 프레임에서 자연스럽게 읽히게 한다. 빈 야간 사무실이며 사람이나 얼굴은 보이지 않는다.",
            "shot_id": "S49_Shot10"
          },
          {
            "guide_text": "주 수사 책상과 동료 책상의 연결 관계를 전경에 두고, 뒤쪽 북서 모서리의 증거 선반까지 시선이 이어지도록 구성한다. 노트북의 법의학 자료는 화면 테두리 안에만 존재하며 얼굴이나 전신 없이 신원 식별이 불가능한 임상 근접 사진으로 표시한다. 열린 일기장, 배송 소포 상자, 열린 증거 상자와 펼쳐진 기록을 명확히 보이되 과장하거나 선정적으로 강조하지 않는다.",
            "shot_id": "S49_Shot17"
          },
          {
            "guide_text": "약 1.4m의 자연스러운 관찰 높이와 35mm 렌즈를 유지하고, 남쪽 중앙 작업대에서 북서쪽 증거 보관 구역을 향하는 사선을 사용한다. 유선전화와 데스크톱 컴퓨터가 놓인 주 수사 책상, 모니터와 노트북이 있는 동료 작업대, 벽면 증거 선반의 깊이 관계를 보여준다. 야간 형광등 아래 일기장, 소포 상자, 열린 증거 상자와 기록물, 노트북 화면 속 비그래픽 부검 자료가 절차적인 수사 현장으로 읽혀야 한다.",
            "shot_id": "S49_Shot19"
          }
        ],
        "shot_ids": [
          "S49_Shot10",
          "S49_Shot17",
          "S49_Shot19"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 7 (primary detective desk), facing across number 8 (adjacent partner desk) toward number 3 (evidence storage corner) and number 14 (evidence shelving)",
          "camera_height": "eye-level seated to standing, approximately 1.4m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the paired workstations and storage corner in one diagonal composition. Allow tighter crops to emphasize number 17 (clear images on the laptop), number 18 (victim diary), number 19 (open evidence boxes and spread records), and number 20 (delivered parcel box)."
        },
        "reference_decision": {
          "bg_id": "L12B04",
          "fp_id": "fp_l12_detective_office",
          "node_index": 3,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L12B04 remains in the physical space established by L12B01 and shares markers 1, 6, 7, 8, 9, 10, and 11, while adding unit 3 and marker 14 for S49_Shot10, S49_Shot17, and S49_Shot19. Looking from unit 1 toward unit 3 exposes a different structural slice, so this must be a new same-space view rather than a low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L12B01.png"
          ],
          "source_bg_ids": [
            "L12B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L12B01",
                "space_description": "The same fixed physical space, now viewed from unit 1 toward unit 3 and marker 14."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because units 1 and 3 are parts of the same continuous physical space and L12B01 already commits the overlapping fixed layout; the consuming shots do not require two distinct-space references."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Neutral coverage from unit 1 toward the marker-14 position in unit 3 preserves the central fixed arrangement while adding the unit-3 edge required by this BG.",
            "lens_enum": "normal",
            "look_at_cell": [
              0,
              2
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 toward unit 3 with marker 14 available near the look-at region and markers 6, 7, 8, 9, 10, and 11 retaining the fixed positions established by L12B01. The normal view may include only the geometry-supported connection between units 1 and 3; other units and openings remain uncommitted.",
            "camera_framing_directive": "Use neutral 50-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 3 at cell [0,2]. Preserve a composition that can support the narrow display insert of S49_Shot10 and the close foreground-to-midground exchanges of S49_Shot17 and S49_Shot19.",
            "subject_position_directive": "S49_Shot10 commits no visible subject, so keep its insert framing free of invented subjects. For S49_Shot17, reserve the left foreground for a partial shoulder and extended arm and the right midground for a leaning reader; for S49_Shot19, reserve most of the frame for one three-quarter subject above a lower-foreground transient marker. Keep these subjects out of the background plate.",
            "state_cue_directive": "Carry transient markers 17, 18, 19, and 20 only as committed shot-specific cues, retaining the subdued nighttime illumination stated by the consuming shots. Do not add unlisted state overlays or modify the fixed marker layout to accommodate those transient elements.",
            "negative_continuity_directive": "Exclude overlay markers 15 and 16. Keep markers 6, 7, 8, 9, 10, and 11 in the positions inherited from L12B01, keep marker 14 at its supplied position in unit 3, and do not introduce uncommitted spaces outside units 1 and 3."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 3\n  - look_at_cell: [0, 2]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 1 toward the marker-14 position in unit 3 preserves the central fixed arrangement while adding the unit-3 edge required by this BG.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 toward unit 3 with marker 14 available near the look-at region and markers 6, 7, 8, 9, 10, and 11 retaining the fixed positions established by L12B01. The normal view may include only the geometry-supported connection between units 1 and 3; other units and openings remain uncommitted.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 3 at cell [0,2]. Preserve a composition that can support the narrow display insert of S49_Shot10 and the close foreground-to-midground exchanges of S49_Shot17 and S49_Shot19.\n  - subject_position_directive: S49_Shot10 commits no visible subject, so keep its insert framing free of invented subjects. For S49_Shot17, reserve the left foreground for a partial shoulder and extended arm and the right midground for a leaning reader; for S49_Shot19, reserve most of the frame for one three-quarter subject above a lower-foreground transient marker. Keep these subjects out of the background plate.\n  - state_cue_directive: Carry transient markers 17, 18, 19, and 20 only as committed shot-specific cues, retaining the subdued nighttime illumination stated by the consuming shots. Do not add unlisted state overlays or modify the fixed marker layout to accommodate those transient elements.\n  - negative_continuity_directive: Exclude overlay markers 15 and 16. Keep markers 6, 7, 8, 9, 10, and 11 in the positions inherited from L12B01, keep marker 14 at its supplied position in unit 3, and do not introduce uncommitted spaces outside units 1 and 3.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 3\n  - look_at_cell: [0, 2]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 1 toward the marker-14 position in unit 3 preserves the central fixed arrangement while adding the unit-3 edge required by this BG.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 toward unit 3 with marker 14 available near the look-at region and markers 6, 7, 8, 9, 10, and 11 retaining the fixed positions established by L12B01. The normal view may include only the geometry-supported connection between units 1 and 3; other units and openings remain uncommitted.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 3 at cell [0,2]. Preserve a composition that can support the narrow display insert of S49_Shot10 and the close foreground-to-midground exchanges of S49_Shot17 and S49_Shot19.\n  - subject_position_directive: S49_Shot10 commits no visible subject, so keep its insert framing free of invented subjects. For S49_Shot17, reserve the left foreground for a partial shoulder and extended arm and the right midground for a leaning reader; for S49_Shot19, reserve most of the frame for one three-quarter subject above a lower-foreground transient marker. Keep these subjects out of the background plate.\n  - state_cue_directive: Carry transient markers 17, 18, 19, and 20 only as committed shot-specific cues, retaining the subdued nighttime illumination stated by the consuming shots. Do not add unlisted state overlays or modify the fixed marker layout to accommodate those transient elements.\n  - negative_continuity_directive: Exclude overlay markers 15 and 16. Keep markers 6, 7, 8, 9, 10, and 11 in the positions inherited from L12B01, keep marker 14 at its supplied position in unit 3, and do not introduce uncommitted spaces outside units 1 and 3.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L12B01' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [2, 5]\n  - look_at_unit: 3\n  - look_at_cell: [0, 2]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Neutral coverage from unit 1 toward the marker-14 position in unit 3 preserves the central fixed arrangement while adding the unit-3 edge required by this BG.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 toward unit 3 with marker 14 available near the look-at region and markers 6, 7, 8, 9, 10, and 11 retaining the fixed positions established by L12B01. The normal view may include only the geometry-supported connection between units 1 and 3; other units and openings remain uncommitted.\n  - camera_framing_directive: Use neutral 50-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 3 at cell [0,2]. Preserve a composition that can support the narrow display insert of S49_Shot10 and the close foreground-to-midground exchanges of S49_Shot17 and S49_Shot19.\n  - subject_position_directive: S49_Shot10 commits no visible subject, so keep its insert framing free of invented subjects. For S49_Shot17, reserve the left foreground for a partial shoulder and extended arm and the right midground for a leaning reader; for S49_Shot19, reserve most of the frame for one three-quarter subject above a lower-foreground transient marker. Keep these subjects out of the background plate.\n  - state_cue_directive: Carry transient markers 17, 18, 19, and 20 only as committed shot-specific cues, retaining the subdued nighttime illumination stated by the consuming shots. Do not add unlisted state overlays or modify the fixed marker layout to accommodate those transient elements.\n  - negative_continuity_directive: Exclude overlay markers 15 and 16. Keep markers 6, 7, 8, 9, 10, and 11 in the positions inherited from L12B01, keep marker 14 at its supplied position in unit 3, and do not introduce uncommitted spaces outside units 1 and 3.\n\n2010년대 중후반 대한민국 광주·전남권의 야간 강력 수사 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 주 수사 책상 가까이에서 약 1.4m 높이의 앉은 눈높이와 선 눈높이 사이에 카메라를 두고, 바로 옆 동료 책상 너머 북서쪽 증거 보관 구역과 북·서쪽 벽면 선반을 바라본다. 실제 35mm급 렌즈의 중간 광각 시야로 중앙 공동 사무 구역의 두 줄 책상 군과 넓은 통로, 남쪽 중앙의 서로 붙어 있는 두 작업대, 뒤쪽 증거 보관 공간의 현실적인 깊이 관계를 담는다.\n\n주 수사 책상 안쪽 경계에는 공용 유선전화가 놓여 있고 뒤쪽에는 당시형 데스크톱 컴퓨터가 있으며, 옆 동료 작업대 뒤쪽에는 모니터와 노트북 도킹 환경이 있다. 노트북 화면에는 야간 조사 중 확인하는 선명한 법의학 부검 사진이 표시되어 있다. 사진은 디지털 화면 테두리 안에만 제한하고, 얼굴이나 전신 형태 없이 신원 식별이 불가능한 국소 임상 자료로 구성하며, 비그래픽하고 절차적인 기록 화면으로 보이게 한다. 두 책상 사이에는 피해자의 일기장이 펼쳐져 있고, 동료 작업대 위나 바로 곁에는 배달된 소포 상자가 놓여 있다. 북서쪽 증거 보관 구역에서는 열린 증거 상자들과 꺼내 놓은 종이 기록들이 서로 붙은 작업대 방향까지 이어져 있어 늦은 밤 진행 중인 조사 상태를 드러낸다.\n\n한국 관공서 사무실 특유의 실용적인 마감, 무광 도장 금속 선반의 잔잔한 마모와 모서리 흠집, 합판 책상의 실제 나뭇결과 손때, 플라스틱 전화기와 전자기기의 생활 스크래치, 종이 기록철과 상자의 섬유 질감, 오래 사용한 바닥과 벽의 미세한 얼룩을 사실적으로 표현한다. 천장 형광등의 차갑고 고른 야간 조명이 주광원이 되며, 중간 이하 대비와 절제된 자연색, 밝은 부분의 과도한 번짐 없이 현실적인 사무실 노출을 유지한다. 최신 세대 기기나 미래형 인터페이스는 배제하고 2015~2017년 무렵의 노트북, 모니터, 데스크톱 장비 외형을 사용한다. 사람, 얼굴, 실물 인체 형상은 전혀 없고 공간과 증거 자료만 보인다. 깨끗한 광고 사진이 아니라 실제 근무 공간의 사용감이 남은 객관적인 현장 참고 사진이며, 실제 DSLR 또는 미러리스 카메라 촬영, 자연스러운 피사계 심도, 실제 재료 질감, 후처리 없는 사실적 기록 사진. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 3D 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Neutral coverage from unit 1 toward the marker-14 position in unit 3 preserves the central fixed arrangement while adding the unit-3 edge required by this BG.",
          "lens_enum": "normal",
          "look_at_cell": [
            0,
            2
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 3,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 toward unit 3 with marker 14 available near the look-at region and markers 6, 7, 8, 9, 10, and 11 retaining the fixed positions established by L12B01. The normal view may include only the geometry-supported connection between units 1 and 3; other units and openings remain uncommitted.",
          "camera_framing_directive": "Use neutral 50-degree coverage from camera unit 1 at cell [2,5], aimed toward unit 3 at cell [0,2]. Preserve a composition that can support the narrow display insert of S49_Shot10 and the close foreground-to-midground exchanges of S49_Shot17 and S49_Shot19.",
          "subject_position_directive": "S49_Shot10 commits no visible subject, so keep its insert framing free of invented subjects. For S49_Shot17, reserve the left foreground for a partial shoulder and extended arm and the right midground for a leaning reader; for S49_Shot19, reserve most of the frame for one three-quarter subject above a lower-foreground transient marker. Keep these subjects out of the background plate.",
          "state_cue_directive": "Carry transient markers 17, 18, 19, and 20 only as committed shot-specific cues, retaining the subdued nighttime illumination stated by the consuming shots. Do not add unlisted state overlays or modify the fixed marker layout to accommodate those transient elements.",
          "negative_continuity_directive": "Exclude overlay markers 15 and 16. Keep markers 6, 7, 8, 9, 10, and 11 in the positions inherited from L12B01, keep marker 14 at its supplied position in unit 3, and do not introduce uncommitted spaces outside units 1 and 3."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l12_detective_office",
          "prior_bg_ids": [
            "L12B01"
          ],
          "attached_ref_labels": [
            "bg:L12B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L13B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L13B03",
        "reused_from_bg_id": "L13B03",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L13B03.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 2015~2017년 무렵 공공 수사기관 내부에 있는 수사과장 개인 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남서쪽 복도 문 바로 안쪽에서 북동쪽을 향해 대각선으로 바라보는 시점이며, 카메라 높이는 서 있는 사람의 눈높이인 약 1.6미터, 35밀리미터급 렌즈의 적당히 넓은 화각이다. 서쪽과 중앙의 회의 구역을 가로질러 북동쪽 개인 업무 구역까지 한 장면에 자연스럽게 연결한다. 남쪽 벽의 소파와 중앙 서쪽의 독립형 소파가 서로 마주 보고, 그 사이의 낮은 탁자가 중경을 차지한다. 북동쪽에는 입구와 회의 구역을 향한 업무용 책상과 그 동쪽의 사무용 의자가 보이며, 남동쪽 벽에는 붙박이 문서장이 자리한다. 북쪽 창문으로 들어오는 차갑고 부드러운 낮빛, 절제된 자연색, 중간 이하의 대비, 한국 공공기관 사무실다운 실용적인 마감과 약간의 생활 마모를 표현한다. 실제 콘크리트와 도장 벽의 미세한 얼룩, 금속 부품의 사용감, 소파 직물의 섬유 결, 목재 또는 무늬목 가구의 현실적인 나뭇결을 세밀하게 보여준다. 중앙 낮은 탁자 위에는 장기 미제 사건 검토를 위해 꺼내 놓은 낡은 사건 기록철과 보고서가 임시로 정돈되어 있고, 그 사이에 비선정적이며 인물과 얼굴이 전혀 없는 현장 기록 사진들이 인화지의 질감이 드러나도록 나란히 놓여 있다. 북동쪽 업무용 책상 위에는 2010년대 중후반에 사용하던 현실적인 노트북 한 대가 임시로 열려 있으며, 화면에는 사람이나 영상 없이 문서 목록과 증거 자료 색인만 평면 화면 안에 표시된다. 최신 세대나 미래형 기기는 사용하지 않고 2000년대 초반 장비와 혼용하지 않는다. 사람, 얼굴, 신체 형상의 인물, 마네킹은 어디에도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라의 자연스러운 원근감과 심도, 현실적인 창문 채광, 담담한 현장 기록 사진의 질감, 과도한 정돈이나 광고 사진 같은 광택 없이 후처리하지 않은 실제 장소 참고 사진. 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 복도 문 가까이에서 서 있는 사람의 눈높이로 촬영한다. 중앙의 낮은 탁자를 중경에 두고 회의 구역 너머 북동쪽 업무용 책상까지 한 프레임에 연결하며, 검토 중인 기록철과 증거 사진이 선명하게 식별되도록 한다.",
            "shot_id": "S14_Shot2"
          },
          {
            "guide_text": "35밀리미터급의 적당히 넓은 화각을 유지하면서 서로 마주 보는 소파와 낮은 탁자, 뒤쪽 업무용 책상의 관계를 자연스럽게 보여준다. 사진 자료는 비선정적이고 인물이나 얼굴이 없는 현장 기록으로 제한한다.",
            "shot_id": "S14_Shot4"
          },
          {
            "guide_text": "복도 문 안쪽에서 북동쪽을 향한 대각선 시선을 유지한다. 낮은 탁자 위의 오래된 사건 기록과 나란히 놓인 인쇄 증거 사진을 중경의 핵심으로 삼고, 열린 노트북은 뒤쪽 책상 위에 실제 업무 기기처럼 배치한다.",
            "shot_id": "S17_Shot2"
          },
          {
            "guide_text": "회의 구역과 개인 업무 구역이 하나의 현실적인 수사 검토 공간으로 이어져 보이게 한다. 창문에서 들어오는 차분한 낮빛과 공공기관 사무실의 생활 마모를 사실적으로 유지하고 사람은 배치하지 않는다.",
            "shot_id": "S21_Shot2"
          },
          {
            "guide_text": "중앙 낮은 탁자의 문서와 인쇄 사진이 과장되지 않게 보이도록 눈높이 구도를 유지한다. 뒤쪽 업무용 책상과 열린 노트북까지 초점의 연속성을 확보하되 화면 속에는 문서 목록만 보이게 한다.",
            "shot_id": "S21_Shot4"
          },
          {
            "guide_text": "두 소파 사이의 낮은 탁자를 중경에 두고 북동쪽 책상을 배경으로 연결한다. 증거 자료는 절차적인 정리 상태로 표현하며, 사진 안팎 모두 사람과 얼굴 및 신체 형상을 포함하지 않는다.",
            "shot_id": "S21_Shot5"
          },
          {
            "guide_text": "남서쪽 출입문 부근의 고정된 눈높이 시점과 35밀리미터급 화각을 사용한다. 회의용 낮은 탁자의 기록철과 사진, 업무용 책상의 노트북이 동시에 읽히는 담담한 기록 사진 구도를 만든다.",
            "shot_id": "S50_Shot1"
          },
          {
            "guide_text": "공간 전체의 일관된 배치와 낮 시간의 절제된 밝기를 유지한다. 중앙 회의 구역에서 북동쪽 업무용 책상으로 시선이 이어지게 하며, 자료 검토 직전 또는 진행 중인 빈 사무실의 현실적인 상태로 표현한다.",
            "shot_id": "S50_Shot8"
          }
        ],
        "shot_ids": [
          "S14_Shot2",
          "S14_Shot4",
          "S17_Shot2",
          "S21_Shot2",
          "S21_Shot4",
          "S21_Shot5",
          "S50_Shot1",
          "S50_Shot8"
        ],
        "scenes": [],
        "parent_id": "L13B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 6 (corridor door), facing diagonally across number 3 (shared meeting zone) toward number 8 (executive desk), with number 12 (central low table) in the middle ground",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Use a moderately wide composition that connects the desk and meeting area; the background overlay may place numbers 14, 15, and 16 on number 8 or number 12 as required by the evidence-review moment."
        },
        "reference_decision": {
          "mode": "same_physical_space_view",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L13B03",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_01",
              "ref_bg_id": "L13B03",
              "space_description": "The enclosed physical space defined by unit markers 1 through 5 and fixed base markers 6 through 13."
            }
          ]
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 4 at [5,4] toward unit 3 at [4,8] using the wide 90-degree field of view. Preserve broad structural coverage for S14_Shot2 and S50_Shot1, then derive the insert, close, medium, and compact ensemble framings of the remaining shots as crops without moving fixed markers.",
          "negative_continuity_directive": "Exclude ignored overlay marker 17. Positively retain the L13B03 positions of openings 6 and 7, furniture markers 8 through 12, and fixture marker 13; do not import transient state from L13B01, invent scenario-specific elements, or depict units outside the unit-4 visibility candidate set as committed visible space.",
          "state_cue_directive": "Carry transient markers 14, 15, and 16 where required by the consuming-shot crops, together with the restrained daytime and moderate-to-low-contrast ambience committed by staging. Do not add marker 17 or any unlisted state cue.",
          "subject_position_directive": "S14_Shot2 commits two full-length subjects at the threshold with a third as a narrow near-frame edge. S14_Shot4, S21_Shot2, and related close staging restrict subject visibility to hands or tightly cropped evidence-facing action. S17_Shot2 and S21_Shot4 isolate one subject near center; S21_Shot5 commits a two-subject opposing-third arrangement; S50_Shot1 and S50_Shot8 commit four subjects at varied angles around a central transient marker. Keep these placements shot-specific and leave the reusable background free of additional subjects.",
          "visible_space_directive": "Match the L13B03 view from camera unit 4 toward unit 3 and look-at cell [4,8], centered on base marker 10. Preserve openings 6 and 7, fixed furniture markers 8 through 12, and fixture marker 13 in the reference-established layout. Units 1, 2, 3, and 5 are geometry-supplied visibility candidates within the broad cone, with unit 4 retained as the camera-side space."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_investigation_chief_office",
          "prior_bg_ids": [
            "L13B03"
          ],
          "attached_ref_labels": [
            "bg:L13B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L13B01": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L13B03",
        "reused_from_bg_id": "L13B03",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L13B03.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주권 지방 경찰 관서의 수사과장 개인 사무실 안, 낮 시간에 가족 면담이나 강도 높은 수사 논의가 진행되는 동안의 절제된 긴장감이 남아 있는 소파 면담 구역. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 인물·얼굴·사람 형태는 전혀 없다. 카메라는 북동쪽 업무 책상 가까이에 두고 서쪽과 중앙의 공동 면담 구역을 향하며, 약 1.4미터의 자연스러운 눈높이에서 35밀리미터급 미러리스 또는 DSLR 카메라와 40밀리미터 노멀 와이드 렌즈로 촬영한다. 남쪽 벽의 소파와 중앙 서쪽의 독립형 소파가 낮은 탁자를 사이에 두고 마주 보는 관계가 명확하게 보이고, 업무 책상과 사무용 의자는 프레임 가장자리에서 면담 공간을 바라보는 시점의 기준이 된다. 남서쪽 복도 출입문에서 면담 구역으로 이어지는 동선과 남동쪽 붙박이 문서장의 일부가 실제 방의 깊이를 자연스럽게 드러낸다. 북쪽 창으로 들어오는 부드러운 낮빛과 실용적인 천장 조명이 섞인 중저대비 조명, 지방 관공서에서 흔히 볼 수 있는 담백한 밝은 벽면, 오래 사용해 잔흠집과 미세한 얼룩이 남은 바닥, 실제 목재 무늬와 금속 손잡이, 소파의 현실적인 직물 짜임과 눌림 없는 평상시 형태, 가구 모서리의 일상적인 마모를 세밀하게 표현한다. 방문객용 독립형 소파 곁 바닥에는 면담 중 잠시 내려놓은 손가방 하나가 있으며, 한 번 기울었다가 다시 세운 듯 몸체에 약간의 비대칭 주름이 남아 있지만 현재는 똑바로 놓여 있다. 과장된 연출이나 장식 없이 업무용 공간다운 실용성과 조용한 정서적 압박감을 유지한다. 자연스러운 피사계 심도와 정확한 재질 질감, 후처리 티가 없는 실제 장소 참고 사진이며, 깨끗한 광고용 스톡 사진이나 컴퓨터 그래픽, 삽화, 건축 시각화가 아니다. 하향 시점, 평면도, 건축 도면이 아닌 수평 시점의 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "책상 가까이에서 면담 구역을 바라보며 두 소파와 그 사이의 낮은 탁자가 한눈에 읽히는 안정적인 중간 화각을 유지한다. 방문객용 소파 곁의 세워진 손가방이 자연스럽게 보이되 과도하게 강조하지 않으며, 인물이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S27_Shot5"
          },
          {
            "guide_text": "면담 구역을 중심으로 벽 쪽 소파, 독립형 소파, 낮은 탁자의 마주 보는 관계를 분명히 보여 준다. 손가방은 방문객용 소파 옆 바닥에 잠시 놓인 실제 소지품처럼 배치하고, 공간의 긴장감은 낮의 절제된 조명과 현실적인 사무실 질감으로만 전달한다.",
            "shot_id": "S27_Shot10"
          },
          {
            "guide_text": "책상 부근의 약 1.4미터 높이에서 서쪽과 중앙의 면담 구역을 향한다. 출입구 방향과 소파 면담 구역의 연결이 이해되도록 하되, 평면도처럼 보이지 않는 수평 시점의 실제 장소 기록 사진으로 구성한다.",
            "shot_id": "S39_Shot1"
          },
          {
            "guide_text": "40밀리미터 화각으로 두 소파와 낮은 탁자를 균형 있게 담고, 남쪽의 붙박이 문서장 일부가 공간의 깊이를 보조하도록 한다. 방문객용 소파 옆 손가방의 약간 흐트러진 형태와 다시 똑바로 세워진 상태가 은근히 읽히도록 하며, 사람은 전혀 묘사하지 않는다.",
            "shot_id": "S39_Shot3"
          }
        ],
        "shot_ids": [
          "S27_Shot5",
          "S27_Shot10",
          "S39_Shot1",
          "S39_Shot3"
        ],
        "scenes": [],
        "parent_id": "L13B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 8 (executive desk), facing toward number 3 (shared meeting zone), number 10 (wall sofa), number 11 (freestanding sofa), and number 12 (central low table)",
          "camera_height": "eye-level seated-to-standing range, approximately 1.4 m",
          "lens_hint": "40mm normal-wide lens",
          "framing_notes": "Prioritize the opposing sofa seats and central table for an emotional interview or intense group discussion; number 17 is a transient interview object and must remain separate from the base plan."
        },
        "reference_decision": {
          "mode": "same_physical_space_view",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L13B03",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_01",
              "ref_bg_id": "L13B03",
              "space_description": "The enclosed physical space defined by unit markers 1 through 5 and fixed base markers 6 through 13."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "camera_framing_directive": "Use camera unit 4 at cell [5,4], directed toward unit 3 at look-at cell [4,8], with a wide 90-degree field of view. Maintain broad coverage for S39_Shot1 while allowing close and medium crops for S27_Shot5, S27_Shot10, and S39_Shot3 without changing the plate geometry.",
          "negative_continuity_directive": "Exclude ignored overlay markers 14, 15, and 16. Preserve the L13B03 positions of openings 6 and 7, fixed furniture markers 8 through 12, and fixture marker 13; do not invent scenario-specific elements or force spaces beyond the unit-4 visibility candidate set.",
          "state_cue_directive": "Carry transient marker 17 as the only committed overlay state cue and retain the restrained daytime, moderate-to-low-contrast ambience specified by the consuming shots. Do not import overlay markers 14, 15, or 16 from another state.",
          "subject_position_directive": "S27_Shot5 commits two seated subjects across the conversational line, with one in a bowed side-profile emphasis and the other as a soft opposite-edge presence. S27_Shot10 places a near-edge shoulder in the lower-left and a forward-leaning subject near center. S39_Shot1 commits four irregularly spaced seated subjects in a broad arrangement, while S39_Shot3 isolates one forward-pitched seated subject with open space beyond the raised gesture. Keep all such subjects as shot-specific layers rather than fixed background occupants.",
          "visible_space_directive": "Match L13B03's fixed view from unit 4 toward unit 3 and base marker 10 at look-at cell [4,8]. Keep openings 6 and 7, furniture markers 8 through 12, and fixture marker 13 in their established positions; units 1, 2, 3, and 5 remain visibility candidates within the broad cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_investigation_chief_office",
          "prior_bg_ids": [
            "L13B03"
          ],
          "attached_ref_labels": [
            "bg:L13B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L13B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L13",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L13B03.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주·전남권의 지방 경찰기관에서 볼 수 있는 현실적인 수사 부서 책임자 개인 사무실의 소파 회의 구역. 복도 출입문 가까이에서 방 안쪽을 대각선으로 바라보며, 남쪽 벽을 따라 놓인 소파와 중앙 서쪽의 맞은편 소파, 두 소파 사이의 낮은 테이블이 전경과 중경의 중심을 이룬다. 그 뒤 북동쪽에는 회의 구역과 출입구를 향한 업무용 책상과 사무용 의자가 보이고, 남동쪽 벽에는 붙박이 문서장이 자연스럽게 이어진다. 북쪽 창문군을 통해 조용한 낮의 부드러운 자연광이 들어오며, 전체 조명은 중간 이하의 대비와 절제된 자연색을 유지한다. 따뜻하고 편안한 대화가 가능한 분위기이되 과장된 연출 없이 차분한 관공서 사무실의 현실감을 살린다. 실용적인 벽 마감, 실제 목재 무늬와 라미네이트 표면, 금속 부품의 미세한 사용감, 소파 천의 촘촘한 직조와 눌림, 바닥과 가구 모서리의 일상적인 마모를 정확하게 표현한다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없는 빈 배경. 35mm급 DSLR 또는 미러리스 실제 카메라에 40mm 표준 광각 렌즈를 사용하고, 앉은 사람의 눈높이에 가까운 약 1.25m에서 촬영한 다큐멘터리 풍 사진. 자연스러운 원근감과 피사계 심도, 실제 장소 기록 사진 같은 담백한 질감, 인위적인 후보정 없는 사실적 촬영본. 내려다본 평면도나 건축 도면이 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 출입문 가까이에서 방 안쪽을 대각선으로 바라본다. 남쪽 벽의 소파와 중앙 서쪽의 맞은편 소파, 그 사이 낮은 테이블이 화면의 중심이 되게 하고, 뒤쪽에 업무용 책상이 자연스럽게 이어지도록 구성한다. 약 1.25m의 앉은 사람 눈높이와 40mm 렌즈의 자연스러운 원근감을 유지하며, 비어 있고 정돈된 소파 구역을 넉넉하게 보여 준다.",
            "shot_id": "S46_Shot11"
          },
          {
            "guide_text": "같은 출입문 쪽 시점을 유지하되 소파 두 개와 낮은 테이블의 관계가 더 분명히 읽히도록 약간 조밀하게 프레이밍한다. 업무용 책상은 후경의 공간 맥락으로 남기고, 소파 주변은 조용한 사적 대화가 가능한 여유 있는 빈 공간으로 보이게 한다. 실제 카메라 사진의 자연스러운 깊이와 과장 없는 40mm 원근감을 유지한다.",
            "shot_id": "S46_Shot15"
          }
        ],
        "shot_ids": [
          "S46_Shot11",
          "S46_Shot15"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 (corridor door), facing diagonally toward number 10 (wall sofa), number 11 (freestanding sofa), and number 12 (central low table), with number 8 (executive desk) behind them",
          "camera_height": "eye-level seated, approximately 1.25 m",
          "lens_hint": "40mm normal-wide lens",
          "framing_notes": "Keep the sofa meeting area open and uncluttered for a private two-person conversation and playful physical interaction; depict the clean office state without case evidence or the interview handbag."
        },
        "reference_decision": {
          "bg_id": "L13B03",
          "fp_id": "fp_l13_investigation_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L13B03 is the sole clean anchor candidate and is therefore seeded directly from the floor plan. Its consuming shots S46_Shot11 and S46_Shot15 are grounded beside the seating-area markers, so camera unit 4 looking toward unit 3 and base marker 10 provides a broad, stable identity plate that can support their close and medium framing.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l13_investigation_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No earlier same-fp node exists; this clean candidate establishes the dwelling identity directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              4
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use the listed camera position in unit 4 and broad coverage toward unit 3, centered on look-at cell [4,8], which coincides with base marker 10 and supports the close and medium staged coverage by allowing downstream crops within one stable plate.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              8
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From unit 4, show the broad fixed-space relationship toward unit 3 and look-at cell [4,8], centered on base marker 10. The geometry supplies units 1, 2, 3, and 5 and openings 6 and 7 only as visibility candidates; include only portions supported by the 90-degree cone while retaining unit 4 as the camera-side space.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [5,4] toward unit 3 at look-at cell [4,8] with a wide 90-degree field of view. Preserve broad coverage around the marker-10 seating edge so the plate supports the close two-subject staging of S46_Shot11 and the medium seated-profile staging of S46_Shot15 through shot-specific crops.",
            "subject_position_directive": "S46_Shot11 commits two subjects in compressed close staging beside the seating area, with one crossing the frame and the other at the lower-right edge. S46_Shot15 commits one seated profile in the middle-left with look room across frame. Keep the underlying background plate free of invented subjects outside those shot-specific placements.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies: clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues.",
            "negative_continuity_directive": "Exclude ignored overlay markers 14, 15, 16, and 17. Do not invent scenario-specific elements, do not displace base markers 6 through 13, and do not assert visibility beyond camera unit 4, candidate visible units 1, 2, 3, and 5, or candidate openings 6 and 7."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera position in unit 4 and broad coverage toward unit 3, centered on look-at cell [4,8], which coincides with base marker 10 and supports the close and medium staged coverage by allowing downstream crops within one stable plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the broad fixed-space relationship toward unit 3 and look-at cell [4,8], centered on base marker 10. The geometry supplies units 1, 2, 3, and 5 and openings 6 and 7 only as visibility candidates; include only portions supported by the 90-degree cone while retaining unit 4 as the camera-side space.\n  - camera_framing_directive: Frame from camera unit 4 at cell [5,4] toward unit 3 at look-at cell [4,8] with a wide 90-degree field of view. Preserve broad coverage around the marker-10 seating edge so the plate supports the close two-subject staging of S46_Shot11 and the medium seated-profile staging of S46_Shot15 through shot-specific crops.\n  - subject_position_directive: S46_Shot11 commits two subjects in compressed close staging beside the seating area, with one crossing the frame and the other at the lower-right edge. S46_Shot15 commits one seated profile in the middle-left with look room across frame. Keep the underlying background plate free of invented subjects outside those shot-specific placements.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 14, 15, 16, and 17. Do not invent scenario-specific elements, do not displace base markers 6 through 13, and do not assert visibility beyond camera unit 4, candidate visible units 1, 2, 3, and 5, or candidate openings 6 and 7.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera position in unit 4 and broad coverage toward unit 3, centered on look-at cell [4,8], which coincides with base marker 10 and supports the close and medium staged coverage by allowing downstream crops within one stable plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the broad fixed-space relationship toward unit 3 and look-at cell [4,8], centered on base marker 10. The geometry supplies units 1, 2, 3, and 5 and openings 6 and 7 only as visibility candidates; include only portions supported by the 90-degree cone while retaining unit 4 as the camera-side space.\n  - camera_framing_directive: Frame from camera unit 4 at cell [5,4] toward unit 3 at look-at cell [4,8] with a wide 90-degree field of view. Preserve broad coverage around the marker-10 seating edge so the plate supports the close two-subject staging of S46_Shot11 and the medium seated-profile staging of S46_Shot15 through shot-specific crops.\n  - subject_position_directive: S46_Shot11 commits two subjects in compressed close staging beside the seating area, with one crossing the frame and the other at the lower-right edge. S46_Shot15 commits one seated profile in the middle-left with look room across frame. Keep the underlying background plate free of invented subjects outside those shot-specific placements.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 14, 15, 16, and 17. Do not invent scenario-specific elements, do not displace base markers 6 through 13, and do not assert visibility beyond camera unit 4, candidate visible units 1, 2, 3, and 5, or candidate openings 6 and 7.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [5, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed camera position in unit 4 and broad coverage toward unit 3, centered on look-at cell [4,8], which coincides with base marker 10 and supports the close and medium staged coverage by allowing downstream crops within one stable plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, show the broad fixed-space relationship toward unit 3 and look-at cell [4,8], centered on base marker 10. The geometry supplies units 1, 2, 3, and 5 and openings 6 and 7 only as visibility candidates; include only portions supported by the 90-degree cone while retaining unit 4 as the camera-side space.\n  - camera_framing_directive: Frame from camera unit 4 at cell [5,4] toward unit 3 at look-at cell [4,8] with a wide 90-degree field of view. Preserve broad coverage around the marker-10 seating edge so the plate supports the close two-subject staging of S46_Shot11 and the medium seated-profile staging of S46_Shot15 through shot-specific crops.\n  - subject_position_directive: S46_Shot11 commits two subjects in compressed close staging beside the seating area, with one crossing the frame and the other at the lower-right edge. S46_Shot15 commits one seated profile in the middle-left with look room across frame. Keep the underlying background plate free of invented subjects outside those shot-specific placements.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 14, 15, 16, and 17. Do not invent scenario-specific elements, do not displace base markers 6 through 13, and do not assert visibility beyond camera unit 4, candidate visible units 1, 2, 3, and 5, or candidate openings 6 and 7.\n\n2010년대 중후반 대한민국 광주·전남권의 지방 경찰기관에서 볼 수 있는 현실적인 수사 부서 책임자 개인 사무실의 소파 회의 구역. 복도 출입문 가까이에서 방 안쪽을 대각선으로 바라보며, 남쪽 벽을 따라 놓인 소파와 중앙 서쪽의 맞은편 소파, 두 소파 사이의 낮은 테이블이 전경과 중경의 중심을 이룬다. 그 뒤 북동쪽에는 회의 구역과 출입구를 향한 업무용 책상과 사무용 의자가 보이고, 남동쪽 벽에는 붙박이 문서장이 자연스럽게 이어진다. 북쪽 창문군을 통해 조용한 낮의 부드러운 자연광이 들어오며, 전체 조명은 중간 이하의 대비와 절제된 자연색을 유지한다. 따뜻하고 편안한 대화가 가능한 분위기이되 과장된 연출 없이 차분한 관공서 사무실의 현실감을 살린다. 실용적인 벽 마감, 실제 목재 무늬와 라미네이트 표면, 금속 부품의 미세한 사용감, 소파 천의 촘촘한 직조와 눌림, 바닥과 가구 모서리의 일상적인 마모를 정확하게 표현한다. 공간은 깨끗하고 흐트러짐 없는 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없는 빈 배경. 35mm급 DSLR 또는 미러리스 실제 카메라에 40mm 표준 광각 렌즈를 사용하고, 앉은 사람의 눈높이에 가까운 약 1.25m에서 촬영한 다큐멘터리 풍 사진. 자연스러운 원근감과 피사계 심도, 실제 장소 기록 사진 같은 담백한 질감, 인위적인 후보정 없는 사실적 촬영본. 내려다본 평면도나 건축 도면이 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            5,
            4
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use the listed camera position in unit 4 and broad coverage toward unit 3, centered on look-at cell [4,8], which coincides with base marker 10 and supports the close and medium staged coverage by allowing downstream crops within one stable plate.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            8
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 4, show the broad fixed-space relationship toward unit 3 and look-at cell [4,8], centered on base marker 10. The geometry supplies units 1, 2, 3, and 5 and openings 6 and 7 only as visibility candidates; include only portions supported by the 90-degree cone while retaining unit 4 as the camera-side space.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [5,4] toward unit 3 at look-at cell [4,8] with a wide 90-degree field of view. Preserve broad coverage around the marker-10 seating edge so the plate supports the close two-subject staging of S46_Shot11 and the medium seated-profile staging of S46_Shot15 through shot-specific crops.",
          "subject_position_directive": "S46_Shot11 commits two subjects in compressed close staging beside the seating area, with one crossing the frame and the other at the lower-right edge. S46_Shot15 commits one seated profile in the middle-left with look room across frame. Keep the underlying background plate free of invented subjects outside those shot-specific placements.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies: clean_background_expected is true and no transient markers are listed. Refrain from inventing additional state cues.",
          "negative_continuity_directive": "Exclude ignored overlay markers 14, 15, 16, and 17. Do not invent scenario-specific elements, do not displace base markers 6 through 13, and do not assert visibility beyond camera unit 4, candidate visible units 1, 2, 3, and 5, or candidate openings 6 and 7."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l13_investigation_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l13_investigation_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L14B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L14",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L14B01.png",
        "t2i_prompt": "대한민국 남서부 지역의 관공서 건물 안에 있는 작고 오래 사용된 경찰 기록 자료실. 남쪽 중앙 출입문 바로 안쪽의 좁은 문턱 부근에서 북쪽 끝을 향해 바라본 모습으로, 서쪽과 동쪽 벽을 따라 천장 가까이까지 올라가는 높은 금속 기록물 서가가 평행하게 이어지고 그 사이에 한 사람이 겨우 지나갈 정도의 좁은 남북 방향 작업 통로가 형성되어 있다. 통로 맨 끝 북쪽 벽에는 오래된 문서 상자가 빽빽하게 놓인 상자 보관 선반이 있고, 통로 안쪽 서쪽 서가 옆에는 실무용 발판 의자가 놓여 있다. 21세기 초·중반 대한민국 관공서에서 오랫동안 이어져 온 실용적인 내부 환경으로, 누렇게 바랜 벽면, 회색 도장 금속의 작은 긁힘과 산화 흔적, 닳고 얼룩진 바닥, 낡은 종이 기록 상자와 기록철의 거친 종이 질감이 현실적으로 보인다. 낮은 천장의 오래된 형광등이 약하고 고르지 않은 빛을 내어 방 전체가 어둡고 답답하며, 높은 서가 사이에는 부드럽고 낮은 대비의 그림자가 생긴다. 서가 윗면과 오래된 문서 상자 전반에 오랫동안 가라앉은 고운 먼지가 얇고 불규칙하게 쌓여 있으며, 모서리와 틈에는 먼지가 조금 더 두껍게 남아 있다. 사람, 얼굴, 사람 형태의 모형은 전혀 없는 빈 배경 공간. 35밀리미터 풀프레임 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영하고 왜곡은 절제한다. 카메라는 출입문과 문턱 가까이의 약 1.6미터 높이에 두고 좁은 중앙 통로를 따라 정면으로 바라보며, 양쪽 높은 서가가 화면 좌우를 감싸고 뒤쪽 상자 보관 선반이 원근의 끝점이 되게 한다. 실제 금속의 도장과 녹슨 가장자리, 실제 종이 섬유, 실제 목재와 바닥의 마모, 생활 얼룩을 세밀하게 기록한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 과도하게 정돈된 광고 사진이 아니라 실제 장소 답사 사진처럼 담담하고 현실적이며, 자연스러운 피사계 심도와 무보정에 가까운 색감. 위에서 내려다본 구도, 평면도, 건축 도식, 컴퓨터 그래픽, 삽화가 아닌 실제 눈높이 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "출입문 안쪽 문턱 부근의 서 있는 눈높이에서 좁은 작업 통로를 정면으로 바라본다. 양쪽 높은 기록물 서가가 화면 가장자리를 감싸고 북쪽 끝의 상자 보관 선반이 깊이의 종점이 되도록 하며, 먼지가 쌓인 서가와 낡은 문서 상자의 상태를 일관되게 유지한다.",
            "shot_id": "S15_Shot1"
          },
          {
            "guide_text": "같은 자료실의 구조, 어두운 형광등 조명, 서가와 문서 상자의 재질 및 먼지 축적 상태를 유지한다. 출입문 가까운 눈높이 시점에서 양쪽 서가 사이의 비좁은 폭과 안쪽에 놓인 발판 의자, 통로 끝의 상자 보관 선반이 자연스럽게 읽히도록 구성한다.",
            "shot_id": "S15_Shot5"
          }
        ],
        "shot_ids": [
          "S15_Shot1",
          "S15_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 2 (entry door) and number 7 (entrance threshold), facing straight down number 6 (working aisle) toward number 5 (rear box-storage rack), with numbers 3 and 4 enclosing both sides",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm wide angle with restrained distortion",
          "framing_notes": "Emphasize the cramped aisle between the two tall shelf runs, include number 8 near one shelf, and preserve visible clearance for a person handling archive boxes. Apply number 9 as a background-state overlay without adding its marker to the floor plan."
        },
        "reference_decision": {
          "bg_id": "L14B01",
          "fp_id": "fp_l14_records_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L14B01 is the sole clean-anchor candidate supplied for this floor plan and therefore establishes dwelling identity directly from the floor plan without a prior reference. A wide view from unit 7 toward unit 1 covers the narrow fixed layout needed by S15_Shot1, including the aisle-scale staging, while providing background continuity that S15_Shot5 can use in a closer crop.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l14_records_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              9,
              4
            ],
            "camera_unit": 7,
            "fov_deg": 90,
            "framing_notes": "Place the camera at unit 7 cell [9,4] and aim toward unit 1 at candidate cell [5,3]. The wide view supports the full-body, low-diagonal aisle staging in S15_Shot1 while retaining sufficient fixed background context for the close framing in S15_Shot5.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 7, show the broad view toward unit 1 through the fixed circulation represented by units 7, 6, and 1. Preserve opening marker 2 and the spatial relationships of persistent markers 3, 4, 5, and 8 around structural markers 1, 6, and 7; treat the geometry visibility lists as supersets and include only elements supported by this view.",
            "camera_framing_directive": "Use broad wide-lens coverage at 90 degrees from camera unit 7 cell [9,4], directed toward unit 1 at look-at cell [5,3]. Preserve a low diagonal read through the fixed aisle for the wide full-body staging, with enough surrounding fixed structure to remain usable behind the close side-profile staging.",
            "subject_position_directive": "For S15_Shot1, reserve the midground middle-right for the committed full-body subject balancing on marker 8 with raised arms and an upward gaze toward the upper storage level. For S15_Shot5, allow a close side-profile subject position with lowered gaze and the committed opened item across the lower foreground without obscuring the face. Do not add any subjects beyond those committed by the surfaced shot staging.",
            "state_cue_directive": "Carry transient marker 9 as settled dust on the committed shelves and boxes. Maintain the subdued, restrained, low-contrast state specified by the consuming shots, while keeping numbered elements 1 through 8 structurally persistent.",
            "negative_continuity_directive": "Do not introduce unlisted numbered elements, additional openings, units outside the supported view, or scenario-specific additions beyond the committed shot staging. Keep markers 1 through 8 in their floor-plan relationships and do not turn transient marker 9 into a permanent structural feature."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [9, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera at unit 7 cell [9,4] and aim toward unit 1 at candidate cell [5,3]. The wide view supports the full-body, low-diagonal aisle staging in S15_Shot1 while retaining sufficient fixed background context for the close framing in S15_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 7, show the broad view toward unit 1 through the fixed circulation represented by units 7, 6, and 1. Preserve opening marker 2 and the spatial relationships of persistent markers 3, 4, 5, and 8 around structural markers 1, 6, and 7; treat the geometry visibility lists as supersets and include only elements supported by this view.\n  - camera_framing_directive: Use broad wide-lens coverage at 90 degrees from camera unit 7 cell [9,4], directed toward unit 1 at look-at cell [5,3]. Preserve a low diagonal read through the fixed aisle for the wide full-body staging, with enough surrounding fixed structure to remain usable behind the close side-profile staging.\n  - subject_position_directive: For S15_Shot1, reserve the midground middle-right for the committed full-body subject balancing on marker 8 with raised arms and an upward gaze toward the upper storage level. For S15_Shot5, allow a close side-profile subject position with lowered gaze and the committed opened item across the lower foreground without obscuring the face. Do not add any subjects beyond those committed by the surfaced shot staging.\n  - state_cue_directive: Carry transient marker 9 as settled dust on the committed shelves and boxes. Maintain the subdued, restrained, low-contrast state specified by the consuming shots, while keeping numbered elements 1 through 8 structurally persistent.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, additional openings, units outside the supported view, or scenario-specific additions beyond the committed shot staging. Keep markers 1 through 8 in their floor-plan relationships and do not turn transient marker 9 into a permanent structural feature.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [9, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera at unit 7 cell [9,4] and aim toward unit 1 at candidate cell [5,3]. The wide view supports the full-body, low-diagonal aisle staging in S15_Shot1 while retaining sufficient fixed background context for the close framing in S15_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 7, show the broad view toward unit 1 through the fixed circulation represented by units 7, 6, and 1. Preserve opening marker 2 and the spatial relationships of persistent markers 3, 4, 5, and 8 around structural markers 1, 6, and 7; treat the geometry visibility lists as supersets and include only elements supported by this view.\n  - camera_framing_directive: Use broad wide-lens coverage at 90 degrees from camera unit 7 cell [9,4], directed toward unit 1 at look-at cell [5,3]. Preserve a low diagonal read through the fixed aisle for the wide full-body staging, with enough surrounding fixed structure to remain usable behind the close side-profile staging.\n  - subject_position_directive: For S15_Shot1, reserve the midground middle-right for the committed full-body subject balancing on marker 8 with raised arms and an upward gaze toward the upper storage level. For S15_Shot5, allow a close side-profile subject position with lowered gaze and the committed opened item across the lower foreground without obscuring the face. Do not add any subjects beyond those committed by the surfaced shot staging.\n  - state_cue_directive: Carry transient marker 9 as settled dust on the committed shelves and boxes. Maintain the subdued, restrained, low-contrast state specified by the consuming shots, while keeping numbered elements 1 through 8 structurally persistent.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, additional openings, units outside the supported view, or scenario-specific additions beyond the committed shot staging. Keep markers 1 through 8 in their floor-plan relationships and do not turn transient marker 9 into a permanent structural feature.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 7\n  - camera_cell: [9, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera at unit 7 cell [9,4] and aim toward unit 1 at candidate cell [5,3]. The wide view supports the full-body, low-diagonal aisle staging in S15_Shot1 while retaining sufficient fixed background context for the close framing in S15_Shot5.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 7, show the broad view toward unit 1 through the fixed circulation represented by units 7, 6, and 1. Preserve opening marker 2 and the spatial relationships of persistent markers 3, 4, 5, and 8 around structural markers 1, 6, and 7; treat the geometry visibility lists as supersets and include only elements supported by this view.\n  - camera_framing_directive: Use broad wide-lens coverage at 90 degrees from camera unit 7 cell [9,4], directed toward unit 1 at look-at cell [5,3]. Preserve a low diagonal read through the fixed aisle for the wide full-body staging, with enough surrounding fixed structure to remain usable behind the close side-profile staging.\n  - subject_position_directive: For S15_Shot1, reserve the midground middle-right for the committed full-body subject balancing on marker 8 with raised arms and an upward gaze toward the upper storage level. For S15_Shot5, allow a close side-profile subject position with lowered gaze and the committed opened item across the lower foreground without obscuring the face. Do not add any subjects beyond those committed by the surfaced shot staging.\n  - state_cue_directive: Carry transient marker 9 as settled dust on the committed shelves and boxes. Maintain the subdued, restrained, low-contrast state specified by the consuming shots, while keeping numbered elements 1 through 8 structurally persistent.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, additional openings, units outside the supported view, or scenario-specific additions beyond the committed shot staging. Keep markers 1 through 8 in their floor-plan relationships and do not turn transient marker 9 into a permanent structural feature.\n\n대한민국 남서부 지역의 관공서 건물 안에 있는 작고 오래 사용된 경찰 기록 자료실. 남쪽 중앙 출입문 바로 안쪽의 좁은 문턱 부근에서 북쪽 끝을 향해 바라본 모습으로, 서쪽과 동쪽 벽을 따라 천장 가까이까지 올라가는 높은 금속 기록물 서가가 평행하게 이어지고 그 사이에 한 사람이 겨우 지나갈 정도의 좁은 남북 방향 작업 통로가 형성되어 있다. 통로 맨 끝 북쪽 벽에는 오래된 문서 상자가 빽빽하게 놓인 상자 보관 선반이 있고, 통로 안쪽 서쪽 서가 옆에는 실무용 발판 의자가 놓여 있다. 21세기 초·중반 대한민국 관공서에서 오랫동안 이어져 온 실용적인 내부 환경으로, 누렇게 바랜 벽면, 회색 도장 금속의 작은 긁힘과 산화 흔적, 닳고 얼룩진 바닥, 낡은 종이 기록 상자와 기록철의 거친 종이 질감이 현실적으로 보인다. 낮은 천장의 오래된 형광등이 약하고 고르지 않은 빛을 내어 방 전체가 어둡고 답답하며, 높은 서가 사이에는 부드럽고 낮은 대비의 그림자가 생긴다. 서가 윗면과 오래된 문서 상자 전반에 오랫동안 가라앉은 고운 먼지가 얇고 불규칙하게 쌓여 있으며, 모서리와 틈에는 먼지가 조금 더 두껍게 남아 있다. 사람, 얼굴, 사람 형태의 모형은 전혀 없는 빈 배경 공간. 35밀리미터 풀프레임 미러리스 카메라와 28밀리미터 광각 렌즈로 촬영하고 왜곡은 절제한다. 카메라는 출입문과 문턱 가까이의 약 1.6미터 높이에 두고 좁은 중앙 통로를 따라 정면으로 바라보며, 양쪽 높은 서가가 화면 좌우를 감싸고 뒤쪽 상자 보관 선반이 원근의 끝점이 되게 한다. 실제 금속의 도장과 녹슨 가장자리, 실제 종이 섬유, 실제 목재와 바닥의 마모, 생활 얼룩을 세밀하게 기록한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 과도하게 정돈된 광고 사진이 아니라 실제 장소 답사 사진처럼 담담하고 현실적이며, 자연스러운 피사계 심도와 무보정에 가까운 색감. 위에서 내려다본 구도, 평면도, 건축 도식, 컴퓨터 그래픽, 삽화가 아닌 실제 눈높이 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            9,
            4
          ],
          "camera_unit": 7,
          "fov_deg": 90,
          "framing_notes": "Place the camera at unit 7 cell [9,4] and aim toward unit 1 at candidate cell [5,3]. The wide view supports the full-body, low-diagonal aisle staging in S15_Shot1 while retaining sufficient fixed background context for the close framing in S15_Shot5.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 7, show the broad view toward unit 1 through the fixed circulation represented by units 7, 6, and 1. Preserve opening marker 2 and the spatial relationships of persistent markers 3, 4, 5, and 8 around structural markers 1, 6, and 7; treat the geometry visibility lists as supersets and include only elements supported by this view.",
          "camera_framing_directive": "Use broad wide-lens coverage at 90 degrees from camera unit 7 cell [9,4], directed toward unit 1 at look-at cell [5,3]. Preserve a low diagonal read through the fixed aisle for the wide full-body staging, with enough surrounding fixed structure to remain usable behind the close side-profile staging.",
          "subject_position_directive": "For S15_Shot1, reserve the midground middle-right for the committed full-body subject balancing on marker 8 with raised arms and an upward gaze toward the upper storage level. For S15_Shot5, allow a close side-profile subject position with lowered gaze and the committed opened item across the lower foreground without obscuring the face. Do not add any subjects beyond those committed by the surfaced shot staging.",
          "state_cue_directive": "Carry transient marker 9 as settled dust on the committed shelves and boxes. Maintain the subdued, restrained, low-contrast state specified by the consuming shots, while keeping numbered elements 1 through 8 structurally persistent.",
          "negative_continuity_directive": "Do not introduce unlisted numbered elements, additional openings, units outside the supported view, or scenario-specific additions beyond the committed shot staging. Keep markers 1 through 8 in their floor-plan relationships and do not turn transient marker 9 into a permanent structural feature."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l14_records_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l14_records_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L27B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L27",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L27B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 호남권 지방 경찰서의 서장실 내부를 실제 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 남동쪽 복도 출입문 바로 안쪽에서 약 1.6미터 높이로 서서, 28밀리미터 상당의 적당한 광각 렌즈로 서쪽과 중앙의 회의 구역을 가로질러 북서쪽 주 소파와 북동쪽 집무 책상을 대각선으로 바라본다. 화면 한쪽에는 안쪽으로 열린 출입문의 일부가 보이고, 중앙에는 세 면으로 배치된 소파와 낮은 회의 탁자가 있으며, 그 너머에는 방 중심과 출입구를 향한 집무 책상, 뒤쪽 집무 의자와 방문 의자, 동쪽 벽의 붙박이 기록장이 자연스럽게 이어진다. 북쪽과 서쪽의 이중창으로 들어오는 차분한 낮빛과 관공서형 천장 형광등의 중성적인 빛이 함께 공간을 밝힌다. 아이보리색 도장 벽, 얼룩과 미세한 긁힘이 남은 바닥, 중간 톤 목재 무늬 책상과 탁자, 실제 직물 짜임과 눌림 자국이 있는 어두운 소파, 사용감 있는 금속 창틀과 가구 모서리 등 지방 관공서 사무실의 절제되고 실용적인 재료를 사실적으로 표현한다. 공간은 과도하게 새것 같거나 정돈된 홍보 사진처럼 보이지 않고, 일상적인 마모와 작은 얼룩이 남은 실제 업무 장소여야 한다. 미디어 검토 순간에는 집무 책상 위에 2010년대 중후반형 노트북 한 대가 놓이고, 화면에는 테두리와 압축 흔적, 한글 자막 띠가 있는 비식별 현장 기록 영상이 재생된다. 영상은 노트북 화면 내부에만 머물며 사람, 얼굴, 인체형 형상은 나타나지 않는다. 이후 회의 순간에는 낮은 회의 탁자 위에 사건 처리 결과를 알리는 큰 한글 제목의 펼친 신문이 눈에 띄게 놓이며, 인물 사진 없이 기사 단과 문서형 지면만 보인다. 두 순간의 소품은 장면에 맞춰 하나만 사용하고 한 화면에 동시에 합치지 않는다. 공간 전체에 사람, 얼굴, 인체형 조형물이나 실루엣이 전혀 없는 빈 배경. 절제된 자연색, 중간 이하의 대비, 실제 콘크리트와 금속의 녹청, 직물 짜임, 목재 무늬, 생활 마모가 정확히 보이는 자연스러운 심도. 실제 장소 기록용 사진처럼 담담하고 후처리하지 않은 결과이며, 깨끗한 상업용 사진, 삽화, 입체 그래픽, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "남동쪽 출입문 안쪽에서 회의 구역 너머 집무 책상을 대각선으로 바라본다. 집무 책상 위 노트북과 화면 속 비식별 현장 기록 영상이 명확히 보이도록 하되, 영상은 화면 테두리와 압축 흔적 안에만 존재하고 사람이나 얼굴은 나타나지 않게 한다.",
            "shot_id": "S33_Shot3"
          },
          {
            "guide_text": "같은 눈높이의 대각선 구도를 유지하면서 집무 책상 위 노트북 화면이 시선의 주요 단서가 되게 한다. 화면의 한글 자막 띠와 기록 영상의 낮은 해상도 질감은 알아볼 수 있지만 특정 이름이나 인물 이미지는 드러나지 않게 한다.",
            "shot_id": "S33_Shot8"
          },
          {
            "guide_text": "남동쪽 문턱 구역에서 서쪽과 중앙의 소파 회의 구역을 우선해 바라본다. 낮은 회의 탁자 위 사건 처리 결과를 전하는 펼친 신문이 전경의 핵심 단서가 되고, 북서쪽 주 소파와 북동쪽 집무 책상도 배경에서 함께 읽히게 한다.",
            "shot_id": "S93_Shot3"
          },
          {
            "guide_text": "세 면의 소파와 낮은 회의 탁자의 관계가 분명하게 보이도록 구성하고, 탁자 위 펼친 신문의 큰 한글 제목과 단정한 기사 면이 눈에 띄게 한다. 신문에는 사람이나 얼굴 사진 없이 문서형 기사 구성만 보이게 한다.",
            "shot_id": "S93_Shot4"
          },
          {
            "guide_text": "출입문 안쪽의 자연스러운 서 있는 눈높이에서 회의 탁자 위 신문을 선명한 중심 단서로 잡고, 주변 소파와 뒤쪽 집무 구역은 자연스러운 깊이감 속에 배치한다. 사건 결과를 알리는 신문 제목은 굵은 한글 지면 요소로 표현하되 특정 고유명사는 넣지 않는다.",
            "shot_id": "S93_Shot10"
          }
        ],
        "shot_ids": [
          "S33_Shot3",
          "S33_Shot8",
          "S93_Shot3",
          "S93_Shot4",
          "S93_Shot10"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (threshold zone), just inside number 5 (corridor entry door), facing diagonally across number 2 (meeting zone) toward number 11 (head sofa) and number 8 (executive desk)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Use a wide composition that keeps number 14 (meeting table), the surrounding sofa seating, and number 8 (executive desk) legible. Feature number 16 prominently as the shot-appropriate media display on the desk or case-result newspaper on the meeting table, without requiring both forms simultaneously."
        },
        "reference_decision": {
          "bg_id": "L27B01",
          "fp_id": "fp_l27_station_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L27B01 is the sole supplied clean-anchor candidate and has readiness ok=true, so it establishes dwelling identity directly from the floor plan without a prior reference. The wide camera from unit 3 at [6,6] toward unit 2 at [3,3] is an exact geometry candidate and provides broad fixed-layout context for the consuming shots, which range from inserts to close and medium compositions across the staged interaction axes.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l27_station_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available, and this first node must establish the dwelling identity as the floor-plan-seeded anchor."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              6
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use the geometry-advertised broad view from unit 3 toward unit 2 to support the varied insert, close, over-shoulder, and medium consuming-shot framings while retaining context from the fixed marker layout.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              6
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 3, center the view on unit 2. The geometry permits units 1, 2, and 4 and openings 5, 6, and 7 as visibility candidates from this camera unit, while unit 3 remains the camera-origin area. Preserve the floor-plan relationships among target units 1 through 4 and show only the candidate units and openings that fall within the selected broad view.",
            "camera_framing_directive": "Place the camera in unit 3 at cell [6,6] and aim toward unit 2 at cell [3,3] with the wide 90-degree lens. Use broad coverage centered on unit 2, retaining enough surrounding fixed-layout context to support the consuming shots' later insert, close, over-shoulder, and medium crops.",
            "subject_position_directive": "Reserve adaptable subject staging for the consuming shots: an oblique downward hand insert over a supporting surface in S33_Shot3; foreground-shoulder and midground seated-subject relationships across a fixed axis in S33_Shot8 and S93_Shot3; no committed subject in the overhead insert S93_Shot4; and a tightly isolated seated subject near center-right in S93_Shot10. Do not add subjects beyond those committed by the applicable shot staging.",
            "state_cue_directive": "Carry transient marker 16 as the committed shot-specific state layer together with numbered elements 1 through 15. Its presentation may support the staged held-control and stopped-playback insert or the staged upward-facing printed-surface evidence, as applicable to the consuming shot; do not add unlisted transient state cues.",
            "negative_continuity_directive": "Keep base markers 1 through 15 in their floor-plan-committed relationships and do not invent additional fixed elements or scenario-specific objects. Do not portray spaces outside the wide view supported from unit 3 toward unit 2. Treat units 1, 2, and 4 and openings 5, 6, and 7 as visibility supersets rather than a requirement that every candidate appear unobstructed, and do not duplicate transient marker 16."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 2\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the geometry-advertised broad view from unit 3 toward unit 2 to support the varied insert, close, over-shoulder, and medium consuming-shot framings while retaining context from the fixed marker layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, center the view on unit 2. The geometry permits units 1, 2, and 4 and openings 5, 6, and 7 as visibility candidates from this camera unit, while unit 3 remains the camera-origin area. Preserve the floor-plan relationships among target units 1 through 4 and show only the candidate units and openings that fall within the selected broad view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [6,6] and aim toward unit 2 at cell [3,3] with the wide 90-degree lens. Use broad coverage centered on unit 2, retaining enough surrounding fixed-layout context to support the consuming shots' later insert, close, over-shoulder, and medium crops.\n  - subject_position_directive: Reserve adaptable subject staging for the consuming shots: an oblique downward hand insert over a supporting surface in S33_Shot3; foreground-shoulder and midground seated-subject relationships across a fixed axis in S33_Shot8 and S93_Shot3; no committed subject in the overhead insert S93_Shot4; and a tightly isolated seated subject near center-right in S93_Shot10. Do not add subjects beyond those committed by the applicable shot staging.\n  - state_cue_directive: Carry transient marker 16 as the committed shot-specific state layer together with numbered elements 1 through 15. Its presentation may support the staged held-control and stopped-playback insert or the staged upward-facing printed-surface evidence, as applicable to the consuming shot; do not add unlisted transient state cues.\n  - negative_continuity_directive: Keep base markers 1 through 15 in their floor-plan-committed relationships and do not invent additional fixed elements or scenario-specific objects. Do not portray spaces outside the wide view supported from unit 3 toward unit 2. Treat units 1, 2, and 4 and openings 5, 6, and 7 as visibility supersets rather than a requirement that every candidate appear unobstructed, and do not duplicate transient marker 16.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 2\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the geometry-advertised broad view from unit 3 toward unit 2 to support the varied insert, close, over-shoulder, and medium consuming-shot framings while retaining context from the fixed marker layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, center the view on unit 2. The geometry permits units 1, 2, and 4 and openings 5, 6, and 7 as visibility candidates from this camera unit, while unit 3 remains the camera-origin area. Preserve the floor-plan relationships among target units 1 through 4 and show only the candidate units and openings that fall within the selected broad view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [6,6] and aim toward unit 2 at cell [3,3] with the wide 90-degree lens. Use broad coverage centered on unit 2, retaining enough surrounding fixed-layout context to support the consuming shots' later insert, close, over-shoulder, and medium crops.\n  - subject_position_directive: Reserve adaptable subject staging for the consuming shots: an oblique downward hand insert over a supporting surface in S33_Shot3; foreground-shoulder and midground seated-subject relationships across a fixed axis in S33_Shot8 and S93_Shot3; no committed subject in the overhead insert S93_Shot4; and a tightly isolated seated subject near center-right in S93_Shot10. Do not add subjects beyond those committed by the applicable shot staging.\n  - state_cue_directive: Carry transient marker 16 as the committed shot-specific state layer together with numbered elements 1 through 15. Its presentation may support the staged held-control and stopped-playback insert or the staged upward-facing printed-surface evidence, as applicable to the consuming shot; do not add unlisted transient state cues.\n  - negative_continuity_directive: Keep base markers 1 through 15 in their floor-plan-committed relationships and do not invent additional fixed elements or scenario-specific objects. Do not portray spaces outside the wide view supported from unit 3 toward unit 2. Treat units 1, 2, and 4 and openings 5, 6, and 7 as visibility supersets rather than a requirement that every candidate appear unobstructed, and do not duplicate transient marker 16.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [6, 6]\n  - look_at_unit: 2\n  - look_at_cell: [3, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the geometry-advertised broad view from unit 3 toward unit 2 to support the varied insert, close, over-shoulder, and medium consuming-shot framings while retaining context from the fixed marker layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 3, center the view on unit 2. The geometry permits units 1, 2, and 4 and openings 5, 6, and 7 as visibility candidates from this camera unit, while unit 3 remains the camera-origin area. Preserve the floor-plan relationships among target units 1 through 4 and show only the candidate units and openings that fall within the selected broad view.\n  - camera_framing_directive: Place the camera in unit 3 at cell [6,6] and aim toward unit 2 at cell [3,3] with the wide 90-degree lens. Use broad coverage centered on unit 2, retaining enough surrounding fixed-layout context to support the consuming shots' later insert, close, over-shoulder, and medium crops.\n  - subject_position_directive: Reserve adaptable subject staging for the consuming shots: an oblique downward hand insert over a supporting surface in S33_Shot3; foreground-shoulder and midground seated-subject relationships across a fixed axis in S33_Shot8 and S93_Shot3; no committed subject in the overhead insert S93_Shot4; and a tightly isolated seated subject near center-right in S93_Shot10. Do not add subjects beyond those committed by the applicable shot staging.\n  - state_cue_directive: Carry transient marker 16 as the committed shot-specific state layer together with numbered elements 1 through 15. Its presentation may support the staged held-control and stopped-playback insert or the staged upward-facing printed-surface evidence, as applicable to the consuming shot; do not add unlisted transient state cues.\n  - negative_continuity_directive: Keep base markers 1 through 15 in their floor-plan-committed relationships and do not invent additional fixed elements or scenario-specific objects. Do not portray spaces outside the wide view supported from unit 3 toward unit 2. Treat units 1, 2, and 4 and openings 5, 6, and 7 as visibility supersets rather than a requirement that every candidate appear unobstructed, and do not duplicate transient marker 16.\n\n2010년대 중후반 대한민국 호남권 지방 경찰서의 서장실 내부를 실제 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 남동쪽 복도 출입문 바로 안쪽에서 약 1.6미터 높이로 서서, 28밀리미터 상당의 적당한 광각 렌즈로 서쪽과 중앙의 회의 구역을 가로질러 북서쪽 주 소파와 북동쪽 집무 책상을 대각선으로 바라본다. 화면 한쪽에는 안쪽으로 열린 출입문의 일부가 보이고, 중앙에는 세 면으로 배치된 소파와 낮은 회의 탁자가 있으며, 그 너머에는 방 중심과 출입구를 향한 집무 책상, 뒤쪽 집무 의자와 방문 의자, 동쪽 벽의 붙박이 기록장이 자연스럽게 이어진다. 북쪽과 서쪽의 이중창으로 들어오는 차분한 낮빛과 관공서형 천장 형광등의 중성적인 빛이 함께 공간을 밝힌다. 아이보리색 도장 벽, 얼룩과 미세한 긁힘이 남은 바닥, 중간 톤 목재 무늬 책상과 탁자, 실제 직물 짜임과 눌림 자국이 있는 어두운 소파, 사용감 있는 금속 창틀과 가구 모서리 등 지방 관공서 사무실의 절제되고 실용적인 재료를 사실적으로 표현한다. 공간은 과도하게 새것 같거나 정돈된 홍보 사진처럼 보이지 않고, 일상적인 마모와 작은 얼룩이 남은 실제 업무 장소여야 한다. 미디어 검토 순간에는 집무 책상 위에 2010년대 중후반형 노트북 한 대가 놓이고, 화면에는 테두리와 압축 흔적, 한글 자막 띠가 있는 비식별 현장 기록 영상이 재생된다. 영상은 노트북 화면 내부에만 머물며 사람, 얼굴, 인체형 형상은 나타나지 않는다. 이후 회의 순간에는 낮은 회의 탁자 위에 사건 처리 결과를 알리는 큰 한글 제목의 펼친 신문이 눈에 띄게 놓이며, 인물 사진 없이 기사 단과 문서형 지면만 보인다. 두 순간의 소품은 장면에 맞춰 하나만 사용하고 한 화면에 동시에 합치지 않는다. 공간 전체에 사람, 얼굴, 인체형 조형물이나 실루엣이 전혀 없는 빈 배경. 절제된 자연색, 중간 이하의 대비, 실제 콘크리트와 금속의 녹청, 직물 짜임, 목재 무늬, 생활 마모가 정확히 보이는 자연스러운 심도. 실제 장소 기록용 사진처럼 담담하고 후처리하지 않은 결과이며, 깨끗한 상업용 사진, 삽화, 입체 그래픽, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            6,
            6
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use the geometry-advertised broad view from unit 3 toward unit 2 to support the varied insert, close, over-shoulder, and medium consuming-shot framings while retaining context from the fixed marker layout.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            6
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 3, center the view on unit 2. The geometry permits units 1, 2, and 4 and openings 5, 6, and 7 as visibility candidates from this camera unit, while unit 3 remains the camera-origin area. Preserve the floor-plan relationships among target units 1 through 4 and show only the candidate units and openings that fall within the selected broad view.",
          "camera_framing_directive": "Place the camera in unit 3 at cell [6,6] and aim toward unit 2 at cell [3,3] with the wide 90-degree lens. Use broad coverage centered on unit 2, retaining enough surrounding fixed-layout context to support the consuming shots' later insert, close, over-shoulder, and medium crops.",
          "subject_position_directive": "Reserve adaptable subject staging for the consuming shots: an oblique downward hand insert over a supporting surface in S33_Shot3; foreground-shoulder and midground seated-subject relationships across a fixed axis in S33_Shot8 and S93_Shot3; no committed subject in the overhead insert S93_Shot4; and a tightly isolated seated subject near center-right in S93_Shot10. Do not add subjects beyond those committed by the applicable shot staging.",
          "state_cue_directive": "Carry transient marker 16 as the committed shot-specific state layer together with numbered elements 1 through 15. Its presentation may support the staged held-control and stopped-playback insert or the staged upward-facing printed-surface evidence, as applicable to the consuming shot; do not add unlisted transient state cues.",
          "negative_continuity_directive": "Keep base markers 1 through 15 in their floor-plan-committed relationships and do not invent additional fixed elements or scenario-specific objects. Do not portray spaces outside the wide view supported from unit 3 toward unit 2. Treat units 1, 2, and 4 and openings 5, 6, and 7 as visibility supersets rather than a requirement that every candidate appear unobstructed, and do not duplicate transient marker 16."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l27_station_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l27_station_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L44B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L44",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L44B01.png",
        "t2i_prompt": "대한민국 전라남도 농촌권의 21세기 초·중반 지방 경찰서 건물 옥상, 해가 막 넘어가는 조용한 해질녘. 옥상 출입문과 문턱 참 근처에 선 시점에서 넓고 비어 있는 옥상 데크를 대각선으로 가로질러 들판 쪽 난간과 그 너머의 광활한 초록 논을 바라본다. 후방에는 실용적인 계단실 출입 구조와 도장된 금속 출입문이 있고, 중앙과 들판 방향에는 평평한 방수 콘크리트 데크가 넓게 펼쳐진다. 난간은 중경을 길게 가로지르며, 그 너머로 바람이 훑고 지나가는 논의 결이 낮은 지평선까지 이어진다. 지방 공공건물 특유의 소박하고 기능적인 구조, 실제 콘크리트의 미세한 표면 편차와 일상적 마모, 금속의 자연스러운 산화와 도장 질감, 문 표면의 현실적인 재질을 세밀하게 표현한다. 남은 자연광은 부드럽고 절제된 청회색과 옅은 황혼빛으로 공간을 비추며, 대비는 과하지 않고 그림자는 자연스럽다. 공간은 깨끗하고 흐트러지지 않은 평상 상태다. 사람, 얼굴, 인체 형상의 조형물은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 출입문과 문턱 참 가까이에서 촬영한 35밀리미터급 광각 렌즈 구도, 넓고 정돈된 데크와 중경의 난간, 원경의 논이 자연스러운 깊이감으로 이어지게 한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구별되지 않는 자연스러운 심도와 재료 질감, 과도한 보정 없는 사실적인 촬영본. 하향 시점, 평면도, 건축 도면, 삽화, 합성 이미지가 아닌 실제 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "옥상 출입문과 문턱 참 가까이에서 넓은 데크를 대각선으로 가로질러 난간과 그 너머의 논을 바라본다. 데크의 빈 여백을 넉넉히 두고 난간이 중경을 가로지르며, 저녁빛 아래 펼쳐진 논이 먼 배경까지 분명하게 이어지도록 한다.",
            "shot_id": "S45_Shot5"
          },
          {
            "guide_text": "같은 출입구 인접 시점을 유지하되 난간과 논의 수평적 확장을 강조한다. 비어 있는 옥상 데크, 중경의 난간, 바람이 스치는 초록 논을 전경·중경·원경으로 자연스럽게 분리하고 인물이나 사건성 있는 흔적은 넣지 않는다.",
            "shot_id": "S45_Shot7"
          }
        ],
        "shot_ids": [
          "S45_Shot5",
          "S45_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_3",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 3 (rooftop access door) and number 6 (threshold landing), facing diagonally across number 1 (rooftop deck) toward number 4 (field-facing parapet railing) and number 5 (rice-field exterior zone)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Keep the open deck broad and uncluttered, with the parapet spanning the middle distance and the rice fields clearly extending beyond it."
        },
        "reference_decision": {
          "bg_id": "L44B01",
          "fp_id": "fp_l44_rooftop",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L44B01 is the sole clean anchor candidate and has no available same-fp reference, so it establishes the dwelling identity directly from the floor plan. Camera unit 1 at [3,4], looking toward unit 5 through marker 4 at [6,4] with a wide 90-degree view, preserves marker 1 as the immediate plane and gives both consuming shots coverage of fixed marker 4 and unit 5.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l44_rooftop.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_without_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available, and this node must establish the clean dwelling-identity anchor from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 5, with the look-at point fixed on base marker 4 at [6,4]. This supports the closer staged composition through cropping while retaining the wider environmental coverage required by the other consuming shot.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              4
            ],
            "look_at_unit": 5
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 as the immediate camera-side plane, fixed base marker 4 across the forward view, and unit 5 beyond marker 4. Opening marker 3 and units 2 and 6 are geometry supersets rather than committed visible content for this camera direction.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [3,4] toward look-at unit 5 using cell [6,4]. Use the wide 90-degree field of view for broad coverage of the immediate unit 1 plane, fixed marker 4, and unit 5; retain enough image area for the medium staged crop and the high, far, wide staged composition.",
            "subject_position_directive": "Render a clean background plate without subjects while preserving compositional clearance for the staged overlays: S45_Shot5 reserves the left foreground and right midground near marker 4, while S45_Shot7 reserves separated lower-left and lower-right foreground positions along marker 4.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Keep fixed marker 4 in its committed position between unit 1 and unit 5. Do not turn the visible-unit and visible-opening supersets into mandatory content outside the chosen forward framing, and do not add scenario-specific props, unlisted marker overlays, or invented structural changes."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 4]\n  - look_at_unit: 5\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 5, with the look-at point fixed on base marker 4 at [6,4]. This supports the closer staged composition through cropping while retaining the wider environmental coverage required by the other consuming shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the immediate camera-side plane, fixed base marker 4 across the forward view, and unit 5 beyond marker 4. Opening marker 3 and units 2 and 6 are geometry supersets rather than committed visible content for this camera direction.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,4] toward look-at unit 5 using cell [6,4]. Use the wide 90-degree field of view for broad coverage of the immediate unit 1 plane, fixed marker 4, and unit 5; retain enough image area for the medium staged crop and the high, far, wide staged composition.\n  - subject_position_directive: Render a clean background plate without subjects while preserving compositional clearance for the staged overlays: S45_Shot5 reserves the left foreground and right midground near marker 4, while S45_Shot7 reserves separated lower-left and lower-right foreground positions along marker 4.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep fixed marker 4 in its committed position between unit 1 and unit 5. Do not turn the visible-unit and visible-opening supersets into mandatory content outside the chosen forward framing, and do not add scenario-specific props, unlisted marker overlays, or invented structural changes.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 4]\n  - look_at_unit: 5\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 5, with the look-at point fixed on base marker 4 at [6,4]. This supports the closer staged composition through cropping while retaining the wider environmental coverage required by the other consuming shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the immediate camera-side plane, fixed base marker 4 across the forward view, and unit 5 beyond marker 4. Opening marker 3 and units 2 and 6 are geometry supersets rather than committed visible content for this camera direction.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,4] toward look-at unit 5 using cell [6,4]. Use the wide 90-degree field of view for broad coverage of the immediate unit 1 plane, fixed marker 4, and unit 5; retain enough image area for the medium staged crop and the high, far, wide staged composition.\n  - subject_position_directive: Render a clean background plate without subjects while preserving compositional clearance for the staged overlays: S45_Shot5 reserves the left foreground and right midground near marker 4, while S45_Shot7 reserves separated lower-left and lower-right foreground positions along marker 4.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep fixed marker 4 in its committed position between unit 1 and unit 5. Do not turn the visible-unit and visible-opening supersets into mandatory content outside the chosen forward framing, and do not add scenario-specific props, unlisted marker overlays, or invented structural changes.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 4]\n  - look_at_unit: 5\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 5, with the look-at point fixed on base marker 4 at [6,4]. This supports the closer staged composition through cropping while retaining the wider environmental coverage required by the other consuming shot.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the immediate camera-side plane, fixed base marker 4 across the forward view, and unit 5 beyond marker 4. Opening marker 3 and units 2 and 6 are geometry supersets rather than committed visible content for this camera direction.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,4] toward look-at unit 5 using cell [6,4]. Use the wide 90-degree field of view for broad coverage of the immediate unit 1 plane, fixed marker 4, and unit 5; retain enough image area for the medium staged crop and the high, far, wide staged composition.\n  - subject_position_directive: Render a clean background plate without subjects while preserving compositional clearance for the staged overlays: S45_Shot5 reserves the left foreground and right midground near marker 4, while S45_Shot7 reserves separated lower-left and lower-right foreground positions along marker 4.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Keep fixed marker 4 in its committed position between unit 1 and unit 5. Do not turn the visible-unit and visible-opening supersets into mandatory content outside the chosen forward framing, and do not add scenario-specific props, unlisted marker overlays, or invented structural changes.\n\n대한민국 전라남도 농촌권의 21세기 초·중반 지방 경찰서 건물 옥상, 해가 막 넘어가는 조용한 해질녘. 옥상 출입문과 문턱 참 근처에 선 시점에서 넓고 비어 있는 옥상 데크를 대각선으로 가로질러 들판 쪽 난간과 그 너머의 광활한 초록 논을 바라본다. 후방에는 실용적인 계단실 출입 구조와 도장된 금속 출입문이 있고, 중앙과 들판 방향에는 평평한 방수 콘크리트 데크가 넓게 펼쳐진다. 난간은 중경을 길게 가로지르며, 그 너머로 바람이 훑고 지나가는 논의 결이 낮은 지평선까지 이어진다. 지방 공공건물 특유의 소박하고 기능적인 구조, 실제 콘크리트의 미세한 표면 편차와 일상적 마모, 금속의 자연스러운 산화와 도장 질감, 문 표면의 현실적인 재질을 세밀하게 표현한다. 남은 자연광은 부드럽고 절제된 청회색과 옅은 황혼빛으로 공간을 비추며, 대비는 과하지 않고 그림자는 자연스럽다. 공간은 깨끗하고 흐트러지지 않은 평상 상태다. 사람, 얼굴, 인체 형상의 조형물은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이, 출입문과 문턱 참 가까이에서 촬영한 35밀리미터급 광각 렌즈 구도, 넓고 정돈된 데크와 중경의 난간, 원경의 논이 자연스러운 깊이감으로 이어지게 한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구별되지 않는 자연스러운 심도와 재료 질감, 과도한 보정 없는 사실적인 촬영본. 하향 시점, 평면도, 건축 도면, 삽화, 합성 이미지가 아닌 실제 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            3,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 5, with the look-at point fixed on base marker 4 at [6,4]. This supports the closer staged composition through cropping while retaining the wider environmental coverage required by the other consuming shot.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            4
          ],
          "look_at_unit": 5
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 as the immediate camera-side plane, fixed base marker 4 across the forward view, and unit 5 beyond marker 4. Opening marker 3 and units 2 and 6 are geometry supersets rather than committed visible content for this camera direction.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [3,4] toward look-at unit 5 using cell [6,4]. Use the wide 90-degree field of view for broad coverage of the immediate unit 1 plane, fixed marker 4, and unit 5; retain enough image area for the medium staged crop and the high, far, wide staged composition.",
          "subject_position_directive": "Render a clean background plate without subjects while preserving compositional clearance for the staged overlays: S45_Shot5 reserves the left foreground and right midground near marker 4, while S45_Shot7 reserves separated lower-left and lower-right foreground positions along marker 4.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Keep fixed marker 4 in its committed position between unit 1 and unit 5. Do not turn the visible-unit and visible-opening supersets into mandatory content outside the chosen forward framing, and do not add scenario-specific props, unlisted marker overlays, or invented structural changes."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l44_rooftop",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l44_rooftop",
            "building_anchor:L08B01",
            "building_fp:fp_l13_investigation_chief_office"
          ],
          "ref_used": "refs_3",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l13_investigation_chief_office",
          "indoor_loc_sid": "L13",
          "group_id": "bg_police_station",
          "fp_asset_id": "a51ba914-7eb7-439c-8b4b-7183f46683c0"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L08B01",
          "group_id": "bg_police_station"
        }
      },
      "L23B02": {
        "status": "ok",
        "location_id": "L23",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L23B02.png",
        "t2i_prompt": "2010년대 중후반의 밝고 맑은 낮, 대한민국 광주광역시에 자리한 공공 과학수사 연구기관 건물의 외관 설정 사진. 보행자 진입로 건너편에서 약 1.6미터 높이로 바라본 시점이며, 정면 출입구와 건물 한쪽 측면이 함께 들어오는 자연스러운 사선 구도다. 출입구 인근 외벽의 공식 한글 표지판에 ‘국립과학수사연구원 광주과학수사연구소’가 정확하고 또렷하게 표시되어 화면에서 분명히 읽힌다. 건물은 2010년대 한국 공공 연구시설다운 절제된 현대식 외관으로, 실제 석재 외장재와 금속 패널, 유리창, 금속 출입문, 소박한 출입구 차양을 갖춘다. 앞쪽에는 현실적인 아스팔트 진입로, 보도 경계석, 낮은 볼라드, 잔디와 관리된 수목, 실용적인 외부 조명과 깃대가 배치되어 있다. 표면에는 미세한 빗물 자국, 먼지, 변색과 일상적인 사용 흔적이 남아 있으며 지나치게 새것 같거나 홍보용 사진처럼 완벽하게 정돈되지 않는다. 강한 연출 조명 없이 밝은 자연광과 부드러운 실제 그림자, 광주의 평범한 청명한 하늘, 절제된 자연색과 중간 이하의 대비를 사용한다. 사람, 얼굴, 군중은 전혀 없고 미래형 장비나 시대가 맞지 않는 최신 요소도 없다. 실제 미러리스 또는 디에스엘아르 카메라와 35밀리미터급 렌즈로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트·금속의 산화 흔적·유리 반사·잔디와 수목의 질감이 정확하며 자연스러운 원근감과 피사계 심도를 지닌 현장 기록 사진. 후처리로 꾸민 이미지, 삽화, 건축 시각화, 평면도, 조감도, 위에서 내려다본 시점이 아닌 사실적인 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "진입로 건너편의 보행자 눈높이에서 건물 정면과 한쪽 측면이 함께 보이는 넓은 외관 설정 숏. 정문 출입구와 공식 한글 표지판이 나뭇가지나 시설물에 가리지 않고 선명하게 읽혀야 하며, 밝은 낮의 자연광 아래 건물 전체의 기능과 규모가 즉시 파악되도록 구성한다. 프레임 안에는 사람이 없어야 한다.",
            "shot_id": "S28_Shot1"
          }
        ],
        "shot_ids": [
          "S28_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "exterior_plate",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2010년대 중후반의 밝고 맑은 낮, 대한민국 광주광역시에 자리한 공공 과학수사 연구기관 건물의 외관 설정 사진. 보행자 진입로 건너편에서 약 1.6미터 높이로 바라본 시점이며, 정면 출입구와 건물 한쪽 측면이 함께 들어오는 자연스러운 사선 구도다. 출입구 인근 외벽의 공식 한글 표지판에 ‘국립과학수사연구원 광주과학수사연구소’가 정확하고 또렷하게 표시되어 화면에서 분명히 읽힌다. 건물은 2010년대 한국 공공 연구시설다운 절제된 현대식 외관으로, 실제 석재 외장재와 금속 패널, 유리창, 금속 출입문, 소박한 출입구 차양을 갖춘다. 앞쪽에는 현실적인 아스팔트 진입로, 보도 경계석, 낮은 볼라드, 잔디와 관리된 수목, 실용적인 외부 조명과 깃대가 배치되어 있다. 표면에는 미세한 빗물 자국, 먼지, 변색과 일상적인 사용 흔적이 남아 있으며 지나치게 새것 같거나 홍보용 사진처럼 완벽하게 정돈되지 않는다. 강한 연출 조명 없이 밝은 자연광과 부드러운 실제 그림자, 광주의 평범한 청명한 하늘, 절제된 자연색과 중간 이하의 대비를 사용한다. 사람, 얼굴, 군중은 전혀 없고 미래형 장비나 시대가 맞지 않는 최신 요소도 없다. 실제 미러리스 또는 디에스엘아르 카메라와 35밀리미터급 렌즈로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트·금속의 산화 흔적·유리 반사·잔디와 수목의 질감이 정확하며 자연스러운 원근감과 피사계 심도를 지닌 현장 기록 사진. 후처리로 꾸민 이미지, 삽화, 건축 시각화, 평면도, 조감도, 위에서 내려다본 시점이 아닌 사실적인 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L23B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L23",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L23B01.png",
        "t2i_prompt": "대한민국 광주·전남 권역의 2015~2017년 무렵 법의학 연구 사무실 안에 마련된 소파 상담 구역을 촬영한 실제 카메라 다큐멘터리 풍 사진. 남서쪽 출입문 안쪽 문턱 부근에서 약 1.5미터의 사람 눈높이로 서서 중앙 상담 구역을 대각선으로 바라본 구도이며, 35밀리미터급 렌즈의 적당한 광각 시야를 사용한다. 서쪽과 동쪽에 놓인 두 개의 실용적인 사무용 소파가 서로 마주 보고, 그 사이 중앙에는 낮은 소파 테이블이 놓여 있다. 북쪽 벽을 따라 이어진 붙박이 책장의 일부가 프레임 안에 보이고, 책장에는 오래 사용한 기록철과 문서 보관함이 정돈되어 있어 제도권 연구 사무실의 현실적인 분위기를 만든다. 동쪽의 넓은 창과 그 아래 창턱을 통해 들어오는 부드러운 낮빛이 실내를 자연스럽게 밝히며, 형광등은 보조적인 사무실 조명 정도로만 느껴진다. 낮은 테이블 위에는 오래된 사건 기록철, 부검 소견서, 절차 문서, 표와 메모가 여러 묶음으로 펼쳐져 있으나 실제 업무 중 검토하던 상태처럼 절제되고 현실적으로 배치한다. 법의학 자료는 글자 문서와 표, 기록지 중심이며 선정적이거나 그래픽한 사진, 얼굴, 인체 형상은 전혀 보이지 않는다. 2010년대 중후반 한국의 공공 연구기관에 어울리는 무광 도장 벽, 합판 또는 무늬목 가구, 금속 책장 부속, 직물 소파의 실제 짜임, 종이 가장자리의 미세한 마모, 손때와 생활 얼룩을 정확한 재질감으로 표현한다. 지나치게 새롭거나 최신형인 기기와 미래형 설비는 배제하고, 차분한 자연색과 중간 이하의 명암 대비, 사실적인 자연광, 자연스러운 심도와 일상적인 사용 흔적을 유지한다. 사람, 얼굴, 신체 형상의 모형이나 그림 없이 비어 있는 배경 공간만 보여 준다. 실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 가공 없는 현장 참고 사진처럼 보여야 하며, 깨끗한 광고 사진이나 인공적인 건축 시각화가 아니라 현실의 장소와 구별되지 않는 담담한 기록 사진이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남서쪽 출입구 안쪽에서 약 1.5미터 높이로 중앙 상담 구역을 대각선으로 바라본다. 두 소파와 그 사이의 문서가 펼쳐진 낮은 테이블을 화면의 중심 요소로 잡고, 북쪽 벽 붙박이 책장의 일부가 연구실의 제도적 성격을 보여 주도록 포함한다. 빈 공간만 촬영하며 사람이나 사람 형상의 이미지는 넣지 않는다.",
            "shot_id": "S29_Shot2"
          },
          {
            "guide_text": "35밀리미터급 적당한 광각 시야로 출입구 쪽에서 상담 구역 전체의 관계가 읽히게 구성한다. 맞은편 두 소파, 중앙의 낮은 테이블과 그 위에 펼쳐진 사건 기록, 북쪽 벽의 기록 보관용 붙박이 책장이 한 장면 안에서 자연스럽게 연결되도록 한다. 사람 없이 낮 시간의 실제 연구 사무실처럼 기록한다.",
            "shot_id": "S29_Shot4"
          }
        ],
        "shot_ids": [
          "S29_Shot2",
          "S29_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (entry threshold), facing diagonally across number 1 (consultation zone) toward numbers 8 and 9 (opposing sofas), with number 10 (low table) centered between them",
          "camera_height": "eye-level seated-to-standing view, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show both sofas and the document-covered table prominently; retain part of number 7 (built-in bookshelves) as an institutional research-office anchor."
        },
        "reference_decision": {
          "bg_id": "L23B01",
          "fp_id": "fp_l23_research_lab",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L23B01 is an allowed fallback anchor candidate and establishes the fixed dwelling identity directly from the floor plan. A normal-lens view from unit 4 toward unit 1 and marker 10 supports the medium opposing-subject compositions, marker 12 on the shared surface, and the structural markers required by both consuming shots without relying on a prior plate.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l23_research_lab.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because the dwelling-identity anchor must be rendered fresh from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              2
            ],
            "camera_unit": 4,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 4 toward unit 1 and base marker 10, retaining the opposing seating relation and the lower-frame surface required by S29_Shot2 and S29_Shot4.",
            "lens_enum": "normal",
            "look_at_cell": [
              5,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 as the principal visible space from unit 4, with markers 8 and 9 opposing one another across marker 10. Retain the required structural context from target units 2 and 4 where admitted by the broad visibility superset, including opening marker 5 and fixed marker 7; marker 11 may remain peripheral only if it falls inside the chosen view.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,2] toward unit 1 at look-at cell [5,4] with a normal 50-degree lens, giving neutral medium coverage across the opposing positions around marker 10 while preserving useful foreground, midground, and background separation.",
            "subject_position_directive": "For S29_Shot2, hold one seated subject in the foreground middle-left leaning across marker 10 and the opposing seated subject in the background middle-right. For S29_Shot4, retain a narrow lower-left foreground shoulder and place the other seated subject near-frontally in the middle center, with the pointing gesture clear above the lower-frame surface.",
            "state_cue_directive": "Carry transient marker 12 as the committed state cue on the surface associated with marker 10, using the restrained daytime ambient state committed by S29_Shot2 and S29_Shot4; add no other transient state overlays.",
            "negative_continuity_directive": "Exclude ignored marker 13 and its state overlay. Do not add spaces beyond units supported by the unit-4 view-cone candidate superset, do not relocate fixed markers 5, 7, 8, 9, 10, or 11, and do not invent unlisted scenario-specific elements."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward unit 1 and base marker 10, retaining the opposing seating relation and the lower-frame surface required by S29_Shot2 and S29_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the principal visible space from unit 4, with markers 8 and 9 opposing one another across marker 10. Retain the required structural context from target units 2 and 4 where admitted by the broad visibility superset, including opening marker 5 and fixed marker 7; marker 11 may remain peripheral only if it falls inside the chosen view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward unit 1 at look-at cell [5,4] with a normal 50-degree lens, giving neutral medium coverage across the opposing positions around marker 10 while preserving useful foreground, midground, and background separation.\n  - subject_position_directive: For S29_Shot2, hold one seated subject in the foreground middle-left leaning across marker 10 and the opposing seated subject in the background middle-right. For S29_Shot4, retain a narrow lower-left foreground shoulder and place the other seated subject near-frontally in the middle center, with the pointing gesture clear above the lower-frame surface.\n  - state_cue_directive: Carry transient marker 12 as the committed state cue on the surface associated with marker 10, using the restrained daytime ambient state committed by S29_Shot2 and S29_Shot4; add no other transient state overlays.\n  - negative_continuity_directive: Exclude ignored marker 13 and its state overlay. Do not add spaces beyond units supported by the unit-4 view-cone candidate superset, do not relocate fixed markers 5, 7, 8, 9, 10, or 11, and do not invent unlisted scenario-specific elements.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward unit 1 and base marker 10, retaining the opposing seating relation and the lower-frame surface required by S29_Shot2 and S29_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the principal visible space from unit 4, with markers 8 and 9 opposing one another across marker 10. Retain the required structural context from target units 2 and 4 where admitted by the broad visibility superset, including opening marker 5 and fixed marker 7; marker 11 may remain peripheral only if it falls inside the chosen view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward unit 1 at look-at cell [5,4] with a normal 50-degree lens, giving neutral medium coverage across the opposing positions around marker 10 while preserving useful foreground, midground, and background separation.\n  - subject_position_directive: For S29_Shot2, hold one seated subject in the foreground middle-left leaning across marker 10 and the opposing seated subject in the background middle-right. For S29_Shot4, retain a narrow lower-left foreground shoulder and place the other seated subject near-frontally in the middle center, with the pointing gesture clear above the lower-frame surface.\n  - state_cue_directive: Carry transient marker 12 as the committed state cue on the surface associated with marker 10, using the restrained daytime ambient state committed by S29_Shot2 and S29_Shot4; add no other transient state overlays.\n  - negative_continuity_directive: Exclude ignored marker 13 and its state overlay. Do not add spaces beyond units supported by the unit-4 view-cone candidate superset, do not relocate fixed markers 5, 7, 8, 9, 10, or 11, and do not invent unlisted scenario-specific elements.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 2]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward unit 1 and base marker 10, retaining the opposing seating relation and the lower-frame surface required by S29_Shot2 and S29_Shot4.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the principal visible space from unit 4, with markers 8 and 9 opposing one another across marker 10. Retain the required structural context from target units 2 and 4 where admitted by the broad visibility superset, including opening marker 5 and fixed marker 7; marker 11 may remain peripheral only if it falls inside the chosen view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,2] toward unit 1 at look-at cell [5,4] with a normal 50-degree lens, giving neutral medium coverage across the opposing positions around marker 10 while preserving useful foreground, midground, and background separation.\n  - subject_position_directive: For S29_Shot2, hold one seated subject in the foreground middle-left leaning across marker 10 and the opposing seated subject in the background middle-right. For S29_Shot4, retain a narrow lower-left foreground shoulder and place the other seated subject near-frontally in the middle center, with the pointing gesture clear above the lower-frame surface.\n  - state_cue_directive: Carry transient marker 12 as the committed state cue on the surface associated with marker 10, using the restrained daytime ambient state committed by S29_Shot2 and S29_Shot4; add no other transient state overlays.\n  - negative_continuity_directive: Exclude ignored marker 13 and its state overlay. Do not add spaces beyond units supported by the unit-4 view-cone candidate superset, do not relocate fixed markers 5, 7, 8, 9, 10, or 11, and do not invent unlisted scenario-specific elements.\n\n대한민국 광주·전남 권역의 2015~2017년 무렵 법의학 연구 사무실 안에 마련된 소파 상담 구역을 촬영한 실제 카메라 다큐멘터리 풍 사진. 남서쪽 출입문 안쪽 문턱 부근에서 약 1.5미터의 사람 눈높이로 서서 중앙 상담 구역을 대각선으로 바라본 구도이며, 35밀리미터급 렌즈의 적당한 광각 시야를 사용한다. 서쪽과 동쪽에 놓인 두 개의 실용적인 사무용 소파가 서로 마주 보고, 그 사이 중앙에는 낮은 소파 테이블이 놓여 있다. 북쪽 벽을 따라 이어진 붙박이 책장의 일부가 프레임 안에 보이고, 책장에는 오래 사용한 기록철과 문서 보관함이 정돈되어 있어 제도권 연구 사무실의 현실적인 분위기를 만든다. 동쪽의 넓은 창과 그 아래 창턱을 통해 들어오는 부드러운 낮빛이 실내를 자연스럽게 밝히며, 형광등은 보조적인 사무실 조명 정도로만 느껴진다. 낮은 테이블 위에는 오래된 사건 기록철, 부검 소견서, 절차 문서, 표와 메모가 여러 묶음으로 펼쳐져 있으나 실제 업무 중 검토하던 상태처럼 절제되고 현실적으로 배치한다. 법의학 자료는 글자 문서와 표, 기록지 중심이며 선정적이거나 그래픽한 사진, 얼굴, 인체 형상은 전혀 보이지 않는다. 2010년대 중후반 한국의 공공 연구기관에 어울리는 무광 도장 벽, 합판 또는 무늬목 가구, 금속 책장 부속, 직물 소파의 실제 짜임, 종이 가장자리의 미세한 마모, 손때와 생활 얼룩을 정확한 재질감으로 표현한다. 지나치게 새롭거나 최신형인 기기와 미래형 설비는 배제하고, 차분한 자연색과 중간 이하의 명암 대비, 사실적인 자연광, 자연스러운 심도와 일상적인 사용 흔적을 유지한다. 사람, 얼굴, 신체 형상의 모형이나 그림 없이 비어 있는 배경 공간만 보여 준다. 실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 가공 없는 현장 참고 사진처럼 보여야 하며, 깨끗한 광고 사진이나 인공적인 건축 시각화가 아니라 현실의 장소와 구별되지 않는 담담한 기록 사진이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            2
          ],
          "camera_unit": 4,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 4 toward unit 1 and base marker 10, retaining the opposing seating relation and the lower-frame surface required by S29_Shot2 and S29_Shot4.",
          "lens_enum": "normal",
          "look_at_cell": [
            5,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 as the principal visible space from unit 4, with markers 8 and 9 opposing one another across marker 10. Retain the required structural context from target units 2 and 4 where admitted by the broad visibility superset, including opening marker 5 and fixed marker 7; marker 11 may remain peripheral only if it falls inside the chosen view.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,2] toward unit 1 at look-at cell [5,4] with a normal 50-degree lens, giving neutral medium coverage across the opposing positions around marker 10 while preserving useful foreground, midground, and background separation.",
          "subject_position_directive": "For S29_Shot2, hold one seated subject in the foreground middle-left leaning across marker 10 and the opposing seated subject in the background middle-right. For S29_Shot4, retain a narrow lower-left foreground shoulder and place the other seated subject near-frontally in the middle center, with the pointing gesture clear above the lower-frame surface.",
          "state_cue_directive": "Carry transient marker 12 as the committed state cue on the surface associated with marker 10, using the restrained daytime ambient state committed by S29_Shot2 and S29_Shot4; add no other transient state overlays.",
          "negative_continuity_directive": "Exclude ignored marker 13 and its state overlay. Do not add spaces beyond units supported by the unit-4 view-cone candidate superset, do not relocate fixed markers 5, 7, 8, 9, 10, or 11, and do not invent unlisted scenario-specific elements."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l23_research_lab",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l23_research_lab"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L23B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L23",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L23B03.png",
        "t2i_prompt": "대한민국 전라남도·광주권에서 볼 수 있는 현실적인 21세기 초중반 연구실의 조용한 야간 모습. 중앙 상담 구역에는 서로 마주 보는 두 소파와 그 사이의 낮은 탁자가 있고, 북쪽 측면 벽에는 종이 기록과 책이 빽빽하게 꽂힌 붙박이 책장이 길게 이어진다. 동쪽 외벽의 넓은 창과 바로 아래 창턱이 보이며, 밤의 창유리는 바깥이 거의 보이지 않을 만큼 어둡고 실내의 약한 빛과 가구 윤곽을 자연스럽게 반사한다. 남서쪽 출입문은 공간의 실제 구조에 맞게 배경 가장자리에서 자연스럽게 연결된다. 탁자 위에는 평소 동쪽 창턱 곁에 있던 작은 성 모형 스노 글로브가 이 야간 순간에만 잠시 옮겨져 놓여 있다. 유리구 안의 성은 장식용 축소 모형으로만 보이며 실제 건축물이나 생명체처럼 해석되지 않는다. 오래 사용한 책등의 미세한 색 바램, 목재와 합판의 결, 소파 직물의 짜임과 눌림, 탁자 표면의 잔흠집, 창틀의 생활 먼지처럼 과장되지 않은 일상적 마모를 사실적으로 표현한다. 절제된 천장 조명과 약한 주변광이 만드는 중저대비의 담담한 밝기, 자연스러운 그림자와 현실적인 심도를 사용한다. 상담 구역 가까이에서 동쪽의 넓은 창을 향해 바라보며, 창가 구역을 가로질러 측면의 붙박이 책장이 계속 이어져 보이는 구도다. 약 1.6미터의 서 있는 사람 눈높이, 40밀리미터 일반 광각 렌즈를 장착한 실제 디지털 일안 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구분되지 않는 정확한 재료 질감, 자연스러운 노출과 초점, 인위적인 후처리 없음. 사람, 얼굴, 인체 형태의 형상은 전혀 없다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 그래픽, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "중앙 상담 구역 가까이의 서 있는 사람 눈높이에서 동쪽의 넓은 창을 바라본다. 두 소파 사이의 낮은 탁자를 전경과 중경에 두고, 측면 벽을 따라 이어지는 책장이 함께 보이게 한다. 탁자 위에 잠시 옮겨 놓인 성 모형 스노 글로브가 자연스럽게 식별되며, 어두운 창유리의 반사와 조용한 야간 실내 조명을 유지한다.",
            "shot_id": "S81_Shot1"
          },
          {
            "guide_text": "동일한 연구실 구조와 야간 조명의 연속성을 유지한다. 상담 구역에서 창가 방향을 보는 눈높이 구도로, 책이 가득한 붙박이 책장과 넓은 동쪽 창, 마주 보는 소파와 낮은 탁자의 공간 관계가 명확해야 한다. 성 모형 스노 글로브는 창턱의 평소 자리에서 옮겨져 탁자 위에 임시로 놓인 상태다.",
            "shot_id": "S81_Shot4"
          },
          {
            "guide_text": "앞선 장면과 같은 재료, 가구 배치, 빛의 세기와 창 반사를 유지한다. 약 40밀리미터 화각의 자연스러운 원근으로 상담 구역 너머의 창가와 측면 책장을 함께 담고, 탁자 위 성 모형 스노 글로브가 과장되지 않은 생활 소품으로 보이게 한다. 공간은 비어 있고 사람이나 사람 형태의 형상은 없어야 한다.",
            "shot_id": "S81_Shot18"
          }
        ],
        "shot_ids": [
          "S81_Shot1",
          "S81_Shot4",
          "S81_Shot18"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 1 (consultation zone), facing number 6 (broad window) across number 3 (window-side zone), with number 7 (built-in bookshelves) continuing along the side wall",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "40mm normal-wide lens",
          "framing_notes": "Make the dark reflective window and number 13 (snow globe by the sill) prominent while keeping one sofa and the book-filled shelving visible; the entry door may remain in the deeper background."
        },
        "reference_decision": {
          "bg_id": "L23B03",
          "fp_id": "fp_l23_research_lab",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L23B03 uses the same fixed physical space established by L23B01, so marker positions and opening placement inherit from that reference. Its camera remains in unit 1 but looks toward unit 3 and marker 6 rather than using L23B01's unit-4-to-unit-1 geometry; this reveals a materially different structural slice needed by the window-facing composition and therefore requires a new same-space plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L23B01.png"
          ],
          "source_bg_ids": [
            "L23B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l23_research_lab::physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l23_research_lab::physical_space_1",
                "ref_bg_id": "L23B01",
                "space_description": "The same fixed physical space containing unit markers 1 through 4, openings 5 and 6, and persistent markers 7 through 11."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because all consuming shots remain within the same physical space; no consuming shot requires two distinct co-visible spaces."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 1 toward unit 3 and opening marker 6 so the fixed window-side structure and surrounding marker context can support the reflection composition and the tighter shot-specific crops.",
            "lens_enum": "wide",
            "look_at_cell": [
              4,
              9
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 3 and opening marker 6 as the principal view from unit 1, with marker 11 beneath that opening and fixed marker 7 retained in its established position when admitted by the wide view. Preserve the positions of markers 8, 9, and 10 from reference L23B01 as surrounding same-space context; units 2 and 4 may appear only where supported by the unit-1 visibility superset.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward unit 3 at look-at cell [4,9] with a wide 90-degree lens, providing broad coverage of the marker-6 side and enough surrounding fixed context for S81_Shot1, while allowing the close framings in S81_Shot4 and S81_Shot18 to be derived within this view.",
            "subject_position_directive": "For S81_Shot1, place the committed subject in the midground on the right with the corresponding reflection on the left at marker 6. S81_Shot4 commits no full-size subject cue beyond the close content associated with marker 13, so keep that crop free of invented subjects. For S81_Shot18, place the seated subject in a face-filling foreground position centered left, with look space to the right and marker 13 restricted to the lower frame edge.",
            "state_cue_directive": "Carry transient marker 13 and the nighttime, restrained low-contrast state committed by the consuming shots. For S81_Shot4, retain the committed transient activity internal to marker 13; do not introduce any additional state overlay beyond marker 13.",
            "negative_continuity_directive": "Exclude ignored marker 12 and do not transfer its state overlay from reference L23B01. Preserve the fixed marker placement inherited from L23B01, avoid showing units outside the unit-1 visibility candidate superset, and do not invent additional subjects, overlays, openings, or scenario-specific elements."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L23B01' physical_space_id='fp_l23_research_lab::physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 and opening marker 6 so the fixed window-side structure and surrounding marker context can support the reflection composition and the tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 and opening marker 6 as the principal view from unit 1, with marker 11 beneath that opening and fixed marker 7 retained in its established position when admitted by the wide view. Preserve the positions of markers 8, 9, and 10 from reference L23B01 as surrounding same-space context; units 2 and 4 may appear only where supported by the unit-1 visibility superset.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward unit 3 at look-at cell [4,9] with a wide 90-degree lens, providing broad coverage of the marker-6 side and enough surrounding fixed context for S81_Shot1, while allowing the close framings in S81_Shot4 and S81_Shot18 to be derived within this view.\n  - subject_position_directive: For S81_Shot1, place the committed subject in the midground on the right with the corresponding reflection on the left at marker 6. S81_Shot4 commits no full-size subject cue beyond the close content associated with marker 13, so keep that crop free of invented subjects. For S81_Shot18, place the seated subject in a face-filling foreground position centered left, with look space to the right and marker 13 restricted to the lower frame edge.\n  - state_cue_directive: Carry transient marker 13 and the nighttime, restrained low-contrast state committed by the consuming shots. For S81_Shot4, retain the committed transient activity internal to marker 13; do not introduce any additional state overlay beyond marker 13.\n  - negative_continuity_directive: Exclude ignored marker 12 and do not transfer its state overlay from reference L23B01. Preserve the fixed marker placement inherited from L23B01, avoid showing units outside the unit-1 visibility candidate superset, and do not invent additional subjects, overlays, openings, or scenario-specific elements.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L23B01' physical_space_id='fp_l23_research_lab::physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 and opening marker 6 so the fixed window-side structure and surrounding marker context can support the reflection composition and the tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 and opening marker 6 as the principal view from unit 1, with marker 11 beneath that opening and fixed marker 7 retained in its established position when admitted by the wide view. Preserve the positions of markers 8, 9, and 10 from reference L23B01 as surrounding same-space context; units 2 and 4 may appear only where supported by the unit-1 visibility superset.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward unit 3 at look-at cell [4,9] with a wide 90-degree lens, providing broad coverage of the marker-6 side and enough surrounding fixed context for S81_Shot1, while allowing the close framings in S81_Shot4 and S81_Shot18 to be derived within this view.\n  - subject_position_directive: For S81_Shot1, place the committed subject in the midground on the right with the corresponding reflection on the left at marker 6. S81_Shot4 commits no full-size subject cue beyond the close content associated with marker 13, so keep that crop free of invented subjects. For S81_Shot18, place the seated subject in a face-filling foreground position centered left, with look space to the right and marker 13 restricted to the lower frame edge.\n  - state_cue_directive: Carry transient marker 13 and the nighttime, restrained low-contrast state committed by the consuming shots. For S81_Shot4, retain the committed transient activity internal to marker 13; do not introduce any additional state overlay beyond marker 13.\n  - negative_continuity_directive: Exclude ignored marker 12 and do not transfer its state overlay from reference L23B01. Preserve the fixed marker placement inherited from L23B01, avoid showing units outside the unit-1 visibility candidate superset, and do not invent additional subjects, overlays, openings, or scenario-specific elements.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L23B01' physical_space_id='fp_l23_research_lab::physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 3\n  - look_at_cell: [4, 9]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 1 toward unit 3 and opening marker 6 so the fixed window-side structure and surrounding marker context can support the reflection composition and the tighter shot-specific crops.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 3 and opening marker 6 as the principal view from unit 1, with marker 11 beneath that opening and fixed marker 7 retained in its established position when admitted by the wide view. Preserve the positions of markers 8, 9, and 10 from reference L23B01 as surrounding same-space context; units 2 and 4 may appear only where supported by the unit-1 visibility superset.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,4] toward unit 3 at look-at cell [4,9] with a wide 90-degree lens, providing broad coverage of the marker-6 side and enough surrounding fixed context for S81_Shot1, while allowing the close framings in S81_Shot4 and S81_Shot18 to be derived within this view.\n  - subject_position_directive: For S81_Shot1, place the committed subject in the midground on the right with the corresponding reflection on the left at marker 6. S81_Shot4 commits no full-size subject cue beyond the close content associated with marker 13, so keep that crop free of invented subjects. For S81_Shot18, place the seated subject in a face-filling foreground position centered left, with look space to the right and marker 13 restricted to the lower frame edge.\n  - state_cue_directive: Carry transient marker 13 and the nighttime, restrained low-contrast state committed by the consuming shots. For S81_Shot4, retain the committed transient activity internal to marker 13; do not introduce any additional state overlay beyond marker 13.\n  - negative_continuity_directive: Exclude ignored marker 12 and do not transfer its state overlay from reference L23B01. Preserve the fixed marker placement inherited from L23B01, avoid showing units outside the unit-1 visibility candidate superset, and do not invent additional subjects, overlays, openings, or scenario-specific elements.\n\n대한민국 전라남도·광주권에서 볼 수 있는 현실적인 21세기 초중반 연구실의 조용한 야간 모습. 중앙 상담 구역에는 서로 마주 보는 두 소파와 그 사이의 낮은 탁자가 있고, 북쪽 측면 벽에는 종이 기록과 책이 빽빽하게 꽂힌 붙박이 책장이 길게 이어진다. 동쪽 외벽의 넓은 창과 바로 아래 창턱이 보이며, 밤의 창유리는 바깥이 거의 보이지 않을 만큼 어둡고 실내의 약한 빛과 가구 윤곽을 자연스럽게 반사한다. 남서쪽 출입문은 공간의 실제 구조에 맞게 배경 가장자리에서 자연스럽게 연결된다. 탁자 위에는 평소 동쪽 창턱 곁에 있던 작은 성 모형 스노 글로브가 이 야간 순간에만 잠시 옮겨져 놓여 있다. 유리구 안의 성은 장식용 축소 모형으로만 보이며 실제 건축물이나 생명체처럼 해석되지 않는다. 오래 사용한 책등의 미세한 색 바램, 목재와 합판의 결, 소파 직물의 짜임과 눌림, 탁자 표면의 잔흠집, 창틀의 생활 먼지처럼 과장되지 않은 일상적 마모를 사실적으로 표현한다. 절제된 천장 조명과 약한 주변광이 만드는 중저대비의 담담한 밝기, 자연스러운 그림자와 현실적인 심도를 사용한다. 상담 구역 가까이에서 동쪽의 넓은 창을 향해 바라보며, 창가 구역을 가로질러 측면의 붙박이 책장이 계속 이어져 보이는 구도다. 약 1.6미터의 서 있는 사람 눈높이, 40밀리미터 일반 광각 렌즈를 장착한 실제 디지털 일안 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구분되지 않는 정확한 재료 질감, 자연스러운 노출과 초점, 인위적인 후처리 없음. 사람, 얼굴, 인체 형태의 형상은 전혀 없다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 그래픽, 건축 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 1 toward unit 3 and opening marker 6 so the fixed window-side structure and surrounding marker context can support the reflection composition and the tighter shot-specific crops.",
          "lens_enum": "wide",
          "look_at_cell": [
            4,
            9
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 3 and opening marker 6 as the principal view from unit 1, with marker 11 beneath that opening and fixed marker 7 retained in its established position when admitted by the wide view. Preserve the positions of markers 8, 9, and 10 from reference L23B01 as surrounding same-space context; units 2 and 4 may appear only where supported by the unit-1 visibility superset.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,4] toward unit 3 at look-at cell [4,9] with a wide 90-degree lens, providing broad coverage of the marker-6 side and enough surrounding fixed context for S81_Shot1, while allowing the close framings in S81_Shot4 and S81_Shot18 to be derived within this view.",
          "subject_position_directive": "For S81_Shot1, place the committed subject in the midground on the right with the corresponding reflection on the left at marker 6. S81_Shot4 commits no full-size subject cue beyond the close content associated with marker 13, so keep that crop free of invented subjects. For S81_Shot18, place the seated subject in a face-filling foreground position centered left, with look space to the right and marker 13 restricted to the lower frame edge.",
          "state_cue_directive": "Carry transient marker 13 and the nighttime, restrained low-contrast state committed by the consuming shots. For S81_Shot4, retain the committed transient activity internal to marker 13; do not introduce any additional state overlay beyond marker 13.",
          "negative_continuity_directive": "Exclude ignored marker 12 and do not transfer its state overlay from reference L23B01. Preserve the fixed marker placement inherited from L23B01, avoid showing units outside the unit-1 visibility candidate superset, and do not invent additional subjects, overlays, openings, or scenario-specific elements."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l23_research_lab",
          "prior_bg_ids": [
            "L23B01"
          ],
          "attached_ref_labels": [
            "bg:L23B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L25B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L25",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L25B03.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주권의 평범한 소형 원룸 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 늦은 밤, 혼자 머무는 듯 고요하고 적막한 생활 공간이며 인물, 얼굴, 인체 형상은 전혀 없다. 욕실 문 가까이에서 약 1.3미터 높이로 바라보며, 공용 생활·수면 공간을 대각선으로 가로질러 맞은편 벽의 텔레비전과 낮은 수납장을 향한 시점이다. 35밀리미터급 적당한 광각 렌즈로 촬영해 과장 없이 원룸의 깊이와 실제 원근을 보여준다. 중앙 생활 구역의 작은 소파는 텔레비전을 향하고, 긴 벽을 따라 놓인 싱글 침대, 주방과 거실 사이의 작은 2인용 식탁, 입구 쪽 벽의 옷장이 주변부에 자연스럽게 이어진다. 저렴한 연회색 비닐 바닥재, 약간 누렇게 바랜 밝은 벽지, 평범한 합판 가구의 실제 나뭇결, 수납장 모서리의 미세한 마모와 일상적인 사용 흔적을 사실적으로 표현한다. 실내 주조명은 꺼져 있거나 매우 약하고, 텔레비전에서 나오는 차갑고 불규칙한 청백색 빛이 소파 앞 바닥과 가구 표면에 현실적으로 반사되어 충격적인 속보를 마주한 순간 같은 긴장을 만든다. 텔레비전 화면 내부에만 2010년대 중후반 한국 방송 형식의 비그래픽 범죄 뉴스 속보를 표시한다. 화면에는 식별 가능한 사람이 없는 흐릿한 사건 현장 전경, 간단한 사건 도식, 하단 뉴스 자막과 방송 화면 특유의 압축감이 보이되, 그 영상은 반드시 텔레비전 테두리 안의 평면 이미지로 제한하고 실내 공간으로 확장하지 않는다. 실제 콘크리트와 벽지의 질감, 금속 부품의 은은한 사용감, 직물의 짜임, 합판의 나뭇결을 정확히 보여주며 자연스러운 심도와 낮은 조도의 현실적인 노출을 유지한다. 깨끗한 광고 사진이 아니라 실제 거주지를 기록한 담담한 현장 참고 사진, 과도한 대비나 인위적 후처리 없이 촬영한 실제 디지털 일안 반사식 또는 미러리스 카메라 사진. 내려다보는 평면도 시점, 건축 도면, 삽화, 컴퓨터 그래픽, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "욕실 문 가까운 위치에서 약 1.3미터 높이로 카메라를 두고, 공용 생활·수면 공간을 대각선으로 가로질러 맞은편 텔레비전과 낮은 수납장을 바라본다. 중앙의 소파가 텔레비전을 향하고, 긴 벽 쪽 침대와 입구 쪽 옷장, 주방과 거실 사이의 작은 식탁이 주변부에서 자연스럽게 공간 관계를 설명하도록 한다. 텔레비전 화면 안에만 비그래픽 범죄 뉴스 속보를 표시하고, 차갑게 변하는 화면 빛이 조용한 밤의 실내를 순간적으로 강조하게 한다. 사람이나 얼굴, 인체 형상은 어디에도 포함하지 않는다.",
            "shot_id": "S31_Shot3"
          }
        ],
        "shot_ids": [
          "S31_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 7 (bathroom door), facing diagonally across number 1 (shared living and sleeping zone) toward number 15 (television and console)",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.3m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep number 15 prominent, retain open floor space in the center, and include number 14 at the frame edge to support the solitary post-shower reaction. Apply number 19 only as imagery contained inside the television screen."
        },
        "reference_decision": {
          "bg_id": "L25B03",
          "fp_id": "fp_studio_apartment",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L25B03 is an allowed clean-anchor fallback candidate and provides the broadest staged identity view, covering target units 3 and 1 and base markers 7, 13, 14, 15, 16, and 17. A wide view from unit 3 toward unit 1 supports the consuming shot's full-body staging and establishes the fixed dwelling layout without a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_studio_apartment.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp plate exists; this node is the dwelling-identity anchor and is rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              2
            ],
            "camera_unit": 3,
            "fov_deg": 90,
            "framing_notes": "Use the verbatim unit-3 camera cell and look toward unit 1 with broad coverage supporting the staged wide, full-body composition and the committed marker relationship.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              8
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show target units 3 and 1 from unit 3 toward unit 1, with opening marker 7 and base markers 13, 14, 15, 16, and 17 arranged at their committed floor-plan positions. The wide cone may provide transition context, but units 2 and 4 and openings 5 and 6 remain visibility supersets rather than required visible spaces.",
            "camera_framing_directive": "Frame from camera unit 3 at [7,2] toward unit 1 at [3,5] with a wide 90-degree field of view, giving broad coverage for the committed wide, standing-waist-height view and slight downward presentation without changing the established viewing side.",
            "subject_position_directive": "Place the committed subject in the lower-right midground in the staged collapsed seated pose with folded legs, directed toward marker 15 in the upper-left background. Preserve the full-body readability, fixed gaze relation, wet-hair cue, and staged held transient item without inventing additional subjects.",
            "state_cue_directive": "Carry transient marker 19 and the staged active-screen cue within restrained, low-contrast nighttime illumination. Preserve the committed interrupted-action state from the shot staging without adding unlisted state overlays; marker 20 is not part of this BG.",
            "negative_continuity_directive": "Exclude ignored overlay marker 20. Do not introduce units or openings merely because they occur in visibility supersets; prioritize target units 3 and 1 and committed opening marker 7. Keep all fixed numbered elements at their floor-plan positions and avoid invented scenario-specific elements."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 2]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the verbatim unit-3 camera cell and look toward unit 1 with broad coverage supporting the staged wide, full-body composition and the committed marker relationship.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show target units 3 and 1 from unit 3 toward unit 1, with opening marker 7 and base markers 13, 14, 15, 16, and 17 arranged at their committed floor-plan positions. The wide cone may provide transition context, but units 2 and 4 and openings 5 and 6 remain visibility supersets rather than required visible spaces.\n  - camera_framing_directive: Frame from camera unit 3 at [7,2] toward unit 1 at [3,5] with a wide 90-degree field of view, giving broad coverage for the committed wide, standing-waist-height view and slight downward presentation without changing the established viewing side.\n  - subject_position_directive: Place the committed subject in the lower-right midground in the staged collapsed seated pose with folded legs, directed toward marker 15 in the upper-left background. Preserve the full-body readability, fixed gaze relation, wet-hair cue, and staged held transient item without inventing additional subjects.\n  - state_cue_directive: Carry transient marker 19 and the staged active-screen cue within restrained, low-contrast nighttime illumination. Preserve the committed interrupted-action state from the shot staging without adding unlisted state overlays; marker 20 is not part of this BG.\n  - negative_continuity_directive: Exclude ignored overlay marker 20. Do not introduce units or openings merely because they occur in visibility supersets; prioritize target units 3 and 1 and committed opening marker 7. Keep all fixed numbered elements at their floor-plan positions and avoid invented scenario-specific elements.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 2]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the verbatim unit-3 camera cell and look toward unit 1 with broad coverage supporting the staged wide, full-body composition and the committed marker relationship.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show target units 3 and 1 from unit 3 toward unit 1, with opening marker 7 and base markers 13, 14, 15, 16, and 17 arranged at their committed floor-plan positions. The wide cone may provide transition context, but units 2 and 4 and openings 5 and 6 remain visibility supersets rather than required visible spaces.\n  - camera_framing_directive: Frame from camera unit 3 at [7,2] toward unit 1 at [3,5] with a wide 90-degree field of view, giving broad coverage for the committed wide, standing-waist-height view and slight downward presentation without changing the established viewing side.\n  - subject_position_directive: Place the committed subject in the lower-right midground in the staged collapsed seated pose with folded legs, directed toward marker 15 in the upper-left background. Preserve the full-body readability, fixed gaze relation, wet-hair cue, and staged held transient item without inventing additional subjects.\n  - state_cue_directive: Carry transient marker 19 and the staged active-screen cue within restrained, low-contrast nighttime illumination. Preserve the committed interrupted-action state from the shot staging without adding unlisted state overlays; marker 20 is not part of this BG.\n  - negative_continuity_directive: Exclude ignored overlay marker 20. Do not introduce units or openings merely because they occur in visibility supersets; prioritize target units 3 and 1 and committed opening marker 7. Keep all fixed numbered elements at their floor-plan positions and avoid invented scenario-specific elements.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 2]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the verbatim unit-3 camera cell and look toward unit 1 with broad coverage supporting the staged wide, full-body composition and the committed marker relationship.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show target units 3 and 1 from unit 3 toward unit 1, with opening marker 7 and base markers 13, 14, 15, 16, and 17 arranged at their committed floor-plan positions. The wide cone may provide transition context, but units 2 and 4 and openings 5 and 6 remain visibility supersets rather than required visible spaces.\n  - camera_framing_directive: Frame from camera unit 3 at [7,2] toward unit 1 at [3,5] with a wide 90-degree field of view, giving broad coverage for the committed wide, standing-waist-height view and slight downward presentation without changing the established viewing side.\n  - subject_position_directive: Place the committed subject in the lower-right midground in the staged collapsed seated pose with folded legs, directed toward marker 15 in the upper-left background. Preserve the full-body readability, fixed gaze relation, wet-hair cue, and staged held transient item without inventing additional subjects.\n  - state_cue_directive: Carry transient marker 19 and the staged active-screen cue within restrained, low-contrast nighttime illumination. Preserve the committed interrupted-action state from the shot staging without adding unlisted state overlays; marker 20 is not part of this BG.\n  - negative_continuity_directive: Exclude ignored overlay marker 20. Do not introduce units or openings merely because they occur in visibility supersets; prioritize target units 3 and 1 and committed opening marker 7. Keep all fixed numbered elements at their floor-plan positions and avoid invented scenario-specific elements.\n\n2010년대 중후반 대한민국 전라남도·광주권의 평범한 소형 원룸 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 늦은 밤, 혼자 머무는 듯 고요하고 적막한 생활 공간이며 인물, 얼굴, 인체 형상은 전혀 없다. 욕실 문 가까이에서 약 1.3미터 높이로 바라보며, 공용 생활·수면 공간을 대각선으로 가로질러 맞은편 벽의 텔레비전과 낮은 수납장을 향한 시점이다. 35밀리미터급 적당한 광각 렌즈로 촬영해 과장 없이 원룸의 깊이와 실제 원근을 보여준다. 중앙 생활 구역의 작은 소파는 텔레비전을 향하고, 긴 벽을 따라 놓인 싱글 침대, 주방과 거실 사이의 작은 2인용 식탁, 입구 쪽 벽의 옷장이 주변부에 자연스럽게 이어진다. 저렴한 연회색 비닐 바닥재, 약간 누렇게 바랜 밝은 벽지, 평범한 합판 가구의 실제 나뭇결, 수납장 모서리의 미세한 마모와 일상적인 사용 흔적을 사실적으로 표현한다. 실내 주조명은 꺼져 있거나 매우 약하고, 텔레비전에서 나오는 차갑고 불규칙한 청백색 빛이 소파 앞 바닥과 가구 표면에 현실적으로 반사되어 충격적인 속보를 마주한 순간 같은 긴장을 만든다. 텔레비전 화면 내부에만 2010년대 중후반 한국 방송 형식의 비그래픽 범죄 뉴스 속보를 표시한다. 화면에는 식별 가능한 사람이 없는 흐릿한 사건 현장 전경, 간단한 사건 도식, 하단 뉴스 자막과 방송 화면 특유의 압축감이 보이되, 그 영상은 반드시 텔레비전 테두리 안의 평면 이미지로 제한하고 실내 공간으로 확장하지 않는다. 실제 콘크리트와 벽지의 질감, 금속 부품의 은은한 사용감, 직물의 짜임, 합판의 나뭇결을 정확히 보여주며 자연스러운 심도와 낮은 조도의 현실적인 노출을 유지한다. 깨끗한 광고 사진이 아니라 실제 거주지를 기록한 담담한 현장 참고 사진, 과도한 대비나 인위적 후처리 없이 촬영한 실제 디지털 일안 반사식 또는 미러리스 카메라 사진. 내려다보는 평면도 시점, 건축 도면, 삽화, 컴퓨터 그래픽, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            7,
            2
          ],
          "camera_unit": 3,
          "fov_deg": 90,
          "framing_notes": "Use the verbatim unit-3 camera cell and look toward unit 1 with broad coverage supporting the staged wide, full-body composition and the committed marker relationship.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            8
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show target units 3 and 1 from unit 3 toward unit 1, with opening marker 7 and base markers 13, 14, 15, 16, and 17 arranged at their committed floor-plan positions. The wide cone may provide transition context, but units 2 and 4 and openings 5 and 6 remain visibility supersets rather than required visible spaces.",
          "camera_framing_directive": "Frame from camera unit 3 at [7,2] toward unit 1 at [3,5] with a wide 90-degree field of view, giving broad coverage for the committed wide, standing-waist-height view and slight downward presentation without changing the established viewing side.",
          "subject_position_directive": "Place the committed subject in the lower-right midground in the staged collapsed seated pose with folded legs, directed toward marker 15 in the upper-left background. Preserve the full-body readability, fixed gaze relation, wet-hair cue, and staged held transient item without inventing additional subjects.",
          "state_cue_directive": "Carry transient marker 19 and the staged active-screen cue within restrained, low-contrast nighttime illumination. Preserve the committed interrupted-action state from the shot staging without adding unlisted state overlays; marker 20 is not part of this BG.",
          "negative_continuity_directive": "Exclude ignored overlay marker 20. Do not introduce units or openings merely because they occur in visibility supersets; prioritize target units 3 and 1 and committed opening marker 7. Keep all fixed numbered elements at their floor-plan positions and avoid invented scenario-specific elements."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_studio_apartment",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_studio_apartment"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L25B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L25",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L25B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권에서 볼 수 있는 현실적인 소형 원룸의 야간 거실 겸 침실 공간. 중앙 생활 구역의 소파 가까이, 앉은 사람의 눈높이인 약 1.2m에 실제 미러리스 또는 DSLR 카메라를 놓고 방의 주축을 따라 맞은편 벽의 텔레비전과 낮은 콘솔을 정면으로 바라본 구도다. 50mm 표준 렌즈의 과장 없는 원근감과 자연스러운 심도, 소파 가장자리와 주방 쪽 생활 구역 사이의 작은 2인용 테이블 일부가 프레임에 들어오며, 방 끝 외벽 중앙의 창문 너머는 밤의 어둠으로 보인다. 2010년대 중후반 한국의 평범한 임대 원룸에 어울리는 무난한 벽지, 실제 합판과 목재 무늬, 생활감 있는 바닥, 플라스틱과 금속의 미세한 마모와 얼룩을 사실적으로 표현한다. 실내는 약한 생활 조명과 텔레비전에서 퍼지는 차가운 빛이 섞인 중저대비 야간 상태이며, 과장 없이 차분하고 현실적인 밝기다. 텔레비전 화면 안에는 저해상도 흑백 범죄 뉴스 자료 화면이 재생되고 있다. 화면 내용은 사람이 없는 사건 관련 장소의 비그래픽한 기록 영상으로 제한하며, 압축 노이즈와 방송 화면 테두리, 주사선 느낌, 한국어 하단 뉴스 자막이 보인다. 이 영상과 자막은 반드시 텔레비전 디스플레이 내부에만 완전히 담기고 실제 방 안으로 확장되지 않는다. 공간 전체와 텔레비전 화면 어디에도 사람, 얼굴, 신체, 사람 형태의 실루엣이 없다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 자연스럽고 담담한 기록성, 정확한 재료 질감과 일상적인 사용 흔적, 자연스러운 노출과 초점, 인위적인 후처리 없음. 깨끗한 광고용 스톡 사진, CGI 렌더, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "소파 가까이의 앉은 사람 눈높이인 약 1.2m에서 텔레비전과 낮은 콘솔을 정면으로 바라본다. 50mm 표준 렌즈의 자연스러운 원근감으로 텔레비전 화면이 선명하게 읽히도록 하되, 주변 원룸 거실의 소파 가장자리와 2인용 테이블 일부가 함께 보여 실제 생활 공간임을 알 수 있게 구성한다. 화면 속 흑백 범죄 뉴스 영상과 한국어 하단 자막은 반드시 텔레비전 테두리 안에만 존재하며, 사람이나 얼굴 또는 사람 형태는 어느 곳에도 보이지 않게 한다.",
            "shot_id": "S52_Shot4"
          }
        ],
        "shot_ids": [
          "S52_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 14 (compact sofa), facing directly toward number 15 (television and console) along the main-room axis",
          "camera_height": "eye-level seated, approximately 1.2m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Use a television-focused composition with number 15 dominant and number 14 or number 16 as restrained foreground context. Number 19 must remain entirely within the television screen."
        },
        "reference_decision": {
          "bg_id": "L25B01",
          "fp_id": "fp_studio_apartment",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "The consuming shot targets unit 1 and markers 14, 15, and 16 already established by L25B03, so this is the same physical space rather than a new-space composition. The unit-1 camera aimed at marker 15 is genuinely different from the anchor's unit-3-to-unit-1 wide geometry and therefore requires its own narrow plate while preserving fixed-element positions from L25B03.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L25B03.png"
          ],
          "source_bg_ids": [
            "L25B03"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "ps_unit_1_shared"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "ps_unit_1_shared",
                "ref_bg_id": "L25B03",
                "space_description": "The established physical space containing unit marker 1 and fixed markers 14, 15, and 16."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because L25B03 establishes the same target unit and the overlapping fixed markers; no second distinct visible space is committed by the close shot."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Use the verbatim unit-1 camera cell and target marker 15 at its listed cell for a narrow close view that retains only limited adjacent unit-1 context.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              3,
              8
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show a narrow slice of unit 1 centered on fixed marker 15, retaining limited continuity context from markers 14 and 16 as the 25-degree cone permits. Marker 5 remains a base continuity reference but must appear only if it falls naturally within this narrow unit-1 view.",
            "camera_framing_directive": "Frame from camera unit 1 at [3,5] toward unit 1 at [3,8] using a telephoto 25-degree field of view. Use compressed, narrow coverage so marker 15's active surface occupies approximately the central third while enough fixed surrounding structure remains to establish scale.",
            "subject_position_directive": "No committed subject appears in this BG's staging; keep the background free of invented subjects. The active surface of marker 15 is the staged visual subject, with its bezel and a slight side edge retained for scale.",
            "state_cue_directive": "Show transient marker 19 on the active surface of marker 15 with the staged readable broadcast presentation and restrained nighttime ambience. Do not add marker 20 or any other unlisted transient cue.",
            "negative_continuity_directive": "Exclude marker 20 and do not carry any marker-20 overlay from other plates. Preserve the inherited positions of markers 14, 15, and 16 from L25B03, do not relocate marker 15 to improve the close framing, and do not pull marker 5 or spaces outside the narrow cone artificially into view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the verbatim unit-1 camera cell and target marker 15 at its listed cell for a narrow close view that retains only limited adjacent unit-1 context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice of unit 1 centered on fixed marker 15, retaining limited continuity context from markers 14 and 16 as the 25-degree cone permits. Marker 5 remains a base continuity reference but must appear only if it falls naturally within this narrow unit-1 view.\n  - camera_framing_directive: Frame from camera unit 1 at [3,5] toward unit 1 at [3,8] using a telephoto 25-degree field of view. Use compressed, narrow coverage so marker 15's active surface occupies approximately the central third while enough fixed surrounding structure remains to establish scale.\n  - subject_position_directive: No committed subject appears in this BG's staging; keep the background free of invented subjects. The active surface of marker 15 is the staged visual subject, with its bezel and a slight side edge retained for scale.\n  - state_cue_directive: Show transient marker 19 on the active surface of marker 15 with the staged readable broadcast presentation and restrained nighttime ambience. Do not add marker 20 or any other unlisted transient cue.\n  - negative_continuity_directive: Exclude marker 20 and do not carry any marker-20 overlay from other plates. Preserve the inherited positions of markers 14, 15, and 16 from L25B03, do not relocate marker 15 to improve the close framing, and do not pull marker 5 or spaces outside the narrow cone artificially into view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the verbatim unit-1 camera cell and target marker 15 at its listed cell for a narrow close view that retains only limited adjacent unit-1 context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice of unit 1 centered on fixed marker 15, retaining limited continuity context from markers 14 and 16 as the 25-degree cone permits. Marker 5 remains a base continuity reference but must appear only if it falls naturally within this narrow unit-1 view.\n  - camera_framing_directive: Frame from camera unit 1 at [3,5] toward unit 1 at [3,8] using a telephoto 25-degree field of view. Use compressed, narrow coverage so marker 15's active surface occupies approximately the central third while enough fixed surrounding structure remains to establish scale.\n  - subject_position_directive: No committed subject appears in this BG's staging; keep the background free of invented subjects. The active surface of marker 15 is the staged visual subject, with its bezel and a slight side edge retained for scale.\n  - state_cue_directive: Show transient marker 19 on the active surface of marker 15 with the staged readable broadcast presentation and restrained nighttime ambience. Do not add marker 20 or any other unlisted transient cue.\n  - negative_continuity_directive: Exclude marker 20 and do not carry any marker-20 overlay from other plates. Preserve the inherited positions of markers 14, 15, and 16 from L25B03, do not relocate marker 15 to improve the close framing, and do not pull marker 5 or spaces outside the narrow cone artificially into view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the verbatim unit-1 camera cell and target marker 15 at its listed cell for a narrow close view that retains only limited adjacent unit-1 context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice of unit 1 centered on fixed marker 15, retaining limited continuity context from markers 14 and 16 as the 25-degree cone permits. Marker 5 remains a base continuity reference but must appear only if it falls naturally within this narrow unit-1 view.\n  - camera_framing_directive: Frame from camera unit 1 at [3,5] toward unit 1 at [3,8] using a telephoto 25-degree field of view. Use compressed, narrow coverage so marker 15's active surface occupies approximately the central third while enough fixed surrounding structure remains to establish scale.\n  - subject_position_directive: No committed subject appears in this BG's staging; keep the background free of invented subjects. The active surface of marker 15 is the staged visual subject, with its bezel and a slight side edge retained for scale.\n  - state_cue_directive: Show transient marker 19 on the active surface of marker 15 with the staged readable broadcast presentation and restrained nighttime ambience. Do not add marker 20 or any other unlisted transient cue.\n  - negative_continuity_directive: Exclude marker 20 and do not carry any marker-20 overlay from other plates. Preserve the inherited positions of markers 14, 15, and 16 from L25B03, do not relocate marker 15 to improve the close framing, and do not pull marker 5 or spaces outside the narrow cone artificially into view.\n\n대한민국 전라남도·광주권에서 볼 수 있는 현실적인 소형 원룸의 야간 거실 겸 침실 공간. 중앙 생활 구역의 소파 가까이, 앉은 사람의 눈높이인 약 1.2m에 실제 미러리스 또는 DSLR 카메라를 놓고 방의 주축을 따라 맞은편 벽의 텔레비전과 낮은 콘솔을 정면으로 바라본 구도다. 50mm 표준 렌즈의 과장 없는 원근감과 자연스러운 심도, 소파 가장자리와 주방 쪽 생활 구역 사이의 작은 2인용 테이블 일부가 프레임에 들어오며, 방 끝 외벽 중앙의 창문 너머는 밤의 어둠으로 보인다. 2010년대 중후반 한국의 평범한 임대 원룸에 어울리는 무난한 벽지, 실제 합판과 목재 무늬, 생활감 있는 바닥, 플라스틱과 금속의 미세한 마모와 얼룩을 사실적으로 표현한다. 실내는 약한 생활 조명과 텔레비전에서 퍼지는 차가운 빛이 섞인 중저대비 야간 상태이며, 과장 없이 차분하고 현실적인 밝기다. 텔레비전 화면 안에는 저해상도 흑백 범죄 뉴스 자료 화면이 재생되고 있다. 화면 내용은 사람이 없는 사건 관련 장소의 비그래픽한 기록 영상으로 제한하며, 압축 노이즈와 방송 화면 테두리, 주사선 느낌, 한국어 하단 뉴스 자막이 보인다. 이 영상과 자막은 반드시 텔레비전 디스플레이 내부에만 완전히 담기고 실제 방 안으로 확장되지 않는다. 공간 전체와 텔레비전 화면 어디에도 사람, 얼굴, 신체, 사람 형태의 실루엣이 없다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 자연스럽고 담담한 기록성, 정확한 재료 질감과 일상적인 사용 흔적, 자연스러운 노출과 초점, 인위적인 후처리 없음. 깨끗한 광고용 스톡 사진, CGI 렌더, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            3,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Use the verbatim unit-1 camera cell and target marker 15 at its listed cell for a narrow close view that retains only limited adjacent unit-1 context.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            3,
            8
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show a narrow slice of unit 1 centered on fixed marker 15, retaining limited continuity context from markers 14 and 16 as the 25-degree cone permits. Marker 5 remains a base continuity reference but must appear only if it falls naturally within this narrow unit-1 view.",
          "camera_framing_directive": "Frame from camera unit 1 at [3,5] toward unit 1 at [3,8] using a telephoto 25-degree field of view. Use compressed, narrow coverage so marker 15's active surface occupies approximately the central third while enough fixed surrounding structure remains to establish scale.",
          "subject_position_directive": "No committed subject appears in this BG's staging; keep the background free of invented subjects. The active surface of marker 15 is the staged visual subject, with its bezel and a slight side edge retained for scale.",
          "state_cue_directive": "Show transient marker 19 on the active surface of marker 15 with the staged readable broadcast presentation and restrained nighttime ambience. Do not add marker 20 or any other unlisted transient cue.",
          "negative_continuity_directive": "Exclude marker 20 and do not carry any marker-20 overlay from other plates. Preserve the inherited positions of markers 14, 15, and 16 from L25B03, do not relocate marker 15 to improve the close framing, and do not pull marker 5 or spaces outside the narrow cone artificially into view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_studio_apartment",
          "prior_bg_ids": [
            "L25B03"
          ],
          "attached_ref_labels": [
            "bg:L25B03"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L25B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L25",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L25B02.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 광주·전남권의 평범한 소형 원룸 아파트 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤이며 누군가 생활 중인 집의 조명은 켜져 있지만 공간에는 사람이 전혀 없고, 얼굴이나 사람 형태의 그림자·사진·장식도 없다. 주 외부 창 가까이에서 약 1.6미터 높이로 서서 공용 생활 공간을 가로질러 한쪽 벽의 오픈 주방을 대각선으로 바라본 시점, 35밀리미터 풀프레임 기준 28밀리미터 광각 렌즈의 자연스러운 원근감. 중앙 생활 공간에는 텔레비전을 향한 소형 소파가 있고, 맞은편 벽에는 낮은 콘솔과 텔레비전이 있으며, 주방과 소파 사이에는 작은 2인용 식탁이 놓여 있다. 한쪽 벽을 따라 싱크대와 조리대, 매립형 가스레인지, 끝부분의 냉장고가 이어지고, 복도 쪽 현관은 주 바닥보다 낮은 현관 턱과 전자식 도어록이 달린 출입문으로 구성된다. 멀리 외벽 중앙의 큰 창은 어두운 밤 유리와 희미한 도시 반사를 보이며, 실내의 따뜻한 천장등과 주방등이 중간 이하의 대비로 실제 생활 공간처럼 퍼진다. 텔레비전 화면 안에만 범죄 사건을 다루는 야간 뉴스 영상이 나오며, 인물 없이 사건 현장 외경, 통제선, 자료 화면, 한국어 자막과 방송 인터페이스가 낮은 해상도와 압축 흔적을 동반해 보인다. 뉴스 영상은 반드시 화면 테두리 안의 평면 이미지로 제한한다. 주방 조리대의 싱크대 가까이에는 커피를 만들던 드리퍼나 소형 커피 기구, 주전자와 머그가 잠시 모여 있다. 긴장된 대화가 이어지던 밤의 절제되고 조용한 생활감은 남아 있으나 과장된 혼란이나 사건 흔적은 없다. 실제 콘크리트와 도배 벽의 미세한 얼룩, 금속 싱크대의 사용 자국, 플라스틱 가전 표면, 소파 천의 직조, 목재 무늬 가구의 생활 마모를 정확하고 자연스럽게 표현한다. 깨끗한 광고 사진이 아니라 평범한 실제 거주지를 기록한 담담한 현장 참고 사진이며, 자연스러운 피사계 심도와 사실적인 야간 노출, 후처리 없는 절제된 색감. 위에서 내려다본 시점, 평면도, 건축 도해, 컴퓨터 생성 이미지는 금지. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "주 외부 창 가까이에서 서 있는 사람의 눈높이로, 공용 생활 공간을 가로질러 오픈 주방 방향을 대각선으로 바라본다. 텔레비전은 프레임 한쪽에 남겨 화면 내부의 범죄 뉴스가 식별되게 하되, 실내의 실제 인물처럼 확장하지 않는다. 연결된 생활 공간과 주방의 거리감이 자연스럽게 드러나야 한다.",
            "shot_id": "S52_Shot5"
          },
          {
            "guide_text": "같은 창가 쪽 눈높이 시점을 유지하며 소파, 작은 식탁, 주방 조리대가 하나의 연속된 원룸 공간으로 읽히게 구성한다. 프레임 한쪽의 텔레비전 뉴스 화면과 조리대 위 커피 도구를 함께 확인할 수 있도록 하되, 빈 실내와 현실적인 야간 조명을 중심으로 촬영한다.",
            "shot_id": "S52_Shot8"
          }
        ],
        "shot_ids": [
          "S52_Shot5",
          "S52_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 5 (main exterior window), facing diagonally across number 1 (shared zone) toward number 2 (open kitchen), with number 15 (television) remaining visible to one side",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Show the uninterrupted connection between the living and kitchen areas. Include numbers 8, 9, 10, and 20 around the kitchen counter while retaining number 15 and seating in the same composition; number 19 stays inside the television screen."
        },
        "reference_decision": {
          "bg_id": "L25B02",
          "fp_id": "fp_studio_apartment",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "This BG overlaps L25B03 in unit 1 and fixed markers 14, 15, and 16 while extending the staged camera into unit 2 with target-unit context for units 2 and 4. It therefore remains the same connected physical space with inherited fixed positions, but the unit-2-to-unit-1 normal view exposes a different structural slice and requires a new plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L25B03.png"
          ],
          "source_bg_ids": [
            "L25B03"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "ps_unit_1_shared"
            ],
            "rejected_refs": [
              {
                "reason": "L25B01 is a redundant same-space reference with a narrow unit-1 view; L25B03 provides broader fixed-layout continuity for the unit-2-to-unit-1 camera.",
                "ref_bg_id": "L25B01"
              }
            ],
            "same_physical_space_dedup_decision": "single_reference_selected_broader_same_space_plate",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "ps_unit_1_shared",
                "ref_bg_id": "L25B03",
                "space_description": "The established connected physical space containing unit marker 1 and shared fixed markers 14, 15, and 16."
              }
            ],
            "why_single_ref_or_two_refs": "One broader same-space reference establishes the overlapping fixed layout. The consuming shots do not commit two distinct co-visible physical spaces requiring separate references."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              7
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Use the verbatim unit-2 camera cell and look toward unit 1 with neutral coverage suitable for both committed close subject arrangements while retaining limited shared-space context.",
            "lens_enum": "normal",
            "look_at_cell": [
              3,
              8
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Look from target unit 2 toward unit 1, preserving the connected layout and the committed base relationships among units 1, 2, and 4. Retain markers 8, 9, 10, 14, 15, 16, and 18 and openings 5 and 6 only where the normal cone naturally admits them; unit 3 and opening 7 are not committed to this view.",
            "camera_framing_directive": "Frame from camera unit 2 at [6,7] toward unit 1 at [3,5] with a normal 50-degree field of view. Maintain neutral coverage for the close three-quarter and tight over-shoulder staging, with only the limited background context supported by that camera direction.",
            "subject_position_directive": "Support the first consuming shot with one committed seated subject filling most of the close frame in a three-quarter angle, leaving narrow open space along the off-screen sightline toward marker 15. Support the second with a limited foreground shoulder at screen-right and the seated subject centered in the midground; preserve the staged mutual gaze and do not add other subjects.",
            "state_cue_directive": "Carry transient markers 19 and 20 as committed by this BG. For the shot where marker 15 is only an oblique edge, marker 19 must remain active but unreadable; preserve restrained nighttime illumination and do not add unlisted state cues.",
            "negative_continuity_directive": "Keep the inherited positions of markers 14, 15, and 16 consistent with L25B03 and retain markers 8, 9, 10, and 18 at their floor-plan positions when visible. Do not force unit 3 or opening marker 7 into the unit-2-to-unit-1 view merely because geometry lists visibility supersets, and do not invent additional scenario-specific elements or overlays."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 7]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the verbatim unit-2 camera cell and look toward unit 1 with neutral coverage suitable for both committed close subject arrangements while retaining limited shared-space context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Look from target unit 2 toward unit 1, preserving the connected layout and the committed base relationships among units 1, 2, and 4. Retain markers 8, 9, 10, 14, 15, 16, and 18 and openings 5 and 6 only where the normal cone naturally admits them; unit 3 and opening 7 are not committed to this view.\n  - camera_framing_directive: Frame from camera unit 2 at [6,7] toward unit 1 at [3,5] with a normal 50-degree field of view. Maintain neutral coverage for the close three-quarter and tight over-shoulder staging, with only the limited background context supported by that camera direction.\n  - subject_position_directive: Support the first consuming shot with one committed seated subject filling most of the close frame in a three-quarter angle, leaving narrow open space along the off-screen sightline toward marker 15. Support the second with a limited foreground shoulder at screen-right and the seated subject centered in the midground; preserve the staged mutual gaze and do not add other subjects.\n  - state_cue_directive: Carry transient markers 19 and 20 as committed by this BG. For the shot where marker 15 is only an oblique edge, marker 19 must remain active but unreadable; preserve restrained nighttime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Keep the inherited positions of markers 14, 15, and 16 consistent with L25B03 and retain markers 8, 9, 10, and 18 at their floor-plan positions when visible. Do not force unit 3 or opening marker 7 into the unit-2-to-unit-1 view merely because geometry lists visibility supersets, and do not invent additional scenario-specific elements or overlays.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 7]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the verbatim unit-2 camera cell and look toward unit 1 with neutral coverage suitable for both committed close subject arrangements while retaining limited shared-space context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Look from target unit 2 toward unit 1, preserving the connected layout and the committed base relationships among units 1, 2, and 4. Retain markers 8, 9, 10, 14, 15, 16, and 18 and openings 5 and 6 only where the normal cone naturally admits them; unit 3 and opening 7 are not committed to this view.\n  - camera_framing_directive: Frame from camera unit 2 at [6,7] toward unit 1 at [3,5] with a normal 50-degree field of view. Maintain neutral coverage for the close three-quarter and tight over-shoulder staging, with only the limited background context supported by that camera direction.\n  - subject_position_directive: Support the first consuming shot with one committed seated subject filling most of the close frame in a three-quarter angle, leaving narrow open space along the off-screen sightline toward marker 15. Support the second with a limited foreground shoulder at screen-right and the seated subject centered in the midground; preserve the staged mutual gaze and do not add other subjects.\n  - state_cue_directive: Carry transient markers 19 and 20 as committed by this BG. For the shot where marker 15 is only an oblique edge, marker 19 must remain active but unreadable; preserve restrained nighttime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Keep the inherited positions of markers 14, 15, and 16 consistent with L25B03 and retain markers 8, 9, 10, and 18 at their floor-plan positions when visible. Do not force unit 3 or opening marker 7 into the unit-2-to-unit-1 view merely because geometry lists visibility supersets, and do not invent additional scenario-specific elements or overlays.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L25B03' physical_space_id='ps_unit_1_shared'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 7]\n  - look_at_unit: 1\n  - look_at_cell: [3, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the verbatim unit-2 camera cell and look toward unit 1 with neutral coverage suitable for both committed close subject arrangements while retaining limited shared-space context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Look from target unit 2 toward unit 1, preserving the connected layout and the committed base relationships among units 1, 2, and 4. Retain markers 8, 9, 10, 14, 15, 16, and 18 and openings 5 and 6 only where the normal cone naturally admits them; unit 3 and opening 7 are not committed to this view.\n  - camera_framing_directive: Frame from camera unit 2 at [6,7] toward unit 1 at [3,5] with a normal 50-degree field of view. Maintain neutral coverage for the close three-quarter and tight over-shoulder staging, with only the limited background context supported by that camera direction.\n  - subject_position_directive: Support the first consuming shot with one committed seated subject filling most of the close frame in a three-quarter angle, leaving narrow open space along the off-screen sightline toward marker 15. Support the second with a limited foreground shoulder at screen-right and the seated subject centered in the midground; preserve the staged mutual gaze and do not add other subjects.\n  - state_cue_directive: Carry transient markers 19 and 20 as committed by this BG. For the shot where marker 15 is only an oblique edge, marker 19 must remain active but unreadable; preserve restrained nighttime illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Keep the inherited positions of markers 14, 15, and 16 consistent with L25B03 and retain markers 8, 9, 10, and 18 at their floor-plan positions when visible. Do not force unit 3 or opening marker 7 into the unit-2-to-unit-1 view merely because geometry lists visibility supersets, and do not invent additional scenario-specific elements or overlays.\n\n2015~2017년 무렵 대한민국 광주·전남권의 평범한 소형 원룸 아파트 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤이며 누군가 생활 중인 집의 조명은 켜져 있지만 공간에는 사람이 전혀 없고, 얼굴이나 사람 형태의 그림자·사진·장식도 없다. 주 외부 창 가까이에서 약 1.6미터 높이로 서서 공용 생활 공간을 가로질러 한쪽 벽의 오픈 주방을 대각선으로 바라본 시점, 35밀리미터 풀프레임 기준 28밀리미터 광각 렌즈의 자연스러운 원근감. 중앙 생활 공간에는 텔레비전을 향한 소형 소파가 있고, 맞은편 벽에는 낮은 콘솔과 텔레비전이 있으며, 주방과 소파 사이에는 작은 2인용 식탁이 놓여 있다. 한쪽 벽을 따라 싱크대와 조리대, 매립형 가스레인지, 끝부분의 냉장고가 이어지고, 복도 쪽 현관은 주 바닥보다 낮은 현관 턱과 전자식 도어록이 달린 출입문으로 구성된다. 멀리 외벽 중앙의 큰 창은 어두운 밤 유리와 희미한 도시 반사를 보이며, 실내의 따뜻한 천장등과 주방등이 중간 이하의 대비로 실제 생활 공간처럼 퍼진다. 텔레비전 화면 안에만 범죄 사건을 다루는 야간 뉴스 영상이 나오며, 인물 없이 사건 현장 외경, 통제선, 자료 화면, 한국어 자막과 방송 인터페이스가 낮은 해상도와 압축 흔적을 동반해 보인다. 뉴스 영상은 반드시 화면 테두리 안의 평면 이미지로 제한한다. 주방 조리대의 싱크대 가까이에는 커피를 만들던 드리퍼나 소형 커피 기구, 주전자와 머그가 잠시 모여 있다. 긴장된 대화가 이어지던 밤의 절제되고 조용한 생활감은 남아 있으나 과장된 혼란이나 사건 흔적은 없다. 실제 콘크리트와 도배 벽의 미세한 얼룩, 금속 싱크대의 사용 자국, 플라스틱 가전 표면, 소파 천의 직조, 목재 무늬 가구의 생활 마모를 정확하고 자연스럽게 표현한다. 깨끗한 광고 사진이 아니라 평범한 실제 거주지를 기록한 담담한 현장 참고 사진이며, 자연스러운 피사계 심도와 사실적인 야간 노출, 후처리 없는 절제된 색감. 위에서 내려다본 시점, 평면도, 건축 도해, 컴퓨터 생성 이미지는 금지. 16:9 가로 비율, 실제 카메라 촬영본.",
        "camera_decision": {
          "camera_cell": [
            6,
            7
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Use the verbatim unit-2 camera cell and look toward unit 1 with neutral coverage suitable for both committed close subject arrangements while retaining limited shared-space context.",
          "lens_enum": "normal",
          "look_at_cell": [
            3,
            8
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Look from target unit 2 toward unit 1, preserving the connected layout and the committed base relationships among units 1, 2, and 4. Retain markers 8, 9, 10, 14, 15, 16, and 18 and openings 5 and 6 only where the normal cone naturally admits them; unit 3 and opening 7 are not committed to this view.",
          "camera_framing_directive": "Frame from camera unit 2 at [6,7] toward unit 1 at [3,5] with a normal 50-degree field of view. Maintain neutral coverage for the close three-quarter and tight over-shoulder staging, with only the limited background context supported by that camera direction.",
          "subject_position_directive": "Support the first consuming shot with one committed seated subject filling most of the close frame in a three-quarter angle, leaving narrow open space along the off-screen sightline toward marker 15. Support the second with a limited foreground shoulder at screen-right and the seated subject centered in the midground; preserve the staged mutual gaze and do not add other subjects.",
          "state_cue_directive": "Carry transient markers 19 and 20 as committed by this BG. For the shot where marker 15 is only an oblique edge, marker 19 must remain active but unreadable; preserve restrained nighttime illumination and do not add unlisted state cues.",
          "negative_continuity_directive": "Keep the inherited positions of markers 14, 15, and 16 consistent with L25B03 and retain markers 8, 9, 10, and 18 at their floor-plan positions when visible. Do not force unit 3 or opening marker 7 into the unit-2-to-unit-1 view merely because geometry lists visibility supersets, and do not invent additional scenario-specific elements or overlays."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_studio_apartment",
          "prior_bg_ids": [
            "L25B03"
          ],
          "attached_ref_labels": [
            "bg:L25B03"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L26B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L26",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L26B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주광역시의 검찰청 차장급 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤의 절제된 관공서 실내로, 낮은 밝기의 중성 백색 기관 조명과 동쪽 벽에 켜진 텔레비전의 차가운 청회색 빛이 함께 공간을 비춘다. 남쪽 복도문 바로 안쪽에서 북쪽을 향해 대각선으로 바라본 시점이며, 카메라 높이는 서 있는 사람의 눈높이인 약 1.6미터, 35밀리미터급 중간 광각이다. 북쪽 중앙의 무게감 있는 집무 책상과 그 뒤의 사무용 의자, 책상 남쪽에 마주 놓인 방문객 의자 두 개가 엄격한 위계와 절제된 긴장감을 만든다. 서쪽 벽의 방문객 소파와 그 동쪽의 낮은 응접 탁자가 함께 보이고, 동쪽 벽의 벽걸이 텔레비전은 책상과 방문객 좌석에서 볼 수 있는 방향으로 선명하게 드러난다. 텔레비전 화면은 식별 가능한 인물이나 얼굴 없이 화면 테두리 안에 머무는 희미한 청회색 발광만 보인다. 크림색 계열의 관공서 벽면, 실제 목재 무늬 합판 책상의 모서리 마모, 금속 의자 다리의 미세한 사용 흔적, 소파 표면의 자연스러운 주름, 관리된 바닥의 옅은 닦임 자국처럼 현실적인 재료 질감과 일상적 사용감을 표현한다. 공간은 깨끗하고 흐트러짐 없는 일상적 상태다. 사람, 얼굴, 사람 형태의 조형물은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라 촬영, 자연스러운 원근과 피사계 심도, 과장 없는 노출, 절제된 자연주의 색감, 중저대비, 후처리 없는 실제 장소 기록 사진이며 깨끗한 광고 사진이나 컴퓨터 생성 이미지, 삽화, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도문 바로 안쪽의 약 1.6미터 눈높이에서 35밀리미터급 화각으로 대각선 구도를 잡는다. 집무 책상, 그 앞의 방문객 의자 두 개, 서쪽 소파와 낮은 탁자를 통해 위계적인 좌석 배치를 분명히 보여 주고, 동쪽 벽의 켜진 텔레비전도 프레임 안에서 명확히 식별되게 한다. 공간에는 사람이 없어야 한다.",
            "shot_id": "S32_Shot4"
          },
          {
            "guide_text": "같은 출입문 쪽 시점과 야간 조명 방향을 유지해 공간 연속성을 확보한다. 집무 책상과 방문객 좌석의 거리감이 압박감 있게 읽히도록 구성하되, 텔레비전의 차가운 화면빛이 측면 벽과 가구 가장자리에 약하게 닿는 모습까지 자연스럽게 담는다. 인물이나 사람 형태의 영상은 포함하지 않는다.",
            "shot_id": "S32_Shot5"
          }
        ],
        "shot_ids": [
          "S32_Shot4",
          "S32_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 5 (corridor door), facing diagonally across number 2 (visitor meeting zone) toward number 8 (executive desk) and number 14 (television)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame the executive desk and visitor seating as a tense hierarchical arrangement while keeping the television clearly visible on the side wall; the exterior windows may remain peripheral."
        },
        "reference_decision": {
          "bg_id": "L26B02",
          "fp_id": "fp_l26_deputy_chief_office",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L26B02 uses the same physical space as L26B01, so L26B01 commits the fixed structure and marker placement. Its camera changes from unit 4 looking toward unit 1 to unit 1 looking toward unit 2, exposing a materially different slice needed by S32_Shot4 and S32_Shot5, including the context of marker 14 and the reverse subject framing; therefore it requires its own plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L26B01.png"
          ],
          "source_bg_ids": [
            "L26B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_l26_deputy_chief_office:physical_space:1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_l26_deputy_chief_office:physical_space:1",
                "ref_bg_id": "L26B01",
                "space_description": "Same fixed physical space, viewed from the reverse-side unit pair."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference is sufficient because both consuming shots remain within the same physical space established by L26B01; no two distinct spaces are committed as co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              1
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the advertised reverse-side broad view from unit 1 toward unit 2 so the consuming close profile and medium reverse crops can draw from a view that includes the marker-14 side of the fixed arrangement.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1, look toward unit 2 with broad candidate coverage limited to units 2, 3, and 4 and openings 5, 6, and 7. Positively preserve from L26B01 the fixed positions of markers 5, 8, 9, 10, 12, 13, and 14, with marker 14 available as background context for S32_Shot4.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [3,1] toward unit 2 at look-at cell [5,6] with the advertised wide 90-degree field of view. Use broad source coverage while supporting the close profile crop in S32_Shot4 and the medium upper-body reverse crop in S32_Shot5.",
            "subject_position_directive": "For S32_Shot4, the committed subject is at close profile distance with gaze crossing the open side while marker 14 remains soft background context. For S32_Shot5, the committed subject occupies the lower center in a medium reverse with negative space above. Keep the background plate free of invented subjects beyond these shot-specific placements.",
            "state_cue_directive": "No committed base-layer state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional cues; the presentation of marker 14 specified in S32_Shot4 and the restrained nighttime illumination specified by the consuming shots are shot-specific treatments that do not change fixed placement.",
            "negative_continuity_directive": "Do not alter the fixed marker placements inherited from L26B01, and do not copy L26B01's shot-specific subject occupancy or daytime state into this plate. Limit possible surrounding coverage to candidate units 2, 3, and 4 and candidate openings 5, 6, and 7; do not invent additional elements or spaces outside the view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L26B01' physical_space_id='fp_l26_deputy_chief_office:physical_space:1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 1]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised reverse-side broad view from unit 1 toward unit 2 so the consuming close profile and medium reverse crops can draw from a view that includes the marker-14 side of the fixed arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look toward unit 2 with broad candidate coverage limited to units 2, 3, and 4 and openings 5, 6, and 7. Positively preserve from L26B01 the fixed positions of markers 5, 8, 9, 10, 12, 13, and 14, with marker 14 available as background context for S32_Shot4.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,1] toward unit 2 at look-at cell [5,6] with the advertised wide 90-degree field of view. Use broad source coverage while supporting the close profile crop in S32_Shot4 and the medium upper-body reverse crop in S32_Shot5.\n  - subject_position_directive: For S32_Shot4, the committed subject is at close profile distance with gaze crossing the open side while marker 14 remains soft background context. For S32_Shot5, the committed subject occupies the lower center in a medium reverse with negative space above. Keep the background plate free of invented subjects beyond these shot-specific placements.\n  - state_cue_directive: No committed base-layer state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional cues; the presentation of marker 14 specified in S32_Shot4 and the restrained nighttime illumination specified by the consuming shots are shot-specific treatments that do not change fixed placement.\n  - negative_continuity_directive: Do not alter the fixed marker placements inherited from L26B01, and do not copy L26B01's shot-specific subject occupancy or daytime state into this plate. Limit possible surrounding coverage to candidate units 2, 3, and 4 and candidate openings 5, 6, and 7; do not invent additional elements or spaces outside the view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L26B01' physical_space_id='fp_l26_deputy_chief_office:physical_space:1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 1]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised reverse-side broad view from unit 1 toward unit 2 so the consuming close profile and medium reverse crops can draw from a view that includes the marker-14 side of the fixed arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look toward unit 2 with broad candidate coverage limited to units 2, 3, and 4 and openings 5, 6, and 7. Positively preserve from L26B01 the fixed positions of markers 5, 8, 9, 10, 12, 13, and 14, with marker 14 available as background context for S32_Shot4.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,1] toward unit 2 at look-at cell [5,6] with the advertised wide 90-degree field of view. Use broad source coverage while supporting the close profile crop in S32_Shot4 and the medium upper-body reverse crop in S32_Shot5.\n  - subject_position_directive: For S32_Shot4, the committed subject is at close profile distance with gaze crossing the open side while marker 14 remains soft background context. For S32_Shot5, the committed subject occupies the lower center in a medium reverse with negative space above. Keep the background plate free of invented subjects beyond these shot-specific placements.\n  - state_cue_directive: No committed base-layer state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional cues; the presentation of marker 14 specified in S32_Shot4 and the restrained nighttime illumination specified by the consuming shots are shot-specific treatments that do not change fixed placement.\n  - negative_continuity_directive: Do not alter the fixed marker placements inherited from L26B01, and do not copy L26B01's shot-specific subject occupancy or daytime state into this plate. Limit possible surrounding coverage to candidate units 2, 3, and 4 and candidate openings 5, 6, and 7; do not invent additional elements or spaces outside the view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L26B01' physical_space_id='fp_l26_deputy_chief_office:physical_space:1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 1]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised reverse-side broad view from unit 1 toward unit 2 so the consuming close profile and medium reverse crops can draw from a view that includes the marker-14 side of the fixed arrangement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, look toward unit 2 with broad candidate coverage limited to units 2, 3, and 4 and openings 5, 6, and 7. Positively preserve from L26B01 the fixed positions of markers 5, 8, 9, 10, 12, 13, and 14, with marker 14 available as background context for S32_Shot4.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,1] toward unit 2 at look-at cell [5,6] with the advertised wide 90-degree field of view. Use broad source coverage while supporting the close profile crop in S32_Shot4 and the medium upper-body reverse crop in S32_Shot5.\n  - subject_position_directive: For S32_Shot4, the committed subject is at close profile distance with gaze crossing the open side while marker 14 remains soft background context. For S32_Shot5, the committed subject occupies the lower center in a medium reverse with negative space above. Keep the background plate free of invented subjects beyond these shot-specific placements.\n  - state_cue_directive: No committed base-layer state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional cues; the presentation of marker 14 specified in S32_Shot4 and the restrained nighttime illumination specified by the consuming shots are shot-specific treatments that do not change fixed placement.\n  - negative_continuity_directive: Do not alter the fixed marker placements inherited from L26B01, and do not copy L26B01's shot-specific subject occupancy or daytime state into this plate. Limit possible surrounding coverage to candidate units 2, 3, and 4 and candidate openings 5, 6, and 7; do not invent additional elements or spaces outside the view cone.\n\n2010년대 중후반 대한민국 광주광역시의 검찰청 차장급 간부 사무실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 밤의 절제된 관공서 실내로, 낮은 밝기의 중성 백색 기관 조명과 동쪽 벽에 켜진 텔레비전의 차가운 청회색 빛이 함께 공간을 비춘다. 남쪽 복도문 바로 안쪽에서 북쪽을 향해 대각선으로 바라본 시점이며, 카메라 높이는 서 있는 사람의 눈높이인 약 1.6미터, 35밀리미터급 중간 광각이다. 북쪽 중앙의 무게감 있는 집무 책상과 그 뒤의 사무용 의자, 책상 남쪽에 마주 놓인 방문객 의자 두 개가 엄격한 위계와 절제된 긴장감을 만든다. 서쪽 벽의 방문객 소파와 그 동쪽의 낮은 응접 탁자가 함께 보이고, 동쪽 벽의 벽걸이 텔레비전은 책상과 방문객 좌석에서 볼 수 있는 방향으로 선명하게 드러난다. 텔레비전 화면은 식별 가능한 인물이나 얼굴 없이 화면 테두리 안에 머무는 희미한 청회색 발광만 보인다. 크림색 계열의 관공서 벽면, 실제 목재 무늬 합판 책상의 모서리 마모, 금속 의자 다리의 미세한 사용 흔적, 소파 표면의 자연스러운 주름, 관리된 바닥의 옅은 닦임 자국처럼 현실적인 재료 질감과 일상적 사용감을 표현한다. 공간은 깨끗하고 흐트러짐 없는 일상적 상태다. 사람, 얼굴, 사람 형태의 조형물은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라 촬영, 자연스러운 원근과 피사계 심도, 과장 없는 노출, 절제된 자연주의 색감, 중저대비, 후처리 없는 실제 장소 기록 사진이며 깨끗한 광고 사진이나 컴퓨터 생성 이미지, 삽화, 건축 시각화가 아니다. 위에서 내려다본 시점, 평면도, 건축 도식은 금지한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            3,
            1
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the advertised reverse-side broad view from unit 1 toward unit 2 so the consuming close profile and medium reverse crops can draw from a view that includes the marker-14 side of the fixed arrangement.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 1, look toward unit 2 with broad candidate coverage limited to units 2, 3, and 4 and openings 5, 6, and 7. Positively preserve from L26B01 the fixed positions of markers 5, 8, 9, 10, 12, 13, and 14, with marker 14 available as background context for S32_Shot4.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [3,1] toward unit 2 at look-at cell [5,6] with the advertised wide 90-degree field of view. Use broad source coverage while supporting the close profile crop in S32_Shot4 and the medium upper-body reverse crop in S32_Shot5.",
          "subject_position_directive": "For S32_Shot4, the committed subject is at close profile distance with gaze crossing the open side while marker 14 remains soft background context. For S32_Shot5, the committed subject occupies the lower center in a medium reverse with negative space above. Keep the background plate free of invented subjects beyond these shot-specific placements.",
          "state_cue_directive": "No committed base-layer state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional cues; the presentation of marker 14 specified in S32_Shot4 and the restrained nighttime illumination specified by the consuming shots are shot-specific treatments that do not change fixed placement.",
          "negative_continuity_directive": "Do not alter the fixed marker placements inherited from L26B01, and do not copy L26B01's shot-specific subject occupancy or daytime state into this plate. Limit possible surrounding coverage to candidate units 2, 3, and 4 and candidate openings 5, 6, and 7; do not invent additional elements or spaces outside the view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l26_deputy_chief_office",
          "prior_bg_ids": [
            "L26B01"
          ],
          "attached_ref_labels": [
            "bg:L26B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L26B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L26",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L26B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주권 공공청사에 있는 고위 검찰 간부의 넓고 절제된 집무실. 밝은 주간이며 북쪽 외부 창문 두 곳에서 들어오는 자연광이 사무실 안쪽까지 부드럽게 퍼지고, 천장의 실용적인 사무용 조명이 이를 약하게 보완한다. 북쪽 중앙에는 남쪽의 방문객과 출입구를 향한 묵직한 목재 무늬 집무책상이 있고, 책상 뒤에는 간부용 의자, 맞은편에는 방문객 의자 두 개가 놓여 있다. 서쪽 벽의 방문객 응접 구역에는 직물 짜임이 보이는 소파와 낮은 회의용 탁자가 있으며, 동쪽 벽에는 사용감이 은은한 수납장과 벽걸이 텔레비전이 배치되어 있다. 남동쪽 복도 출입문은 화면 측면에 남겨 두고, 집무책상과 출입문 사이에는 사람이 곧바로 이동할 수 있는 넓고 명확한 통로가 보이게 한다. 방문객 쪽 집무책상 앞에서 간부용 의자를 향해 대각선으로 바라보는 구도, 서 있는 사람의 눈높이 약 1.6미터, 35밀리미터급 실제 카메라에 장착한 32밀리미터 보통 광각 렌즈. 밝은 창가와 방문객 좌석을 함께 담되 과도한 광각 왜곡은 피한다. 당시 한국 관공서다운 차분한 중성색 벽면, 실용적인 천장 마감, 실제 목재 무늬와 금속 표면의 미세한 사용감, 직물의 촉감, 바닥과 가구에 남은 일상적인 옅은 마모를 사실적으로 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상 상태다. 사람, 얼굴, 인체 형태의 형상은 전혀 없는 빈 배경. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 자연스러운 주간 노출, 절제된 색감, 중간에서 낮은 대비, 현실적인 재료 질감과 자연스러운 심도를 갖춘 실제 장소 기록 사진이어야 한다. 깨끗한 광고 사진, 컴퓨터 그래픽, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니며 인위적인 후처리 효과가 없다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "방문객 쪽에서 집무책상 너머 간부용 의자를 대각선으로 바라본다. 화면 한쪽에 복도 출입문을 남기고 책상과 출입문 사이의 통로가 분명하게 보이도록 구성하며, 밝은 창가와 방문객 좌석도 함께 담는다.",
            "shot_id": "S59_Shot1"
          },
          {
            "guide_text": "동일한 눈높이와 방향을 유지하되 집무책상 전면과 방문객 의자 두 개가 충분히 보이도록 약간 넓게 잡는다. 복도 출입문까지 이어지는 비어 있는 이동 동선을 가리지 않는다.",
            "shot_id": "S59_Shot6"
          },
          {
            "guide_text": "집무책상과 간부용 의자를 중심축으로 삼고, 측면의 복도 출입문과 밝은 외부 창문을 한 프레임 안에 배치한다. 빈 사무실의 현실적인 거리감과 중간 깊이가 드러나야 한다.",
            "shot_id": "S61_Shot4"
          },
          {
            "guide_text": "방문객 응접 구역이 읽히도록 서쪽 벽의 소파와 낮은 탁자를 프레임 가장자리에 포함하면서, 시선은 집무책상 너머 간부용 의자로 향하게 한다. 출입문 쪽 통로는 명료하게 유지한다.",
            "shot_id": "S61_Shot6"
          },
          {
            "guide_text": "동쪽 벽의 수납장과 벽걸이 텔레비전이 주변 배경으로 일부 보이게 하면서 집무책상, 간부용 의자, 측면 출입문 사이의 관계를 강조한다. 과장된 광각 왜곡 없이 실제 사무실의 비례를 유지한다.",
            "shot_id": "S61_Shot7"
          }
        ],
        "shot_ids": [
          "S59_Shot1",
          "S59_Shot6",
          "S61_Shot4",
          "S61_Shot6",
          "S61_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "from the visitor side of number 8 (executive desk), facing diagonally toward number 9 (executive chair), with number 5 (corridor door) retained along the side of the composition",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "32mm moderate wide angle",
          "framing_notes": "Preserve a clear path between the desk and doorway for the abrupt exit; include the bright window side and enough visitor seating for seated and standing confrontations."
        },
        "reference_decision": {
          "bg_id": "L26B01",
          "fp_id": "fp_l26_deputy_chief_office",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L26B01 is a clean anchor candidate and references the complete base inventory across shots S59_Shot1, S59_Shot6, S61_Shot4, S61_Shot6, and S61_Shot7. A wide camera from unit 4 toward unit 1 provides the broadest identity plate for the fixed markers while allowing downstream shot framing around markers 5, 8, 9, and 12.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l26_deputy_chief_office.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The dwelling-identity anchor is rendered directly from the supplied floor plan and therefore uses no prior reference."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              5
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use the advertised broad view from unit 4 toward unit 1 to establish the fixed arrangement needed across the desk-facing, opening-facing, and seating-facing consuming shots.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 4, look broadly toward unit 1 while allowing only the geometry candidate coverage of units 1, 2, and 3 and openings 5, 6, and 7. Establish the fixed positions of base markers 8 through 14 within that broad structural context wherever they fall inside the view.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,5] toward unit 1 at look-at cell [3,1] with the advertised wide 90-degree field of view, giving broad coverage suitable for the committed medium, close, and over-shoulder shot crops.",
            "subject_position_directive": "The consuming staging places committed subjects variously above or behind marker 8, seated with marker 9, near opening marker 5, or seated at marker 12. Treat those placements as shot-specific layers and keep the base plate free of invented subjects or additional occupancy.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; any opening or occupancy condition specified by an individual consuming shot remains shot-specific.",
            "negative_continuity_directive": "Keep the composition within units 1, 2, and 3 exposed as candidates from camera unit 4 and within candidate openings 5, 6, and 7. Do not invent additional numbered elements, scenario-specific objects, or spaces outside this view plan; preserve markers 1 through 14 as the only committed structural inventory."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 4 toward unit 1 to establish the fixed arrangement needed across the desk-facing, opening-facing, and seating-facing consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look broadly toward unit 1 while allowing only the geometry candidate coverage of units 1, 2, and 3 and openings 5, 6, and 7. Establish the fixed positions of base markers 8 through 14 within that broad structural context wherever they fall inside the view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 at look-at cell [3,1] with the advertised wide 90-degree field of view, giving broad coverage suitable for the committed medium, close, and over-shoulder shot crops.\n  - subject_position_directive: The consuming staging places committed subjects variously above or behind marker 8, seated with marker 9, near opening marker 5, or seated at marker 12. Treat those placements as shot-specific layers and keep the base plate free of invented subjects or additional occupancy.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; any opening or occupancy condition specified by an individual consuming shot remains shot-specific.\n  - negative_continuity_directive: Keep the composition within units 1, 2, and 3 exposed as candidates from camera unit 4 and within candidate openings 5, 6, and 7. Do not invent additional numbered elements, scenario-specific objects, or spaces outside this view plan; preserve markers 1 through 14 as the only committed structural inventory.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 4 toward unit 1 to establish the fixed arrangement needed across the desk-facing, opening-facing, and seating-facing consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look broadly toward unit 1 while allowing only the geometry candidate coverage of units 1, 2, and 3 and openings 5, 6, and 7. Establish the fixed positions of base markers 8 through 14 within that broad structural context wherever they fall inside the view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 at look-at cell [3,1] with the advertised wide 90-degree field of view, giving broad coverage suitable for the committed medium, close, and over-shoulder shot crops.\n  - subject_position_directive: The consuming staging places committed subjects variously above or behind marker 8, seated with marker 9, near opening marker 5, or seated at marker 12. Treat those placements as shot-specific layers and keep the base plate free of invented subjects or additional occupancy.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; any opening or occupancy condition specified by an individual consuming shot remains shot-specific.\n  - negative_continuity_directive: Keep the composition within units 1, 2, and 3 exposed as candidates from camera unit 4 and within candidate openings 5, 6, and 7. Do not invent additional numbered elements, scenario-specific objects, or spaces outside this view plan; preserve markers 1 through 14 as the only committed structural inventory.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 5]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised broad view from unit 4 toward unit 1 to establish the fixed arrangement needed across the desk-facing, opening-facing, and seating-facing consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look broadly toward unit 1 while allowing only the geometry candidate coverage of units 1, 2, and 3 and openings 5, 6, and 7. Establish the fixed positions of base markers 8 through 14 within that broad structural context wherever they fall inside the view.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,5] toward unit 1 at look-at cell [3,1] with the advertised wide 90-degree field of view, giving broad coverage suitable for the committed medium, close, and over-shoulder shot crops.\n  - subject_position_directive: The consuming staging places committed subjects variously above or behind marker 8, seated with marker 9, near opening marker 5, or seated at marker 12. Treat those placements as shot-specific layers and keep the base plate free of invented subjects or additional occupancy.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; any opening or occupancy condition specified by an individual consuming shot remains shot-specific.\n  - negative_continuity_directive: Keep the composition within units 1, 2, and 3 exposed as candidates from camera unit 4 and within candidate openings 5, 6, and 7. Do not invent additional numbered elements, scenario-specific objects, or spaces outside this view plan; preserve markers 1 through 14 as the only committed structural inventory.\n\n2010년대 중후반 대한민국 광주권 공공청사에 있는 고위 검찰 간부의 넓고 절제된 집무실. 밝은 주간이며 북쪽 외부 창문 두 곳에서 들어오는 자연광이 사무실 안쪽까지 부드럽게 퍼지고, 천장의 실용적인 사무용 조명이 이를 약하게 보완한다. 북쪽 중앙에는 남쪽의 방문객과 출입구를 향한 묵직한 목재 무늬 집무책상이 있고, 책상 뒤에는 간부용 의자, 맞은편에는 방문객 의자 두 개가 놓여 있다. 서쪽 벽의 방문객 응접 구역에는 직물 짜임이 보이는 소파와 낮은 회의용 탁자가 있으며, 동쪽 벽에는 사용감이 은은한 수납장과 벽걸이 텔레비전이 배치되어 있다. 남동쪽 복도 출입문은 화면 측면에 남겨 두고, 집무책상과 출입문 사이에는 사람이 곧바로 이동할 수 있는 넓고 명확한 통로가 보이게 한다. 방문객 쪽 집무책상 앞에서 간부용 의자를 향해 대각선으로 바라보는 구도, 서 있는 사람의 눈높이 약 1.6미터, 35밀리미터급 실제 카메라에 장착한 32밀리미터 보통 광각 렌즈. 밝은 창가와 방문객 좌석을 함께 담되 과도한 광각 왜곡은 피한다. 당시 한국 관공서다운 차분한 중성색 벽면, 실용적인 천장 마감, 실제 목재 무늬와 금속 표면의 미세한 사용감, 직물의 촉감, 바닥과 가구에 남은 일상적인 옅은 마모를 사실적으로 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상 상태다. 사람, 얼굴, 인체 형태의 형상은 전혀 없는 빈 배경. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 자연스러운 주간 노출, 절제된 색감, 중간에서 낮은 대비, 현실적인 재료 질감과 자연스러운 심도를 갖춘 실제 장소 기록 사진이어야 한다. 깨끗한 광고 사진, 컴퓨터 그래픽, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니며 인위적인 후처리 효과가 없다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            5
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use the advertised broad view from unit 4 toward unit 1 to establish the fixed arrangement needed across the desk-facing, opening-facing, and seating-facing consuming shots.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 4, look broadly toward unit 1 while allowing only the geometry candidate coverage of units 1, 2, and 3 and openings 5, 6, and 7. Establish the fixed positions of base markers 8 through 14 within that broad structural context wherever they fall inside the view.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,5] toward unit 1 at look-at cell [3,1] with the advertised wide 90-degree field of view, giving broad coverage suitable for the committed medium, close, and over-shoulder shot crops.",
          "subject_position_directive": "The consuming staging places committed subjects variously above or behind marker 8, seated with marker 9, near opening marker 5, or seated at marker 12. Treat those placements as shot-specific layers and keep the base plate free of invented subjects or additional occupancy.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because clean_background_expected is true and no transient marker numbers are listed. Refrain from inventing additional state cues; any opening or occupancy condition specified by an individual consuming shot remains shot-specific.",
          "negative_continuity_directive": "Keep the composition within units 1, 2, and 3 exposed as candidates from camera unit 4 and within candidate openings 5, 6, and 7. Do not invent additional numbered elements, scenario-specific objects, or spaces outside this view plan; preserve markers 1 through 14 as the only committed structural inventory."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l26_deputy_chief_office",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l26_deputy_chief_office"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L28B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L28",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L28B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주광역시권의 검찰 관공서 정문과 진입로를 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 도로변 진입 차로 가까이에서 약 1.6m 높이로 서서, 중앙 차량 출입구 너머의 내부 진입로와 청사 정면 중앙의 안쪽으로 들어간 현관문을 대각선으로 바라본다. 35mm급 중간 광각 렌즈의 자연스러운 원근감으로, 청사 전면의 규칙적인 1층 창문 열, 통제 경계의 금속 울타리, 차량 출입구 옆 보행자 출입구와 안쪽 경비 초소, 외부 보행 공간과 도로의 관계가 실제 장소처럼 읽혀야 한다. 청사는 한국의 실용적인 공공기관 건축답게 석재 또는 타일 마감, 유리와 금속 출입문, 사용감이 남은 아스팔트와 콘크리트 경계석, 약간 바랜 도로 표면과 금속의 미세한 풍화가 보인다. 밝지만 과도하게 화창하지 않은 낮의 자연광, 절제된 색감과 중간 이하의 대비, 실제 재료의 콘크리트 질감과 금속 표면, 유리 반사, 일상적인 먼지와 얼룩을 사실적으로 표현한다. 과도하게 최신형이 아닌 당시의 현실적인 국내 중형 세단 한 대가 도로 진입 차로에서 차량 출입구와 정렬되어 안으로 회전해 들어가려는 순간이며, 차체와 바퀴 방향이 자연스럽고 유리 반사로 실내 인물은 전혀 보이지 않는다. 공간 어디에도 사람, 얼굴, 실루엣 또는 인체 형태의 형상은 없다. 실제 DSLR 또는 미러리스 카메라로 현장에서 기록한 담담한 장소 참고 사진, 자연스러운 심도, 과도한 보정 없음, 깨끗한 스톡 사진이나 건축 시각화가 아닌 생활감 있는 현실의 관공서 외부. 내려다본 시점, 평면도, 건축 도해가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "도로 진입 차로 가까이의 사람 눈높이에서 차량 출입구를 대각선으로 통과해 내부 진입로와 안쪽의 recessed 현관문이 함께 보이도록 촬영한다. 접근 중인 세단은 도로 위에서 출입구 방향으로 회전 진입하기 직전의 자연스러운 위치에 두되, 차량 안팎에 사람이나 얼굴이 보이지 않게 한다. 35mm급 중간 광각의 현실적인 원근감과 절제된 주간 관공서 분위기를 유지한다.",
            "shot_id": "S34_Shot2"
          }
        ],
        "shot_ids": [
          "S34_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (street approach lane), facing diagonally through number 6 (main vehicle gate) toward number 2 (internal entry drive) and number 8 (recessed entrance doors)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the gate and driveway axis prominent, with number 11 approaching from the street and passing through the main gate; retain enough facade context to establish the institutional entrance."
        },
        "reference_decision": {
          "bg_id": "L28B01",
          "fp_id": "fp_l28_prosecution_front",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L28B01 is the only supplied clean-anchor candidate and therefore establishes the dwelling identity directly from the floor plan. The unit-4 camera at [8,4], aimed toward unit 2 through [6,4] with a wide 90-degree view, supports S34_Shot2's moving medium-profile staging while preserving broad context across the targeted units and numbered fixed elements.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l28_prosecution_front.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "anchor_has_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              4
            ],
            "camera_unit": 4,
            "fov_deg": 90,
            "framing_notes": "Use the listed unit-4 camera cell with broad coverage toward unit 2 and opening marker 6 at the selected look-at cell, supporting the staged medium profile while retaining the fixed frontage context.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 4, look toward unit 2 through look-at cell [6,4], which coincides with opening marker 6. Use the wide view to establish the targeted fixed system of units 1-5, openings 6-9, and fixture 10, treating units 1, 2, 3, and 5 and openings 6-9 as geometry-provided visibility candidates rather than adding unlisted spaces.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [8,4] toward look-at unit 2 and cell [6,4] with the wide 90-degree lens. Maintain broad fixed-background coverage around the staged medium profile and preserve a forward route through the transparent foreground and forward-facing layers described by S34_Shot2.",
            "subject_position_directive": "S34_Shot2 commits one seated subject in a medium-close left profile, viewed through a transparent foreground layer from just behind the shoulder line. Keep the body engaged with the steering position, the gaze directed toward the route ahead, and the forward-facing transparent layer beyond the profile without emphasizing reflections.",
            "state_cue_directive": "Carry transient marker 11 together with the committed numbered elements 1-10. Use the restrained natural daytime exterior illumination specified by S34_Shot2, and introduce no additional uncommitted state overlays.",
            "negative_continuity_directive": "Exclude overlay markers 12 and 13. Do not invent numbered elements outside the committed set 1-11, and do not assert spaces beyond the unit-4 visible-unit candidate superset or openings beyond markers 6-9. Keep the fixed positions of units 1-5, openings 6-9, and fixture 10 internally consistent."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-4 camera cell with broad coverage toward unit 2 and opening marker 6 at the selected look-at cell, supporting the staged medium profile while retaining the fixed frontage context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look toward unit 2 through look-at cell [6,4], which coincides with opening marker 6. Use the wide view to establish the targeted fixed system of units 1-5, openings 6-9, and fixture 10, treating units 1, 2, 3, and 5 and openings 6-9 as geometry-provided visibility candidates rather than adding unlisted spaces.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,4] toward look-at unit 2 and cell [6,4] with the wide 90-degree lens. Maintain broad fixed-background coverage around the staged medium profile and preserve a forward route through the transparent foreground and forward-facing layers described by S34_Shot2.\n  - subject_position_directive: S34_Shot2 commits one seated subject in a medium-close left profile, viewed through a transparent foreground layer from just behind the shoulder line. Keep the body engaged with the steering position, the gaze directed toward the route ahead, and the forward-facing transparent layer beyond the profile without emphasizing reflections.\n  - state_cue_directive: Carry transient marker 11 together with the committed numbered elements 1-10. Use the restrained natural daytime exterior illumination specified by S34_Shot2, and introduce no additional uncommitted state overlays.\n  - negative_continuity_directive: Exclude overlay markers 12 and 13. Do not invent numbered elements outside the committed set 1-11, and do not assert spaces beyond the unit-4 visible-unit candidate superset or openings beyond markers 6-9. Keep the fixed positions of units 1-5, openings 6-9, and fixture 10 internally consistent.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-4 camera cell with broad coverage toward unit 2 and opening marker 6 at the selected look-at cell, supporting the staged medium profile while retaining the fixed frontage context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look toward unit 2 through look-at cell [6,4], which coincides with opening marker 6. Use the wide view to establish the targeted fixed system of units 1-5, openings 6-9, and fixture 10, treating units 1, 2, 3, and 5 and openings 6-9 as geometry-provided visibility candidates rather than adding unlisted spaces.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,4] toward look-at unit 2 and cell [6,4] with the wide 90-degree lens. Maintain broad fixed-background coverage around the staged medium profile and preserve a forward route through the transparent foreground and forward-facing layers described by S34_Shot2.\n  - subject_position_directive: S34_Shot2 commits one seated subject in a medium-close left profile, viewed through a transparent foreground layer from just behind the shoulder line. Keep the body engaged with the steering position, the gaze directed toward the route ahead, and the forward-facing transparent layer beyond the profile without emphasizing reflections.\n  - state_cue_directive: Carry transient marker 11 together with the committed numbered elements 1-10. Use the restrained natural daytime exterior illumination specified by S34_Shot2, and introduce no additional uncommitted state overlays.\n  - negative_continuity_directive: Exclude overlay markers 12 and 13. Do not invent numbered elements outside the committed set 1-11, and do not assert spaces beyond the unit-4 visible-unit candidate superset or openings beyond markers 6-9. Keep the fixed positions of units 1-5, openings 6-9, and fixture 10 internally consistent.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [8, 4]\n  - look_at_unit: 2\n  - look_at_cell: [6, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-4 camera cell with broad coverage toward unit 2 and opening marker 6 at the selected look-at cell, supporting the staged medium profile while retaining the fixed frontage context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 4, look toward unit 2 through look-at cell [6,4], which coincides with opening marker 6. Use the wide view to establish the targeted fixed system of units 1-5, openings 6-9, and fixture 10, treating units 1, 2, 3, and 5 and openings 6-9 as geometry-provided visibility candidates rather than adding unlisted spaces.\n  - camera_framing_directive: Frame from camera unit 4 at cell [8,4] toward look-at unit 2 and cell [6,4] with the wide 90-degree lens. Maintain broad fixed-background coverage around the staged medium profile and preserve a forward route through the transparent foreground and forward-facing layers described by S34_Shot2.\n  - subject_position_directive: S34_Shot2 commits one seated subject in a medium-close left profile, viewed through a transparent foreground layer from just behind the shoulder line. Keep the body engaged with the steering position, the gaze directed toward the route ahead, and the forward-facing transparent layer beyond the profile without emphasizing reflections.\n  - state_cue_directive: Carry transient marker 11 together with the committed numbered elements 1-10. Use the restrained natural daytime exterior illumination specified by S34_Shot2, and introduce no additional uncommitted state overlays.\n  - negative_continuity_directive: Exclude overlay markers 12 and 13. Do not invent numbered elements outside the committed set 1-11, and do not assert spaces beyond the unit-4 visible-unit candidate superset or openings beyond markers 6-9. Keep the fixed positions of units 1-5, openings 6-9, and fixture 10 internally consistent.\n\n2010년대 중후반 대한민국 광주광역시권의 검찰 관공서 정문과 진입로를 담은 실제 카메라로 촬영한 다큐멘터리 풍 사진. 도로변 진입 차로 가까이에서 약 1.6m 높이로 서서, 중앙 차량 출입구 너머의 내부 진입로와 청사 정면 중앙의 안쪽으로 들어간 현관문을 대각선으로 바라본다. 35mm급 중간 광각 렌즈의 자연스러운 원근감으로, 청사 전면의 규칙적인 1층 창문 열, 통제 경계의 금속 울타리, 차량 출입구 옆 보행자 출입구와 안쪽 경비 초소, 외부 보행 공간과 도로의 관계가 실제 장소처럼 읽혀야 한다. 청사는 한국의 실용적인 공공기관 건축답게 석재 또는 타일 마감, 유리와 금속 출입문, 사용감이 남은 아스팔트와 콘크리트 경계석, 약간 바랜 도로 표면과 금속의 미세한 풍화가 보인다. 밝지만 과도하게 화창하지 않은 낮의 자연광, 절제된 색감과 중간 이하의 대비, 실제 재료의 콘크리트 질감과 금속 표면, 유리 반사, 일상적인 먼지와 얼룩을 사실적으로 표현한다. 과도하게 최신형이 아닌 당시의 현실적인 국내 중형 세단 한 대가 도로 진입 차로에서 차량 출입구와 정렬되어 안으로 회전해 들어가려는 순간이며, 차체와 바퀴 방향이 자연스럽고 유리 반사로 실내 인물은 전혀 보이지 않는다. 공간 어디에도 사람, 얼굴, 실루엣 또는 인체 형태의 형상은 없다. 실제 DSLR 또는 미러리스 카메라로 현장에서 기록한 담담한 장소 참고 사진, 자연스러운 심도, 과도한 보정 없음, 깨끗한 스톡 사진이나 건축 시각화가 아닌 생활감 있는 현실의 관공서 외부. 내려다본 시점, 평면도, 건축 도해가 아니다. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            8,
            4
          ],
          "camera_unit": 4,
          "fov_deg": 90,
          "framing_notes": "Use the listed unit-4 camera cell with broad coverage toward unit 2 and opening marker 6 at the selected look-at cell, supporting the staged medium profile while retaining the fixed frontage context.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 4, look toward unit 2 through look-at cell [6,4], which coincides with opening marker 6. Use the wide view to establish the targeted fixed system of units 1-5, openings 6-9, and fixture 10, treating units 1, 2, 3, and 5 and openings 6-9 as geometry-provided visibility candidates rather than adding unlisted spaces.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [8,4] toward look-at unit 2 and cell [6,4] with the wide 90-degree lens. Maintain broad fixed-background coverage around the staged medium profile and preserve a forward route through the transparent foreground and forward-facing layers described by S34_Shot2.",
          "subject_position_directive": "S34_Shot2 commits one seated subject in a medium-close left profile, viewed through a transparent foreground layer from just behind the shoulder line. Keep the body engaged with the steering position, the gaze directed toward the route ahead, and the forward-facing transparent layer beyond the profile without emphasizing reflections.",
          "state_cue_directive": "Carry transient marker 11 together with the committed numbered elements 1-10. Use the restrained natural daytime exterior illumination specified by S34_Shot2, and introduce no additional uncommitted state overlays.",
          "negative_continuity_directive": "Exclude overlay markers 12 and 13. Do not invent numbered elements outside the committed set 1-11, and do not assert spaces beyond the unit-4 visible-unit candidate superset or openings beyond markers 6-9. Keep the fixed positions of units 1-5, openings 6-9, and fixture 10 internally consistent."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l28_prosecution_front",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l28_prosecution_front",
            "building_fp:fp_l26_deputy_chief_office"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l26_deputy_chief_office",
          "indoor_loc_sid": "L26",
          "group_id": "bg_prosecution_office",
          "fp_asset_id": "dab8d532-bfe6-4254-a9e7-ca34111e96c7"
        }
      },
      "L28B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L28B01",
        "reused_from_bg_id": "L28B01",
        "location_id": "L28",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L28B01.png",
        "t2i_prompt": "대한민국 광주광역시 도심의 관공서 정문 앞을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 도로 접근 차로 가장자리에서 약 1.6미터의 서 있는 사람 눈높이로, 공공 보행 공간을 가로질러 중앙 차량 출입문과 경계 울타리, 울타리 안쪽의 직선 진입로, 그 끝에 후퇴해 있는 건물 출입문과 관공서 정면을 바라본다. 35밀리미터급 실물 카메라에 풀프레임 환산 32밀리미터 광각 렌즈를 사용한 자연스러운 원근감으로, 동쪽 보행자 출입문과 차량 출입문 옆 경비 부스, 정면 양쪽의 규칙적인 1층 창 배열이 함께 읽히게 한다. 21세기 초·중반 한국 관공서에서 볼 수 있는 차분한 석재 외장, 사용감 있는 금속 울타리와 출입문, 실제 유리 반사, 콘크리트와 보도 포장의 미세한 얼룩과 마모를 사실적으로 표현한다. 맑고 햇빛이 강한 정오이며, 밝은 자연광과 짧고 선명한 그림자, 절제된 색상과 중간 이하의 대비를 유지한다. 작은 시위 집회가 점유한 범위가 정문 밖 공공 보행 공간에 걸쳐 드러나도록 여러 피켓을 듬성듬성 세워 배치한다. 피켓에는 특정 고유명사 없이 무죄를 호소하는 일반적인 한국어 문구와 종교 단체임을 암시하는 절제된 십자가 표식이 보이며, 종이와 판지의 실제 질감, 손으로 만든 듯한 인쇄 편차와 가벼운 사용 흔적이 있다. 사람, 얼굴, 신체 일부, 사람 모양의 입간판이나 실루엣은 프레임에 전혀 나타나지 않으며 배경 공간과 집회 물품만 보인다. 자연스러운 피사계 심도와 사실적인 재료 질감, 일상적인 오염과 마모가 있는 실제 장소 참고 사진으로 표현하고, 깨끗한 광고 사진이나 건축 시각화처럼 보이지 않게 하며 인위적인 후처리를 배제한다. 위에서 내려다본 시점, 평면도, 건축 도식이 아닌 실제 거리 높이의 사실적인 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 도로 접근 차로 부근의 약 1.6미터 눈높이에서 공공 보행 공간 너머 중앙 차량 출입문과 건물 정면을 폭넓게 담는다. 피켓이 분산된 작은 집회 점유 구역이 전경과 중경에 자연스럽게 읽히되, 사람이나 신체 형태는 전혀 나타내지 않는다.",
            "shot_id": "S65_Shot2"
          },
          {
            "guide_text": "같은 도로 쪽 시선축을 유지하면서 중앙 차량 출입문, 경비 부스, 안쪽 진입로와 후퇴한 출입문이 명확히 연결되도록 조금 더 집중해 담는다. 정오 햇빛을 받은 피켓 무리가 공공 보행 공간의 일부를 차지하도록 하며, 인물 없이 빈 현장 기록 사진으로 표현한다.",
            "shot_id": "S65_Shot3"
          }
        ],
        "shot_ids": [
          "S65_Shot2",
          "S65_Shot3"
        ],
        "scenes": [],
        "parent_id": "L28B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 4 (street approach lane), facing across number 3 (public pedestrian apron) toward number 6 (main vehicle gate), number 8 (recessed entrance doors), and number 1 (building frontage strip)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "32mm wide angle",
          "framing_notes": "Give number 12 and number 13 clear foreground and midground space on the pedestrian apron while preserving the gate and government-building frontage behind them."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L28B01",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L28B01",
              "space_description": "The same visible physical space containing units 1-5, openings 6-9, and fixed fixture 10 from camera unit 4 toward unit 2."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 4 at [8,4] toward look-at unit 2 and [6,4] using the wide 90-degree lens. Preserve broad coverage for the full-body, upper-third gesture staging in S65_Shot2 while retaining enough lateral and depth coverage for the center-right midground and left-edge foreground arrangement in S65_Shot3.",
          "negative_continuity_directive": "Exclude overlay marker 11 and do not carry its transient state from reference L28B01. Do not move units 1-5, openings 6-9, or fixture 10 relative to L28B01; do not invent numbered elements, spaces outside the unit-4 visibility candidate superset, or openings outside markers 6-9.",
          "state_cue_directive": "Carry transient markers 12 and 13 with committed fixed elements 1-10. Apply the direct noon illumination and restrained naturalistic exterior palette specified by S65_Shot2 and S65_Shot3, without importing transient marker 11 or adding other state overlays.",
          "subject_position_directive": "For S65_Shot2, reserve the central full-body area for one front three-quarter subject with both arms extended overhead and allow the associated transient element to occupy the upper third, with the remaining staged line behind and beside that subject. For S65_Shot3, reserve the center-right midground for the primary three-quarter subject and the middle-left foreground edge for the nearer over-shoulder subject, with the staged line receding laterally behind them.",
          "visible_space_directive": "Match reference L28B01's fixed visible-space arrangement from unit 4 toward unit 2 through look-at cell [6,4]. Keep units 1-5, openings 6-9, and fixture 10 in the same committed positions, using the wide view and the geometry-provided candidate coverage of units 1, 2, 3, and 5 and openings 6-9 to support both consuming shots."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l28_prosecution_front",
          "prior_bg_ids": [
            "L28B01"
          ],
          "attached_ref_labels": [
            "bg:L28B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L29B01": {
        "status": "ok",
        "location_id": "L29",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L29B01.png",
        "t2i_prompt": "대한민국 남서부 지방 도시의 현실적인 지방 검찰청 내부에 있는 밝은 검사 사무실. 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 답사 자료처럼 꾸밈없고 절제된 모습이다. 카메라는 남서쪽 복도 출입문 바로 안쪽에 서 있는 사람의 눈높이 약 1.6미터에 놓고, 35밀리미터급 중간 광각 렌즈로 방문 구역을 가로질러 동쪽 업무 책상을 향해 대각선으로 바라본다. 화면 가까이에는 안쪽으로 열리는 출입문과 문턱 공간이 일부 보이고, 중경에는 중앙 방문용 탁자를 사이에 둔 두 개의 마주 보는 소파가 놓여 있다. 그 너머 동쪽에는 방문 구역과 출입구를 향한 업무 책상, 책상 서쪽의 손님용 의자 두 개, 동쪽의 업무용 의자가 보인다. 북동쪽에는 책상 뒤와 옆을 따라 붙박이 기록 선반이 이어지고, 북쪽 외벽의 긴 창이 방문 구역과 업무 구역에 밝은 주간광을 들인다. 책상 상판에는 현재 문서 검토를 위해 꺼내 놓은 여러 묶음의 사건 기록철이 임시로 펼쳐져 있으며, 종이 모서리와 파일 표지의 반복된 사용 흔적이 사실적으로 드러난다. 2000년대 초반부터 2010년대 중후반 대한민국 공공기관에서 볼 수 있는 실용적이고 보수적인 사무실 분위기, 연한 회색과 베이지 계열 벽면, 무광 금속 선반, 합판과 무늬목 책상의 실제 나뭇결, 소파 직물의 촘촘한 짜임, 창의 단정한 블라인드, 평범한 직사각형 천장 조명을 표현한다. 창으로 들어오는 확산된 자연광과 중성적인 사무실 조명이 함께 공간을 밝히며, 대비는 과하지 않고 색은 절제되어 있다. 가구 모서리의 미세한 마모, 손이 닿는 표면의 약한 얼룩, 금속 부품의 생활성 있는 광택과 종이의 실제 질감을 세밀하게 보여 준다. 자연스러운 원근감과 피사계 심도, 현실적인 노출과 화이트 밸런스, 과도한 보정이 없는 담담한 현장 사진. 사람, 얼굴, 인체 형태의 장식은 전혀 없으며, 평면도 시점이나 위에서 내려다보는 구도, 건축 도해, 일러스트, CGI, 건축 시각화가 아닌 실제 카메라 촬영 장면. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 출입문 바로 안쪽의 서 있는 눈높이에서 방문용 소파와 탁자를 전경과 중경에 두고, 그 너머 업무 책상과 기록 선반까지 한눈에 읽히는 대각선 구도를 사용한다. 책상 위에는 문서 검토 중 펼쳐 둔 사건 기록철 더미가 보여야 하며 공간에는 사람이 없어야 한다.",
            "shot_id": "S35_Shot1"
          },
          {
            "guide_text": "동일한 출입구 쪽 시점을 유지하되 방문 구역의 마주 보는 소파와 중앙 탁자의 관계를 분명히 보여 주고, 동쪽 업무 책상과 그 뒤 기록 선반이 자연스럽게 깊이감을 형성하게 한다. 밝은 창빛과 현실적인 천장 조명이 과장 없이 섞이도록 한다.",
            "shot_id": "S35_Shot7"
          },
          {
            "guide_text": "35밀리미터급 중간 광각으로 출입문 안쪽에서 사무실 전체의 기능 구역이 읽히게 한다. 방문 구역을 지나 업무 책상으로 시선이 이어지고, 책상 위의 여러 사건 기록철 더미와 북쪽 창, 뒤쪽 기록 선반이 함께 보이도록 한다.",
            "shot_id": "S35_Shot12"
          },
          {
            "guide_text": "서 있는 사람의 눈높이에서 방문용 탁자와 두 소파를 중경에 배치하고, 업무 책상을 화면 안쪽의 주요 초점으로 삼는다. 문서 검토를 위해 잠시 펼쳐 둔 기록철 더미는 책상 상판 위에만 자연스럽게 분산되어 있어야 한다.",
            "shot_id": "S54_Shot5"
          },
          {
            "guide_text": "복도 출입문 가까이에서 북동쪽을 향한 대각선 시야를 유지한다. 외부 창에서 들어오는 밝고 부드러운 주간광이 방문 구역과 업무 구역에 고르게 닿고, 실제 공공기관 사무실의 소박한 마감과 사용 흔적이 드러나게 한다.",
            "shot_id": "S54_Shot9"
          },
          {
            "guide_text": "출입구, 방문 구역, 업무 책상, 책상 뒤 기록 선반으로 이어지는 공간의 깊이를 한 프레임에 담는다. 가구의 위치 관계를 명확하게 유지하면서도 도면처럼 보이지 않는 실제 현장 사진 구도로 촬영하고, 사람이나 사람 형태의 장식은 넣지 않는다.",
            "shot_id": "S54_Shot14"
          }
        ],
        "shot_ids": [
          "S35_Shot1",
          "S35_Shot7",
          "S35_Shot12",
          "S54_Shot5",
          "S54_Shot9",
          "S54_Shot14"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 5 (corridor entrance), facing diagonally across number 2 (visitor zone) toward number 7 (work desk), with number 9 (built-in records shelving) and number 6 (exterior window band) beyond",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep numbers 10, 11, and 12 prominent for seated conversations; retain number 7 and number 9 in the deeper background, and allow number 14 to appear on the desk for the document-review state."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "interior_room",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 남서부 지방 도시의 현실적인 지방 검찰청 내부에 있는 밝은 검사 사무실. 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진이며, 실제 장소 답사 자료처럼 꾸밈없고 절제된 모습이다. 카메라는 남서쪽 복도 출입문 바로 안쪽에 서 있는 사람의 눈높이 약 1.6미터에 놓고, 35밀리미터급 중간 광각 렌즈로 방문 구역을 가로질러 동쪽 업무 책상을 향해 대각선으로 바라본다. 화면 가까이에는 안쪽으로 열리는 출입문과 문턱 공간이 일부 보이고, 중경에는 중앙 방문용 탁자를 사이에 둔 두 개의 마주 보는 소파가 놓여 있다. 그 너머 동쪽에는 방문 구역과 출입구를 향한 업무 책상, 책상 서쪽의 손님용 의자 두 개, 동쪽의 업무용 의자가 보인다. 북동쪽에는 책상 뒤와 옆을 따라 붙박이 기록 선반이 이어지고, 북쪽 외벽의 긴 창이 방문 구역과 업무 구역에 밝은 주간광을 들인다. 책상 상판에는 현재 문서 검토를 위해 꺼내 놓은 여러 묶음의 사건 기록철이 임시로 펼쳐져 있으며, 종이 모서리와 파일 표지의 반복된 사용 흔적이 사실적으로 드러난다. 2000년대 초반부터 2010년대 중후반 대한민국 공공기관에서 볼 수 있는 실용적이고 보수적인 사무실 분위기, 연한 회색과 베이지 계열 벽면, 무광 금속 선반, 합판과 무늬목 책상의 실제 나뭇결, 소파 직물의 촘촘한 짜임, 창의 단정한 블라인드, 평범한 직사각형 천장 조명을 표현한다. 창으로 들어오는 확산된 자연광과 중성적인 사무실 조명이 함께 공간을 밝히며, 대비는 과하지 않고 색은 절제되어 있다. 가구 모서리의 미세한 마모, 손이 닿는 표면의 약한 얼룩, 금속 부품의 생활성 있는 광택과 종이의 실제 질감을 세밀하게 보여 준다. 자연스러운 원근감과 피사계 심도, 현실적인 노출과 화이트 밸런스, 과도한 보정이 없는 담담한 현장 사진. 사람, 얼굴, 인체 형태의 장식은 전혀 없으며, 평면도 시점이나 위에서 내려다보는 구도, 건축 도해, 일러스트, CGI, 건축 시각화가 아닌 실제 카메라 촬영 장면. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_l29_wonseop_office"
      },
      "L47B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L47",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L47B01.png",
        "t2i_prompt": "대한민국 지방 검찰청 내부의 좁고 직사각형인 낮 시간 조사실. 중앙에는 동서 방향으로 긴 소박한 조사용 탁자가 놓여 있고, 북쪽 직원 구역의 단순한 사무용 의자와 남쪽 조사 대상자 구역의 의자가 탁자를 사이에 두고 정확히 마주 본다. 남동쪽 모서리 가까이에는 안쪽으로 열리는 단일 출입문과 좁은 문턱 공간이 있으며, 유일한 출구라는 공간 관계가 자연스럽게 읽힌다. 장식이 거의 없는 밝은 중성색 도장 벽, 실용적인 바닥재, 보급형 금속과 합판 가구, 한국 공공기관에서 흔히 볼 수 있는 절제된 천장 형광등을 사용한다. 재료에는 장기간의 정상적인 사용에서 비롯된 균일하고 미세한 마모와 자연스러운 노화가 있으나 과장된 흔적은 없다.\n\n공간은 깨끗하고 흐트러지지 않은 사건 이전 상태이다. 사람, 얼굴, 인체 형태의 모형이나 그림은 전혀 포함하지 않는다. 낮 시간의 중성적인 실내광은 보통에서 낮은 대비로 퍼지고, 좁은 방의 통제된 대면 구조와 조용한 절차적 긴장감을 과장 없이 보여 준다.\n\n카메라는 서쪽 벽 가까운 공유 조사 구역에서 동쪽을 향해 탁자 너머를 바라본다. 실제 카메라를 약 1.2미터의 앉은 사람 눈높이로 낮추고 35밀리미터급 적당한 광각 렌즈를 사용하여, 탁자 양쪽 의자가 서로 마주 보는 모습과 좁은 실내 폭을 함께 담는다. 프레임 한쪽에는 남동쪽 문턱과 단일 출입문 일부를 남겨 출구의 위치를 설명한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트와 금속의 미세한 산화감, 직물의 짜임, 합판의 나뭇결, 자연스러운 심도와 정확한 원근. 광고용 스톡 사진처럼 지나치게 정돈된 인상이나 후처리된 표현을 피하고, 실제 장소 답사 기록처럼 담담하게 촬영한다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 생성 이미지는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서쪽 벽 가까이에서 동쪽을 향해 중앙 탁자를 바라본다. 탁자 양쪽 의자가 마주 보는 통제된 배치를 명확히 보여 주고, 남동쪽의 문턱과 단일 출입문 일부가 프레임에 남도록 한다. 빈 조사실의 낮 시간 상태와 좁은 폭을 유지한다.",
            "shot_id": "S53_Shot1"
          },
          {
            "guide_text": "동일한 서쪽 시점과 35밀리미터 화각을 유지하되 중앙 탁자와 서로 마주 보는 두 의자의 간격을 중심으로 잡는다. 출입문 방향은 화면 가장자리에서 부분적으로 확인되게 하며 사람이나 추가 물건은 배치하지 않는다.",
            "shot_id": "S53_Shot3"
          },
          {
            "guide_text": "조사실의 연속성이 흔들리지 않도록 탁자의 동서 방향, 북쪽 직원용 의자, 남쪽 조사 대상자용 의자, 남동쪽 단일 출입문의 관계를 유지한다. 낮의 중성적인 형광등과 사실적인 공공기관 재료 질감을 사용한다.",
            "shot_id": "S53_Shot10"
          },
          {
            "guide_text": "실제 카메라가 서쪽 공유 조사 구역에서 동쪽을 보는 구도를 사용한다. 좁은 방의 폭과 대면 조사 구조를 강조하되 과장된 원근이나 광각 왜곡은 피하고, 문턱과 출입문 일부로 유일한 출구 방향을 알 수 있게 한다.",
            "shot_id": "S57_Shot1"
          },
          {
            "guide_text": "같은 빈 조사실의 깨끗하고 흐트러지지 않은 낮 상태를 유지한다. 중앙 탁자와 두 의자가 프레임의 핵심이 되며, 남동쪽 출입문 일부를 포함해 폐쇄적이고 절차적인 공간감을 사실적으로 전달한다.",
            "shot_id": "S57_Shot7"
          }
        ],
        "shot_ids": [
          "S53_Shot1",
          "S53_Shot3",
          "S53_Shot10",
          "S57_Shot1",
          "S57_Shot7"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near the west wall of number 3 (Shared Zone), facing east across number 6 (plain questioning table) so number 7 (staff chair) and number 8 (interviewee chair) appear opposite each other",
          "camera_height": "seated eye level, approximately 1.2m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the narrow room width and the controlled face-to-face arrangement around number 6; retain a partial view toward number 5 and number 9 to establish the single exit."
        },
        "reference_decision": {
          "bg_id": "L47B01",
          "fp_id": "fp_l47_interview_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L47B01 is the sole clean anchor candidate and has no prior same-fp reference. A wide view from unit 1 toward unit 3 and base marker 6 establishes the fixed arrangement of units 1 through 5, persistent markers 6 through 8, and opening marker 9 for the consuming shots, which range from broad two-subject coverage to narrow views retaining only limited background continuity.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l47_interview_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              0,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the sole camera-cell candidate for unit 1 and aim toward unit 3 using look-at cell [6,7], which coincides with base marker 6. The wide view supplies a clean representative plate with broad coverage for the staged wide, medium, and close framings.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              7
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 1, show broad coverage toward unit 3 centered on base marker 6, with the fixed relationships among target units 1, 2, 3, 4, and 5, persistent markers 6, 7, and 8, and opening marker 9 maintained wherever they fall inside the selected wide view.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [0,5] toward look-at unit 3 at cell [6,7] with the wide lens at 90 degrees, providing broad coverage around base marker 6 while preserving sufficient surrounding structure for the staged wide, medium, and close extractions.",
            "subject_position_directive": "The consuming staging commits seated subjects on opposing sides of base marker 6 for broad and medium coverage, a single subject or hand near marker 6 for close coverage, and an over-shoulder arrangement with only a narrow lower-frame continuity strip. Keep the clean background plate free of invented subjects while preserving clear compositional capacity for those staged positions.",
            "state_cue_directive": "No transient marker is committed. Maintain the numbered elements selected for use and present the setting as a clean residential space without inventing additional state cues.",
            "negative_continuity_directive": "Do not invent numbered elements, overlays, or scenario-specific additions beyond committed markers 1 through 9. Treat units 2, 3, 4, and 5 and opening marker 9 as visibility supersets rather than forcing every candidate into the frame, and do not depict space outside the selected 90-degree view cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 5]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the sole camera-cell candidate for unit 1 and aim toward unit 3 using look-at cell [6,7], which coincides with base marker 6. The wide view supplies a clean representative plate with broad coverage for the staged wide, medium, and close framings.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show broad coverage toward unit 3 centered on base marker 6, with the fixed relationships among target units 1, 2, 3, 4, and 5, persistent markers 6, 7, and 8, and opening marker 9 maintained wherever they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,5] toward look-at unit 3 at cell [6,7] with the wide lens at 90 degrees, providing broad coverage around base marker 6 while preserving sufficient surrounding structure for the staged wide, medium, and close extractions.\n  - subject_position_directive: The consuming staging commits seated subjects on opposing sides of base marker 6 for broad and medium coverage, a single subject or hand near marker 6 for close coverage, and an over-shoulder arrangement with only a narrow lower-frame continuity strip. Keep the clean background plate free of invented subjects while preserving clear compositional capacity for those staged positions.\n  - state_cue_directive: No transient marker is committed. Maintain the numbered elements selected for use and present the setting as a clean residential space without inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, overlays, or scenario-specific additions beyond committed markers 1 through 9. Treat units 2, 3, 4, and 5 and opening marker 9 as visibility supersets rather than forcing every candidate into the frame, and do not depict space outside the selected 90-degree view cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 5]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the sole camera-cell candidate for unit 1 and aim toward unit 3 using look-at cell [6,7], which coincides with base marker 6. The wide view supplies a clean representative plate with broad coverage for the staged wide, medium, and close framings.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show broad coverage toward unit 3 centered on base marker 6, with the fixed relationships among target units 1, 2, 3, 4, and 5, persistent markers 6, 7, and 8, and opening marker 9 maintained wherever they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,5] toward look-at unit 3 at cell [6,7] with the wide lens at 90 degrees, providing broad coverage around base marker 6 while preserving sufficient surrounding structure for the staged wide, medium, and close extractions.\n  - subject_position_directive: The consuming staging commits seated subjects on opposing sides of base marker 6 for broad and medium coverage, a single subject or hand near marker 6 for close coverage, and an over-shoulder arrangement with only a narrow lower-frame continuity strip. Keep the clean background plate free of invented subjects while preserving clear compositional capacity for those staged positions.\n  - state_cue_directive: No transient marker is committed. Maintain the numbered elements selected for use and present the setting as a clean residential space without inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, overlays, or scenario-specific additions beyond committed markers 1 through 9. Treat units 2, 3, 4, and 5 and opening marker 9 as visibility supersets rather than forcing every candidate into the frame, and do not depict space outside the selected 90-degree view cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [0, 5]\n  - look_at_unit: 3\n  - look_at_cell: [6, 7]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the sole camera-cell candidate for unit 1 and aim toward unit 3 using look-at cell [6,7], which coincides with base marker 6. The wide view supplies a clean representative plate with broad coverage for the staged wide, medium, and close framings.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show broad coverage toward unit 3 centered on base marker 6, with the fixed relationships among target units 1, 2, 3, 4, and 5, persistent markers 6, 7, and 8, and opening marker 9 maintained wherever they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [0,5] toward look-at unit 3 at cell [6,7] with the wide lens at 90 degrees, providing broad coverage around base marker 6 while preserving sufficient surrounding structure for the staged wide, medium, and close extractions.\n  - subject_position_directive: The consuming staging commits seated subjects on opposing sides of base marker 6 for broad and medium coverage, a single subject or hand near marker 6 for close coverage, and an over-shoulder arrangement with only a narrow lower-frame continuity strip. Keep the clean background plate free of invented subjects while preserving clear compositional capacity for those staged positions.\n  - state_cue_directive: No transient marker is committed. Maintain the numbered elements selected for use and present the setting as a clean residential space without inventing additional state cues.\n  - negative_continuity_directive: Do not invent numbered elements, overlays, or scenario-specific additions beyond committed markers 1 through 9. Treat units 2, 3, 4, and 5 and opening marker 9 as visibility supersets rather than forcing every candidate into the frame, and do not depict space outside the selected 90-degree view cone.\n\n대한민국 지방 검찰청 내부의 좁고 직사각형인 낮 시간 조사실. 중앙에는 동서 방향으로 긴 소박한 조사용 탁자가 놓여 있고, 북쪽 직원 구역의 단순한 사무용 의자와 남쪽 조사 대상자 구역의 의자가 탁자를 사이에 두고 정확히 마주 본다. 남동쪽 모서리 가까이에는 안쪽으로 열리는 단일 출입문과 좁은 문턱 공간이 있으며, 유일한 출구라는 공간 관계가 자연스럽게 읽힌다. 장식이 거의 없는 밝은 중성색 도장 벽, 실용적인 바닥재, 보급형 금속과 합판 가구, 한국 공공기관에서 흔히 볼 수 있는 절제된 천장 형광등을 사용한다. 재료에는 장기간의 정상적인 사용에서 비롯된 균일하고 미세한 마모와 자연스러운 노화가 있으나 과장된 흔적은 없다.\n\n공간은 깨끗하고 흐트러지지 않은 사건 이전 상태이다. 사람, 얼굴, 인체 형태의 모형이나 그림은 전혀 포함하지 않는다. 낮 시간의 중성적인 실내광은 보통에서 낮은 대비로 퍼지고, 좁은 방의 통제된 대면 구조와 조용한 절차적 긴장감을 과장 없이 보여 준다.\n\n카메라는 서쪽 벽 가까운 공유 조사 구역에서 동쪽을 향해 탁자 너머를 바라본다. 실제 카메라를 약 1.2미터의 앉은 사람 눈높이로 낮추고 35밀리미터급 적당한 광각 렌즈를 사용하여, 탁자 양쪽 의자가 서로 마주 보는 모습과 좁은 실내 폭을 함께 담는다. 프레임 한쪽에는 남동쪽 문턱과 단일 출입문 일부를 남겨 출구의 위치를 설명한다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트와 금속의 미세한 산화감, 직물의 짜임, 합판의 나뭇결, 자연스러운 심도와 정확한 원근. 광고용 스톡 사진처럼 지나치게 정돈된 인상이나 후처리된 표현을 피하고, 실제 장소 답사 기록처럼 담담하게 촬영한다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 생성 이미지는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            0,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the sole camera-cell candidate for unit 1 and aim toward unit 3 using look-at cell [6,7], which coincides with base marker 6. The wide view supplies a clean representative plate with broad coverage for the staged wide, medium, and close framings.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            7
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 1, show broad coverage toward unit 3 centered on base marker 6, with the fixed relationships among target units 1, 2, 3, 4, and 5, persistent markers 6, 7, and 8, and opening marker 9 maintained wherever they fall inside the selected wide view.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [0,5] toward look-at unit 3 at cell [6,7] with the wide lens at 90 degrees, providing broad coverage around base marker 6 while preserving sufficient surrounding structure for the staged wide, medium, and close extractions.",
          "subject_position_directive": "The consuming staging commits seated subjects on opposing sides of base marker 6 for broad and medium coverage, a single subject or hand near marker 6 for close coverage, and an over-shoulder arrangement with only a narrow lower-frame continuity strip. Keep the clean background plate free of invented subjects while preserving clear compositional capacity for those staged positions.",
          "state_cue_directive": "No transient marker is committed. Maintain the numbered elements selected for use and present the setting as a clean residential space without inventing additional state cues.",
          "negative_continuity_directive": "Do not invent numbered elements, overlays, or scenario-specific additions beyond committed markers 1 through 9. Treat units 2, 3, 4, and 5 and opening marker 9 as visibility supersets rather than forcing every candidate into the frame, and do not depict space outside the selected 90-degree view cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l47_interview_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l47_interview_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L52B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L52",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L52B01.png",
        "t2i_prompt": "대한민국의 2010년대 중후반 공공기관 건물에 있는 검찰청 업무 구역의 엘리베이터 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 엘리베이터 칸 후면 벽과 고정 손잡이 가까이에 놓이고, 서 있는 사람의 눈높이 약 1.6m에서 열린 미닫이식 엘리베이터 출입구를 정면으로 바라본다. 28~35mm급 적당한 광각의 DSLR 또는 미러리스 카메라 촬영으로, 왜곡은 과하지 않고 수직선은 자연스럽다. 열린 문 아래의 좁은 금속 문턱과 그 너머로 이어지는 조용한 공공기관 사무 복도까지 보이며, 출입구가 화면 중앙에 오도록 안정적으로 구성한다. 측벽에는 실제 사용 흔적이 절제되게 남은 금속 엘리베이터 조작반이 보이고, 후면 벽에는 단순한 스테인리스 고정 손잡이, 출입구 위에는 실용적인 디지털 층 표시기가 있다. 엘리베이터 내부는 무광 금속 패널과 내구성 있는 바닥재, 현실적인 이음새와 미세한 손때를 지닌 평범한 관공서 설비이며, 지나치게 새것 같거나 고급스럽지 않다. 복도는 2010년대 중후반 한국 공공청사의 절제된 회백색 벽면, 실용적인 천장 마감과 사무용 형광등 계열 조명, 관리된 바닥재로 이루어진다. 낮 시간의 복도 주변광과 엘리베이터 천장 조명이 자연스럽게 섞인 중저대비 조명, 차분하고 중립적인 색감, 실제 금속의 반사와 미세한 파티나, 바닥의 현실적인 재질감, 자연스러운 심도를 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없으며 배경 공간만 담는다. 실제 장소 기록 사진처럼 담백하고 사실적이며, 과도한 보정이나 연출 없이 실제 위치에서 촬영한 사진과 구분되지 않아야 한다. 평면도 시점, 하향 조감도, 건축 도면, 삽화, 그래픽, 3D 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "엘리베이터 후면 손잡이 가까운 위치에서 열린 미닫이문을 정면으로 바라본다. 문턱과 그 너머의 검찰청 사무 복도가 자연스럽게 이어지고 측벽 조작반도 프레임에 남도록 하며, 이후 문이 닫히는 동작에도 사용할 수 있는 안정적인 중앙 구도를 유지한다. 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S62_Shot2"
          },
          {
            "guide_text": "같은 눈높이와 중앙축을 유지해 열린 출입구, 좁은 문턱, 바깥 사무 복도의 관계가 분명하게 보이도록 한다. 엘리베이터 문짝이 중앙으로 이동해도 구도가 성립하도록 좌우 여백을 균형 있게 두고 측벽 조작반과 출입구 위 층 표시기를 식별 가능하게 담는다. 사람이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S62_Shot6"
          }
        ],
        "shot_ids": [
          "S62_Shot2",
          "S62_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "inside number 1 near the rear wall and number 6, facing number 2 across number 4 toward number 5, with number 3 along the side wall",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28–35 mm moderate wide angle",
          "framing_notes": "Frame the elevator interior and both occupants while the sliding doorway is open; include the corridor beyond number 4, keep the control panel visible at the side, and allow a centered composition for the later door-closing beat."
        },
        "reference_decision": {
          "bg_id": "L52B01",
          "fp_id": "fp_l52_elevator",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L52B01 is the sole clean anchor candidate and there are no prior same-fp references, so it must establish the dwelling identity directly from the floor plan. The unit-1 camera cell [3,5] looking toward unit 4 at [6,5] with the advertised 90-degree wide lens preserves opening marker 2, the threshold, and unit 5 beyond for the wide staged compositions. S62_Shot6 directly commits this rear-position axis; S62_Shot2 supplies a reverse-side shot-specific framing requirement that cannot be represented simultaneously by the single committed BG camera, so the anchor uses the axis that exposes the shared target units in one broad structural plate.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l52_elevator.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp candidate reference exists, and this node is the required fresh dwelling-identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              3,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the advertised wide view from unit 1 toward unit 4, centering opening marker 2 and retaining broad coverage of unit 1, unit 4, and the visible strip of unit 5. This directly supports the rear-position staging of S62_Shot6 and provides the clean structural plate for the shot-specific reverse-side treatment in S62_Shot2.",
            "lens_enum": "wide",
            "look_at_cell": [
              6,
              5
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1, show unit 4 and opening marker 2 on the look-at axis, with unit 5 visible only as supported beyond that opening. Preserve base markers 1, 2, 3, 4, 5, 6, and 7 in their plan-defined relationships; include markers within the 90-degree view where admitted, while retaining off-axis fixed markers in their established positions rather than moving them into frame.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [3,5] toward look-at unit 4 at cell [6,5] with the wide lens at 90 degrees. Use broad coverage centered on opening marker 2, retaining unit 1 around the frame and visual depth through unit 4 toward unit 5; reserve enough width for the full-length middle-left and middle-right staging committed by S62_Shot6.",
            "subject_position_directive": "For S62_Shot2, preserve a middle-center midground zone for one full-body subject with a trailing-foot entry pose. For S62_Shot6, preserve middle-left and middle-right midground zones for two full-length subjects at subtly different depths and turned toward each other. Keep the clean BG plate free of invented subjects beyond these committed staging allowances.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies to the clean base plate because no transient marker numbers are listed; refrain from inventing additional cues. The closing and fully open treatments of marker 2 in S62_Shot2 and S62_Shot6 are shot-specific state treatments rather than changes to the fixed layout.",
            "negative_continuity_directive": "Keep structural markers 1, 2, 3, 4, 5, 6, and 7 in their floor-plan-fixed relationships, and do not relocate fixed markers 3, 6, or 7. Do not force unit 5 beyond the visibility supplied through opening marker 2, do not introduce spaces outside the unit-1 wide view cone, and do not add scenario-specific elements or unlisted state overlays. Marker 2 states committed separately by the surfaced shots must not become an invented permanent structural change."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 4\n  - look_at_cell: [6, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 1 toward unit 4, centering opening marker 2 and retaining broad coverage of unit 1, unit 4, and the visible strip of unit 5. This directly supports the rear-position staging of S62_Shot6 and provides the clean structural plate for the shot-specific reverse-side treatment in S62_Shot2.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show unit 4 and opening marker 2 on the look-at axis, with unit 5 visible only as supported beyond that opening. Preserve base markers 1, 2, 3, 4, 5, 6, and 7 in their plan-defined relationships; include markers within the 90-degree view where admitted, while retaining off-axis fixed markers in their established positions rather than moving them into frame.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,5] toward look-at unit 4 at cell [6,5] with the wide lens at 90 degrees. Use broad coverage centered on opening marker 2, retaining unit 1 around the frame and visual depth through unit 4 toward unit 5; reserve enough width for the full-length middle-left and middle-right staging committed by S62_Shot6.\n  - subject_position_directive: For S62_Shot2, preserve a middle-center midground zone for one full-body subject with a trailing-foot entry pose. For S62_Shot6, preserve middle-left and middle-right midground zones for two full-length subjects at subtly different depths and turned toward each other. Keep the clean BG plate free of invented subjects beyond these committed staging allowances.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies to the clean base plate because no transient marker numbers are listed; refrain from inventing additional cues. The closing and fully open treatments of marker 2 in S62_Shot2 and S62_Shot6 are shot-specific state treatments rather than changes to the fixed layout.\n  - negative_continuity_directive: Keep structural markers 1, 2, 3, 4, 5, 6, and 7 in their floor-plan-fixed relationships, and do not relocate fixed markers 3, 6, or 7. Do not force unit 5 beyond the visibility supplied through opening marker 2, do not introduce spaces outside the unit-1 wide view cone, and do not add scenario-specific elements or unlisted state overlays. Marker 2 states committed separately by the surfaced shots must not become an invented permanent structural change.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 4\n  - look_at_cell: [6, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 1 toward unit 4, centering opening marker 2 and retaining broad coverage of unit 1, unit 4, and the visible strip of unit 5. This directly supports the rear-position staging of S62_Shot6 and provides the clean structural plate for the shot-specific reverse-side treatment in S62_Shot2.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show unit 4 and opening marker 2 on the look-at axis, with unit 5 visible only as supported beyond that opening. Preserve base markers 1, 2, 3, 4, 5, 6, and 7 in their plan-defined relationships; include markers within the 90-degree view where admitted, while retaining off-axis fixed markers in their established positions rather than moving them into frame.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,5] toward look-at unit 4 at cell [6,5] with the wide lens at 90 degrees. Use broad coverage centered on opening marker 2, retaining unit 1 around the frame and visual depth through unit 4 toward unit 5; reserve enough width for the full-length middle-left and middle-right staging committed by S62_Shot6.\n  - subject_position_directive: For S62_Shot2, preserve a middle-center midground zone for one full-body subject with a trailing-foot entry pose. For S62_Shot6, preserve middle-left and middle-right midground zones for two full-length subjects at subtly different depths and turned toward each other. Keep the clean BG plate free of invented subjects beyond these committed staging allowances.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies to the clean base plate because no transient marker numbers are listed; refrain from inventing additional cues. The closing and fully open treatments of marker 2 in S62_Shot2 and S62_Shot6 are shot-specific state treatments rather than changes to the fixed layout.\n  - negative_continuity_directive: Keep structural markers 1, 2, 3, 4, 5, 6, and 7 in their floor-plan-fixed relationships, and do not relocate fixed markers 3, 6, or 7. Do not force unit 5 beyond the visibility supplied through opening marker 2, do not introduce spaces outside the unit-1 wide view cone, and do not add scenario-specific elements or unlisted state overlays. Marker 2 states committed separately by the surfaced shots must not become an invented permanent structural change.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [3, 5]\n  - look_at_unit: 4\n  - look_at_cell: [6, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the advertised wide view from unit 1 toward unit 4, centering opening marker 2 and retaining broad coverage of unit 1, unit 4, and the visible strip of unit 5. This directly supports the rear-position staging of S62_Shot6 and provides the clean structural plate for the shot-specific reverse-side treatment in S62_Shot2.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show unit 4 and opening marker 2 on the look-at axis, with unit 5 visible only as supported beyond that opening. Preserve base markers 1, 2, 3, 4, 5, 6, and 7 in their plan-defined relationships; include markers within the 90-degree view where admitted, while retaining off-axis fixed markers in their established positions rather than moving them into frame.\n  - camera_framing_directive: Frame from camera unit 1 at cell [3,5] toward look-at unit 4 at cell [6,5] with the wide lens at 90 degrees. Use broad coverage centered on opening marker 2, retaining unit 1 around the frame and visual depth through unit 4 toward unit 5; reserve enough width for the full-length middle-left and middle-right staging committed by S62_Shot6.\n  - subject_position_directive: For S62_Shot2, preserve a middle-center midground zone for one full-body subject with a trailing-foot entry pose. For S62_Shot6, preserve middle-left and middle-right midground zones for two full-length subjects at subtly different depths and turned toward each other. Keep the clean BG plate free of invented subjects beyond these committed staging allowances.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies to the clean base plate because no transient marker numbers are listed; refrain from inventing additional cues. The closing and fully open treatments of marker 2 in S62_Shot2 and S62_Shot6 are shot-specific state treatments rather than changes to the fixed layout.\n  - negative_continuity_directive: Keep structural markers 1, 2, 3, 4, 5, 6, and 7 in their floor-plan-fixed relationships, and do not relocate fixed markers 3, 6, or 7. Do not force unit 5 beyond the visibility supplied through opening marker 2, do not introduce spaces outside the unit-1 wide view cone, and do not add scenario-specific elements or unlisted state overlays. Marker 2 states committed separately by the surfaced shots must not become an invented permanent structural change.\n\n대한민국의 2010년대 중후반 공공기관 건물에 있는 검찰청 업무 구역의 엘리베이터 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 엘리베이터 칸 후면 벽과 고정 손잡이 가까이에 놓이고, 서 있는 사람의 눈높이 약 1.6m에서 열린 미닫이식 엘리베이터 출입구를 정면으로 바라본다. 28~35mm급 적당한 광각의 DSLR 또는 미러리스 카메라 촬영으로, 왜곡은 과하지 않고 수직선은 자연스럽다. 열린 문 아래의 좁은 금속 문턱과 그 너머로 이어지는 조용한 공공기관 사무 복도까지 보이며, 출입구가 화면 중앙에 오도록 안정적으로 구성한다. 측벽에는 실제 사용 흔적이 절제되게 남은 금속 엘리베이터 조작반이 보이고, 후면 벽에는 단순한 스테인리스 고정 손잡이, 출입구 위에는 실용적인 디지털 층 표시기가 있다. 엘리베이터 내부는 무광 금속 패널과 내구성 있는 바닥재, 현실적인 이음새와 미세한 손때를 지닌 평범한 관공서 설비이며, 지나치게 새것 같거나 고급스럽지 않다. 복도는 2010년대 중후반 한국 공공청사의 절제된 회백색 벽면, 실용적인 천장 마감과 사무용 형광등 계열 조명, 관리된 바닥재로 이루어진다. 낮 시간의 복도 주변광과 엘리베이터 천장 조명이 자연스럽게 섞인 중저대비 조명, 차분하고 중립적인 색감, 실제 금속의 반사와 미세한 파티나, 바닥의 현실적인 재질감, 자연스러운 심도를 표현한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물은 전혀 없으며 배경 공간만 담는다. 실제 장소 기록 사진처럼 담백하고 사실적이며, 과도한 보정이나 연출 없이 실제 위치에서 촬영한 사진과 구분되지 않아야 한다. 평면도 시점, 하향 조감도, 건축 도면, 삽화, 그래픽, 3D 시각화가 아닌 실제 카메라 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            3,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the advertised wide view from unit 1 toward unit 4, centering opening marker 2 and retaining broad coverage of unit 1, unit 4, and the visible strip of unit 5. This directly supports the rear-position staging of S62_Shot6 and provides the clean structural plate for the shot-specific reverse-side treatment in S62_Shot2.",
          "lens_enum": "wide",
          "look_at_cell": [
            6,
            5
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 1, show unit 4 and opening marker 2 on the look-at axis, with unit 5 visible only as supported beyond that opening. Preserve base markers 1, 2, 3, 4, 5, 6, and 7 in their plan-defined relationships; include markers within the 90-degree view where admitted, while retaining off-axis fixed markers in their established positions rather than moving them into frame.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [3,5] toward look-at unit 4 at cell [6,5] with the wide lens at 90 degrees. Use broad coverage centered on opening marker 2, retaining unit 1 around the frame and visual depth through unit 4 toward unit 5; reserve enough width for the full-length middle-left and middle-right staging committed by S62_Shot6.",
          "subject_position_directive": "For S62_Shot2, preserve a middle-center midground zone for one full-body subject with a trailing-foot entry pose. For S62_Shot6, preserve middle-left and middle-right midground zones for two full-length subjects at subtly different depths and turned toward each other. Keep the clean BG plate free of invented subjects beyond these committed staging allowances.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies to the clean base plate because no transient marker numbers are listed; refrain from inventing additional cues. The closing and fully open treatments of marker 2 in S62_Shot2 and S62_Shot6 are shot-specific state treatments rather than changes to the fixed layout.",
          "negative_continuity_directive": "Keep structural markers 1, 2, 3, 4, 5, 6, and 7 in their floor-plan-fixed relationships, and do not relocate fixed markers 3, 6, or 7. Do not force unit 5 beyond the visibility supplied through opening marker 2, do not introduce spaces outside the unit-1 wide view cone, and do not add scenario-specific elements or unlisted state overlays. Marker 2 states committed separately by the surfaced shots must not become an invented permanent structural change."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l52_elevator",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l52_elevator",
            "building_anchor:L28B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L28B01",
          "group_id": "bg_prosecution_office"
        }
      },
      "L54B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L54",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L54B01.png",
        "t2i_prompt": "대한민국 광주광역시·전라남도 권역의 2010년대 중후반 공공기관 건물 안에 있는 검찰시민위원회 세미나실. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 후면 출입문 가까이에서 약 1.6m의 서 있는 사람 눈높이로 중앙과 뒤쪽의 좌석 구역을 대각선으로 가로질러 전면 발표 구역을 바라본다. 35mm급 보통 광각 렌즈의 자연스러운 원근감으로 네 줄의 정렬된 세미나용 좌석이 전경과 중경을 이루고, 측면 통로와 후면 문턱 공간이 실제 이동 동선을 보여준다. 전면 왼쪽에는 공공기관에서 사용하는 소박한 목재 무늬 연단과 그 위에 고정된 유선 구즈넥 마이크가 있으며, 북쪽 전면 벽 중앙에는 영사 화면이 설치되어 있다. 화면에는 시민위원회 심의가 진행 중임을 알리는 절제된 한국어 심의 제목이 디지털 프로젝터 특유의 약간 부드러운 해상도와 화면 경계 안에서만 표시된다. 후면 출입문에는 작은 유리 관찰창이 있다. 천장 형광등과 실내 조명이 켜진 밝은 회의 상태이며, 2010년대 중후반 한국 공공기관 세미나실에 맞는 흰색 또는 옅은 회색 벽, 흡음 천장재, 실용적인 바닥 마감, 평범한 금속과 합판 가구를 사용한다. 실제 콘크리트와 도장면의 미세한 얼룩, 금속의 가벼운 마모, 좌석 직물의 짜임, 목재 무늬와 손때를 사실적으로 표현한다. 공간은 공식 위원회 회의를 위해 준비된 상태지만 사람, 얼굴, 신체 형상의 실루엣은 전혀 보이지 않는 빈 배경이다. 과장 없이 절제된 자연색, 중간 이하의 대비, 현실적인 실내 조도와 자연스러운 심도, 실제 장소 기록 사진 같은 질감, 후처리 없는 사실적인 미러리스 또는 DSLR 촬영본. 깨끗한 홍보용 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "후면 출입문 가까운 위치에서 중앙과 뒤쪽의 네 줄 좌석 너머로 전면 왼쪽 연단, 고정 마이크, 중앙 영사 화면이 한 프레임에 보이게 한다. 빈 좌석을 전경과 중경에 두고 심의 제목 투사가 명확히 읽히도록 하되 사람이나 사람 형상의 실루엣은 넣지 않는다.",
            "shot_id": "S66_Shot2"
          },
          {
            "guide_text": "같은 후면 관찰 위치와 공간 축을 유지하면서 전면 발표 구역이 조금 더 또렷하게 보이도록 구성한다. 연단의 마이크와 화면의 심의 제목을 시선의 종착점으로 삼고, 좌석 줄과 측면 통로가 실제 세미나실의 깊이를 자연스럽게 드러내게 하며 인물은 전혀 묘사하지 않는다.",
            "shot_id": "S66_Shot3"
          }
        ],
        "shot_ids": [
          "S66_Shot2",
          "S66_Shot3"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (rear entrance door), facing diagonally across number 1 (audience zone) toward number 5 (podium), number 6 (microphone), and number 7 (projection screen)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the occupied seating rows at number 4 in the foreground and middle ground, with the speaker position and hearing-title projection clearly visible at the front."
        },
        "reference_decision": {
          "bg_id": "L54B01",
          "fp_id": "fp_l54_seminar_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L54B01 is the sole supplied clean-anchor candidate and therefore establishes dwelling identity directly from the floor plan. A telephoto view from unit 1 toward unit 2 and marker 7 matches the tight projected-surface framing in S66_Shot2 while retaining the same front-facing structural slice needed for the close platform-side context in S66_Shot3.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l54_seminar_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "no_reference_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp plate is available or required because this first node is the dwelling-identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Use the unit 1 camera position to hold narrow coverage toward unit 2 and base marker 7, supporting the insert and tight medium framings committed for S66_Shot2 and S66_Shot3.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              0,
              5
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the unit 2 presentation-facing slice centered on base marker 7 from camera unit 1. Base markers 5 and 6 may enter only as the close adjacent context required by S66_Shot3; units 1 and 3 and opening markers 8 and 9 are not required in this narrow view.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Keep coverage compressed and narrow around base marker 7, allowing only the limited adjacent context committed by S66_Shot2 and S66_Shot3.",
            "subject_position_directive": "For S66_Shot2, no foreground subject is committed and the projected surface occupies nearly the entire frame. For S66_Shot3, place the committed upper-body subject slightly left of center, leaning toward base marker 6 at close platform distance, with attention directed beyond the frame; do not add other subjects.",
            "state_cue_directive": "Carry transient marker 10 on base marker 7 as committed for S66_Shot2 and retain the displayed state where the cropped surface remains visible in S66_Shot3. Preserve the natural ambient, restrained-contrast state described by those shots and do not invent additional state cues.",
            "negative_continuity_directive": "Do not include overlay markers 11 or 12. Do not relocate fixed base markers 4 through 9, expand the view into uncommitted portions of units 1 or 3, or introduce subjects, overlays, or scenario-specific objects beyond the surfaced staging facts."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [0, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the unit 1 camera position to hold narrow coverage toward unit 2 and base marker 7, supporting the insert and tight medium framings committed for S66_Shot2 and S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit 2 presentation-facing slice centered on base marker 7 from camera unit 1. Base markers 5 and 6 may enter only as the close adjacent context required by S66_Shot3; units 1 and 3 and opening markers 8 and 9 are not required in this narrow view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Keep coverage compressed and narrow around base marker 7, allowing only the limited adjacent context committed by S66_Shot2 and S66_Shot3.\n  - subject_position_directive: For S66_Shot2, no foreground subject is committed and the projected surface occupies nearly the entire frame. For S66_Shot3, place the committed upper-body subject slightly left of center, leaning toward base marker 6 at close platform distance, with attention directed beyond the frame; do not add other subjects.\n  - state_cue_directive: Carry transient marker 10 on base marker 7 as committed for S66_Shot2 and retain the displayed state where the cropped surface remains visible in S66_Shot3. Preserve the natural ambient, restrained-contrast state described by those shots and do not invent additional state cues.\n  - negative_continuity_directive: Do not include overlay markers 11 or 12. Do not relocate fixed base markers 4 through 9, expand the view into uncommitted portions of units 1 or 3, or introduce subjects, overlays, or scenario-specific objects beyond the surfaced staging facts.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [0, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the unit 1 camera position to hold narrow coverage toward unit 2 and base marker 7, supporting the insert and tight medium framings committed for S66_Shot2 and S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit 2 presentation-facing slice centered on base marker 7 from camera unit 1. Base markers 5 and 6 may enter only as the close adjacent context required by S66_Shot3; units 1 and 3 and opening markers 8 and 9 are not required in this narrow view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Keep coverage compressed and narrow around base marker 7, allowing only the limited adjacent context committed by S66_Shot2 and S66_Shot3.\n  - subject_position_directive: For S66_Shot2, no foreground subject is committed and the projected surface occupies nearly the entire frame. For S66_Shot3, place the committed upper-body subject slightly left of center, leaning toward base marker 6 at close platform distance, with attention directed beyond the frame; do not add other subjects.\n  - state_cue_directive: Carry transient marker 10 on base marker 7 as committed for S66_Shot2 and retain the displayed state where the cropped surface remains visible in S66_Shot3. Preserve the natural ambient, restrained-contrast state described by those shots and do not invent additional state cues.\n  - negative_continuity_directive: Do not include overlay markers 11 or 12. Do not relocate fixed base markers 4 through 9, expand the view into uncommitted portions of units 1 or 3, or introduce subjects, overlays, or scenario-specific objects beyond the surfaced staging facts.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [0, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use the unit 1 camera position to hold narrow coverage toward unit 2 and base marker 7, supporting the insert and tight medium framings committed for S66_Shot2 and S66_Shot3.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the unit 2 presentation-facing slice centered on base marker 7 from camera unit 1. Base markers 5 and 6 may enter only as the close adjacent context required by S66_Shot3; units 1 and 3 and opening markers 8 and 9 are not required in this narrow view.\n  - camera_framing_directive: Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Keep coverage compressed and narrow around base marker 7, allowing only the limited adjacent context committed by S66_Shot2 and S66_Shot3.\n  - subject_position_directive: For S66_Shot2, no foreground subject is committed and the projected surface occupies nearly the entire frame. For S66_Shot3, place the committed upper-body subject slightly left of center, leaning toward base marker 6 at close platform distance, with attention directed beyond the frame; do not add other subjects.\n  - state_cue_directive: Carry transient marker 10 on base marker 7 as committed for S66_Shot2 and retain the displayed state where the cropped surface remains visible in S66_Shot3. Preserve the natural ambient, restrained-contrast state described by those shots and do not invent additional state cues.\n  - negative_continuity_directive: Do not include overlay markers 11 or 12. Do not relocate fixed base markers 4 through 9, expand the view into uncommitted portions of units 1 or 3, or introduce subjects, overlays, or scenario-specific objects beyond the surfaced staging facts.\n\n대한민국 광주광역시·전라남도 권역의 2010년대 중후반 공공기관 건물 안에 있는 검찰시민위원회 세미나실. 실제 카메라로 촬영한 다큐멘터리 풍 사진으로, 후면 출입문 가까이에서 약 1.6m의 서 있는 사람 눈높이로 중앙과 뒤쪽의 좌석 구역을 대각선으로 가로질러 전면 발표 구역을 바라본다. 35mm급 보통 광각 렌즈의 자연스러운 원근감으로 네 줄의 정렬된 세미나용 좌석이 전경과 중경을 이루고, 측면 통로와 후면 문턱 공간이 실제 이동 동선을 보여준다. 전면 왼쪽에는 공공기관에서 사용하는 소박한 목재 무늬 연단과 그 위에 고정된 유선 구즈넥 마이크가 있으며, 북쪽 전면 벽 중앙에는 영사 화면이 설치되어 있다. 화면에는 시민위원회 심의가 진행 중임을 알리는 절제된 한국어 심의 제목이 디지털 프로젝터 특유의 약간 부드러운 해상도와 화면 경계 안에서만 표시된다. 후면 출입문에는 작은 유리 관찰창이 있다. 천장 형광등과 실내 조명이 켜진 밝은 회의 상태이며, 2010년대 중후반 한국 공공기관 세미나실에 맞는 흰색 또는 옅은 회색 벽, 흡음 천장재, 실용적인 바닥 마감, 평범한 금속과 합판 가구를 사용한다. 실제 콘크리트와 도장면의 미세한 얼룩, 금속의 가벼운 마모, 좌석 직물의 짜임, 목재 무늬와 손때를 사실적으로 표현한다. 공간은 공식 위원회 회의를 위해 준비된 상태지만 사람, 얼굴, 신체 형상의 실루엣은 전혀 보이지 않는 빈 배경이다. 과장 없이 절제된 자연색, 중간 이하의 대비, 현실적인 실내 조도와 자연스러운 심도, 실제 장소 기록 사진 같은 질감, 후처리 없는 사실적인 미러리스 또는 DSLR 촬영본. 깨끗한 홍보용 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Use the unit 1 camera position to hold narrow coverage toward unit 2 and base marker 7, supporting the insert and tight medium framings committed for S66_Shot2 and S66_Shot3.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            0,
            5
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the unit 2 presentation-facing slice centered on base marker 7 from camera unit 1. Base markers 5 and 6 may enter only as the close adjacent context required by S66_Shot3; units 1 and 3 and opening markers 8 and 9 are not required in this narrow view.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Keep coverage compressed and narrow around base marker 7, allowing only the limited adjacent context committed by S66_Shot2 and S66_Shot3.",
          "subject_position_directive": "For S66_Shot2, no foreground subject is committed and the projected surface occupies nearly the entire frame. For S66_Shot3, place the committed upper-body subject slightly left of center, leaning toward base marker 6 at close platform distance, with attention directed beyond the frame; do not add other subjects.",
          "state_cue_directive": "Carry transient marker 10 on base marker 7 as committed for S66_Shot2 and retain the displayed state where the cropped surface remains visible in S66_Shot3. Preserve the natural ambient, restrained-contrast state described by those shots and do not invent additional state cues.",
          "negative_continuity_directive": "Do not include overlay markers 11 or 12. Do not relocate fixed base markers 4 through 9, expand the view into uncommitted portions of units 1 or 3, or introduce subjects, overlays, or scenario-specific objects beyond the surfaced staging facts."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l54_seminar_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l54_seminar_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L54B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L54B01",
        "reused_from_bg_id": "L54B01",
        "location_id": "L54",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L54B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주광역시 권역의 공공기관에 있을 법한 검찰시민위원회 세미나실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 발표 구역 앞쪽 측면 가장자리에서 약 1.5m 높이의 사람 눈높이로, 35mm 규격 DSLR 또는 미러리스 카메라와 40mm 렌즈를 사용해 비어 있는 네 줄의 청중 좌석을 대각선으로 바라본다. 프레임에는 발표 구역 좌측의 연단과 고정 마이크, 북쪽 정면 벽 중앙의 프로젝션 스크린이 함께 들어오며, 후면 출입문과 작은 유리 관찰창은 좌석 너머 공간의 깊이를 자연스럽게 형성한다. 방 전체의 천장 조명은 발표를 위해 꺼져 있거나 매우 낮아져 있고, 스크린에서 반사되는 희미하고 차가운 빛만 좌석 등받이와 연단 가장자리, 벽면에 불균일하게 번진다. 스크린에는 피해자 관련 비식별·비그래픽 흑백 기록사진 한 장이 투사되어 있으며, 얼굴이나 신체 형상은 보이지 않고 제한된 회색조와 낮은 투사 해상도, 약한 빛 번짐을 지닌 평면 이미지로 스크린 표면 안에만 머문다. 화면 속 이미지는 실제 공간으로 확장되지 않는다. 절제된 2010년대 한국 공공기관 실내 마감, 소박한 흡음 벽면, 실제 금속과 플라스틱의 미세한 사용 흔적, 좌석 천의 직조감, 연단의 현실적인 목재 무늬, 바닥의 일상적인 마모와 옅은 얼룩을 정확하게 표현한다. 사람, 얼굴, 인체 형태, 실루엣은 전혀 없다. 과장된 연출 없이 중저대비의 현실적인 투사광, 자연스러운 암부, 실제 렌즈의 깊이감과 자연스러운 피사계 심도를 유지한 현장 기록사진이며, 깨끗한 광고 사진이나 건축 시각화가 아니고 후처리 효과도 없다. 위에서 내려다본 평면도나 건축 도면이 아닌 실제 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "발표 구역 앞쪽 측면에서 약 1.5m 높이로 바라본다. 비어 있는 청중 좌석 열을 대각선으로 가로질러 보이게 하고, 좌측 연단과 정면 프로젝션 스크린을 한 프레임에 유지한다. 흑백 기록사진은 스크린 표면 안에만 제한하며 공간 속 실물처럼 확장하지 않는다.",
            "shot_id": "S68_Shot1"
          },
          {
            "guide_text": "같은 전면 측면 축과 40mm의 자연스러운 원근감을 유지하되, 어두운 좌석 공간과 스크린 투사광의 대비가 분명하게 보이도록 프레이밍한다. 사람, 얼굴, 신체 형상은 포함하지 않고 비어 있는 세미나실의 절차적이고 긴장된 분위기에 집중한다.",
            "shot_id": "S68_Shot2"
          }
        ],
        "shot_ids": [
          "S68_Shot1",
          "S68_Shot2"
        ],
        "scenes": [],
        "parent_id": "L54B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near the front-side edge of number 2 (presentation zone), looking diagonally across number 4 (audience seating rows) while retaining number 5 (podium) and number 7 (projection screen) in frame",
          "camera_height": "eye-level seated-to-standing perspective, approximately 1.5 m",
          "lens_hint": "40mm natural perspective",
          "framing_notes": "Emphasize committee members' faces under dim projection light while keeping the projected black-and-white photograph confined to the screen surface."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L54B01",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L54B01",
              "space_description": "Same unit 1 to unit 2 view centered on base marker 7, with fixed base markers 1 through 9 retained."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 1 at cell [4,5] toward unit 2 at look-at cell [0,5] with a telephoto 25-degree field of view. Match L54B01's compressed, narrow placement of base marker 7 while allowing the close projected-surface framing of S68_Shot1 and the cropped adjacent context of S68_Shot2.",
          "negative_continuity_directive": "Do not carry overlay marker 10 from reference bg_id L54B01 into this plate. Keep fixed base markers 4 through 9 in the positions established by L54B01, avoid uncommitted expansion into units 1 or 3, and do not introduce additional subjects, overlays, or scenario-specific objects.",
          "state_cue_directive": "Apply transient marker 11 to base marker 7 and transient marker 12 to the visible space. Follow the dark state and projected-light emphasis committed by S68_Shot1 and S68_Shot2, without adding any further state cue.",
          "subject_position_directive": "For S68_Shot1, the committed subject appears only within the projection on base marker 7, with photographed attention directed away from the filming lens. For S68_Shot2, place the committed upper-body subject slightly right of center a few steps back from the surface, leaning forward with attention beyond frame; do not add other subjects.",
          "visible_space_directive": "Retain from L54B01 the fixed unit 2 presentation-facing slice and the exact placement of base marker 7 as viewed from camera unit 1. Show only the cropped adjacent fixed context required by S68_Shot2; units 1 and 3 and opening markers 8 and 9 are not required within this telephoto view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l54_seminar_room",
          "prior_bg_ids": [
            "L54B01"
          ],
          "attached_ref_labels": [
            "bg:L54B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L55B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L55",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L55B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 21세기 초·중반 공공기관 또는 교육기관에서 흔히 볼 수 있는 조용한 낮 시간의 세미나실 앞 복도. 복도 안쪽의 문 앞 대기 공간 가까이에서 닫힌 세미나실 출입문을 거의 정면으로 바라보며, 문에 삽입된 좁고 긴 세로형 관찰창이 화면의 중심적인 시각 요소가 되도록 한다. 관찰창 너머에는 비어 있는 세미나실 내부가 좁은 범위로만 희미하게 보인다. 출입문 주위의 복도 벽과 문턱 앞 여유 공간을 함께 담아 절제된 한국 기관 건물의 공간감을 분명히 보여준다. 실용적인 도장 마감 벽, 실제 금속 문틀과 손잡이의 미세한 사용감, 관찰창 유리의 자연스러운 반사, 바닥재의 현실적인 질감과 은은한 일상적 마모를 표현한다. 낮의 부드러운 실내 자연광과 평범한 천장 조명이 섞인 중저대비 조명, 과장되지 않은 중성적 색감, 조용하고 사실적인 분위기. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 신체 형상의 인물은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이에서 50밀리미터 표준 렌즈를 장착한 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 정확한 재료 질감, 생활 흔적이 남은 실제 장소 기록 사진, 과도한 보정 없는 담담한 촬영. 위에서 내려다본 시점이나 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 안에서 세미나실 앞 대기 공간 가까이에 카메라를 두고, 닫힌 출입문을 거의 정면으로 바라본다. 문에 삽입된 좁은 세로형 관찰창을 프레임의 핵심으로 삼되, 주변 복도 벽과 문 앞 여유 공간도 충분히 포함해 기관 내부 복도임을 알 수 있게 한다. 관찰창 너머로는 비어 있는 세미나실 내부가 제한적으로만 보이게 하며, 사람이나 사람 형태는 일절 넣지 않는다.",
            "shot_id": "S67_Shot1"
          }
        ],
        "shot_ids": [
          "S67_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "within number 1 (corridor), near number 3 (waiting clearance), facing number 4 (closed seminar-room door) and concentrating on number 5 (narrow viewing window), with a limited glimpse toward number 2 (seminar room) through the pane",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Frame the closed door nearly front-on and make the narrow viewing window prominent; retain enough surrounding corridor wall and waiting clearance to establish the institutional location."
        },
        "reference_decision": {
          "bg_id": "L55B01",
          "fp_id": "fp_l55_seminar_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole clean anchor candidate and has no same-fp catalog reference, so it establishes the dwelling identity directly from the floor plan. Camera unit 1 supports the staged corridor-side viewpoint, while the aim toward unit 3 at opening marker 4 and the wide lens retain the required markers 4 and 5 with unit 2 visible beyond the opening.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l55_seminar_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the required floor-plan-seeded identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              1
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Place the camera in unit 1 at the sole listed cell and aim toward unit 3 using listed look-at cell [3,4], which coincides with opening marker 4. The wide view supports the staged medium foreground subject while retaining opening markers 4 and 5 and the unit 2 area beyond.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1, show the circulation and threshold relationship of markers 1 and 3, with opening marker 4 and its inset opening marker 5 clearly visible. Through marker 5, retain only the supported portion of unit 2; markers 1, 2, 3, 4, and 5 are the committed numbered elements.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [5,1] toward unit 3 using look-at cell [3,4], with a wide 90-degree field of view. Use broad coverage while preserving the staged medium composition: the foreground subject occupies middle-left and opening marker 5 occupies middle-right within opening marker 4.",
            "subject_position_directive": "Place the committed subject in the foreground at middle-left, close ahead of the shoulder-height camera in a rear three-quarter over-shoulder angle. The subject leans and cranes toward marker 5 at middle-right, looking through it into unit 2 rather than toward the camera.",
            "state_cue_directive": "Keep a clean residential space with restrained, moderately low-contrast daytime ambient light. Preserve opening marker 4 in its staged closed state and marker 5 as its transparent inset; no additional transient marker or invented state cue is committed.",
            "negative_continuity_directive": "Do not invent numbered elements or state overlays beyond markers 1, 2, 3, 4, and 5. Keep spaces outside the camera-unit-1 visible-unit candidate set of units 2 and 3 out of view, and do not introduce scenario-specific objects or uncommitted structural features."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 1]\n  - look_at_unit: 3\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera in unit 1 at the sole listed cell and aim toward unit 3 using listed look-at cell [3,4], which coincides with opening marker 4. The wide view supports the staged medium foreground subject while retaining opening markers 4 and 5 and the unit 2 area beyond.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the circulation and threshold relationship of markers 1 and 3, with opening marker 4 and its inset opening marker 5 clearly visible. Through marker 5, retain only the supported portion of unit 2; markers 1, 2, 3, 4, and 5 are the committed numbered elements.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,1] toward unit 3 using look-at cell [3,4], with a wide 90-degree field of view. Use broad coverage while preserving the staged medium composition: the foreground subject occupies middle-left and opening marker 5 occupies middle-right within opening marker 4.\n  - subject_position_directive: Place the committed subject in the foreground at middle-left, close ahead of the shoulder-height camera in a rear three-quarter over-shoulder angle. The subject leans and cranes toward marker 5 at middle-right, looking through it into unit 2 rather than toward the camera.\n  - state_cue_directive: Keep a clean residential space with restrained, moderately low-contrast daytime ambient light. Preserve opening marker 4 in its staged closed state and marker 5 as its transparent inset; no additional transient marker or invented state cue is committed.\n  - negative_continuity_directive: Do not invent numbered elements or state overlays beyond markers 1, 2, 3, 4, and 5. Keep spaces outside the camera-unit-1 visible-unit candidate set of units 2 and 3 out of view, and do not introduce scenario-specific objects or uncommitted structural features.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 1]\n  - look_at_unit: 3\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera in unit 1 at the sole listed cell and aim toward unit 3 using listed look-at cell [3,4], which coincides with opening marker 4. The wide view supports the staged medium foreground subject while retaining opening markers 4 and 5 and the unit 2 area beyond.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the circulation and threshold relationship of markers 1 and 3, with opening marker 4 and its inset opening marker 5 clearly visible. Through marker 5, retain only the supported portion of unit 2; markers 1, 2, 3, 4, and 5 are the committed numbered elements.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,1] toward unit 3 using look-at cell [3,4], with a wide 90-degree field of view. Use broad coverage while preserving the staged medium composition: the foreground subject occupies middle-left and opening marker 5 occupies middle-right within opening marker 4.\n  - subject_position_directive: Place the committed subject in the foreground at middle-left, close ahead of the shoulder-height camera in a rear three-quarter over-shoulder angle. The subject leans and cranes toward marker 5 at middle-right, looking through it into unit 2 rather than toward the camera.\n  - state_cue_directive: Keep a clean residential space with restrained, moderately low-contrast daytime ambient light. Preserve opening marker 4 in its staged closed state and marker 5 as its transparent inset; no additional transient marker or invented state cue is committed.\n  - negative_continuity_directive: Do not invent numbered elements or state overlays beyond markers 1, 2, 3, 4, and 5. Keep spaces outside the camera-unit-1 visible-unit candidate set of units 2 and 3 out of view, and do not introduce scenario-specific objects or uncommitted structural features.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 1]\n  - look_at_unit: 3\n  - look_at_cell: [3, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Place the camera in unit 1 at the sole listed cell and aim toward unit 3 using listed look-at cell [3,4], which coincides with opening marker 4. The wide view supports the staged medium foreground subject while retaining opening markers 4 and 5 and the unit 2 area beyond.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the circulation and threshold relationship of markers 1 and 3, with opening marker 4 and its inset opening marker 5 clearly visible. Through marker 5, retain only the supported portion of unit 2; markers 1, 2, 3, 4, and 5 are the committed numbered elements.\n  - camera_framing_directive: Frame from camera unit 1 at cell [5,1] toward unit 3 using look-at cell [3,4], with a wide 90-degree field of view. Use broad coverage while preserving the staged medium composition: the foreground subject occupies middle-left and opening marker 5 occupies middle-right within opening marker 4.\n  - subject_position_directive: Place the committed subject in the foreground at middle-left, close ahead of the shoulder-height camera in a rear three-quarter over-shoulder angle. The subject leans and cranes toward marker 5 at middle-right, looking through it into unit 2 rather than toward the camera.\n  - state_cue_directive: Keep a clean residential space with restrained, moderately low-contrast daytime ambient light. Preserve opening marker 4 in its staged closed state and marker 5 as its transparent inset; no additional transient marker or invented state cue is committed.\n  - negative_continuity_directive: Do not invent numbered elements or state overlays beyond markers 1, 2, 3, 4, and 5. Keep spaces outside the camera-unit-1 visible-unit candidate set of units 2 and 3 out of view, and do not introduce scenario-specific objects or uncommitted structural features.\n\n대한민국 전라남도·광주권의 21세기 초·중반 공공기관 또는 교육기관에서 흔히 볼 수 있는 조용한 낮 시간의 세미나실 앞 복도. 복도 안쪽의 문 앞 대기 공간 가까이에서 닫힌 세미나실 출입문을 거의 정면으로 바라보며, 문에 삽입된 좁고 긴 세로형 관찰창이 화면의 중심적인 시각 요소가 되도록 한다. 관찰창 너머에는 비어 있는 세미나실 내부가 좁은 범위로만 희미하게 보인다. 출입문 주위의 복도 벽과 문턱 앞 여유 공간을 함께 담아 절제된 한국 기관 건물의 공간감을 분명히 보여준다. 실용적인 도장 마감 벽, 실제 금속 문틀과 손잡이의 미세한 사용감, 관찰창 유리의 자연스러운 반사, 바닥재의 현실적인 질감과 은은한 일상적 마모를 표현한다. 낮의 부드러운 실내 자연광과 평범한 천장 조명이 섞인 중저대비 조명, 과장되지 않은 중성적 색감, 조용하고 사실적인 분위기. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 신체 형상의 인물은 전혀 없다. 약 1.6미터의 서 있는 사람 눈높이에서 50밀리미터 표준 렌즈를 장착한 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근과 피사계 심도, 정확한 재료 질감, 생활 흔적이 남은 실제 장소 기록 사진, 과도한 보정 없는 담담한 촬영. 위에서 내려다본 시점이나 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.",
        "camera_decision": {
          "camera_cell": [
            5,
            1
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Place the camera in unit 1 at the sole listed cell and aim toward unit 3 using listed look-at cell [3,4], which coincides with opening marker 4. The wide view supports the staged medium foreground subject while retaining opening markers 4 and 5 and the unit 2 area beyond.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 1, show the circulation and threshold relationship of markers 1 and 3, with opening marker 4 and its inset opening marker 5 clearly visible. Through marker 5, retain only the supported portion of unit 2; markers 1, 2, 3, 4, and 5 are the committed numbered elements.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [5,1] toward unit 3 using look-at cell [3,4], with a wide 90-degree field of view. Use broad coverage while preserving the staged medium composition: the foreground subject occupies middle-left and opening marker 5 occupies middle-right within opening marker 4.",
          "subject_position_directive": "Place the committed subject in the foreground at middle-left, close ahead of the shoulder-height camera in a rear three-quarter over-shoulder angle. The subject leans and cranes toward marker 5 at middle-right, looking through it into unit 2 rather than toward the camera.",
          "state_cue_directive": "Keep a clean residential space with restrained, moderately low-contrast daytime ambient light. Preserve opening marker 4 in its staged closed state and marker 5 as its transparent inset; no additional transient marker or invented state cue is committed.",
          "negative_continuity_directive": "Do not invent numbered elements or state overlays beyond markers 1, 2, 3, 4, and 5. Keep spaces outside the camera-unit-1 visible-unit candidate set of units 2 and 3 out of view, and do not introduce scenario-specific objects or uncommitted structural features."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l55_seminar_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l55_seminar_corridor",
            "building_anchor:L28B01"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L28B01",
          "group_id": "bg_prosecution_office"
        }
      },
      "L56B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L56",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L56B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광역시권 관공서의 실제 브리핑실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 직사각형 방 뒤쪽 입석 구역 가까이에서 앞쪽 발표 단상을 바라보며, 서 있는 사람의 눈높이 약 1.6미터와 35밀리미터급 적당한 광각 시야를 사용한다. 중앙에는 앞쪽을 향해 정렬된 기자용 책상과 빈 의자 열이 이어지고, 그 너머 단상 중앙의 연단과 북쪽 벽의 절제된 관공서형 배경 패널이 시선의 중심이 된다. 좌우 취재 통로에는 활동 중인 브리핑을 위해 임시로 배치된 휴대형 취재 카메라들이 놓여 있으며, 기자석 책상 곳곳에는 2010년대 중후반형 노트북이 열린 상태로 놓여 있다. 여러 카메라 위치에서 연단을 향해 거의 동시에 반복해서 터지는 흰색 플래시 섬광이 프레임 일부와 금속·플라스틱 표면에 순간적인 밝은 반사와 국부적인 노출 상승을 만든다. 사람, 얼굴, 신체 형상은 전혀 없고 배경 공간과 장비만 보인다. 낮 시간의 절제된 천장 조명과 창밖에서 간접적으로 유입되는 듯한 중성 자연광이 섞인 현실적인 밝기, 낮거나 중간 정도의 대비, 관공서 특유의 실용적인 마감과 차분한 색조를 적용한다. 실제 콘크리트와 도장 벽면, 사용감 있는 합판 또는 무늬목 책상, 직물 의자의 섬유 조직, 카메라의 무광 금속과 플라스틱, 노트북 표면의 미세한 손자국과 일상적인 마모를 정확하게 표현한다. 지나치게 정돈된 광고 사진이 아니라 실제 장소 기록 사진처럼 작은 얼룩과 자연스러운 사용 흔적이 있으며, 현실적인 원근과 자연스러운 심도, 후처리 없는 사실적인 디지털 일안 반사식 또는 미러리스 카메라 촬영 품질로 표현한다. 내려다보는 시점, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 실제 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "방 뒤쪽 입석 구역의 중앙 부근에서 서 있는 사람의 눈높이로 촬영한다. 중앙 기자석의 책상과 빈 의자 열을 전경과 중경에 두고, 좌우 취재 카메라 통로 사이로 앞쪽 연단과 배경 패널이 명확히 보이게 한다. 열린 노트북과 여러 방향에서 연단을 향해 터지는 순간적인 섬광을 포함하되 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S69_Shot4"
          },
          {
            "guide_text": "같은 뒤쪽 관찰 위치와 공간 축을 유지하면서 연단과 배경 패널에 시선이 모이도록 약간 더 단정하게 구성한다. 책상 위 열린 노트북, 좌우 통로에 임시 배치된 취재 카메라, 연단 방향으로 겹쳐 터지는 밝은 플래시를 보여 준다. 가구 배치와 자연스러운 원근을 유지하고 사람, 얼굴, 신체 형상은 포함하지 않는다.",
            "shot_id": "S69_Shot6"
          }
        ],
        "shot_ids": [
          "S69_Shot4",
          "S69_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 10 (rear standing zone), facing toward number 3 (podium) and number 4 (backdrop panel) across number 5 (reporter seating zone)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame number 3 prominently at the front, with numbers 6 and 7 forming converging foreground rows. Include portions of numbers 8 and 9 for press cameras, number 14 on the reporter desks, and number 15 around the podium sightline."
        },
        "reference_decision": {
          "bg_id": "L56B01",
          "fp_id": "fp_l56_briefing_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L56B01 is the only supplied clean-anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan. Camera unit 10 looking toward unit 2 follows the shared briefing axis committed by S69_Shot4 while retaining unit 5 as contextual depth for S69_Shot6; the normal lens provides neutral coverage suitable for both consuming shots.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l56_briefing_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp references are available, and this first node must seed the dwelling identity directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              4
            ],
            "camera_unit": 10,
            "fov_deg": 50,
            "framing_notes": "Use the unit 10 rear-axis position toward unit 2 with neutral coverage that can support the medium framing in S69_Shot4 and the soft contextual background required by the close framing in S69_Shot6.",
            "lens_enum": "normal",
            "look_at_cell": [
              1,
              4
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 10, show the forward axis through unit 5 toward unit 2, with unit markers 8 and 9 providing lateral spatial context where the normal view cone permits. Include the committed fixed markers 3 and 4 at the target end and markers 6 and 7 as depth structure within unit 5; keep marker 1 as the enclosing structural boundary.",
            "camera_framing_directive": "Place the camera in unit 10 at cell [7,4], aim toward unit 2 at look-at cell [1,4], and use the normal 50-degree lens for neutral coverage along the committed axis. Preserve enough depth for marker 3 to anchor the lower portion of the S69_Shot4 framing and for unit 5 to remain a soft background trace in S69_Shot6.",
            "subject_position_directive": "For S69_Shot4, reserve the centered position behind marker 3 for the committed upper-body subject, with attention directed past the camera toward unit 5. For S69_Shot6, reserve the middle-center foreground for the close subject, oriented toward the subject position at marker 3, while unit 5 remains soft behind. Add no other subjects beyond those committed by the surfaced staging.",
            "state_cue_directive": "Carry the committed temporary-object cues at markers 13 and 14 and the intermittent transient light variation represented by marker 15, as required by the surfaced shots. Keep these cues subordinate to the fixed numbered structure and do not invent additional state overlays.",
            "negative_continuity_directive": "Keep the fixed positions of markers 3, 4, 6, and 7 consistent with the floor plan. Do not introduce unnumbered scenario-specific elements, do not shift fixed markers to accommodate either subject, and do not pull unit 11 or opening marker 12 into the forward view unless they fall within the chosen unit-10-to-unit-2 cone."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 10\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 10 rear-axis position toward unit 2 with neutral coverage that can support the medium framing in S69_Shot4 and the soft contextual background required by the close framing in S69_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 10, show the forward axis through unit 5 toward unit 2, with unit markers 8 and 9 providing lateral spatial context where the normal view cone permits. Include the committed fixed markers 3 and 4 at the target end and markers 6 and 7 as depth structure within unit 5; keep marker 1 as the enclosing structural boundary.\n  - camera_framing_directive: Place the camera in unit 10 at cell [7,4], aim toward unit 2 at look-at cell [1,4], and use the normal 50-degree lens for neutral coverage along the committed axis. Preserve enough depth for marker 3 to anchor the lower portion of the S69_Shot4 framing and for unit 5 to remain a soft background trace in S69_Shot6.\n  - subject_position_directive: For S69_Shot4, reserve the centered position behind marker 3 for the committed upper-body subject, with attention directed past the camera toward unit 5. For S69_Shot6, reserve the middle-center foreground for the close subject, oriented toward the subject position at marker 3, while unit 5 remains soft behind. Add no other subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed temporary-object cues at markers 13 and 14 and the intermittent transient light variation represented by marker 15, as required by the surfaced shots. Keep these cues subordinate to the fixed numbered structure and do not invent additional state overlays.\n  - negative_continuity_directive: Keep the fixed positions of markers 3, 4, 6, and 7 consistent with the floor plan. Do not introduce unnumbered scenario-specific elements, do not shift fixed markers to accommodate either subject, and do not pull unit 11 or opening marker 12 into the forward view unless they fall within the chosen unit-10-to-unit-2 cone.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 10\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 10 rear-axis position toward unit 2 with neutral coverage that can support the medium framing in S69_Shot4 and the soft contextual background required by the close framing in S69_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 10, show the forward axis through unit 5 toward unit 2, with unit markers 8 and 9 providing lateral spatial context where the normal view cone permits. Include the committed fixed markers 3 and 4 at the target end and markers 6 and 7 as depth structure within unit 5; keep marker 1 as the enclosing structural boundary.\n  - camera_framing_directive: Place the camera in unit 10 at cell [7,4], aim toward unit 2 at look-at cell [1,4], and use the normal 50-degree lens for neutral coverage along the committed axis. Preserve enough depth for marker 3 to anchor the lower portion of the S69_Shot4 framing and for unit 5 to remain a soft background trace in S69_Shot6.\n  - subject_position_directive: For S69_Shot4, reserve the centered position behind marker 3 for the committed upper-body subject, with attention directed past the camera toward unit 5. For S69_Shot6, reserve the middle-center foreground for the close subject, oriented toward the subject position at marker 3, while unit 5 remains soft behind. Add no other subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed temporary-object cues at markers 13 and 14 and the intermittent transient light variation represented by marker 15, as required by the surfaced shots. Keep these cues subordinate to the fixed numbered structure and do not invent additional state overlays.\n  - negative_continuity_directive: Keep the fixed positions of markers 3, 4, 6, and 7 consistent with the floor plan. Do not introduce unnumbered scenario-specific elements, do not shift fixed markers to accommodate either subject, and do not pull unit 11 or opening marker 12 into the forward view unless they fall within the chosen unit-10-to-unit-2 cone.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 10\n  - camera_cell: [7, 4]\n  - look_at_unit: 2\n  - look_at_cell: [1, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the unit 10 rear-axis position toward unit 2 with neutral coverage that can support the medium framing in S69_Shot4 and the soft contextual background required by the close framing in S69_Shot6.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 10, show the forward axis through unit 5 toward unit 2, with unit markers 8 and 9 providing lateral spatial context where the normal view cone permits. Include the committed fixed markers 3 and 4 at the target end and markers 6 and 7 as depth structure within unit 5; keep marker 1 as the enclosing structural boundary.\n  - camera_framing_directive: Place the camera in unit 10 at cell [7,4], aim toward unit 2 at look-at cell [1,4], and use the normal 50-degree lens for neutral coverage along the committed axis. Preserve enough depth for marker 3 to anchor the lower portion of the S69_Shot4 framing and for unit 5 to remain a soft background trace in S69_Shot6.\n  - subject_position_directive: For S69_Shot4, reserve the centered position behind marker 3 for the committed upper-body subject, with attention directed past the camera toward unit 5. For S69_Shot6, reserve the middle-center foreground for the close subject, oriented toward the subject position at marker 3, while unit 5 remains soft behind. Add no other subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed temporary-object cues at markers 13 and 14 and the intermittent transient light variation represented by marker 15, as required by the surfaced shots. Keep these cues subordinate to the fixed numbered structure and do not invent additional state overlays.\n  - negative_continuity_directive: Keep the fixed positions of markers 3, 4, 6, and 7 consistent with the floor plan. Do not introduce unnumbered scenario-specific elements, do not shift fixed markers to accommodate either subject, and do not pull unit 11 or opening marker 12 into the forward view unless they fall within the chosen unit-10-to-unit-2 cone.\n\n2010년대 중후반 대한민국 광역시권 관공서의 실제 브리핑실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 직사각형 방 뒤쪽 입석 구역 가까이에서 앞쪽 발표 단상을 바라보며, 서 있는 사람의 눈높이 약 1.6미터와 35밀리미터급 적당한 광각 시야를 사용한다. 중앙에는 앞쪽을 향해 정렬된 기자용 책상과 빈 의자 열이 이어지고, 그 너머 단상 중앙의 연단과 북쪽 벽의 절제된 관공서형 배경 패널이 시선의 중심이 된다. 좌우 취재 통로에는 활동 중인 브리핑을 위해 임시로 배치된 휴대형 취재 카메라들이 놓여 있으며, 기자석 책상 곳곳에는 2010년대 중후반형 노트북이 열린 상태로 놓여 있다. 여러 카메라 위치에서 연단을 향해 거의 동시에 반복해서 터지는 흰색 플래시 섬광이 프레임 일부와 금속·플라스틱 표면에 순간적인 밝은 반사와 국부적인 노출 상승을 만든다. 사람, 얼굴, 신체 형상은 전혀 없고 배경 공간과 장비만 보인다. 낮 시간의 절제된 천장 조명과 창밖에서 간접적으로 유입되는 듯한 중성 자연광이 섞인 현실적인 밝기, 낮거나 중간 정도의 대비, 관공서 특유의 실용적인 마감과 차분한 색조를 적용한다. 실제 콘크리트와 도장 벽면, 사용감 있는 합판 또는 무늬목 책상, 직물 의자의 섬유 조직, 카메라의 무광 금속과 플라스틱, 노트북 표면의 미세한 손자국과 일상적인 마모를 정확하게 표현한다. 지나치게 정돈된 광고 사진이 아니라 실제 장소 기록 사진처럼 작은 얼룩과 자연스러운 사용 흔적이 있으며, 현실적인 원근과 자연스러운 심도, 후처리 없는 사실적인 디지털 일안 반사식 또는 미러리스 카메라 촬영 품질로 표현한다. 내려다보는 시점, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 실제 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            7,
            4
          ],
          "camera_unit": 10,
          "fov_deg": 50,
          "framing_notes": "Use the unit 10 rear-axis position toward unit 2 with neutral coverage that can support the medium framing in S69_Shot4 and the soft contextual background required by the close framing in S69_Shot6.",
          "lens_enum": "normal",
          "look_at_cell": [
            1,
            4
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 10, show the forward axis through unit 5 toward unit 2, with unit markers 8 and 9 providing lateral spatial context where the normal view cone permits. Include the committed fixed markers 3 and 4 at the target end and markers 6 and 7 as depth structure within unit 5; keep marker 1 as the enclosing structural boundary.",
          "camera_framing_directive": "Place the camera in unit 10 at cell [7,4], aim toward unit 2 at look-at cell [1,4], and use the normal 50-degree lens for neutral coverage along the committed axis. Preserve enough depth for marker 3 to anchor the lower portion of the S69_Shot4 framing and for unit 5 to remain a soft background trace in S69_Shot6.",
          "subject_position_directive": "For S69_Shot4, reserve the centered position behind marker 3 for the committed upper-body subject, with attention directed past the camera toward unit 5. For S69_Shot6, reserve the middle-center foreground for the close subject, oriented toward the subject position at marker 3, while unit 5 remains soft behind. Add no other subjects beyond those committed by the surfaced staging.",
          "state_cue_directive": "Carry the committed temporary-object cues at markers 13 and 14 and the intermittent transient light variation represented by marker 15, as required by the surfaced shots. Keep these cues subordinate to the fixed numbered structure and do not invent additional state overlays.",
          "negative_continuity_directive": "Keep the fixed positions of markers 3, 4, 6, and 7 consistent with the floor plan. Do not introduce unnumbered scenario-specific elements, do not shift fixed markers to accommodate either subject, and do not pull unit 11 or opening marker 12 into the forward view unless they fall within the chosen unit-10-to-unit-2 cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l56_briefing_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l56_briefing_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L32B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L32",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L32B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 21세기 초·중반 관공서 조사 시설에서 볼 수 있는 현실적인 조사실 내부. 낮 시간에 대면 조사가 진행되는 긴장된 상태이지만 화면에는 사람, 얼굴, 신체 형태의 인형이나 실루엣이 전혀 없다. 남서쪽 조사실 출입문 가까이에서 약 1.5미터 높이의 사람 눈높이로 서서, 중앙의 직사각형 조사 탁자를 대각선으로 가로질러 북쪽의 빈 피조사자용 의자를 바라본다. 탁자 남쪽의 조사관용 의자 두 개가 가까운 전경과 중경에 놓이고, 남서쪽 뒤편의 참관용 의자와 남동쪽 뒤편의 경비용 의자가 공간 깊이 속에 자연스럽게 보인다. 탁자 위 피조사자 쪽 가까이에 현실적인 담뱃갑과 라이터가 놓여 있어 현재 진행 중인 면담의 일시적인 흔적을 드러낸다. 절제된 대한민국 공공기관 실내답게 무채색 도장 벽, 사용감 있는 바닥, 튼튼한 적층판과 금속 소재의 탁자, 닳은 의자 표면, 단순한 형광등 천장 조명을 적용한다. 창백한 주간 실내광과 형광등이 섞인 보통 밝기, 중저대비의 자연스러운 노출, 지나치게 깨끗한 상업 사진이 아닌 생활 얼룩과 모서리 마모가 남은 실제 장소의 질감. 35밀리미터급 렌즈를 장착한 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 정확한 콘크리트와 금속의 녹청, 합판 무늬와 의자 직물의 짜임, 자연스러운 원근과 피사계 심도, 과도한 후보정 없음. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화나 컴퓨터 생성 이미지가 아니라 실제 장소 참고 사진과 구별되지 않는 담담한 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "조사실 출입문 가까이에서 약 1.5미터 높이로 바라본다. 중앙 조사 탁자를 대각선으로 가로질러 북쪽의 빈 피조사자용 의자를 향하고, 조사관용 의자 두 개가 가까운 전경과 중경에 자연스럽게 걸리도록 구성한다. 뒤쪽의 참관용 의자와 경비용 의자도 공간 관계를 읽을 수 있을 정도로 포함하되 사람은 배치하지 않는다.",
            "shot_id": "S37_Shot11"
          },
          {
            "guide_text": "출입문 부근의 약 1.5미터 눈높이에서 35밀리미터 상당의 적당한 광각으로 조사 탁자와 서로 마주 보는 의자 배치를 명확히 보여준다. 탁자 피조사자 쪽의 담뱃갑과 라이터가 작지만 식별되도록 하고, 빈 공간의 긴장감은 현실적인 주간 조명과 사용 흔적으로만 표현한다.",
            "shot_id": "S37_Shot21"
          },
          {
            "guide_text": "조사실 입구에서 안쪽을 대각선으로 보는 시점을 유지하며, 빈 피조사자용 의자를 화면 안쪽의 시선 종착점으로 삼는다. 가까운 조사관용 의자와 뒤쪽 참관용·경비용 의자를 깊이감 있게 배열하고, 과장된 왜곡 없이 실제 면담실의 좁고 통제된 분위기를 담는다.",
            "shot_id": "S55_Shot9"
          }
        ],
        "shot_ids": [
          "S37_Shot11",
          "S37_Shot21",
          "S55_Shot9"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 5 (investigation room door), facing diagonally across number 7 (interrogation table) toward number 8 (suspect chair), with numbers 9, 10, and 11 arranged through the near and middle ground",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the direct confrontation across number 7, keep the rear observer seating readable, and include transient number 14 on the tabletop for the active questioning state."
        },
        "reference_decision": {
          "bg_id": "L32B02",
          "fp_id": "fp_l32_investigation_suite",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole clean-anchor candidate supplied for the fp and must establish dwelling identity without a prior reference. Camera unit 1 matches the dominant target unit and the wide framing toward the shared cell of numbered elements 8 and 9 supports the surfaced shots' table-edge, across-table, and surrounding-space requirements while retaining numbered elements 1, 5, 7, 10, and 11 where the view permits.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l32_investigation_suite.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp reference is available in the candidate catalog, so this anchor is rendered directly from the floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              3
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Broad coverage from unit 1 toward the shared marker cell for numbered elements 8 and 9, preserving numbered element 7 and the surrounding fixed elements needed across the surfaced close and medium staging.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              8
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 from camera cell [1,3], centered toward look-at cell [2,8]. Establish numbered element 1 with numbered elements 7, 8, 9, 10, and 11 in their committed positions and include opening marker 5 only where supported by the broad view.",
            "camera_framing_directive": "Place the camera in unit 1 at cell [1,3] and aim within unit 1 at cell [2,8] using the wide 90-degree lens for broad coverage. Preserve enough lower-frame context for numbered element 7 while allowing the surfaced close and medium subject framings to crop within this fixed plate.",
            "subject_position_directive": "Accommodate the surfaced staging with seated subjects arranged across numbered element 7: close framings retain a narrow lower edge of that element, while the medium staging allows a foreground edge and midground subjects across it. Subject identities, gestures, and exact crops remain shot-layer cues rather than fixed background structure.",
            "state_cue_directive": "Carry transient marker 14 as the only committed transient state cue and retain the applicable numbered elements 1, 5, 7, 8, 9, 10, and 11. Do not add unlisted state cues.",
            "negative_continuity_directive": "Do not invent scenario-specific elements beyond the committed numbered data. Keep units outside the supported view and uncommitted openings out of frame; preserve the fixed positions of numbered elements 5, 7, 8, 9, 10, and 11, and do not duplicate transient marker 14."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 1\n  - look_at_cell: [2, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 1 toward the shared marker cell for numbered elements 8 and 9, preserving numbered element 7 and the surrounding fixed elements needed across the surfaced close and medium staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera cell [1,3], centered toward look-at cell [2,8]. Establish numbered element 1 with numbered elements 7, 8, 9, 10, and 11 in their committed positions and include opening marker 5 only where supported by the broad view.\n  - camera_framing_directive: Place the camera in unit 1 at cell [1,3] and aim within unit 1 at cell [2,8] using the wide 90-degree lens for broad coverage. Preserve enough lower-frame context for numbered element 7 while allowing the surfaced close and medium subject framings to crop within this fixed plate.\n  - subject_position_directive: Accommodate the surfaced staging with seated subjects arranged across numbered element 7: close framings retain a narrow lower edge of that element, while the medium staging allows a foreground edge and midground subjects across it. Subject identities, gestures, and exact crops remain shot-layer cues rather than fixed background structure.\n  - state_cue_directive: Carry transient marker 14 as the only committed transient state cue and retain the applicable numbered elements 1, 5, 7, 8, 9, 10, and 11. Do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond the committed numbered data. Keep units outside the supported view and uncommitted openings out of frame; preserve the fixed positions of numbered elements 5, 7, 8, 9, 10, and 11, and do not duplicate transient marker 14.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 1\n  - look_at_cell: [2, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 1 toward the shared marker cell for numbered elements 8 and 9, preserving numbered element 7 and the surrounding fixed elements needed across the surfaced close and medium staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera cell [1,3], centered toward look-at cell [2,8]. Establish numbered element 1 with numbered elements 7, 8, 9, 10, and 11 in their committed positions and include opening marker 5 only where supported by the broad view.\n  - camera_framing_directive: Place the camera in unit 1 at cell [1,3] and aim within unit 1 at cell [2,8] using the wide 90-degree lens for broad coverage. Preserve enough lower-frame context for numbered element 7 while allowing the surfaced close and medium subject framings to crop within this fixed plate.\n  - subject_position_directive: Accommodate the surfaced staging with seated subjects arranged across numbered element 7: close framings retain a narrow lower edge of that element, while the medium staging allows a foreground edge and midground subjects across it. Subject identities, gestures, and exact crops remain shot-layer cues rather than fixed background structure.\n  - state_cue_directive: Carry transient marker 14 as the only committed transient state cue and retain the applicable numbered elements 1, 5, 7, 8, 9, 10, and 11. Do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond the committed numbered data. Keep units outside the supported view and uncommitted openings out of frame; preserve the fixed positions of numbered elements 5, 7, 8, 9, 10, and 11, and do not duplicate transient marker 14.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [1, 3]\n  - look_at_unit: 1\n  - look_at_cell: [2, 8]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Broad coverage from unit 1 toward the shared marker cell for numbered elements 8 and 9, preserving numbered element 7 and the surrounding fixed elements needed across the surfaced close and medium staging.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 from camera cell [1,3], centered toward look-at cell [2,8]. Establish numbered element 1 with numbered elements 7, 8, 9, 10, and 11 in their committed positions and include opening marker 5 only where supported by the broad view.\n  - camera_framing_directive: Place the camera in unit 1 at cell [1,3] and aim within unit 1 at cell [2,8] using the wide 90-degree lens for broad coverage. Preserve enough lower-frame context for numbered element 7 while allowing the surfaced close and medium subject framings to crop within this fixed plate.\n  - subject_position_directive: Accommodate the surfaced staging with seated subjects arranged across numbered element 7: close framings retain a narrow lower edge of that element, while the medium staging allows a foreground edge and midground subjects across it. Subject identities, gestures, and exact crops remain shot-layer cues rather than fixed background structure.\n  - state_cue_directive: Carry transient marker 14 as the only committed transient state cue and retain the applicable numbered elements 1, 5, 7, 8, 9, 10, and 11. Do not add unlisted state cues.\n  - negative_continuity_directive: Do not invent scenario-specific elements beyond the committed numbered data. Keep units outside the supported view and uncommitted openings out of frame; preserve the fixed positions of numbered elements 5, 7, 8, 9, 10, and 11, and do not duplicate transient marker 14.\n\n대한민국 전라남도·광주광역시 권역의 21세기 초·중반 관공서 조사 시설에서 볼 수 있는 현실적인 조사실 내부. 낮 시간에 대면 조사가 진행되는 긴장된 상태이지만 화면에는 사람, 얼굴, 신체 형태의 인형이나 실루엣이 전혀 없다. 남서쪽 조사실 출입문 가까이에서 약 1.5미터 높이의 사람 눈높이로 서서, 중앙의 직사각형 조사 탁자를 대각선으로 가로질러 북쪽의 빈 피조사자용 의자를 바라본다. 탁자 남쪽의 조사관용 의자 두 개가 가까운 전경과 중경에 놓이고, 남서쪽 뒤편의 참관용 의자와 남동쪽 뒤편의 경비용 의자가 공간 깊이 속에 자연스럽게 보인다. 탁자 위 피조사자 쪽 가까이에 현실적인 담뱃갑과 라이터가 놓여 있어 현재 진행 중인 면담의 일시적인 흔적을 드러낸다. 절제된 대한민국 공공기관 실내답게 무채색 도장 벽, 사용감 있는 바닥, 튼튼한 적층판과 금속 소재의 탁자, 닳은 의자 표면, 단순한 형광등 천장 조명을 적용한다. 창백한 주간 실내광과 형광등이 섞인 보통 밝기, 중저대비의 자연스러운 노출, 지나치게 깨끗한 상업 사진이 아닌 생활 얼룩과 모서리 마모가 남은 실제 장소의 질감. 35밀리미터급 렌즈를 장착한 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 정확한 콘크리트와 금속의 녹청, 합판 무늬와 의자 직물의 짜임, 자연스러운 원근과 피사계 심도, 과도한 후보정 없음. 평면도, 위에서 내려다본 시점, 건축 도면, 삽화나 컴퓨터 생성 이미지가 아니라 실제 장소 참고 사진과 구별되지 않는 담담한 기록 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            1,
            3
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Broad coverage from unit 1 toward the shared marker cell for numbered elements 8 and 9, preserving numbered element 7 and the surrounding fixed elements needed across the surfaced close and medium staging.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            8
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 from camera cell [1,3], centered toward look-at cell [2,8]. Establish numbered element 1 with numbered elements 7, 8, 9, 10, and 11 in their committed positions and include opening marker 5 only where supported by the broad view.",
          "camera_framing_directive": "Place the camera in unit 1 at cell [1,3] and aim within unit 1 at cell [2,8] using the wide 90-degree lens for broad coverage. Preserve enough lower-frame context for numbered element 7 while allowing the surfaced close and medium subject framings to crop within this fixed plate.",
          "subject_position_directive": "Accommodate the surfaced staging with seated subjects arranged across numbered element 7: close framings retain a narrow lower edge of that element, while the medium staging allows a foreground edge and midground subjects across it. Subject identities, gestures, and exact crops remain shot-layer cues rather than fixed background structure.",
          "state_cue_directive": "Carry transient marker 14 as the only committed transient state cue and retain the applicable numbered elements 1, 5, 7, 8, 9, 10, and 11. Do not add unlisted state cues.",
          "negative_continuity_directive": "Do not invent scenario-specific elements beyond the committed numbered data. Keep units outside the supported view and uncommitted openings out of frame; preserve the fixed positions of numbered elements 5, 7, 8, 9, 10, and 11, and do not duplicate transient marker 14."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l32_investigation_suite",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l32_investigation_suite"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L32B01": {
        "status": "ok",
        "location_id": "L32",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L32B01.png",
        "t2i_prompt": "2015~2017년 무렵, 대한민국 남서부 지역의 현실적인 교정시설 내부에 있는 조사 구역 진입 복도. 낮 시간의 길고 좁은 복도로, 회백색과 옅은 청회색으로 여러 번 덧칠된 콘크리트 벽, 부분적으로 벗겨진 도장, 손때와 운반 자국, 모서리의 작은 균열, 무광의 회색 미끄럼 방지 바닥과 일상적인 마모 흔적이 보인다. 복도 양쪽에는 묵직한 철제 보안문과 작은 관찰창이 달린 조사실 출입문이 일정하지 않은 간격으로 놓이고, 복도 끝에는 잠금장치가 있는 철제 격자문이 있어 통제 구역의 깊이를 강조한다. 천장에는 당시 공공시설에서 흔히 쓰인 직선형 형광등과 노출 배관, 단순한 환기구가 이어지며, 벽에는 유선 인터폰, 작은 공지 게시판, 소화기, 낡은 라디에이터가 설치되어 있다. 천장 모서리에는 2010년대 중후반형 고정식 감시 카메라가 달려 있으며 미래형 장비나 최신 세대 전자기기는 없다. 높은 위치의 좁은 방범창에서 흐린 낮빛이 약하게 들어오고 형광등의 중성적인 빛과 섞여, 복도 전체가 밝지만 다소 답답하고 절차적인 분위기를 만든다. 조사 인력이 막 도착해 통과할 듯한 정돈된 긴장감은 있으나 사람, 얼굴, 그림자 형태의 인물, 신체 일부는 전혀 없다. 카메라는 복도 입구 부근의 중앙축에서 바닥 약 1.6미터 높이에 놓고, 35밀리미터급 렌즈로 복도 끝의 격자문과 조사 구역 출입문을 바라본다. 과도한 광각 왜곡 없이 수직선이 자연스럽고, 가까운 문틀과 벽면 설비부터 먼 출입문까지 실제 좁은 공간의 거리감이 드러나는 구도. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담백한 화면, 절제된 자연색과 중저대비, 현실적인 자연광과 형광등 혼합광, 실제 콘크리트의 거친 표면, 금속의 미세한 녹과 무광 도장, 고무 바닥의 닳은 질감, 유리의 약한 반사를 정확히 표현한다. 자연스러운 피사계 심도와 사실적인 노출, 과도한 후처리 없음. 깨끗한 광고용 사진이 아니며 삽화, 설계도, 평면도, 건축 시각화가 아닌 실제 장소 사진이다. 위에서 내려다본 시점이 아닌 서 있는 사람의 눈높이. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "긴 복도의 입구 쪽 중앙에서 조사 구역 방향을 바라본다. 카메라는 바닥에서 약 1.6미터 높이이며, 35밀리미터급 표준 광각 렌즈로 좁고 깊은 복도의 원근감을 자연스럽게 담는다. 가까운 철제 보안문 가장자리와 벽면 설비를 프레임 양쪽에 일부 포함하고, 복도 끝의 닫힌 격자문과 조사 구역 출입문이 시선의 종착점이 되게 한다. 조사 인력이 막 진입할 상황을 암시하되 사람이나 신체 일부는 절대 보이지 않게 한다.",
            "shot_id": "S55_Shot1"
          }
        ],
        "shot_ids": [
          "S55_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "transition_zone",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵, 대한민국 남서부 지역의 현실적인 교정시설 내부에 있는 조사 구역 진입 복도. 낮 시간의 길고 좁은 복도로, 회백색과 옅은 청회색으로 여러 번 덧칠된 콘크리트 벽, 부분적으로 벗겨진 도장, 손때와 운반 자국, 모서리의 작은 균열, 무광의 회색 미끄럼 방지 바닥과 일상적인 마모 흔적이 보인다. 복도 양쪽에는 묵직한 철제 보안문과 작은 관찰창이 달린 조사실 출입문이 일정하지 않은 간격으로 놓이고, 복도 끝에는 잠금장치가 있는 철제 격자문이 있어 통제 구역의 깊이를 강조한다. 천장에는 당시 공공시설에서 흔히 쓰인 직선형 형광등과 노출 배관, 단순한 환기구가 이어지며, 벽에는 유선 인터폰, 작은 공지 게시판, 소화기, 낡은 라디에이터가 설치되어 있다. 천장 모서리에는 2010년대 중후반형 고정식 감시 카메라가 달려 있으며 미래형 장비나 최신 세대 전자기기는 없다. 높은 위치의 좁은 방범창에서 흐린 낮빛이 약하게 들어오고 형광등의 중성적인 빛과 섞여, 복도 전체가 밝지만 다소 답답하고 절차적인 분위기를 만든다. 조사 인력이 막 도착해 통과할 듯한 정돈된 긴장감은 있으나 사람, 얼굴, 그림자 형태의 인물, 신체 일부는 전혀 없다. 카메라는 복도 입구 부근의 중앙축에서 바닥 약 1.6미터 높이에 놓고, 35밀리미터급 렌즈로 복도 끝의 격자문과 조사 구역 출입문을 바라본다. 과도한 광각 왜곡 없이 수직선이 자연스럽고, 가까운 문틀과 벽면 설비부터 먼 출입문까지 실제 좁은 공간의 거리감이 드러나는 구도. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담백한 화면, 절제된 자연색과 중저대비, 현실적인 자연광과 형광등 혼합광, 실제 콘크리트의 거친 표면, 금속의 미세한 녹과 무광 도장, 고무 바닥의 닳은 질감, 유리의 약한 반사를 정확히 표현한다. 자연스러운 피사계 심도와 사실적인 노출, 과도한 후처리 없음. 깨끗한 광고용 사진이 아니며 삽화, 설계도, 평면도, 건축 시각화가 아닌 실제 장소 사진이다. 위에서 내려다본 시점이 아닌 서 있는 사람의 눈높이. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L38B01": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L38B03",
        "reused_from_bg_id": "L38B03",
        "location_id": "L38",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L38B03.png",
        "t2i_prompt": "한국 남서부 지역의 현실적인 교정시설 안에 있는 좁고 긴 독방 출입부를 낮 시간에 촬영한 실제 카메라 다큐멘터리 풍 사진. 서 있는 사람의 눈높이인 약 1.6미터에서 남쪽 출입 문턱 부근을 통해 방 안쪽을 바라보며, 35밀리미터급 렌즈의 자연스러운 광각으로 좁은 입구와 제한된 통행 폭을 명확하게 담는다. 두꺼운 금속 보안문과 문틀은 화면 가장자리에서 출입부의 압박감을 형성하고, 서쪽 벽을 따라 길게 고정된 단순한 수면대와 그 옆의 비어 있는 이동 통로가 안쪽으로 이어진다. 북쪽 벽 중앙의 높은 보안창으로 흐린 낮빛이 들어와 회색빛 콘크리트와 오래된 도장면을 약하고 고르게 밝히며, 대비는 과장되지 않고 차분하다. 동쪽 벽에는 수면대 맞은편 통로 위쪽으로 여러 장의 작은 종이 메모가 서로 가까이 붙은 묶음이 있으며, 손글씨와 접힌 모서리, 낡은 종이 질감은 보이되 사진이나 얼굴, 사람 형상은 전혀 포함하지 않는다. 21세기 초·중반 한국 교정시설에 맞는 실용적이고 장식 없는 구조, 묵직한 금속의 실제 마모와 옅은 녹 자국, 거친 콘크리트, 닳은 바닥, 반복 사용으로 생긴 생활 얼룩을 사실적으로 표현한다. 공간은 재소자나 교도관 없이 완전히 비어 있으며 얼굴, 신체, 실루엣, 사람 모양의 물체가 없다. 실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 현장 기록 사진처럼 자연스러운 원근, 정확한 재료 질감, 절제된 색, 보통의 자연광, 자연스러운 심도를 사용하고 인위적인 후처리나 광고 사진 같은 정돈된 느낌을 피한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 삼차원 시각화가 아닌 실제 장소 참고 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서 있는 사람의 눈높이인 약 1.6미터에서 남쪽 출입 문턱 부근을 통해 독방 안쪽을 바라본다. 35밀리미터급 광각 화각으로 좁은 출입부와 제한된 이동 통로를 분명히 보여 주고, 서쪽 고정식 수면대와 그 맞은편 동쪽 벽의 종이 메모 묶음, 안쪽 북벽의 높은 보안창이 한 프레임 안에서 자연스럽게 읽히게 한다. 인물이나 사람 형태는 넣지 않는다.",
            "shot_id": "S38_Shot2"
          }
        ],
        "shot_ids": [
          "S38_Shot2"
        ],
        "scenes": [],
        "parent_id": "L38B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "just outside number 3 (secure entrance door), facing through number 2 (entrance threshold) toward number 4 (sleeping platform), with the wall associated with number 6 (wall-note cluster) visible diagonally",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Frame the narrow entrance and restricted circulation clearly; keep the sleeping platform and wall-note location visible beyond the doorway."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L38B03",
          "selected_refs": [
            {
              "physical_space_id": "fp_l38_solitary_cell_space_1",
              "ref_bg_id": "L38B03",
              "space_description": "The same fixed space and matching camera-to-look-at view established by the dwelling anchor."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Retain the L38B03 camera geometry: camera unit 2 at [6,4], looking into unit 1 toward [3,3], using a normal 50-degree field of view. Use neutral coverage for the committed medium framing and the two midground screen zones.",
          "negative_continuity_directive": "Do not redraw ignored overlay markers 7 or 8. Do not shift the fixed positions inherited from L38B03, expose unsupported spaces outside units 1 and 2, or introduce unlisted scenario-specific elements.",
          "state_cue_directive": "Retain transient marker 6 as the only committed overlay state cue. Preserve the supplied restrained daytime illumination and do not add markers 7 or 8 or any unlisted state cue.",
          "subject_position_directive": "Place the two committed subjects in the midground, one in the middle-left and one in the middle-right, aligned with their shared movement; preserve the committed profile and three-quarter relationship without inventing additional subjects.",
          "visible_space_directive": "Preserve from L38B03 the fixed positions of units 1 and 2, openings 3 and 5, and persistent marker 4. From camera-side unit 2, keep unit 1 along the look direction and retain marker 6 in its established background placement."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l38_solitary_cell",
          "prior_bg_ids": [
            "L38B03"
          ],
          "attached_ref_labels": [
            "bg:L38B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L38B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L38",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L38B03.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 21세기 초·중반 교정시설에서 실제로 볼 법한 좁은 직사각형 독방의 조용한 낮. 남쪽 출입 문턱 바로 안쪽, 서 있는 사람의 눈높이인 약 1.6미터에서 북동쪽을 바라본 시점이며, 35밀리미터급 카메라의 32밀리미터 절제된 광각으로 촬영한다. 동쪽 벽면이 충분히 드러나고, 왼쪽 가장자리에는 서쪽 벽을 따라 길게 놓인 고정식 취침대가 보이며, 방 안쪽 북쪽 벽 중앙의 높은 보안창을 통해 흐린 자연광이 들어온다. 두꺼운 도장 콘크리트 벽, 닳고 미세한 얼룩이 밴 바닥, 오래 사용한 금속 보안 출입문의 무광 표면과 작은 산화 흔적, 단단한 고정식 취침대의 실제 재료 질감을 과장 없이 표현한다. 동쪽 벽의 통행 공간 위쪽에는 크기와 종이 색이 조금씩 다른 작은 쪽지 여러 장이 손으로 붙어 있고, 각 쪽지에는 짧은 한국어 성경 구절이 소박한 손글씨로 적혀 있다. 쪽지의 가장자리는 약간 들뜨고 접착 흔적이 보여 실제 생활 속에서 붙인 종이처럼 자연스럽다. 낮빛은 약하고 확산되어 있으며 중간에서 낮은 대비, 절제된 자연색, 현실적인 그림자와 자연스러운 피사계 심도를 유지한다. 사람이 전혀 없는 빈 공간이며 얼굴이나 인체 형태의 물체도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담담하고 후처리한 느낌이 없으며, 삽화·입체 그래픽·건축 시각화·평면도·위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 출입 문턱 바로 안쪽에서 약 1.6미터 높이로 카메라를 두고 북동쪽을 향해 촬영한다. 32밀리미터의 절제된 광각으로 동쪽 벽과 그 위의 성경 구절 쪽지 묶음을 명확하게 보여 주되, 왼쪽에는 서쪽 벽의 고정식 취침대 일부가 들어오고 안쪽에는 북쪽의 높은 보안창이 보여 좁고 폐쇄적인 깊이가 읽히게 한다. 조용한 낮의 자연광과 비어 있는 독방의 담담한 상태를 유지하며 사람이나 사람 형태는 배치하지 않는다.",
            "shot_id": "S38_Shot4"
          }
        ],
        "shot_ids": [
          "S38_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 2 (entrance threshold), facing diagonally across number 1 (main cell area) toward number 4 (sleeping platform), number 5 (high secure window), and number 6 (wall-note cluster)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "32mm restrained wide angle",
          "framing_notes": "Emphasize the quiet, confined room and provide a clear wall surface for the verse-note overlay; do not show the booklet or concealed memo."
        },
        "reference_decision": {
          "bg_id": "L38B03",
          "fp_id": "fp_l38_solitary_cell",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L38B03 is an allowed clean-anchor fallback candidate and establishes the dwelling identity without a prior reference. The unit-2 camera aimed into unit 1 provides a neutral fixed plate for the close consuming shot while accommodating base markers 1 through 5 and transient marker 6.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l38_solitary_cell.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp reference is available or permitted for the dwelling-identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              6,
              4
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Use the listed unit-2 camera cell and aim into unit 1 toward the listed look-at cell. Neutral coverage supports the committed close framing while retaining marker 6 in the background region.",
            "lens_enum": "normal",
            "look_at_cell": [
              3,
              3
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 1 as the primary visible space from camera-side unit 2. Establish base markers 1 through 5 in their floor-plan relationships, with marker 4 fixed in unit 1 and geometry-compatible visibility for openings 3 and 5; place transient marker 6 on the committed background plane.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], with a normal 50-degree field of view and neutral coverage suitable for the committed close composition.",
            "subject_position_directive": "Reserve the foreground middle-left for the single committed subject in a front three-quarter orientation, with the gaze held away from the lens; keep marker 6 readable in the upper-right background region.",
            "state_cue_directive": "Carry transient marker 6 as the committed background state cue. Preserve the restrained daytime state supplied by the consuming shot and do not invent additional state cues.",
            "negative_continuity_directive": "Exclude ignored overlay markers 7 and 8, do not introduce unsupported spaces beyond units 1 and 2, and do not add unlisted scenario-specific elements."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed unit-2 camera cell and aim into unit 1 toward the listed look-at cell. Neutral coverage supports the committed close framing while retaining marker 6 in the background region.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary visible space from camera-side unit 2. Establish base markers 1 through 5 in their floor-plan relationships, with marker 4 fixed in unit 1 and geometry-compatible visibility for openings 3 and 5; place transient marker 6 on the committed background plane.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], with a normal 50-degree field of view and neutral coverage suitable for the committed close composition.\n  - subject_position_directive: Reserve the foreground middle-left for the single committed subject in a front three-quarter orientation, with the gaze held away from the lens; keep marker 6 readable in the upper-right background region.\n  - state_cue_directive: Carry transient marker 6 as the committed background state cue. Preserve the restrained daytime state supplied by the consuming shot and do not invent additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 7 and 8, do not introduce unsupported spaces beyond units 1 and 2, and do not add unlisted scenario-specific elements.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed unit-2 camera cell and aim into unit 1 toward the listed look-at cell. Neutral coverage supports the committed close framing while retaining marker 6 in the background region.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary visible space from camera-side unit 2. Establish base markers 1 through 5 in their floor-plan relationships, with marker 4 fixed in unit 1 and geometry-compatible visibility for openings 3 and 5; place transient marker 6 on the committed background plane.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], with a normal 50-degree field of view and neutral coverage suitable for the committed close composition.\n  - subject_position_directive: Reserve the foreground middle-left for the single committed subject in a front three-quarter orientation, with the gaze held away from the lens; keep marker 6 readable in the upper-right background region.\n  - state_cue_directive: Carry transient marker 6 as the committed background state cue. Preserve the restrained daytime state supplied by the consuming shot and do not invent additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 7 and 8, do not introduce unsupported spaces beyond units 1 and 2, and do not add unlisted scenario-specific elements.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [6, 4]\n  - look_at_unit: 1\n  - look_at_cell: [3, 3]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use the listed unit-2 camera cell and aim into unit 1 toward the listed look-at cell. Neutral coverage supports the committed close framing while retaining marker 6 in the background region.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 1 as the primary visible space from camera-side unit 2. Establish base markers 1 through 5 in their floor-plan relationships, with marker 4 fixed in unit 1 and geometry-compatible visibility for openings 3 and 5; place transient marker 6 on the committed background plane.\n  - camera_framing_directive: Frame from camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], with a normal 50-degree field of view and neutral coverage suitable for the committed close composition.\n  - subject_position_directive: Reserve the foreground middle-left for the single committed subject in a front three-quarter orientation, with the gaze held away from the lens; keep marker 6 readable in the upper-right background region.\n  - state_cue_directive: Carry transient marker 6 as the committed background state cue. Preserve the restrained daytime state supplied by the consuming shot and do not invent additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 7 and 8, do not introduce unsupported spaces beyond units 1 and 2, and do not add unlisted scenario-specific elements.\n\n대한민국 전라남도·광주광역시 권역의 21세기 초·중반 교정시설에서 실제로 볼 법한 좁은 직사각형 독방의 조용한 낮. 남쪽 출입 문턱 바로 안쪽, 서 있는 사람의 눈높이인 약 1.6미터에서 북동쪽을 바라본 시점이며, 35밀리미터급 카메라의 32밀리미터 절제된 광각으로 촬영한다. 동쪽 벽면이 충분히 드러나고, 왼쪽 가장자리에는 서쪽 벽을 따라 길게 놓인 고정식 취침대가 보이며, 방 안쪽 북쪽 벽 중앙의 높은 보안창을 통해 흐린 자연광이 들어온다. 두꺼운 도장 콘크리트 벽, 닳고 미세한 얼룩이 밴 바닥, 오래 사용한 금속 보안 출입문의 무광 표면과 작은 산화 흔적, 단단한 고정식 취침대의 실제 재료 질감을 과장 없이 표현한다. 동쪽 벽의 통행 공간 위쪽에는 크기와 종이 색이 조금씩 다른 작은 쪽지 여러 장이 손으로 붙어 있고, 각 쪽지에는 짧은 한국어 성경 구절이 소박한 손글씨로 적혀 있다. 쪽지의 가장자리는 약간 들뜨고 접착 흔적이 보여 실제 생활 속에서 붙인 종이처럼 자연스럽다. 낮빛은 약하고 확산되어 있으며 중간에서 낮은 대비, 절제된 자연색, 현실적인 그림자와 자연스러운 피사계 심도를 유지한다. 사람이 전혀 없는 빈 공간이며 얼굴이나 인체 형태의 물체도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담담하고 후처리한 느낌이 없으며, 삽화·입체 그래픽·건축 시각화·평면도·위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            6,
            4
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Use the listed unit-2 camera cell and aim into unit 1 toward the listed look-at cell. Neutral coverage supports the committed close framing while retaining marker 6 in the background region.",
          "lens_enum": "normal",
          "look_at_cell": [
            3,
            3
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 1 as the primary visible space from camera-side unit 2. Establish base markers 1 through 5 in their floor-plan relationships, with marker 4 fixed in unit 1 and geometry-compatible visibility for openings 3 and 5; place transient marker 6 on the committed background plane.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], with a normal 50-degree field of view and neutral coverage suitable for the committed close composition.",
          "subject_position_directive": "Reserve the foreground middle-left for the single committed subject in a front three-quarter orientation, with the gaze held away from the lens; keep marker 6 readable in the upper-right background region.",
          "state_cue_directive": "Carry transient marker 6 as the committed background state cue. Preserve the restrained daytime state supplied by the consuming shot and do not invent additional state cues.",
          "negative_continuity_directive": "Exclude ignored overlay markers 7 and 8, do not introduce unsupported spaces beyond units 1 and 2, and do not add unlisted scenario-specific elements."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l38_solitary_cell",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l38_solitary_cell"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L38B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L38B03",
        "reused_from_bg_id": "L38B03",
        "location_id": "L38",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L38B03.png",
        "t2i_prompt": "대한민국 남부 지역의 현실적인 교정시설 내부에 있는 좁고 긴 독방을 실제 미러리스 카메라로 촬영한 다큐멘터리 풍 사진. 카메라는 침상 높이에 가까운 약 1.1m에 놓고 50mm 표준 렌즈를 사용한 가까운 실내 구도이며, 평면도나 위에서 내려다본 도식이 아니라 실제 사람이 공간 안에서 바라보는 수평 시점이다. 서쪽 벽을 따라 길게 고정된 좁은 침상과 북쪽 벽 중앙의 높은 보안창이 독방의 구조를 형성한다. 보안창을 통과한 절제된 주간 자연광이 페인트칠된 콘크리트 벽, 낡은 금속 프레임, 바닥의 생활 얼룩과 미세한 마모를 사실적으로 드러내며, 색감은 차분하고 대비는 과하지 않다. 동쪽 벽에는 침상 맞은편의 비어 있는 통행 공간 위로 작은 종이 메모 여러 장이 임시로 붙어 있고, 손글씨와 접힌 모서리, 서로 다른 테이프 자국이 보이되 사진이나 얼굴 이미지는 없다. 침상 남쪽 절반 위에는 얇은 종교 소책자가 펼쳐져 놓여 있으며, 열린 페이지 사이에 가석방 심사와 관련된 종이 메모가 은밀하게 끼워져 있다. 소책자의 인쇄 종이와 메모 용지의 질감, 접힌 자국, 페이지 사이에서 드러난 메모의 가장자리가 물리적 소품으로 읽힐 만큼 선명하되 특정 문구를 과장하지 않는다. 침상과 벽 일부를 함께 담아 장소가 독방임을 명확히 하며, 사람·얼굴·신체 일부·사람 형태의 형상은 전혀 없다. 실제 콘크리트, 실제 금속의 마모와 산화, 실제 종이 섬유와 접착테이프 흔적, 일상적인 사용감, 자연스러운 피사계 심도를 갖춘 현장 기록 사진이며 깨끗한 상업용 스톡 사진이나 컴퓨터 생성 이미지가 아니다. 과도한 후처리 없이 사실적이고 담담한 실제 장소 참고 사진, 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "침상 높이에 가까운 약 1.1m 카메라 위치에서 50mm 표준 렌즈로 촬영한다. 남쪽 절반의 침상 위에 펼쳐진 종교 소책자와 페이지 사이에 끼워진 가석방 심사 메모를 선명한 중심 피사체로 두고, 서쪽 침상 일부와 맞은편 동쪽 벽의 종이 메모 묶음까지 프레임에 포함해 독방임을 분명히 보여준다. 사람이나 신체 일부는 넣지 않는다.",
            "shot_id": "S64_Shot1"
          },
          {
            "guide_text": "같은 약 1.1m 높이와 50mm 표준 렌즈의 가까운 실내 구도를 유지하되, 펼쳐진 종교 소책자의 종이 질감과 그 사이에 숨겨진 심사 메모의 가장자리와 겹침이 물리적으로 식별되도록 초점을 맞춘다. 배경에는 고정 침상과 동쪽 벽의 메모 묶음, 북쪽 높은 보안창에서 들어오는 낮빛이 자연스럽게 남아 있어야 한다.",
            "shot_id": "S64_Shot3"
          }
        ],
        "shot_ids": [
          "S64_Shot1",
          "S64_Shot3"
        ],
        "scenes": [],
        "parent_id": "L38B03",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near the southeast side of number 1 (main cell area), facing number 4 (sleeping platform) with number 7 (booklet) and number 8 (concealed review memo) in the foreground and number 6 (wall-note cluster) behind",
          "camera_height": "seated or bed-level, approximately 1.1m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Use a close interior composition that makes the booklet and inserted memo readable as physical props while retaining enough of the sleeping platform and cell wall to establish location."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L38B03",
          "selected_refs": [
            {
              "physical_space_id": "fp_l38_solitary_cell_space_1",
              "ref_bg_id": "L38B03",
              "space_description": "The same unit-1 fixed space viewed with the anchor's matching camera and look-at geometry."
            }
          ]
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match L38B03 with camera unit 2 at cell [6,4], looking into unit 1 toward cell [3,3], using a normal 50-degree field of view. Keep neutral coverage that can support the committed close foreground view and tightened medium view.",
          "negative_continuity_directive": "Keep the fixed positions inherited from L38B03 unchanged, do not expose unsupported spaces outside the unit-1 view, and do not introduce any overlay markers or scenario-specific elements beyond committed markers 6, 7, and 8.",
          "state_cue_directive": "Carry committed transient markers 6, 7, and 8, with markers 7 and 8 positioned for the state-facing action in the consuming shots. Preserve neutral daytime illumination and refrain from inventing additional cues.",
          "subject_position_directive": "For the close consuming view, reserve the central foreground for the single committed subject with gaze held off-screen. For the tightened medium view, keep that subject centered and angled downward over transient markers 7 and 8; do not add other subjects.",
          "visible_space_directive": "Use unit 1 as the primary visible space from camera unit 2 and preserve the L38B03 positions of base markers 1, 4, and 5. Keep marker 4 fixed in the same location, retain geometry-compatible visibility of opening 5, and add transient markers 6, 7, and 8 without altering the fixed layout."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l38_solitary_cell",
          "prior_bg_ids": [
            "L38B03"
          ],
          "attached_ref_labels": [
            "bg:L38B03"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L53B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L53",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L53B01.png",
        "t2i_prompt": "21세기 초·중반 대한민국 남서부 지역의 현실적인 교정시설 내부에 마련된 소규모 면회 좌석. 방의 남쪽 방문자 구역과 북쪽 보안 구역이 중앙의 투명한 플라스틱 가림판으로 분리되어 있고, 가림판 아래에는 길고 단순한 면회용 카운터가 이어진다. 방문자 측 의자와 보안 구역 측 의자가 카운터를 사이에 두고 정확히 마주 보는 실용적인 배치다. 방문자 측 의자 가까이에서 가림판과 맞은편 의자를 바라보는 시점이며, 카메라는 앉은 사람의 눈높이인 약 1.2m에 놓고 50mm 표준 렌즈의 자연스러운 원근감을 사용한다. 투명 가림판과 양쪽 좌석을 두드러지게 담고 가림판 너머가 명확히 보이게 하며, 통제 출입문은 주 구도 밖에 둔다. 절제된 교정시설 특유의 실용적인 내부 마감, 차분한 중성색 벽과 내구성 있는 바닥, 기능적인 형광등 조명, 과도하게 새것 같지 않은 실제 재료의 질감과 일상적인 사용감. 조용한 낮 시간으로, 부드러운 낮의 주변광과 천장 형광등이 섞인 보통 밝기, 중간에서 낮은 대비, 자연스러운 그림자와 사실적인 반사. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 신체 형태의 모형이나 형상은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트와 도장면, 금속, 플라스틱, 직물의 정확한 재료 질감, 자연스러운 피사계 심도, 실제 장소 기록 사진처럼 담담하고 후처리 없는 표현. 스톡 사진처럼 지나치게 정돈되거나 광고적으로 보이지 않으며, CGI, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "방문자 측 좌석 가까이의 약 1.2m 높이에서 중앙의 투명 가림판을 정면으로 바라본다. 방문자 좌석의 일부와 가림판 너머 맞은편 좌석, 그 사이의 카운터가 분명히 읽히도록 구성하고 통제 출입문은 주 구도 밖에 둔다. 사람이나 신체 형상은 포함하지 않는다.",
            "shot_id": "S63_Shot5"
          },
          {
            "guide_text": "방문자 측의 앉은 눈높이를 유지하며 50mm 표준 렌즈의 자연스러운 원근감으로 투명 가림판과 서로 마주 보는 좌석을 중심에 둔다. 가림판 너머 공간이 선명하게 이어져 보이도록 하되 출입 통제 요소는 화면의 중심에서 제외하고, 조용한 낮의 비어 있는 면회 환경을 유지한다.",
            "shot_id": "S63_Shot9"
          }
        ],
        "shot_ids": [
          "S63_Shot5",
          "S63_Shot9"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 on the visitor side, facing number 3 and number 5 across number 6",
          "camera_height": "seated eye level, approximately 1.2m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Frame the transparent partition and both facing seats prominently; preserve a clear view through the divider while keeping the controlled doors outside the main composition."
        },
        "reference_decision": {
          "bg_id": "L53B01",
          "fp_id": "fp_l53_visitation_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L53B01 is the sole clean anchor candidate and has no available same-fp reference, so it establishes the dwelling identity directly from the floor plan. For S63_Shot5 and S63_Shot9, camera unit 1 at [8,5] looks toward unit 2 through fixed marker 3 at [4,5]; the telephoto 25-degree view supports the committed close framing while retaining the separating surface.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l53_visitation_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              8,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 25,
            "framing_notes": "Use narrow close coverage from unit 1 toward unit 2, centered on fixed marker 3 so the separation surface remains legible for both consuming shots.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              4,
              5
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the narrow view from unit 1 toward unit 2, centered on base marker 3 at cell [4,5]. Retain marker 6 beneath marker 3 as permitted by the committed base layout, with markers 4 and 5 maintaining their fixed opposite-side relationship where the close view includes them; do not assert visibility of opening markers 7 or 8 from the geometry supersets.",
            "camera_framing_directive": "Frame from camera unit 1 at cell [8,5] toward look-at unit 2 and cell [4,5] with a telephoto lens at 25 degrees, producing compressed, narrow coverage centered on marker 3 while retaining enough adjacent fixed structure to communicate separation.",
            "subject_position_directive": "For S63_Shot5, reserve close foreground and far-side alignment at marker 3 for the staged near-right and far-left palms. For S63_Shot9, reserve center-right space beyond marker 3 and a restrained lower-left camera-side edge for the staged subjects. The clean background plate itself must remain free of invented subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies: clean_background_expected is true, and there are no transient marker numbers to describe. Refrain from inventing additional state cues.",
            "negative_continuity_directive": "Do not introduce unlisted numbered elements, state overlays, or scenario-specific objects. Keep units and openings outside the narrow 25-degree view from being added merely because they occur in the geometry supersets, and preserve the floor-plan positions of markers 3, 4, 5, and 6."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [8, 5]\n  - look_at_unit: 2\n  - look_at_cell: [4, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow close coverage from unit 1 toward unit 2, centered on fixed marker 3 so the separation surface remains legible for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the narrow view from unit 1 toward unit 2, centered on base marker 3 at cell [4,5]. Retain marker 6 beneath marker 3 as permitted by the committed base layout, with markers 4 and 5 maintaining their fixed opposite-side relationship where the close view includes them; do not assert visibility of opening markers 7 or 8 from the geometry supersets.\n  - camera_framing_directive: Frame from camera unit 1 at cell [8,5] toward look-at unit 2 and cell [4,5] with a telephoto lens at 25 degrees, producing compressed, narrow coverage centered on marker 3 while retaining enough adjacent fixed structure to communicate separation.\n  - subject_position_directive: For S63_Shot5, reserve close foreground and far-side alignment at marker 3 for the staged near-right and far-left palms. For S63_Shot9, reserve center-right space beyond marker 3 and a restrained lower-left camera-side edge for the staged subjects. The clean background plate itself must remain free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true, and there are no transient marker numbers to describe. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, state overlays, or scenario-specific objects. Keep units and openings outside the narrow 25-degree view from being added merely because they occur in the geometry supersets, and preserve the floor-plan positions of markers 3, 4, 5, and 6.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [8, 5]\n  - look_at_unit: 2\n  - look_at_cell: [4, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow close coverage from unit 1 toward unit 2, centered on fixed marker 3 so the separation surface remains legible for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the narrow view from unit 1 toward unit 2, centered on base marker 3 at cell [4,5]. Retain marker 6 beneath marker 3 as permitted by the committed base layout, with markers 4 and 5 maintaining their fixed opposite-side relationship where the close view includes them; do not assert visibility of opening markers 7 or 8 from the geometry supersets.\n  - camera_framing_directive: Frame from camera unit 1 at cell [8,5] toward look-at unit 2 and cell [4,5] with a telephoto lens at 25 degrees, producing compressed, narrow coverage centered on marker 3 while retaining enough adjacent fixed structure to communicate separation.\n  - subject_position_directive: For S63_Shot5, reserve close foreground and far-side alignment at marker 3 for the staged near-right and far-left palms. For S63_Shot9, reserve center-right space beyond marker 3 and a restrained lower-left camera-side edge for the staged subjects. The clean background plate itself must remain free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true, and there are no transient marker numbers to describe. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, state overlays, or scenario-specific objects. Keep units and openings outside the narrow 25-degree view from being added merely because they occur in the geometry supersets, and preserve the floor-plan positions of markers 3, 4, 5, and 6.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [8, 5]\n  - look_at_unit: 2\n  - look_at_cell: [4, 5]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use narrow close coverage from unit 1 toward unit 2, centered on fixed marker 3 so the separation surface remains legible for both consuming shots.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the narrow view from unit 1 toward unit 2, centered on base marker 3 at cell [4,5]. Retain marker 6 beneath marker 3 as permitted by the committed base layout, with markers 4 and 5 maintaining their fixed opposite-side relationship where the close view includes them; do not assert visibility of opening markers 7 or 8 from the geometry supersets.\n  - camera_framing_directive: Frame from camera unit 1 at cell [8,5] toward look-at unit 2 and cell [4,5] with a telephoto lens at 25 degrees, producing compressed, narrow coverage centered on marker 3 while retaining enough adjacent fixed structure to communicate separation.\n  - subject_position_directive: For S63_Shot5, reserve close foreground and far-side alignment at marker 3 for the staged near-right and far-left palms. For S63_Shot9, reserve center-right space beyond marker 3 and a restrained lower-left camera-side edge for the staged subjects. The clean background plate itself must remain free of invented subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies: clean_background_expected is true, and there are no transient marker numbers to describe. Refrain from inventing additional state cues.\n  - negative_continuity_directive: Do not introduce unlisted numbered elements, state overlays, or scenario-specific objects. Keep units and openings outside the narrow 25-degree view from being added merely because they occur in the geometry supersets, and preserve the floor-plan positions of markers 3, 4, 5, and 6.\n\n21세기 초·중반 대한민국 남서부 지역의 현실적인 교정시설 내부에 마련된 소규모 면회 좌석. 방의 남쪽 방문자 구역과 북쪽 보안 구역이 중앙의 투명한 플라스틱 가림판으로 분리되어 있고, 가림판 아래에는 길고 단순한 면회용 카운터가 이어진다. 방문자 측 의자와 보안 구역 측 의자가 카운터를 사이에 두고 정확히 마주 보는 실용적인 배치다. 방문자 측 의자 가까이에서 가림판과 맞은편 의자를 바라보는 시점이며, 카메라는 앉은 사람의 눈높이인 약 1.2m에 놓고 50mm 표준 렌즈의 자연스러운 원근감을 사용한다. 투명 가림판과 양쪽 좌석을 두드러지게 담고 가림판 너머가 명확히 보이게 하며, 통제 출입문은 주 구도 밖에 둔다. 절제된 교정시설 특유의 실용적인 내부 마감, 차분한 중성색 벽과 내구성 있는 바닥, 기능적인 형광등 조명, 과도하게 새것 같지 않은 실제 재료의 질감과 일상적인 사용감. 조용한 낮 시간으로, 부드러운 낮의 주변광과 천장 형광등이 섞인 보통 밝기, 중간에서 낮은 대비, 자연스러운 그림자와 사실적인 반사. 공간은 깨끗하고 흐트러짐 없는 평상 상태다. 사람, 얼굴, 신체 형태의 모형이나 형상은 전혀 없다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 콘크리트와 도장면, 금속, 플라스틱, 직물의 정확한 재료 질감, 자연스러운 피사계 심도, 실제 장소 기록 사진처럼 담담하고 후처리 없는 표현. 스톡 사진처럼 지나치게 정돈되거나 광고적으로 보이지 않으며, CGI, 삽화, 건축 시각화, 평면도, 위에서 내려다본 구도가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            8,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 25,
          "framing_notes": "Use narrow close coverage from unit 1 toward unit 2, centered on fixed marker 3 so the separation surface remains legible for both consuming shots.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            4,
            5
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the narrow view from unit 1 toward unit 2, centered on base marker 3 at cell [4,5]. Retain marker 6 beneath marker 3 as permitted by the committed base layout, with markers 4 and 5 maintaining their fixed opposite-side relationship where the close view includes them; do not assert visibility of opening markers 7 or 8 from the geometry supersets.",
          "camera_framing_directive": "Frame from camera unit 1 at cell [8,5] toward look-at unit 2 and cell [4,5] with a telephoto lens at 25 degrees, producing compressed, narrow coverage centered on marker 3 while retaining enough adjacent fixed structure to communicate separation.",
          "subject_position_directive": "For S63_Shot5, reserve close foreground and far-side alignment at marker 3 for the staged near-right and far-left palms. For S63_Shot9, reserve center-right space beyond marker 3 and a restrained lower-left camera-side edge for the staged subjects. The clean background plate itself must remain free of invented subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies: clean_background_expected is true, and there are no transient marker numbers to describe. Refrain from inventing additional state cues.",
          "negative_continuity_directive": "Do not introduce unlisted numbered elements, state overlays, or scenario-specific objects. Keep units and openings outside the narrow 25-degree view from being added merely because they occur in the geometry supersets, and preserve the floor-plan positions of markers 3, 4, 5, and 6."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l53_visitation_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l53_visitation_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L41B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L41",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L41B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 광주광역시·전라남도 권역에서 흔히 볼 수 있는 생활형 아파트의 외부 개방식 공동 복도. 목표 세대의 살짝 오목하게 들어간 현관 영역 가까이에 카메라를 두고, 현관문과 걸쇠 쪽 벽면의 초인종 버튼, 문에 고정된 당시형 디지털 도어록을 정면에 가깝게 두드러지게 보여 준다. 뒤로는 길고 좁은 공동 복도가 같은 벽면의 가까운 이웃 출입문과 중간 지점의 이웃 출입문을 지나 멀어지며, 맞은편에는 복도 전 구간을 따라 금속 안전 난간과 그 너머의 좁은 외부 공간이 보인다. 실용적인 한국 아파트 외부 복도 구조, 실제 도장 콘크리트 벽과 바닥의 미세한 사용감, 금속 난간의 자연스러운 표면 변화, 현관문의 금속 도장 질감, 플라스틱 초인종 버튼과 디지털 도어록의 현실적인 재질을 정확히 표현한다. 낮 시간의 부드러운 자연광이 개방된 난간 쪽에서 들어오고, 명암 대비는 과하지 않으며 일상적인 주거 공간의 절제된 색을 유지한다. 공간은 사건 전의 깨끗하고 흐트러지지 않은 일상 상태다. 사람, 얼굴, 신체 일부, 사람 형태의 장식이나 실루엣이 전혀 없는 빈 배경이다. 약 1.6미터의 서 있는 사람 눈높이에서 35mm급 중간 광각 렌즈로 촬영하며, 현관문과 초인종은 선명하고 뒤로 이어지는 복도에는 자연스러운 원근과 피사계 심도를 적용한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구별되지 않는 사실성, 과도한 보정 없이 생활 흔적과 재료 질감이 자연스러운 담백한 촬영본. 위에서 내려다본 시점이나 평면도, 건축 도식, 삽화, 컴퓨터 생성 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "목표 세대의 오목한 현관 영역 가까이에서 현관문과 초인종, 디지털 도어록을 화면의 주요 대상으로 잡는다. 현관문 반대편의 개방형 안전 난간과 뒤쪽으로 길게 이어지며 이웃 출입문들을 지나는 공동 복도를 함께 보여 주어 외부 복도식 아파트 구조가 분명하게 읽히도록 한다. 배경은 완전히 비어 있어야 하며 사람이나 사람 형태의 대상은 넣지 않는다.",
            "shot_id": "S42_Shot4"
          },
          {
            "guide_text": "서 있는 사람의 눈높이에서 목표 현관문 잠금장치 쪽을 조금 더 가까이 프레이밍해 벽면 초인종과 디지털 도어록이 또렷하게 보이게 한다. 문 전체와 오목한 문턱 공간을 유지하고, 프레임 한쪽에는 공동 복도와 외부 난간 일부를 남겨 장소의 연속성을 확보한다. 사람, 얼굴, 신체 일부, 사람 형태의 장식물은 표현하지 않는다.",
            "shot_id": "S42_Shot5"
          }
        ],
        "shot_ids": [
          "S42_Shot4",
          "S42_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (target threshold), looking toward number 9 (target entrance door), number 10 (doorbell button), and number 11 (digital door lock), with the long corridor receding past numbers 7 and 6",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame the target entrance and doorbell prominently; retain part of number 1 (shared corridor) and number 4 (open exterior railing edge) to establish the exterior-access apartment layout. The elevator end may remain outside the frame."
        },
        "reference_decision": {
          "bg_id": "L41B01",
          "fp_id": "fp_l41_apartment_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L41B01 is the sole clean anchor candidate and has no available same-fp reference, so it establishes dwelling identity directly from the floor plan. Camera unit 1 at [4,4] looking toward unit 8 and cell [2,7] aligns the view with markers 8, 9, 10, and 11 while preserving the receding unit-1 context required by S42_Shot4 and the localized surface context required by S42_Shot5.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l41_apartment_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 1 toward unit 8, centering the fixture position at cell [2,7] while retaining enough receding structure for the medium composition and sufficient surrounding surface for the insert.",
            "lens_enum": "normal",
            "look_at_cell": [
              2,
              7
            ],
            "look_at_unit": 8
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 1, show the view toward unit 8 with marker 10 at the look-at position, keeping markers 8, 9, 10, and 11 legible as the principal fixed cluster. Retain the geometry-supported receding context of unit 1 and only the required visible portions associated with units 12 and 14 and openings 4, 6, and 7, consistent with the normal view cone and the listed base markers.",
            "camera_framing_directive": "Place the camera in unit 1 at cell [4,4] and aim toward unit 8 at look-at cell [2,7] with a normal 50-degree field of view. Use neutral coverage that supports the medium doorway-side composition in S42_Shot4 while preserving marker 10 and a narrow surrounding surface for the S42_Shot5 insert.",
            "subject_position_directive": "For S42_Shot4, preserve two committed foreground subjects at middle-right and middle-left, with the middle-right subject's arm extended downward over marker 10 and the opposite subject retained at the other frame edge. For S42_Shot5, allow the overlapping hands to dominate the insert above marker 10, with one hand centered and the other entering diagonally from the upper-left; add no subjects beyond these staged cues.",
            "state_cue_directive": "The background is expected to be clean and has no transient marker numbers to describe. Apply only the committed clean residential-space state with neutral daytime ambience from the surfaced staging, and refrain from inventing additional state cues.",
            "negative_continuity_directive": "There are no committed ignored numbered elements or ignored state-overlay markers. Keep the fixed positions of markers 4, 6, 7, 9, 10, and 11 consistent with units 1, 8, 12, and 14; do not introduce unlisted numbered elements, invented scenario-specific objects, transient overlays, or spaces outside the chosen unit-1-to-unit-8 view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 8, centering the fixture position at cell [2,7] while retaining enough receding structure for the medium composition and sufficient surrounding surface for the insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the view toward unit 8 with marker 10 at the look-at position, keeping markers 8, 9, 10, and 11 legible as the principal fixed cluster. Retain the geometry-supported receding context of unit 1 and only the required visible portions associated with units 12 and 14 and openings 4, 6, and 7, consistent with the normal view cone and the listed base markers.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,4] and aim toward unit 8 at look-at cell [2,7] with a normal 50-degree field of view. Use neutral coverage that supports the medium doorway-side composition in S42_Shot4 while preserving marker 10 and a narrow surrounding surface for the S42_Shot5 insert.\n  - subject_position_directive: For S42_Shot4, preserve two committed foreground subjects at middle-right and middle-left, with the middle-right subject's arm extended downward over marker 10 and the opposite subject retained at the other frame edge. For S42_Shot5, allow the overlapping hands to dominate the insert above marker 10, with one hand centered and the other entering diagonally from the upper-left; add no subjects beyond these staged cues.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. Apply only the committed clean residential-space state with neutral daytime ambience from the surfaced staging, and refrain from inventing additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored state-overlay markers. Keep the fixed positions of markers 4, 6, 7, 9, 10, and 11 consistent with units 1, 8, 12, and 14; do not introduce unlisted numbered elements, invented scenario-specific objects, transient overlays, or spaces outside the chosen unit-1-to-unit-8 view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 8, centering the fixture position at cell [2,7] while retaining enough receding structure for the medium composition and sufficient surrounding surface for the insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the view toward unit 8 with marker 10 at the look-at position, keeping markers 8, 9, 10, and 11 legible as the principal fixed cluster. Retain the geometry-supported receding context of unit 1 and only the required visible portions associated with units 12 and 14 and openings 4, 6, and 7, consistent with the normal view cone and the listed base markers.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,4] and aim toward unit 8 at look-at cell [2,7] with a normal 50-degree field of view. Use neutral coverage that supports the medium doorway-side composition in S42_Shot4 while preserving marker 10 and a narrow surrounding surface for the S42_Shot5 insert.\n  - subject_position_directive: For S42_Shot4, preserve two committed foreground subjects at middle-right and middle-left, with the middle-right subject's arm extended downward over marker 10 and the opposite subject retained at the other frame edge. For S42_Shot5, allow the overlapping hands to dominate the insert above marker 10, with one hand centered and the other entering diagonally from the upper-left; add no subjects beyond these staged cues.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. Apply only the committed clean residential-space state with neutral daytime ambience from the surfaced staging, and refrain from inventing additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored state-overlay markers. Keep the fixed positions of markers 4, 6, 7, 9, 10, and 11 consistent with units 1, 8, 12, and 14; do not introduce unlisted numbered elements, invented scenario-specific objects, transient overlays, or spaces outside the chosen unit-1-to-unit-8 view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [4, 4]\n  - look_at_unit: 8\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 1 toward unit 8, centering the fixture position at cell [2,7] while retaining enough receding structure for the medium composition and sufficient surrounding surface for the insert.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 1, show the view toward unit 8 with marker 10 at the look-at position, keeping markers 8, 9, 10, and 11 legible as the principal fixed cluster. Retain the geometry-supported receding context of unit 1 and only the required visible portions associated with units 12 and 14 and openings 4, 6, and 7, consistent with the normal view cone and the listed base markers.\n  - camera_framing_directive: Place the camera in unit 1 at cell [4,4] and aim toward unit 8 at look-at cell [2,7] with a normal 50-degree field of view. Use neutral coverage that supports the medium doorway-side composition in S42_Shot4 while preserving marker 10 and a narrow surrounding surface for the S42_Shot5 insert.\n  - subject_position_directive: For S42_Shot4, preserve two committed foreground subjects at middle-right and middle-left, with the middle-right subject's arm extended downward over marker 10 and the opposite subject retained at the other frame edge. For S42_Shot5, allow the overlapping hands to dominate the insert above marker 10, with one hand centered and the other entering diagonally from the upper-left; add no subjects beyond these staged cues.\n  - state_cue_directive: The background is expected to be clean and has no transient marker numbers to describe. Apply only the committed clean residential-space state with neutral daytime ambience from the surfaced staging, and refrain from inventing additional state cues.\n  - negative_continuity_directive: There are no committed ignored numbered elements or ignored state-overlay markers. Keep the fixed positions of markers 4, 6, 7, 9, 10, and 11 consistent with units 1, 8, 12, and 14; do not introduce unlisted numbered elements, invented scenario-specific objects, transient overlays, or spaces outside the chosen unit-1-to-unit-8 view.\n\n2015~2017년 무렵 대한민국 광주광역시·전라남도 권역에서 흔히 볼 수 있는 생활형 아파트의 외부 개방식 공동 복도. 목표 세대의 살짝 오목하게 들어간 현관 영역 가까이에 카메라를 두고, 현관문과 걸쇠 쪽 벽면의 초인종 버튼, 문에 고정된 당시형 디지털 도어록을 정면에 가깝게 두드러지게 보여 준다. 뒤로는 길고 좁은 공동 복도가 같은 벽면의 가까운 이웃 출입문과 중간 지점의 이웃 출입문을 지나 멀어지며, 맞은편에는 복도 전 구간을 따라 금속 안전 난간과 그 너머의 좁은 외부 공간이 보인다. 실용적인 한국 아파트 외부 복도 구조, 실제 도장 콘크리트 벽과 바닥의 미세한 사용감, 금속 난간의 자연스러운 표면 변화, 현관문의 금속 도장 질감, 플라스틱 초인종 버튼과 디지털 도어록의 현실적인 재질을 정확히 표현한다. 낮 시간의 부드러운 자연광이 개방된 난간 쪽에서 들어오고, 명암 대비는 과하지 않으며 일상적인 주거 공간의 절제된 색을 유지한다. 공간은 사건 전의 깨끗하고 흐트러지지 않은 일상 상태다. 사람, 얼굴, 신체 일부, 사람 형태의 장식이나 실루엣이 전혀 없는 빈 배경이다. 약 1.6미터의 서 있는 사람 눈높이에서 35mm급 중간 광각 렌즈로 촬영하며, 현관문과 초인종은 선명하고 뒤로 이어지는 복도에는 자연스러운 원근과 피사계 심도를 적용한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진과 구별되지 않는 사실성, 과도한 보정 없이 생활 흔적과 재료 질감이 자연스러운 담백한 촬영본. 위에서 내려다본 시점이나 평면도, 건축 도식, 삽화, 컴퓨터 생성 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 1 toward unit 8, centering the fixture position at cell [2,7] while retaining enough receding structure for the medium composition and sufficient surrounding surface for the insert.",
          "lens_enum": "normal",
          "look_at_cell": [
            2,
            7
          ],
          "look_at_unit": 8
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 1, show the view toward unit 8 with marker 10 at the look-at position, keeping markers 8, 9, 10, and 11 legible as the principal fixed cluster. Retain the geometry-supported receding context of unit 1 and only the required visible portions associated with units 12 and 14 and openings 4, 6, and 7, consistent with the normal view cone and the listed base markers.",
          "camera_framing_directive": "Place the camera in unit 1 at cell [4,4] and aim toward unit 8 at look-at cell [2,7] with a normal 50-degree field of view. Use neutral coverage that supports the medium doorway-side composition in S42_Shot4 while preserving marker 10 and a narrow surrounding surface for the S42_Shot5 insert.",
          "subject_position_directive": "For S42_Shot4, preserve two committed foreground subjects at middle-right and middle-left, with the middle-right subject's arm extended downward over marker 10 and the opposite subject retained at the other frame edge. For S42_Shot5, allow the overlapping hands to dominate the insert above marker 10, with one hand centered and the other entering diagonally from the upper-left; add no subjects beyond these staged cues.",
          "state_cue_directive": "The background is expected to be clean and has no transient marker numbers to describe. Apply only the committed clean residential-space state with neutral daytime ambience from the surfaced staging, and refrain from inventing additional state cues.",
          "negative_continuity_directive": "There are no committed ignored numbered elements or ignored state-overlay markers. Keep the fixed positions of markers 4, 6, 7, 9, 10, and 11 consistent with units 1, 8, 12, and 14; do not introduce unlisted numbered elements, invented scenario-specific objects, transient overlays, or spaces outside the chosen unit-1-to-unit-8 view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l41_apartment_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l41_apartment_corridor",
            "building_fp:fp_l42_living_dining_area"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l42_living_dining_area",
          "indoor_loc_sid": "L42",
          "group_id": "bg_apartment_unit",
          "fp_asset_id": "664d4bf2-b010-4716-9a51-56fe67123b3c"
        }
      },
      "L42B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L42",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L42B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주·전남권의 평범한 공동주택 내부, 조용한 낮의 거실 겸 식사 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 현관문 가까운 실내에서 약 1.5미터 높이의 사람 눈높이로 바라보며, 35밀리미터급 적당한 광각 렌즈를 사용해 중앙의 생활 공간을 대각선으로 가로질러 창문 쪽을 향한다. 현관 진입부 옆에서 시선이 시작되고, 뒤쪽에는 침실로 이어지는 짧은 통로와 끝의 침실문이 자연스럽게 이어진다. 현관문 반대편 외벽에는 낮빛이 들어오는 거실 창문이 있고, 창문에 조금 더 가까운 중앙에는 직사각형 식탁과 그 둘레에 놓인 식탁 의자 네 개가 있다. 식탁 위에는 인터뷰를 위해 준비된 커피잔 여러 개에서 가느다란 김이 자연스럽게 올라오며, 한쪽에는 2010년대 중후반에 사용하던 현실적인 노트북이 열린 채 놓여 있다. 생활 공간의 가장자리 벽에는 사용감 있는 시위 손팻말과 접힌 현수막이 여러 장 기대어 있다. 특정 단체나 고유명사를 강조하지 않는 현실적인 시민 활동 자료이며, 과장된 장식처럼 보이지 않는다. 옅은 비닐 벽지와 실제 나뭇결 무늬 바닥재, 문 표면과 창틀의 미세한 마모, 식탁과 의자의 작은 생활 흠집 등 평범하게 사용된 집의 촉감과 흔적을 정확하게 표현한다. 창문에서 들어오는 부드러운 자연광, 절제된 자연색, 중간보다 낮은 대비, 현실적인 그림자와 자연스러운 피사계 심도. 지나치게 깨끗한 광고 사진이 아니라 실제 장소 기록 사진처럼 담담하고 생활감 있게 보이며, 인위적인 후처리 없이 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 사진이어야 한다. 사람, 얼굴, 신체 형태의 인물은 전혀 없다. 위에서 내려다본 시점이나 평면도, 건축 도해가 아닌 수평의 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "현관문 가까운 실내에서 약 1.5미터 높이로 카메라를 두고, 거실 겸 식사 공간을 대각선으로 가로질러 식탁과 의자 네 개, 그 너머 외벽 창문을 바라본다. 35밀리미터급 적당한 광각으로 식탁 위의 김 나는 커피잔과 열린 노트북이 분명히 보이게 하며, 주변 벽에 기대 놓인 시위 손팻말과 현수막도 프레임 가장자리에서 자연스럽게 확인되도록 한다. 사람이나 사람 형태는 등장시키지 않는다.",
            "shot_id": "S43_Shot1"
          }
        ],
        "shot_ids": [
          "S43_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (apartment entry door), facing diagonally across number 1 (living and dining zone) toward number 7 (interview table), number 8 (dining chairs), and number 6 (exterior window)",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.5m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the interview group around number 7 central; include number 9 along a peripheral wall, number 10 on the tabletop, and number 11 open at one seat. Preserve a view toward number 5 without making the private room dominant."
        },
        "reference_decision": {
          "bg_id": "L42B02",
          "fp_id": "fp_l42_living_dining_area",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This clean-anchor fallback candidate provides the broadest staged establishment of the dwelling identity. A wide view from unit 2 toward unit 1 and marker 7 supports the consuming shot's full-body, diagonal composition while establishing the fixed positions of units 1, 2, and 3, openings 4, 5, and 6, and furniture markers 7 and 8 without relying on a prior reference.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l42_living_dining_area.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_refs",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The identity anchor is rendered directly from the supplied floor plan and therefore uses no prior reference."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              4
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use the staged far-corner, slightly elevated diagonal framing, with broad coverage across marker 7 and enough surrounding coverage for the three committed subjects and markers 9, 10, and 11.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              5
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 2, show unit 1 as the principal look-at space around marker 7, with geometry-supported portions of unit 3 where they fall inside the wide cone. Preserve furniture markers 7 and 8 and include openings 4, 5, and 6 only where the chosen view actually exposes them.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a wide 90-degree field of view. Maintain broad, slightly elevated diagonal coverage around marker 7 so the staged full bodies and surrounding fixed structure fit in one composition.",
            "subject_position_directive": "Place the three committed subjects around marker 7 as staged: two on one side and one across from them, all shown full-body in the wide frame. Preserve the supplied seated poses, gaze directions, and the small lower-center placement of marker 10 relative to the opposing sides.",
            "state_cue_directive": "Carry the committed transient state represented by markers 9, 10, and 11, including the state-facing actions supplied by the consuming shot. Do not invent additional state cues beyond those numbered elements and the restrained natural daytime ambience.",
            "negative_continuity_directive": "Do not introduce markers 12 or 13, and do not add any unlisted state-overlay markers. Treat units and openings outside the actual 90-degree view cone as non-visible even though the geometry lists visibility supersets."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the staged far-corner, slightly elevated diagonal framing, with broad coverage across marker 7 and enough surrounding coverage for the three committed subjects and markers 9, 10, and 11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show unit 1 as the principal look-at space around marker 7, with geometry-supported portions of unit 3 where they fall inside the wide cone. Preserve furniture markers 7 and 8 and include openings 4, 5, and 6 only where the chosen view actually exposes them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a wide 90-degree field of view. Maintain broad, slightly elevated diagonal coverage around marker 7 so the staged full bodies and surrounding fixed structure fit in one composition.\n  - subject_position_directive: Place the three committed subjects around marker 7 as staged: two on one side and one across from them, all shown full-body in the wide frame. Preserve the supplied seated poses, gaze directions, and the small lower-center placement of marker 10 relative to the opposing sides.\n  - state_cue_directive: Carry the committed transient state represented by markers 9, 10, and 11, including the state-facing actions supplied by the consuming shot. Do not invent additional state cues beyond those numbered elements and the restrained natural daytime ambience.\n  - negative_continuity_directive: Do not introduce markers 12 or 13, and do not add any unlisted state-overlay markers. Treat units and openings outside the actual 90-degree view cone as non-visible even though the geometry lists visibility supersets.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the staged far-corner, slightly elevated diagonal framing, with broad coverage across marker 7 and enough surrounding coverage for the three committed subjects and markers 9, 10, and 11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show unit 1 as the principal look-at space around marker 7, with geometry-supported portions of unit 3 where they fall inside the wide cone. Preserve furniture markers 7 and 8 and include openings 4, 5, and 6 only where the chosen view actually exposes them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a wide 90-degree field of view. Maintain broad, slightly elevated diagonal coverage around marker 7 so the staged full bodies and surrounding fixed structure fit in one composition.\n  - subject_position_directive: Place the three committed subjects around marker 7 as staged: two on one side and one across from them, all shown full-body in the wide frame. Preserve the supplied seated poses, gaze directions, and the small lower-center placement of marker 10 relative to the opposing sides.\n  - state_cue_directive: Carry the committed transient state represented by markers 9, 10, and 11, including the state-facing actions supplied by the consuming shot. Do not invent additional state cues beyond those numbered elements and the restrained natural daytime ambience.\n  - negative_continuity_directive: Do not introduce markers 12 or 13, and do not add any unlisted state-overlay markers. Treat units and openings outside the actual 90-degree view cone as non-visible even though the geometry lists visibility supersets.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [7, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the staged far-corner, slightly elevated diagonal framing, with broad coverage across marker 7 and enough surrounding coverage for the three committed subjects and markers 9, 10, and 11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 2, show unit 1 as the principal look-at space around marker 7, with geometry-supported portions of unit 3 where they fall inside the wide cone. Preserve furniture markers 7 and 8 and include openings 4, 5, and 6 only where the chosen view actually exposes them.\n  - camera_framing_directive: Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a wide 90-degree field of view. Maintain broad, slightly elevated diagonal coverage around marker 7 so the staged full bodies and surrounding fixed structure fit in one composition.\n  - subject_position_directive: Place the three committed subjects around marker 7 as staged: two on one side and one across from them, all shown full-body in the wide frame. Preserve the supplied seated poses, gaze directions, and the small lower-center placement of marker 10 relative to the opposing sides.\n  - state_cue_directive: Carry the committed transient state represented by markers 9, 10, and 11, including the state-facing actions supplied by the consuming shot. Do not invent additional state cues beyond those numbered elements and the restrained natural daytime ambience.\n  - negative_continuity_directive: Do not introduce markers 12 or 13, and do not add any unlisted state-overlay markers. Treat units and openings outside the actual 90-degree view cone as non-visible even though the geometry lists visibility supersets.\n\n2010년대 중후반 대한민국 광주·전남권의 평범한 공동주택 내부, 조용한 낮의 거실 겸 식사 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 현관문 가까운 실내에서 약 1.5미터 높이의 사람 눈높이로 바라보며, 35밀리미터급 적당한 광각 렌즈를 사용해 중앙의 생활 공간을 대각선으로 가로질러 창문 쪽을 향한다. 현관 진입부 옆에서 시선이 시작되고, 뒤쪽에는 침실로 이어지는 짧은 통로와 끝의 침실문이 자연스럽게 이어진다. 현관문 반대편 외벽에는 낮빛이 들어오는 거실 창문이 있고, 창문에 조금 더 가까운 중앙에는 직사각형 식탁과 그 둘레에 놓인 식탁 의자 네 개가 있다. 식탁 위에는 인터뷰를 위해 준비된 커피잔 여러 개에서 가느다란 김이 자연스럽게 올라오며, 한쪽에는 2010년대 중후반에 사용하던 현실적인 노트북이 열린 채 놓여 있다. 생활 공간의 가장자리 벽에는 사용감 있는 시위 손팻말과 접힌 현수막이 여러 장 기대어 있다. 특정 단체나 고유명사를 강조하지 않는 현실적인 시민 활동 자료이며, 과장된 장식처럼 보이지 않는다. 옅은 비닐 벽지와 실제 나뭇결 무늬 바닥재, 문 표면과 창틀의 미세한 마모, 식탁과 의자의 작은 생활 흠집 등 평범하게 사용된 집의 촉감과 흔적을 정확하게 표현한다. 창문에서 들어오는 부드러운 자연광, 절제된 자연색, 중간보다 낮은 대비, 현실적인 그림자와 자연스러운 피사계 심도. 지나치게 깨끗한 광고 사진이 아니라 실제 장소 기록 사진처럼 담담하고 생활감 있게 보이며, 인위적인 후처리 없이 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 사진이어야 한다. 사람, 얼굴, 신체 형태의 인물은 전혀 없다. 위에서 내려다본 시점이나 평면도, 건축 도해가 아닌 수평의 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본.\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            7,
            4
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use the staged far-corner, slightly elevated diagonal framing, with broad coverage across marker 7 and enough surrounding coverage for the three committed subjects and markers 9, 10, and 11.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            5
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 2, show unit 1 as the principal look-at space around marker 7, with geometry-supported portions of unit 3 where they fall inside the wide cone. Preserve furniture markers 7 and 8 and include openings 4, 5, and 6 only where the chosen view actually exposes them.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a wide 90-degree field of view. Maintain broad, slightly elevated diagonal coverage around marker 7 so the staged full bodies and surrounding fixed structure fit in one composition.",
          "subject_position_directive": "Place the three committed subjects around marker 7 as staged: two on one side and one across from them, all shown full-body in the wide frame. Preserve the supplied seated poses, gaze directions, and the small lower-center placement of marker 10 relative to the opposing sides.",
          "state_cue_directive": "Carry the committed transient state represented by markers 9, 10, and 11, including the state-facing actions supplied by the consuming shot. Do not invent additional state cues beyond those numbered elements and the restrained natural daytime ambience.",
          "negative_continuity_directive": "Do not introduce markers 12 or 13, and do not add any unlisted state-overlay markers. Treat units and openings outside the actual 90-degree view cone as non-visible even though the geometry lists visibility supersets."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l42_living_dining_area",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l42_living_dining_area"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L42B01": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L42B02",
        "reused_from_bg_id": "L42B02",
        "location_id": "L42",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L42B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 2010년대 중후반, 낮 시간의 소박하고 실제 생활감 있는 공동주택 거실 겸 식사 공간. 중앙에서 거실 창 쪽으로 조금 치우친 직사각형 식탁과 그 둘레의 네 의자, 후면의 짧은 사적 통로 끝에 있는 침실 문이 한 시야에 자연스럽게 이어진다. 식탁 의자 옆에서 약 1.2미터의 앉은 눈높이에 카메라를 두고, 50밀리미터 표준 렌즈로 식탁 너머 침실 문과 거실·식사 공간 일부를 바라보는 구도. 낮의 부드러운 자연광이 외벽 창으로 들어오며, 중간 이하의 대비와 절제된 색감으로 조용하고 진지한 조사 분위기를 만든다.\n\n식탁 위에는 오래 보관해 온 유품 상자가 열린 채 놓여 있고, 안에서 꺼낸 종이 문서와 인쇄물이 조심스럽게 펼쳐져 있다. 그 옆에는 여러 내용물 중 따로 골라낸 즉석사진 한 장이 평평하게 놓여 있어 현재 검토 중인 물건임을 분명히 보여 준다. 즉석사진은 실제 인화지의 두꺼운 흰 테두리와 약간 바랜 표면을 지니되, 사진 속 인물이나 얼굴은 식별되지 않게 한다. 거실·식사 공간의 주변 벽에는 시위용 손팻말과 접힌 현수막 몇 개가 사용 후 임시로 기대어 있으며, 글자나 인물 이미지는 뚜렷하게 읽히지 않는다.\n\n지역의 평범한 공동주택에서 볼 수 있는 벽지, 생활 흠집이 남은 바닥, 실제 목재 무늬와 마모가 보이는 식탁, 금속 부품의 미세한 변색, 종이의 구김과 가장자리 닳음, 천 재질의 현실적인 직조감 등 정확한 재료 질감을 표현한다. 지나치게 정돈된 광고 사진이 아니라 일상적인 얼룩과 사용 흔적이 남은 실제 장소 참고 사진이어야 한다. 사람, 얼굴, 사람 형태의 형상은 어디에도 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 피사계 심도, 사실적인 자연광, 과도한 후보정 없음. 컴퓨터 그래픽, 삽화, 건축 시각화, 평면도, 위에서 내려다본 시점이 아닌 실제 실내 현장 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "식탁 의자 옆의 약 1.2미터 높이에서 50밀리미터 표준 렌즈로 식탁을 가로질러 바라본다. 열린 유품 상자와 펼쳐진 종이 내용물, 그 옆에 따로 놓인 즉석사진이 전경의 핵심이 되며, 후면에는 사적 통로 끝의 침실 문과 거실·식사 공간 일부가 자연스럽게 보이게 한다. 주변 벽에 기대 둔 시위용 손팻말과 현수막도 프레임 가장자리에서 확인되도록 하되 과도하게 강조하지 않는다. 사람이나 얼굴, 사람 형태의 형상은 포함하지 않는다.",
            "shot_id": "S43_Shot8"
          }
        ],
        "shot_ids": [
          "S43_Shot8"
        ],
        "scenes": [],
        "parent_id": "L42B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "beside number 8 (dining chairs), looking across number 7 (interview table) with number 5 (bedroom door) and part of number 1 (living and dining zone) in the background",
          "camera_height": "seated eye level, approximately 1.2m",
          "lens_hint": "50mm normal lens",
          "framing_notes": "Use a tighter tabletop composition emphasizing number 12 and number 13 while retaining enough of number 7 and number 8 to establish the same apartment location. Number 9 may remain visible at the edge of the background."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L42B02",
          "selected_refs": [
            {
              "physical_space_id": "ps_fp_l42_shared_1",
              "ref_bg_id": "L42B02",
              "space_description": "The shared physical space defined by units 1, 2, and 3, openings 4, 5, and 6, and furniture markers 7 and 8."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Frame from camera unit 2 at cell [7,4] toward look-at unit 1 at cell [5,5] with a telephoto 25-degree field of view. Use compressed, narrow coverage for the staged close isolation, retaining only a small lower-edge view of marker 13 and soft fixed-space context.",
          "negative_continuity_directive": "Do not carry markers 10 or 11 from reference bg_id L42B02 into this state. Keep the fixed positions of openings 5 and 6 and furniture markers 7 and 8 consistent with L42B02, and do not invent spaces or numbered elements outside the narrow 25-degree view cone.",
          "state_cue_directive": "Carry only the committed transient state represented by markers 9, 12, and 13, with marker 13 held at the narrow lower edge as staged. Do not introduce additional state cues or restore ignored overlay markers 10 and 11.",
          "subject_position_directive": "Place the single committed subject in foreground middle-center at very close range, upper-chest height, with the supplied hunched pose, downward gaze, and fixed facial emphasis. Keep all other subjects absent and retain only the staged lower-edge glimpse associated with marker 13.",
          "visible_space_directive": "Use L42B02 to preserve the fixed placement of units 1 and 3, openings 5 and 6, and furniture markers 7 and 8. From unit 2, direct the narrow view into unit 1 around cell [5,5]; allow only soft, non-competing portions of the referenced fixed space that intersect the telephoto cone."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l42_living_dining_area",
          "prior_bg_ids": [
            "L42B02"
          ],
          "attached_ref_labels": [
            "bg:L42B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L43B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L43",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L43B01.png",
        "t2i_prompt": "21세기 초·중반 대한민국 남서부 지역의 평범한 유치원 교실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 북서쪽 출입문 안쪽 가까이에서 동쪽 이야기 공간과 남쪽 창가를 향해 대각선으로 바라본다. 카메라는 앉은 성인의 자연스러운 눈높이인 바닥에서 약 1.3미터 높이에 두고, 35밀리미터급 보통 광각 렌즈를 사용한다. 중앙과 남쪽 중앙부에는 작은 어린이 좌석이 넓은 반원 형태로 정돈되어 동쪽을 향하고, 전경에서 중경까지 교실의 깊이를 드러낸다. 동쪽 이야기 공간에는 어린이 좌석을 마주 보는 현실적인 교사용 독서 의자와 벽을 따라 놓인 낮은 책장이 보인다. 북쪽 벽에는 출입구와 이야기 공간 사이를 채우는 낮은 붙박이 수납장이 이어진다. 남쪽 벽 대부분을 차지하는 넓은 창문을 통해 맑고 부드러운 햇빛이 들어와 바닥과 가구 표면에 자연스러운 밝기 차이를 만든다. 조용한 이야기 읽기 시간의 차분한 분위기이지만 교실에는 사람, 얼굴, 인체 형태의 장식이 전혀 없다. 한국 유치원에서 실제로 사용하는 실용적인 마감과 비례를 적용하고, 실제 목재 무늬, 도장된 금속의 미세한 사용감, 플라스틱 좌석의 은은한 표면 질감, 창틀과 바닥의 일상적인 마모를 과장 없이 표현한다. 절제된 자연색, 중간에서 낮은 대비, 사실적인 자연광, 자연스러운 원근감과 피사계 심도, 과도한 보정이 없는 현장 기록 사진으로 만든다. 공간은 깨끗하고 흐트러지지 않은 상태다. 깨끗한 상품 사진이나 건축 시각화가 아니라 실제 장소에서 촬영한 담담한 사진이며, 하향 시점의 평면도나 건축 도식이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "북서쪽 출입문 안쪽 부근에서 약 1.3미터 높이의 앉은 성인 눈높이로 촬영한다. 중앙의 반원형 어린이 좌석이 전경과 중경을 이루게 하고, 그 너머 동쪽 이야기 공간의 교사용 독서 의자와 낮은 책장이 분명히 보이도록 남동쪽 창가 방향으로 대각선 구도를 잡는다. 남쪽 창문을 통과한 햇빛이 공간 전체에 자연스럽게 퍼지되 창가가 과도하게 날아가지 않도록 한다. 사람이나 사람 형태의 장식은 넣지 않는다.",
            "shot_id": "S44_Shot1"
          }
        ],
        "shot_ids": [
          "S44_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 6 (entrance door), facing diagonally across number 3 (child seating area) toward number 2 (story area), number 8 (teacher reading chair), and number 5 (window bank)",
          "camera_height": "eye-level seated-adult height, approximately 1.3m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Show the semicircular child seating layout in the foreground and middle ground, with the reading chair and low bookcase clearly visible against the sunlit window side."
        },
        "reference_decision": {
          "bg_id": "L43B01",
          "fp_id": "fp_l43_classroom",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L43B01 is the sole clean anchor candidate and has a ready consuming shot, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 3 at [4,4] looking toward unit 2 at the permitted marker-8 cell [5,8] supports the staged medium three-quarter composition, with foreground subjects at the lower edge and the primary subject in the middle-center midground.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l43_classroom.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_anchor_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The identity anchor is rendered from the supplied floor plan, and the same-fp reference catalog is empty, so no reference is selected."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              4
            ],
            "camera_unit": 3,
            "fov_deg": 50,
            "framing_notes": "Use neutral medium coverage from unit 3 toward unit 2, with the look-at point fixed on base marker 8 at [5,8]; preserve foreground occupancy along the lower edge and the committed midground subject placement.",
            "lens_enum": "normal",
            "look_at_cell": [
              5,
              8
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show the view originating in unit 3 and directed toward unit 2, centered on base marker 8 at [5,8]. Preserve the floor-plan relationship among target units 1, 2, 3, and 4, while only including units 1 and 4 or opening markers 5 and 6 where they actually fall within the normal 50-degree cone; keep base markers 7, 8, 9, and 10 in their committed positions.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [4,4] toward unit 2 and look-at cell [5,8] with a normal 50-degree field of view. Use neutral medium coverage, retaining the staged lower-edge foreground layer and middle-center midground emphasis without expanding beyond the advertised camera-to-target direction.",
            "subject_position_directive": "Place the committed primary subject in the middle-center midground in the staged paused seated posture, viewed three-quarter-right, with the committed open item resting on the subject's knees. Keep the other committed seated subjects as varied foreground figures along the lower-center edge, with distinct head and shoulder angles, and add no uncommitted subjects.",
            "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Maintain the staged clear sunlight in restrained natural color with moderate contrast, and refrain from inventing additional transient or environmental cues.",
            "negative_continuity_directive": "Do not invent unlisted numbered elements, state-overlay markers, or scenario-specific additions. Keep elements outside the unit-3-to-unit-2 view direction from being forced into frame, and do not relocate base markers 5, 6, 7, 8, 9, or 10 from their floor-plan positions merely to increase visibility."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 3 toward unit 2, with the look-at point fixed on base marker 8 at [5,8]; preserve foreground occupancy along the lower edge and the committed midground subject placement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view originating in unit 3 and directed toward unit 2, centered on base marker 8 at [5,8]. Preserve the floor-plan relationship among target units 1, 2, 3, and 4, while only including units 1 and 4 or opening markers 5 and 6 where they actually fall within the normal 50-degree cone; keep base markers 7, 8, 9, and 10 in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,4] toward unit 2 and look-at cell [5,8] with a normal 50-degree field of view. Use neutral medium coverage, retaining the staged lower-edge foreground layer and middle-center midground emphasis without expanding beyond the advertised camera-to-target direction.\n  - subject_position_directive: Place the committed primary subject in the middle-center midground in the staged paused seated posture, viewed three-quarter-right, with the committed open item resting on the subject's knees. Keep the other committed seated subjects as varied foreground figures along the lower-center edge, with distinct head and shoulder angles, and add no uncommitted subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Maintain the staged clear sunlight in restrained natural color with moderate contrast, and refrain from inventing additional transient or environmental cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, state-overlay markers, or scenario-specific additions. Keep elements outside the unit-3-to-unit-2 view direction from being forced into frame, and do not relocate base markers 5, 6, 7, 8, 9, or 10 from their floor-plan positions merely to increase visibility.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 3 toward unit 2, with the look-at point fixed on base marker 8 at [5,8]; preserve foreground occupancy along the lower edge and the committed midground subject placement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view originating in unit 3 and directed toward unit 2, centered on base marker 8 at [5,8]. Preserve the floor-plan relationship among target units 1, 2, 3, and 4, while only including units 1 and 4 or opening markers 5 and 6 where they actually fall within the normal 50-degree cone; keep base markers 7, 8, 9, and 10 in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,4] toward unit 2 and look-at cell [5,8] with a normal 50-degree field of view. Use neutral medium coverage, retaining the staged lower-edge foreground layer and middle-center midground emphasis without expanding beyond the advertised camera-to-target direction.\n  - subject_position_directive: Place the committed primary subject in the middle-center midground in the staged paused seated posture, viewed three-quarter-right, with the committed open item resting on the subject's knees. Keep the other committed seated subjects as varied foreground figures along the lower-center edge, with distinct head and shoulder angles, and add no uncommitted subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Maintain the staged clear sunlight in restrained natural color with moderate contrast, and refrain from inventing additional transient or environmental cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, state-overlay markers, or scenario-specific additions. Keep elements outside the unit-3-to-unit-2 view direction from being forced into frame, and do not relocate base markers 5, 6, 7, 8, 9, or 10 from their floor-plan positions merely to increase visibility.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [4, 4]\n  - look_at_unit: 2\n  - look_at_cell: [5, 8]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral medium coverage from unit 3 toward unit 2, with the look-at point fixed on base marker 8 at [5,8]; preserve foreground occupancy along the lower edge and the committed midground subject placement.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the view originating in unit 3 and directed toward unit 2, centered on base marker 8 at [5,8]. Preserve the floor-plan relationship among target units 1, 2, 3, and 4, while only including units 1 and 4 or opening markers 5 and 6 where they actually fall within the normal 50-degree cone; keep base markers 7, 8, 9, and 10 in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [4,4] toward unit 2 and look-at cell [5,8] with a normal 50-degree field of view. Use neutral medium coverage, retaining the staged lower-edge foreground layer and middle-center midground emphasis without expanding beyond the advertised camera-to-target direction.\n  - subject_position_directive: Place the committed primary subject in the middle-center midground in the staged paused seated posture, viewed three-quarter-right, with the committed open item resting on the subject's knees. Keep the other committed seated subjects as varied foreground figures along the lower-center edge, with distinct head and shoulder angles, and add no uncommitted subjects.\n  - state_cue_directive: No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Maintain the staged clear sunlight in restrained natural color with moderate contrast, and refrain from inventing additional transient or environmental cues.\n  - negative_continuity_directive: Do not invent unlisted numbered elements, state-overlay markers, or scenario-specific additions. Keep elements outside the unit-3-to-unit-2 view direction from being forced into frame, and do not relocate base markers 5, 6, 7, 8, 9, or 10 from their floor-plan positions merely to increase visibility.\n\n21세기 초·중반 대한민국 남서부 지역의 평범한 유치원 교실을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 북서쪽 출입문 안쪽 가까이에서 동쪽 이야기 공간과 남쪽 창가를 향해 대각선으로 바라본다. 카메라는 앉은 성인의 자연스러운 눈높이인 바닥에서 약 1.3미터 높이에 두고, 35밀리미터급 보통 광각 렌즈를 사용한다. 중앙과 남쪽 중앙부에는 작은 어린이 좌석이 넓은 반원 형태로 정돈되어 동쪽을 향하고, 전경에서 중경까지 교실의 깊이를 드러낸다. 동쪽 이야기 공간에는 어린이 좌석을 마주 보는 현실적인 교사용 독서 의자와 벽을 따라 놓인 낮은 책장이 보인다. 북쪽 벽에는 출입구와 이야기 공간 사이를 채우는 낮은 붙박이 수납장이 이어진다. 남쪽 벽 대부분을 차지하는 넓은 창문을 통해 맑고 부드러운 햇빛이 들어와 바닥과 가구 표면에 자연스러운 밝기 차이를 만든다. 조용한 이야기 읽기 시간의 차분한 분위기이지만 교실에는 사람, 얼굴, 인체 형태의 장식이 전혀 없다. 한국 유치원에서 실제로 사용하는 실용적인 마감과 비례를 적용하고, 실제 목재 무늬, 도장된 금속의 미세한 사용감, 플라스틱 좌석의 은은한 표면 질감, 창틀과 바닥의 일상적인 마모를 과장 없이 표현한다. 절제된 자연색, 중간에서 낮은 대비, 사실적인 자연광, 자연스러운 원근감과 피사계 심도, 과도한 보정이 없는 현장 기록 사진으로 만든다. 공간은 깨끗하고 흐트러지지 않은 상태다. 깨끗한 상품 사진이나 건축 시각화가 아니라 실제 장소에서 촬영한 담담한 사진이며, 하향 시점의 평면도나 건축 도식이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            4,
            4
          ],
          "camera_unit": 3,
          "fov_deg": 50,
          "framing_notes": "Use neutral medium coverage from unit 3 toward unit 2, with the look-at point fixed on base marker 8 at [5,8]; preserve foreground occupancy along the lower edge and the committed midground subject placement.",
          "lens_enum": "normal",
          "look_at_cell": [
            5,
            8
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the view originating in unit 3 and directed toward unit 2, centered on base marker 8 at [5,8]. Preserve the floor-plan relationship among target units 1, 2, 3, and 4, while only including units 1 and 4 or opening markers 5 and 6 where they actually fall within the normal 50-degree cone; keep base markers 7, 8, 9, and 10 in their committed positions.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [4,4] toward unit 2 and look-at cell [5,8] with a normal 50-degree field of view. Use neutral medium coverage, retaining the staged lower-edge foreground layer and middle-center midground emphasis without expanding beyond the advertised camera-to-target direction.",
          "subject_position_directive": "Place the committed primary subject in the middle-center midground in the staged paused seated posture, viewed three-quarter-right, with the committed open item resting on the subject's knees. Keep the other committed seated subjects as varied foreground figures along the lower-center edge, with distinct head and shoulder angles, and add no uncommitted subjects.",
          "state_cue_directive": "No committed state cue beyond a clean residential space applies because clean_background_expected is true and no transient marker numbers are listed. Maintain the staged clear sunlight in restrained natural color with moderate contrast, and refrain from inventing additional transient or environmental cues.",
          "negative_continuity_directive": "Do not invent unlisted numbered elements, state-overlay markers, or scenario-specific additions. Keep elements outside the unit-3-to-unit-2 view direction from being forced into frame, and do not relocate base markers 5, 6, 7, 8, 9, or 10 from their floor-plan positions merely to increase visibility."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l43_classroom",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l43_classroom"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L63B01": {
        "status": "ok",
        "location_id": "L63",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L63B01.png",
        "t2i_prompt": "2015~2017년 낮, 대한민국 전라남도·광주광역시 권역의 평범한 저층 주거지에 자리한 소규모 유치원 앞 도로와 그 길 건너편을 촬영한 실제 카메라 다큐멘터리 풍 사진. 서 있는 사람의 눈높이 약 1.6m, 35mm급 렌즈를 사용한 DSLR 또는 미러리스 카메라 촬영. 왕복 통행이 가능한 좁은 생활도로 너머로 밝지만 다소 바랜 외벽의 유치원 건물, 낮은 금속 울타리와 어린이 눈높이에 맞춘 색색의 일부 패널, 잠긴 정문, 작은 화단과 플라스틱 화분이 보인다. 도로에는 당시 한국에서 흔한 어린이보호구역 표지, 제한속도 표시, 부분적으로 닳은 노란색 노면선과 횡단보도가 있으며, 콘크리트 보도블록은 먼지와 빗물 자국, 잔금, 보수 흔적이 남아 있다. 전신주와 정리되지 않은 현실적인 배선, 단순한 방범용 보안 카메라, 인근의 벽돌 및 스투코 마감 저층 건물이 주변 환경을 이룬다. 길 건너편 가장자리에는 2010년대 중후반 한국에서 흔한 어두운 회색 무표식 중형 세단 한 대가 유치원 쪽을 향해 조용히 정차해 있어 예상치 못한 조사 인력의 대기를 간접적으로 암시한다. 차량은 과도하게 새것처럼 보이지 않고 차체에 옅은 먼지와 일상적인 사용 흔적이 있으며, 최신형 또는 미래형 디자인이 아니다. 차 안에는 사람, 얼굴, 신체, 실루엣이 전혀 보이지 않고 앞유리와 옆유리에는 하늘과 건물의 자연스러운 반사만 있다. 유치원 안팎과 도로 전체도 완전히 비어 있으며 어린이나 성인은 없다. 한낮의 흐린 햇빛이 만드는 부드러운 자연광, 중간 이하의 대비, 절제된 자연색, 과장되지 않은 긴장감. 실제 콘크리트의 거친 표면, 금속 울타리의 미세한 녹과 도장 벗겨짐, 자동차 도장면과 고무 타이어, 보도블록과 벽돌의 정확한 재질, 생활 오염과 얼룩을 사실적으로 표현한다. 자연스러운 원근감과 피사계 심도, 실제 장소 기록 사진처럼 담담한 프레이밍, 후처리 없는 사실적 사진. 깨끗한 광고용 스톡 사진이 아니며, 삽화·CGI·건축 시각화·평면도·도식·하향식 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "서 있는 사람의 눈높이에서 길 건너편 쪽을 카메라 위치로 삼아, 전경의 무표식 세단과 도로 너머 유치원 정문이 함께 보이는 넓은 설정 숏. 차량은 프레임 가장자리에 일부 걸치되 정문과 어린이보호구역 표시를 가리지 않는다. 차 안에는 사람이나 얼굴, 실루엣이 전혀 보이지 않게 하고 유리에는 낮 하늘과 주변 건물의 자연스러운 반사만 표현한다.",
            "shot_id": "S78_Shot3"
          },
          {
            "guide_text": "길 건너편 보도 가까이에서 유치원 정문을 향한 조금 더 압축된 시점. 무표식 세단의 앞부분이나 측면을 전경에 두고, 도로를 사이에 둔 정문·울타리·보안 카메라를 선명하게 연결해 누군가 조용히 대기하는 상황만 간접적으로 암시한다. 빈 거리로 유지하고 사람, 얼굴, 어린이, 차량 내부 인물은 묘사하지 않는다.",
            "shot_id": "S78_Shot4"
          }
        ],
        "shot_ids": [
          "S78_Shot3",
          "S78_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "site_surface",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 낮, 대한민국 전라남도·광주광역시 권역의 평범한 저층 주거지에 자리한 소규모 유치원 앞 도로와 그 길 건너편을 촬영한 실제 카메라 다큐멘터리 풍 사진. 서 있는 사람의 눈높이 약 1.6m, 35mm급 렌즈를 사용한 DSLR 또는 미러리스 카메라 촬영. 왕복 통행이 가능한 좁은 생활도로 너머로 밝지만 다소 바랜 외벽의 유치원 건물, 낮은 금속 울타리와 어린이 눈높이에 맞춘 색색의 일부 패널, 잠긴 정문, 작은 화단과 플라스틱 화분이 보인다. 도로에는 당시 한국에서 흔한 어린이보호구역 표지, 제한속도 표시, 부분적으로 닳은 노란색 노면선과 횡단보도가 있으며, 콘크리트 보도블록은 먼지와 빗물 자국, 잔금, 보수 흔적이 남아 있다. 전신주와 정리되지 않은 현실적인 배선, 단순한 방범용 보안 카메라, 인근의 벽돌 및 스투코 마감 저층 건물이 주변 환경을 이룬다. 길 건너편 가장자리에는 2010년대 중후반 한국에서 흔한 어두운 회색 무표식 중형 세단 한 대가 유치원 쪽을 향해 조용히 정차해 있어 예상치 못한 조사 인력의 대기를 간접적으로 암시한다. 차량은 과도하게 새것처럼 보이지 않고 차체에 옅은 먼지와 일상적인 사용 흔적이 있으며, 최신형 또는 미래형 디자인이 아니다. 차 안에는 사람, 얼굴, 신체, 실루엣이 전혀 보이지 않고 앞유리와 옆유리에는 하늘과 건물의 자연스러운 반사만 있다. 유치원 안팎과 도로 전체도 완전히 비어 있으며 어린이나 성인은 없다. 한낮의 흐린 햇빛이 만드는 부드러운 자연광, 중간 이하의 대비, 절제된 자연색, 과장되지 않은 긴장감. 실제 콘크리트의 거친 표면, 금속 울타리의 미세한 녹과 도장 벗겨짐, 자동차 도장면과 고무 타이어, 보도블록과 벽돌의 정확한 재질, 생활 오염과 얼룩을 사실적으로 표현한다. 자연스러운 원근감과 피사계 심도, 실제 장소 기록 사진처럼 담담한 프레이밍, 후처리 없는 사실적 사진. 깨끗한 광고용 스톡 사진이 아니며, 삽화·CGI·건축 시각화·평면도·도식·하향식 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_fp:fp_l43_classroom"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l43_classroom",
          "indoor_loc_sid": "L43",
          "group_id": "bg_kindergarten",
          "fp_asset_id": "df951e22-f074-405d-99dd-df6cad4bdf0f"
        }
      },
      "L64B01": {
        "status": "ok",
        "location_id": "L64",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L64B01.png",
        "t2i_prompt": "2015~2017년 낮, 대한민국 전라남도 또는 광주광역시 생활권의 평범한 유치원 놀이터 한편을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 성인 눈높이 약 1.6미터, 35밀리미터급 렌즈로 놀이터 가장자리의 낡은 야외 벤치를 비스듬히 바라보는 시점이다. 벤치 위에는 당시 세대에 맞는 두꺼운 테두리와 물리 버튼이 있는 스마트폰 한 대가 화면을 켠 채 놓여 있다. 스마트폰 화면에는 알리바이 자료로 제시되는 별도의 디지털 사진이 평면 이미지로 표시되어 있으며, 특정 장소의 건물 외관과 촬영 날짜·시간 정보가 작고 현실적인 사진 보기 화면 안에 보인다. 화면 속 사진에도 사람이나 얼굴은 없고, 화면 테두리와 약한 반사, 당시 수준의 해상도와 압축감으로 실제 공간과 명확히 구분된다. 주변에는 색이 조금 바랜 미끄럼틀과 그네, 모래놀이 구역, 햇빛과 비에 닳은 고무 안전 바닥, 낮은 금속 울타리, 작은 나무와 화단, 소박한 유치원 건물 외벽과 창문이 보인다. 놀이기구의 도장 벗겨짐, 금속 이음부의 옅은 녹, 벤치의 실제 목재 결, 고무 바닥의 얼룩과 낙엽, 건물 외벽의 생활 오염을 사실적으로 표현한다. 맑지만 부드러운 낮 자연광, 절제된 자연색, 중간보다 낮은 대비, 현실적인 그림자와 자연스러운 피사계 심도. 사람, 얼굴, 손, 신체는 전혀 없으며 대화 직전이나 도중 잠시 비워진 장소처럼 담담한 정적만 남아 있다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 하며, 깨끗한 광고 사진이나 인공적인 건축 시각화가 아닌 보정하지 않은 사실적 기록 사진이다. 위에서 내려다보는 시점, 평면도, 건축 도면이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "성인 눈높이 약 1.6미터에서 놀이터 한편의 벤치를 비스듬히 바라본다. 전경의 벤치 위 스마트폰과 화면 속 알리바이 사진을 알아볼 수 있게 두되, 화면만 과도하게 확대하지 않는다. 중경에는 고무 바닥과 놀이기구, 후경에는 낮은 울타리와 유치원 건물이 자연스럽게 이어지도록 구성한다. 대화 중 잠시 놓인 듯한 스마트폰만 암시하고 사람, 손, 얼굴, 신체는 전혀 보이지 않게 한다.",
            "shot_id": "S79_Shot4"
          }
        ],
        "shot_ids": [
          "S79_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "site_surface",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 낮, 대한민국 전라남도 또는 광주광역시 생활권의 평범한 유치원 놀이터 한편을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 성인 눈높이 약 1.6미터, 35밀리미터급 렌즈로 놀이터 가장자리의 낡은 야외 벤치를 비스듬히 바라보는 시점이다. 벤치 위에는 당시 세대에 맞는 두꺼운 테두리와 물리 버튼이 있는 스마트폰 한 대가 화면을 켠 채 놓여 있다. 스마트폰 화면에는 알리바이 자료로 제시되는 별도의 디지털 사진이 평면 이미지로 표시되어 있으며, 특정 장소의 건물 외관과 촬영 날짜·시간 정보가 작고 현실적인 사진 보기 화면 안에 보인다. 화면 속 사진에도 사람이나 얼굴은 없고, 화면 테두리와 약한 반사, 당시 수준의 해상도와 압축감으로 실제 공간과 명확히 구분된다. 주변에는 색이 조금 바랜 미끄럼틀과 그네, 모래놀이 구역, 햇빛과 비에 닳은 고무 안전 바닥, 낮은 금속 울타리, 작은 나무와 화단, 소박한 유치원 건물 외벽과 창문이 보인다. 놀이기구의 도장 벗겨짐, 금속 이음부의 옅은 녹, 벤치의 실제 목재 결, 고무 바닥의 얼룩과 낙엽, 건물 외벽의 생활 오염을 사실적으로 표현한다. 맑지만 부드러운 낮 자연광, 절제된 자연색, 중간보다 낮은 대비, 현실적인 그림자와 자연스러운 피사계 심도. 사람, 얼굴, 손, 신체는 전혀 없으며 대화 직전이나 도중 잠시 비워진 장소처럼 담담한 정적만 남아 있다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 보여야 하며, 깨끗한 광고 사진이나 인공적인 건축 시각화가 아닌 보정하지 않은 사실적 기록 사진이다. 위에서 내려다보는 시점, 평면도, 건축 도면이 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_anchor:L63B01",
            "building_fp:fp_l43_classroom"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l43_classroom",
          "indoor_loc_sid": "L43",
          "group_id": "bg_kindergarten",
          "fp_asset_id": "df951e22-f074-405d-99dd-df6cad4bdf0f"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L63B01",
          "group_id": "bg_kindergarten"
        }
      },
      "L64B02": {
        "status": "ok",
        "location_id": "L64",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L64B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주광역시 권역의 평범한 유치원 야외 놀이터 한편을 촬영한 실제 장소 사진. 낮은 금속 울타리 안쪽에 약간 색이 바랜 복합 놀이대와 미끄럼틀, 작은 그네, 모래놀이 공간, 낡은 야외 벤치가 있고, 바닥에는 당시 국내 유치원에서 흔히 사용한 알록달록한 고무 안전 매트가 깔려 있다. 한쪽에는 밝은 색으로 칠한 유치원 건물의 창문과 출입문이 보이며, 주변의 성숙한 나무가 부분적인 옅은 그늘을 만든다. 모래밭 가장자리에는 작은 장난감 양동이와 삽이 놓여 있어 조금 전까지 놀이가 이어진 듯한 일상적 흔적만 남아 있다. 사람과 얼굴은 전혀 보이지 않으며, 멀리 아이들이 활동할 수 있는 놀이 구역도 비어 있는 배경 공간으로 유지한다. 긴장된 대화 직후의 무거운 정서를 받쳐 주도록 화창하지만 들뜨지 않은 평범한 낮, 부드러운 자연광, 중간 이하의 대비, 억지로 어둡게 만들지 않은 차분한 분위기. 놀이기구 도장의 미세한 벗겨짐, 금속 연결부의 옅은 녹과 손때, 고무 매트의 흙먼지와 얼룩, 벤치의 실제 목재 결, 건물 벽의 생활 오염을 정확하고 자연스럽게 표현한다. 성인 시선 높이 약 1.6미터에서 35밀리미터급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근감과 심도, 실제 장소 기록 사진처럼 담백한 구도, 과도한 보정 없음. 정면 상공 시점이나 평면도, 건축 도면이 아니며, 광고용 스톡 사진처럼 지나치게 깨끗하거나 정돈된 모습도 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "성인 눈높이에서 놀이터 한편의 벤치와 빈 전경을 중심으로 바라본다. 감정적으로 무너지는 인물을 나중에 배치할 수 있도록 벤치 주변과 화면 한쪽에 충분한 여백을 남기고, 미끄럼틀·그네·모래놀이 구역은 중경과 원경에 배치해 유치원 놀이터의 일상성이 느껴지게 한다. 멀리 노는 아이들은 배경 이미지에 직접 그리지 말고 원경 공간을 비워 후속 합성이 가능하게 한다. 낮의 부드러운 자연광과 평범한 생활 흔적을 유지하며 과장된 분위기 연출은 피한다.",
            "shot_id": "S79_Shot10"
          }
        ],
        "shot_ids": [
          "S79_Shot10"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_3",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "site_surface",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2010년대 중후반 대한민국 전라남도·광주광역시 권역의 평범한 유치원 야외 놀이터 한편을 촬영한 실제 장소 사진. 낮은 금속 울타리 안쪽에 약간 색이 바랜 복합 놀이대와 미끄럼틀, 작은 그네, 모래놀이 공간, 낡은 야외 벤치가 있고, 바닥에는 당시 국내 유치원에서 흔히 사용한 알록달록한 고무 안전 매트가 깔려 있다. 한쪽에는 밝은 색으로 칠한 유치원 건물의 창문과 출입문이 보이며, 주변의 성숙한 나무가 부분적인 옅은 그늘을 만든다. 모래밭 가장자리에는 작은 장난감 양동이와 삽이 놓여 있어 조금 전까지 놀이가 이어진 듯한 일상적 흔적만 남아 있다. 사람과 얼굴은 전혀 보이지 않으며, 멀리 아이들이 활동할 수 있는 놀이 구역도 비어 있는 배경 공간으로 유지한다. 긴장된 대화 직후의 무거운 정서를 받쳐 주도록 화창하지만 들뜨지 않은 평범한 낮, 부드러운 자연광, 중간 이하의 대비, 억지로 어둡게 만들지 않은 차분한 분위기. 놀이기구 도장의 미세한 벗겨짐, 금속 연결부의 옅은 녹과 손때, 고무 매트의 흙먼지와 얼룩, 벤치의 실제 목재 결, 건물 벽의 생활 오염을 정확하고 자연스럽게 표현한다. 성인 시선 높이 약 1.6미터에서 35밀리미터급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 자연스러운 원근감과 심도, 실제 장소 기록 사진처럼 담백한 구도, 과도한 보정 없음. 정면 상공 시점이나 평면도, 건축 도면이 아니며, 광고용 스톡 사진처럼 지나치게 깨끗하거나 정돈된 모습도 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of this SAME place — the same physical location, possibly seen from a different angle or at a different moment. Treat it as the PLACE IDENTITY reference. Keep this render consistent with it: the same spatial layout and architecture, the same surface materials and colors, and the same permanently installed fixtures and furniture. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Camera angle, framing, lighting, time of day and weather follow THIS prompt — do NOT copy the reference's composition or mood; only the place's physical identity carries over.\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "same_loc_anchor:L64B01",
            "building_anchor:L63B01",
            "building_fp:fp_l43_classroom"
          ],
          "ref_used": "refs_3",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l43_classroom",
          "indoor_loc_sid": "L43",
          "group_id": "bg_kindergarten",
          "fp_asset_id": "df951e22-f074-405d-99dd-df6cad4bdf0f"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L63B01",
          "group_id": "bg_kindergarten"
        },
        "same_loc_anchor_ref": {
          "anchor_bg_id": "L64B01",
          "loc_id": "L64"
        }
      },
      "L66B01": {
        "status": "ok",
        "location_id": "L66",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L66B01.png",
        "t2i_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시 권역의 현실적인 소규모 유치원 현관 앞, 비가 그친 뒤의 축축한 아침. 낮은 교육시설 건물의 밝은색 미장 외벽에는 빗물 자국과 생활 오염이 은근히 남아 있고, 투명한 강화유리 출입문과 알루미늄 프레임 창, 얕은 차양, 두세 단의 낮은 계단, 어린이 높이를 고려한 금속 난간이 실제 구조처럼 이어진다. 현관 앞 콘크리트와 보도블록은 비에 젖어 색이 짙어졌으며, 작은 물웅덩이와 배수구 주변의 고인 물, 흐릿한 젖은 신발 자국이 보인다. 문 앞에는 물기를 머금은 고무 발매트가 놓이고, 차양 아래에는 평범한 플라스틱 우산꽂이와 낮은 벤치, 관리된 화분 몇 개가 있다. 유리문 너머로 어린이용 낮은 신발장과 단정한 게시판이 일부 보이지만 글자나 기관명, 로고는 식별되지 않는다. 비가 막 멎은 흐린 하늘 아래 부드러운 자연광이 젖은 바닥에 약하게 반사되고, 실내에서는 과하지 않은 흰색 천장등이 희미하게 비친다. 등원과 작별이 막 지나간 듯 조용하고 약간 어색한 정적을 남기되, 사람·얼굴·인체는 전혀 등장하지 않는다. 2010년대 중후반 한국의 평범한 지방 유치원에 맞는 재료와 시설만 사용하고 최신식 미래형 설비나 2000년대 초반 기기를 혼용하지 않는다. 실제 콘크리트의 거친 입자, 젖은 금속의 미세한 얼룩과 산화, 고무 매트의 마모, 플라스틱의 생활 스크래치, 유리의 빗방울과 닦인 흔적을 정확하게 표현한다. 서 있는 성인의 눈높이 약 1.6m에서 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담백한 구도, 절제된 자연색, 중저대비의 흐린 아침빛, 자연스러운 심도, 과도한 보정 없음. 위에서 내려다본 시점이 아니며 평면도, 건축 도면, 삽화, 인공적인 건축 시각화가 아닌 완전히 사실적인 실제 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "현관으로 이어지는 짧은 접근로에서 정면보다 약간 비껴 바라본 넓은 시점. 젖은 보도, 얕은 물웅덩이, 배수구, 낮은 계단과 출입문이 한눈에 들어오게 하며, 비가 그친 아침의 장소 소개가 되도록 한다. 사람 없이 비어 있는 등원 공간을 유지한다.",
            "shot_id": "S83_Shot7"
          },
          {
            "guide_text": "출입문 가까운 곳에서 현관 문턱과 유리문, 고무 발매트, 우산꽂이, 안쪽 신발장이 함께 보이도록 구성한다. 카메라는 서 있는 성인의 눈높이를 유지하고, 작별 직후 잠시 멈춘 듯한 비어 있는 문 앞 공간과 젖은 발자국 흔적을 강조한다.",
            "shot_id": "S83_Shot11"
          },
          {
            "guide_text": "현관 한쪽 측면에서 바깥 접근로와 출입문을 동시에 담는다. 낮은 난간과 벤치, 화분, 빗물이 남은 바닥이 전경과 중경을 만들고, 문 안쪽의 조용한 내부가 유리를 통해 제한적으로 보이게 한다. 떠나는 방향을 암시하는 여백을 확보하되 사람이나 차량은 배치하지 않는다.",
            "shot_id": "S83_Shot15"
          }
        ],
        "shot_ids": [
          "S83_Shot7",
          "S83_Shot11",
          "S83_Shot15"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {},
        "reference_decision": {
          "mode": "surface_role_direct_plate",
          "surface_role": "transition_zone",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "2015~2017년 무렵 대한민국 전라남도·광주광역시 권역의 현실적인 소규모 유치원 현관 앞, 비가 그친 뒤의 축축한 아침. 낮은 교육시설 건물의 밝은색 미장 외벽에는 빗물 자국과 생활 오염이 은근히 남아 있고, 투명한 강화유리 출입문과 알루미늄 프레임 창, 얕은 차양, 두세 단의 낮은 계단, 어린이 높이를 고려한 금속 난간이 실제 구조처럼 이어진다. 현관 앞 콘크리트와 보도블록은 비에 젖어 색이 짙어졌으며, 작은 물웅덩이와 배수구 주변의 고인 물, 흐릿한 젖은 신발 자국이 보인다. 문 앞에는 물기를 머금은 고무 발매트가 놓이고, 차양 아래에는 평범한 플라스틱 우산꽂이와 낮은 벤치, 관리된 화분 몇 개가 있다. 유리문 너머로 어린이용 낮은 신발장과 단정한 게시판이 일부 보이지만 글자나 기관명, 로고는 식별되지 않는다. 비가 막 멎은 흐린 하늘 아래 부드러운 자연광이 젖은 바닥에 약하게 반사되고, 실내에서는 과하지 않은 흰색 천장등이 희미하게 비친다. 등원과 작별이 막 지나간 듯 조용하고 약간 어색한 정적을 남기되, 사람·얼굴·인체는 전혀 등장하지 않는다. 2010년대 중후반 한국의 평범한 지방 유치원에 맞는 재료와 시설만 사용하고 최신식 미래형 설비나 2000년대 초반 기기를 혼용하지 않는다. 실제 콘크리트의 거친 입자, 젖은 금속의 미세한 얼룩과 산화, 고무 매트의 마모, 플라스틱의 생활 스크래치, 유리의 빗방울과 닦인 흔적을 정확하게 표현한다. 서 있는 성인의 눈높이 약 1.6m에서 35mm급 렌즈를 장착한 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 기록 사진처럼 담백한 구도, 절제된 자연색, 중저대비의 흐린 아침빛, 자연스러운 심도, 과도한 보정 없음. 위에서 내려다본 시점이 아니며 평면도, 건축 도면, 삽화, 인공적인 건축 시각화가 아닌 완전히 사실적인 실제 사진. 16:9 가로 비율, 실제 카메라 촬영본\n\nOne attached image is a PHOTOREAL RENDER of the SAME building/site this scene belongs to — it may show the outside while this scene is inside, or another part of the same place. Treat it as the BUILDING IDENTITY reference. Keep this render consistent with it: the same era, age and state of repair, the same palette and material quality, the same window and door frame styles, and anything visible through openings (windows, doorways, passages) must belong to that same building and its surroundings. Lettering visible in the reference is reproduced EXACTLY — same characters, same mark, same position; never invent different wording from render to render. Lighting and time of day follow THIS prompt. Do NOT copy the reference's composition, framing or camera angle; only the building's physical identity carries over.\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "shot_aware_plan_mode": "surface_role_direct_plate",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "building_anchor:L63B01",
            "building_fp:fp_l43_classroom"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_l43_classroom",
          "indoor_loc_sid": "L43",
          "group_id": "bg_kindergarten",
          "fp_asset_id": "df951e22-f074-405d-99dd-df6cad4bdf0f"
        },
        "building_anchor_ref": {
          "anchor_bg_id": "L63B01",
          "group_id": "bg_kindergarten"
        }
      },
      "L45B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L45",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L45B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 광주·전남권의 평범한 가족용 공동주택에 있는 거실 겸 식사 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 현관 문턱 가까이에서 약 1.6m의 서 있는 사람 눈높이로, 35mm급 카메라와 28~35mm 보통 광각 렌즈를 사용해 중앙의 거실·식사 공간을 대각선으로 바라본다. 식탁과 의자, 한쪽 벽의 소박한 주방 코너에 설치된 빌트인 조리대와 싱크대, 가스레인지가 전경과 중경에서 잘 보이고, 그 너머 유리 미닫이문을 통해 아침 햇살이 드는 발코니와 난간까지 자연스럽게 이어진다. 프레임 한쪽 가장자리에는 공동 공간과 연결된 현관문을 남겨 식탁 옆에서 현관까지 장애물 없이 이어지는 출구 동선이 읽히게 한다.\n\n주방을 향한 식탁 가장자리 또는 바로 맞닿은 조리대 끝에는 2010년대 중후반형 스마트폰 한 대가 손이 닿기 쉬운 위치에 놓여 있다. 식탁의 한 자리를 중심으로 평범한 한국 가정식 아침 식사를 막 먹던 상태의 밥그릇, 국그릇, 작은 반찬 접시와 수저가 자연스럽게 놓여 있으나 지나치게 흐트러지지 않는다. 거실에서 현관으로 이어지는 이동 경로 가까이에는 급히 챙길 수 있도록 취재용 종이 수첩 한 권이 잠시 놓여 있다. 발코니 건조 공간에는 일상적인 세탁물이 건조대에 가지런히 널려 있고, 아침 햇빛이 천과 집게의 실제 질감을 드러낸다. 급한 전화와 서둘러 나가는 순간에도 가구와 생활 물품의 배치는 거의 변하지 않은 평범한 가족의 아침 풍경이다.\n\n2010년대 중후반 한국 아파트의 현실적인 미닫이 유리문, 실용적인 주방 마감, 사용감 있는 식탁 표면과 의자, 스테인리스 싱크대, 실제 금속의 미세한 얼룩과 생활 스크래치, 천의 직조감, 목재 무늬, 콘크리트와 도장면의 미묘한 마모를 정확하게 표현한다. 발코니에서 들어오는 부드러운 자연광과 실내의 절제된 중저대비, 현실적인 화이트 밸런스, 자연스러운 심도와 사실적인 그림자를 사용한다. 깨끗한 광고용 사진이 아니라 실제 거주 공간을 담은 담담한 현장 참고 사진이며 과도한 보정은 없다. 사람, 얼굴, 신체 형상은 전혀 없다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 인공적인 3차원 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "현관 문턱 가까운 눈높이에서 식탁과 주방 설비를 전경과 중경의 중심으로 잡고, 햇빛이 드는 발코니와 가지런한 빨래까지 시선이 이어지게 한다. 주방 쪽 식탁 가장자리의 스마트폰과 아침 식기를 분명하지만 과장되지 않게 포함한다.",
            "shot_id": "S47_Shot5"
          },
          {
            "guide_text": "같은 카메라 축과 공간 배치를 유지한다. 식탁에서 현관으로 이어지는 비어 있는 이동 동선과 프레임 가장자리의 현관문이 읽히도록 하며, 이동 경로 가까이에 잠시 놓인 취재용 수첩을 자연스럽게 보이게 한다. 사람이나 신체 형상은 넣지 않는다.",
            "shot_id": "S47_Shot8"
          },
          {
            "guide_text": "앞선 숏들과 아침 햇빛의 방향, 가구 위치, 식기와 스마트폰, 수첩, 발코니 빨래의 상태를 그대로 유지한다. 서둘러 나간 뒤에도 공간 자체는 크게 흐트러지지 않은 평범한 아침 식사 공간으로 보이게 하고, 현관으로 빠져나갈 수 있는 동선을 선명하게 남긴다.",
            "shot_id": "S47_Shot11"
          }
        ],
        "shot_ids": [
          "S47_Shot5",
          "S47_Shot8",
          "S47_Shot11"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 4 (entry threshold), facing diagonally across number 1 (living and dining area) toward number 7 (dining table), number 2 (kitchen nook), and number 5 (balcony opening)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28–35 mm moderate wide angle",
          "framing_notes": "Keep the dining table and kitchen fixtures prominent, preserve a clear sightline to the sunlit balcony and laundry, and retain the entry door at the frame edge for the hurried departure. The phone pickup point should remain reachable between the kitchen and dining table."
        },
        "reference_decision": {
          "bg_id": "L45B01",
          "fp_id": "fp_l45_main_living_dining",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L45B01 is the sole clean-anchor candidate supplied for this fp and no same-fp rendered reference is available, so it establishes dwelling identity directly from the floor plan. Camera unit 1 supports the table-adjacent close staging in S47_Shot5 and S47_Shot8, while the look toward unit 4 and opening marker 6 supplies the departure axis in S47_Shot11; the wide lens preserves sufficient structural context for all three consuming shots.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l45_main_living_dining.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              4
            ],
            "camera_unit": 1,
            "fov_deg": 90,
            "framing_notes": "Use the listed unit-1 camera cell and aim toward opening marker 6 at look-at cell [0,5] in unit 4. The wide view prioritizes the table-adjacent staging of S47_Shot5 and S47_Shot8 while retaining the unit-4 departure direction required by S47_Shot11.",
            "lens_enum": "wide",
            "look_at_cell": [
              0,
              5
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "Show camera unit 1 leading toward unit 4 and opening marker 6. Keep markers 7 and 8 readable as the table-side anchor, with fixed markers 9 and 10 remaining in their committed unit-2 positions when included by the wide cone. Opening marker 5 and unit 3 may appear only as peripheral broad-view context supported by the geometry visibility supersets.",
            "camera_framing_directive": "Frame broadly with a 90-degree wide lens from camera unit 1 at cell [5,4], aimed toward unit 4 at look-at cell [0,5]. Preserve table markers 7 and 8 as near or middle-depth context while maintaining a readable axis toward opening marker 6 for the widened movement staging.",
            "subject_position_directive": "For S47_Shot5, preserve an off-center seated close-subject position at table-side eye height with a three-quarter-left angle. For S47_Shot8, preserve a close subject on the right side at eye height with a three-quarter-right angle and marker 12 beyond the facial emphasis. For S47_Shot11, stage one full moving subject from the lower-left foreground toward the unit-4 opening at upper center, with the seated subject fully visible in the middle-right background near markers 7 and 8.",
            "state_cue_directive": "Carry the committed transient overlay markers 12, 13, 14, and 15 in their dossier-defined placements, with marker 14 supporting the table-facing shots and marker 13 retained only where unit 3 enters the broad coverage. Follow the consuming shots' committed natural morning illumination and do not add unlisted state cues.",
            "negative_continuity_directive": "Do not relocate base markers 5 through 11, do not place units outside the chosen wide view as if directly visible, and do not invent additional scenario-specific elements. There are no ignored numbered elements or ignored state-overlay markers for this BG."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [0, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-1 camera cell and aim toward opening marker 6 at look-at cell [0,5] in unit 4. The wide view prioritizes the table-adjacent staging of S47_Shot5 and S47_Shot8 while retaining the unit-4 departure direction required by S47_Shot11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 leading toward unit 4 and opening marker 6. Keep markers 7 and 8 readable as the table-side anchor, with fixed markers 9 and 10 remaining in their committed unit-2 positions when included by the wide cone. Opening marker 5 and unit 3 may appear only as peripheral broad-view context supported by the geometry visibility supersets.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at cell [5,4], aimed toward unit 4 at look-at cell [0,5]. Preserve table markers 7 and 8 as near or middle-depth context while maintaining a readable axis toward opening marker 6 for the widened movement staging.\n  - subject_position_directive: For S47_Shot5, preserve an off-center seated close-subject position at table-side eye height with a three-quarter-left angle. For S47_Shot8, preserve a close subject on the right side at eye height with a three-quarter-right angle and marker 12 beyond the facial emphasis. For S47_Shot11, stage one full moving subject from the lower-left foreground toward the unit-4 opening at upper center, with the seated subject fully visible in the middle-right background near markers 7 and 8.\n  - state_cue_directive: Carry the committed transient overlay markers 12, 13, 14, and 15 in their dossier-defined placements, with marker 14 supporting the table-facing shots and marker 13 retained only where unit 3 enters the broad coverage. Follow the consuming shots' committed natural morning illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Do not relocate base markers 5 through 11, do not place units outside the chosen wide view as if directly visible, and do not invent additional scenario-specific elements. There are no ignored numbered elements or ignored state-overlay markers for this BG.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [0, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-1 camera cell and aim toward opening marker 6 at look-at cell [0,5] in unit 4. The wide view prioritizes the table-adjacent staging of S47_Shot5 and S47_Shot8 while retaining the unit-4 departure direction required by S47_Shot11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 leading toward unit 4 and opening marker 6. Keep markers 7 and 8 readable as the table-side anchor, with fixed markers 9 and 10 remaining in their committed unit-2 positions when included by the wide cone. Opening marker 5 and unit 3 may appear only as peripheral broad-view context supported by the geometry visibility supersets.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at cell [5,4], aimed toward unit 4 at look-at cell [0,5]. Preserve table markers 7 and 8 as near or middle-depth context while maintaining a readable axis toward opening marker 6 for the widened movement staging.\n  - subject_position_directive: For S47_Shot5, preserve an off-center seated close-subject position at table-side eye height with a three-quarter-left angle. For S47_Shot8, preserve a close subject on the right side at eye height with a three-quarter-right angle and marker 12 beyond the facial emphasis. For S47_Shot11, stage one full moving subject from the lower-left foreground toward the unit-4 opening at upper center, with the seated subject fully visible in the middle-right background near markers 7 and 8.\n  - state_cue_directive: Carry the committed transient overlay markers 12, 13, 14, and 15 in their dossier-defined placements, with marker 14 supporting the table-facing shots and marker 13 retained only where unit 3 enters the broad coverage. Follow the consuming shots' committed natural morning illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Do not relocate base markers 5 through 11, do not place units outside the chosen wide view as if directly visible, and do not invent additional scenario-specific elements. There are no ignored numbered elements or ignored state-overlay markers for this BG.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [5, 4]\n  - look_at_unit: 4\n  - look_at_cell: [0, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the listed unit-1 camera cell and aim toward opening marker 6 at look-at cell [0,5] in unit 4. The wide view prioritizes the table-adjacent staging of S47_Shot5 and S47_Shot8 while retaining the unit-4 departure direction required by S47_Shot11.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show camera unit 1 leading toward unit 4 and opening marker 6. Keep markers 7 and 8 readable as the table-side anchor, with fixed markers 9 and 10 remaining in their committed unit-2 positions when included by the wide cone. Opening marker 5 and unit 3 may appear only as peripheral broad-view context supported by the geometry visibility supersets.\n  - camera_framing_directive: Frame broadly with a 90-degree wide lens from camera unit 1 at cell [5,4], aimed toward unit 4 at look-at cell [0,5]. Preserve table markers 7 and 8 as near or middle-depth context while maintaining a readable axis toward opening marker 6 for the widened movement staging.\n  - subject_position_directive: For S47_Shot5, preserve an off-center seated close-subject position at table-side eye height with a three-quarter-left angle. For S47_Shot8, preserve a close subject on the right side at eye height with a three-quarter-right angle and marker 12 beyond the facial emphasis. For S47_Shot11, stage one full moving subject from the lower-left foreground toward the unit-4 opening at upper center, with the seated subject fully visible in the middle-right background near markers 7 and 8.\n  - state_cue_directive: Carry the committed transient overlay markers 12, 13, 14, and 15 in their dossier-defined placements, with marker 14 supporting the table-facing shots and marker 13 retained only where unit 3 enters the broad coverage. Follow the consuming shots' committed natural morning illumination and do not add unlisted state cues.\n  - negative_continuity_directive: Do not relocate base markers 5 through 11, do not place units outside the chosen wide view as if directly visible, and do not invent additional scenario-specific elements. There are no ignored numbered elements or ignored state-overlay markers for this BG.\n\n2010년대 중후반 대한민국 광주·전남권의 평범한 가족용 공동주택에 있는 거실 겸 식사 공간을 실제 카메라로 촬영한 다큐멘터리 풍 사진. 현관 문턱 가까이에서 약 1.6m의 서 있는 사람 눈높이로, 35mm급 카메라와 28~35mm 보통 광각 렌즈를 사용해 중앙의 거실·식사 공간을 대각선으로 바라본다. 식탁과 의자, 한쪽 벽의 소박한 주방 코너에 설치된 빌트인 조리대와 싱크대, 가스레인지가 전경과 중경에서 잘 보이고, 그 너머 유리 미닫이문을 통해 아침 햇살이 드는 발코니와 난간까지 자연스럽게 이어진다. 프레임 한쪽 가장자리에는 공동 공간과 연결된 현관문을 남겨 식탁 옆에서 현관까지 장애물 없이 이어지는 출구 동선이 읽히게 한다.\n\n주방을 향한 식탁 가장자리 또는 바로 맞닿은 조리대 끝에는 2010년대 중후반형 스마트폰 한 대가 손이 닿기 쉬운 위치에 놓여 있다. 식탁의 한 자리를 중심으로 평범한 한국 가정식 아침 식사를 막 먹던 상태의 밥그릇, 국그릇, 작은 반찬 접시와 수저가 자연스럽게 놓여 있으나 지나치게 흐트러지지 않는다. 거실에서 현관으로 이어지는 이동 경로 가까이에는 급히 챙길 수 있도록 취재용 종이 수첩 한 권이 잠시 놓여 있다. 발코니 건조 공간에는 일상적인 세탁물이 건조대에 가지런히 널려 있고, 아침 햇빛이 천과 집게의 실제 질감을 드러낸다. 급한 전화와 서둘러 나가는 순간에도 가구와 생활 물품의 배치는 거의 변하지 않은 평범한 가족의 아침 풍경이다.\n\n2010년대 중후반 한국 아파트의 현실적인 미닫이 유리문, 실용적인 주방 마감, 사용감 있는 식탁 표면과 의자, 스테인리스 싱크대, 실제 금속의 미세한 얼룩과 생활 스크래치, 천의 직조감, 목재 무늬, 콘크리트와 도장면의 미묘한 마모를 정확하게 표현한다. 발코니에서 들어오는 부드러운 자연광과 실내의 절제된 중저대비, 현실적인 화이트 밸런스, 자연스러운 심도와 사실적인 그림자를 사용한다. 깨끗한 광고용 사진이 아니라 실제 거주 공간을 담은 담담한 현장 참고 사진이며 과도한 보정은 없다. 사람, 얼굴, 신체 형상은 전혀 없다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 인공적인 3차원 시각화가 아닌 실제 장소 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            5,
            4
          ],
          "camera_unit": 1,
          "fov_deg": 90,
          "framing_notes": "Use the listed unit-1 camera cell and aim toward opening marker 6 at look-at cell [0,5] in unit 4. The wide view prioritizes the table-adjacent staging of S47_Shot5 and S47_Shot8 while retaining the unit-4 departure direction required by S47_Shot11.",
          "lens_enum": "wide",
          "look_at_cell": [
            0,
            5
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show camera unit 1 leading toward unit 4 and opening marker 6. Keep markers 7 and 8 readable as the table-side anchor, with fixed markers 9 and 10 remaining in their committed unit-2 positions when included by the wide cone. Opening marker 5 and unit 3 may appear only as peripheral broad-view context supported by the geometry visibility supersets.",
          "camera_framing_directive": "Frame broadly with a 90-degree wide lens from camera unit 1 at cell [5,4], aimed toward unit 4 at look-at cell [0,5]. Preserve table markers 7 and 8 as near or middle-depth context while maintaining a readable axis toward opening marker 6 for the widened movement staging.",
          "subject_position_directive": "For S47_Shot5, preserve an off-center seated close-subject position at table-side eye height with a three-quarter-left angle. For S47_Shot8, preserve a close subject on the right side at eye height with a three-quarter-right angle and marker 12 beyond the facial emphasis. For S47_Shot11, stage one full moving subject from the lower-left foreground toward the unit-4 opening at upper center, with the seated subject fully visible in the middle-right background near markers 7 and 8.",
          "state_cue_directive": "Carry the committed transient overlay markers 12, 13, 14, and 15 in their dossier-defined placements, with marker 14 supporting the table-facing shots and marker 13 retained only where unit 3 enters the broad coverage. Follow the consuming shots' committed natural morning illumination and do not add unlisted state cues.",
          "negative_continuity_directive": "Do not relocate base markers 5 through 11, do not place units outside the chosen wide view as if directly visible, and do not invent additional scenario-specific elements. There are no ignored numbered elements or ignored state-overlay markers for this BG."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l45_main_living_dining",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l45_main_living_dining"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L46B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L46",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L46B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주광역시 권역에서 실제로 운영되는 소박한 동네 카페의 낮 시간 출입구. 유리 출입문 바로 바깥에서 쇼윈도 유리를 통해 내부 공용 좌석 공간을 바라보는 시점이다. 카메라는 서 있는 사람의 눈높이 약 1.6미터에 놓고 35밀리미터급 적당한 광각 렌즈를 사용한다. 투명한 유리 출입부와 카페 안쪽까지 이어지는 명확한 시선을 중심으로 구성하며, 출입구 안쪽의 문턱에서 시작된 주 통로가 중앙 좌석 사이를 지나 화면 깊숙한 동쪽의 면담용 테이블로 이어진다. 면담용 테이블은 서비스 동선에서 떨어진 후경에 배치하고, 중앙과 남동쪽에는 일상적인 테이블과 의자가 모인 좌석 구역이 보인다. 2010년대 중후반 한국의 평범한 지역 카페에 어울리는 강화유리, 실용적인 금속 문틀, 목재 무늬 테이블 상판, 직물 또는 합성가죽 좌석의 실제 질감과 자연스러운 생활 마모를 표현한다. 낮의 부드러운 자연광이 전면 유리를 통과해 실내에 퍼지고, 유리에는 현실적인 약한 반사와 투과가 함께 나타나되 내부 구조와 통로가 선명하게 읽혀야 한다. 색감은 절제되고 자연스러우며 대비는 과하지 않고, 재료의 작은 얼룩과 사용감은 일상적인 수준으로만 보인다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 인물, 얼굴, 사람 형태의 실루엣이나 장식물은 전혀 없다. 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 사실적이고 담담한 기록 사진, 자연스러운 심도와 광학적 원근감, 과도한 후보정 없음. 깨끗한 광고용 스톡 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "유리 출입문 바로 바깥에서 쇼윈도 유리를 지나 카페 안쪽을 바라본다. 투명한 출입부와 내부 시야를 강조하고, 중앙 통로가 화면 깊숙한 곳의 면담용 테이블로 자연스럽게 이어지게 한다. 테이블은 후경에 두며 인물, 얼굴, 사람 형태의 장식물은 전혀 포함하지 않는다.",
            "shot_id": "S48_Shot4"
          }
        ],
        "shot_ids": [
          "S48_Shot4"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "just outside and near number 7 (glass entrance door), facing through number 8 (storefront glazing) toward number 2 (shared seating area), with number 4 (circulation aisle) leading toward number 10 (interview table)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the transparent entrance and clear sightline into the cafe; keep the interview table deeper in the frame and do not depict the interview-specific loose objects."
        },
        "reference_decision": {
          "bg_id": "L46B01",
          "fp_id": "fp_cafe_interior",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L46B01 is the only supplied clean anchor candidate and establishes the fixed dwelling identity without a prior reference. Its wide staged arrival view is supported by a camera in unit 2 at [5,7], looking toward unit 1 and opening marker 7 at [8,5], with broad coverage for target units 1, 2, and 4 and base markers 7, 8, 10, and 11.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_cafe_interior.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the floor-plan-seeded dwelling identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              7
            ],
            "camera_unit": 2,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 2 toward unit 1 so the staged full figure, threshold, marker 7, marker 8, and the connection through unit 4 can coexist in the wide frame.",
            "lens_enum": "wide",
            "look_at_cell": [
              8,
              5
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 2 from within its camera cell while looking toward unit 1, with unit 4 available along the connected circulation path. Include opening markers 7 and 8 and fixed markers 10 and 11 where the wide view supports them; keep their floor-plan relationships stable.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [5,7] toward look-at unit 1 at cell [8,5] with a wide 90-degree field of view. Maintain broad coverage suitable for the staged full figure and the lateral three-quarter relationship between the subject, unit 1, marker 7, marker 8, and the adjoining portions of units 2 and 4.",
            "subject_position_directive": "Place the committed arriving subject slightly left of center with the full figure visible, one hand at marker 7 and the head turned inward toward the camera-side table direction. Preserve the staged waist-height, inside-facing three-quarter relationship and do not invent additional subjects beyond the shot facts.",
            "state_cue_directive": "Carry the staged partly-open state of marker 7 while keeping the background otherwise clean. No committed state cue beyond a clean residential space applies because no transient markers are assigned; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Exclude overlay markers 17 and 18 and do not add uncommitted scenario-specific objects. Do not force units 3, 5, or 6, or opening marker 9, into the frame when they fall outside this selected view. Preserve the floor-plan positions of markers 7, 8, 10, and 11."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [5, 7]\n  - look_at_unit: 1\n  - look_at_cell: [8, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so the staged full figure, threshold, marker 7, marker 8, and the connection through unit 4 can coexist in the wide frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from within its camera cell while looking toward unit 1, with unit 4 available along the connected circulation path. Include opening markers 7 and 8 and fixed markers 10 and 11 where the wide view supports them; keep their floor-plan relationships stable.\n  - camera_framing_directive: Frame from camera unit 2 at cell [5,7] toward look-at unit 1 at cell [8,5] with a wide 90-degree field of view. Maintain broad coverage suitable for the staged full figure and the lateral three-quarter relationship between the subject, unit 1, marker 7, marker 8, and the adjoining portions of units 2 and 4.\n  - subject_position_directive: Place the committed arriving subject slightly left of center with the full figure visible, one hand at marker 7 and the head turned inward toward the camera-side table direction. Preserve the staged waist-height, inside-facing three-quarter relationship and do not invent additional subjects beyond the shot facts.\n  - state_cue_directive: Carry the staged partly-open state of marker 7 while keeping the background otherwise clean. No committed state cue beyond a clean residential space applies because no transient markers are assigned; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 17 and 18 and do not add uncommitted scenario-specific objects. Do not force units 3, 5, or 6, or opening marker 9, into the frame when they fall outside this selected view. Preserve the floor-plan positions of markers 7, 8, 10, and 11.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [5, 7]\n  - look_at_unit: 1\n  - look_at_cell: [8, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so the staged full figure, threshold, marker 7, marker 8, and the connection through unit 4 can coexist in the wide frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from within its camera cell while looking toward unit 1, with unit 4 available along the connected circulation path. Include opening markers 7 and 8 and fixed markers 10 and 11 where the wide view supports them; keep their floor-plan relationships stable.\n  - camera_framing_directive: Frame from camera unit 2 at cell [5,7] toward look-at unit 1 at cell [8,5] with a wide 90-degree field of view. Maintain broad coverage suitable for the staged full figure and the lateral three-quarter relationship between the subject, unit 1, marker 7, marker 8, and the adjoining portions of units 2 and 4.\n  - subject_position_directive: Place the committed arriving subject slightly left of center with the full figure visible, one hand at marker 7 and the head turned inward toward the camera-side table direction. Preserve the staged waist-height, inside-facing three-quarter relationship and do not invent additional subjects beyond the shot facts.\n  - state_cue_directive: Carry the staged partly-open state of marker 7 while keeping the background otherwise clean. No committed state cue beyond a clean residential space applies because no transient markers are assigned; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 17 and 18 and do not add uncommitted scenario-specific objects. Do not force units 3, 5, or 6, or opening marker 9, into the frame when they fall outside this selected view. Preserve the floor-plan positions of markers 7, 8, 10, and 11.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [5, 7]\n  - look_at_unit: 1\n  - look_at_cell: [8, 5]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 2 toward unit 1 so the staged full figure, threshold, marker 7, marker 8, and the connection through unit 4 can coexist in the wide frame.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 from within its camera cell while looking toward unit 1, with unit 4 available along the connected circulation path. Include opening markers 7 and 8 and fixed markers 10 and 11 where the wide view supports them; keep their floor-plan relationships stable.\n  - camera_framing_directive: Frame from camera unit 2 at cell [5,7] toward look-at unit 1 at cell [8,5] with a wide 90-degree field of view. Maintain broad coverage suitable for the staged full figure and the lateral three-quarter relationship between the subject, unit 1, marker 7, marker 8, and the adjoining portions of units 2 and 4.\n  - subject_position_directive: Place the committed arriving subject slightly left of center with the full figure visible, one hand at marker 7 and the head turned inward toward the camera-side table direction. Preserve the staged waist-height, inside-facing three-quarter relationship and do not invent additional subjects beyond the shot facts.\n  - state_cue_directive: Carry the staged partly-open state of marker 7 while keeping the background otherwise clean. No committed state cue beyond a clean residential space applies because no transient markers are assigned; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude overlay markers 17 and 18 and do not add uncommitted scenario-specific objects. Do not force units 3, 5, or 6, or opening marker 9, into the frame when they fall outside this selected view. Preserve the floor-plan positions of markers 7, 8, 10, and 11.\n\n2010년대 중후반 대한민국 전라남도·광주광역시 권역에서 실제로 운영되는 소박한 동네 카페의 낮 시간 출입구. 유리 출입문 바로 바깥에서 쇼윈도 유리를 통해 내부 공용 좌석 공간을 바라보는 시점이다. 카메라는 서 있는 사람의 눈높이 약 1.6미터에 놓고 35밀리미터급 적당한 광각 렌즈를 사용한다. 투명한 유리 출입부와 카페 안쪽까지 이어지는 명확한 시선을 중심으로 구성하며, 출입구 안쪽의 문턱에서 시작된 주 통로가 중앙 좌석 사이를 지나 화면 깊숙한 동쪽의 면담용 테이블로 이어진다. 면담용 테이블은 서비스 동선에서 떨어진 후경에 배치하고, 중앙과 남동쪽에는 일상적인 테이블과 의자가 모인 좌석 구역이 보인다. 2010년대 중후반 한국의 평범한 지역 카페에 어울리는 강화유리, 실용적인 금속 문틀, 목재 무늬 테이블 상판, 직물 또는 합성가죽 좌석의 실제 질감과 자연스러운 생활 마모를 표현한다. 낮의 부드러운 자연광이 전면 유리를 통과해 실내에 퍼지고, 유리에는 현실적인 약한 반사와 투과가 함께 나타나되 내부 구조와 통로가 선명하게 읽혀야 한다. 색감은 절제되고 자연스러우며 대비는 과하지 않고, 재료의 작은 얼룩과 사용감은 일상적인 수준으로만 보인다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 인물, 얼굴, 사람 형태의 실루엣이나 장식물은 전혀 없다. 실제 미러리스 또는 DSLR 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 사실적이고 담담한 기록 사진, 자연스러운 심도와 광학적 원근감, 과도한 후보정 없음. 깨끗한 광고용 스톡 사진, 삽화, 컴퓨터 그래픽, 건축 시각화, 평면도, 위에서 내려다본 시점이 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            5,
            7
          ],
          "camera_unit": 2,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 2 toward unit 1 so the staged full figure, threshold, marker 7, marker 8, and the connection through unit 4 can coexist in the wide frame.",
          "lens_enum": "wide",
          "look_at_cell": [
            8,
            5
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show unit 2 from within its camera cell while looking toward unit 1, with unit 4 available along the connected circulation path. Include opening markers 7 and 8 and fixed markers 10 and 11 where the wide view supports them; keep their floor-plan relationships stable.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [5,7] toward look-at unit 1 at cell [8,5] with a wide 90-degree field of view. Maintain broad coverage suitable for the staged full figure and the lateral three-quarter relationship between the subject, unit 1, marker 7, marker 8, and the adjoining portions of units 2 and 4.",
          "subject_position_directive": "Place the committed arriving subject slightly left of center with the full figure visible, one hand at marker 7 and the head turned inward toward the camera-side table direction. Preserve the staged waist-height, inside-facing three-quarter relationship and do not invent additional subjects beyond the shot facts.",
          "state_cue_directive": "Carry the staged partly-open state of marker 7 while keeping the background otherwise clean. No committed state cue beyond a clean residential space applies because no transient markers are assigned; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Exclude overlay markers 17 and 18 and do not add uncommitted scenario-specific objects. Do not force units 3, 5, or 6, or opening marker 9, into the frame when they fall outside this selected view. Preserve the floor-plan positions of markers 7, 8, 10, and 11."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_cafe_interior",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_cafe_interior"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L46B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L46",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L46B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역에서 볼 수 있는 2010년대 중후반의 소박하고 현실적인 동네 카페 내부. 조용한 낮 시간이며, 남쪽 매장 전면 유리와 유리 출입문을 통과한 부드러운 자연광이 중앙과 동쪽의 공용 좌석 구역에 퍼지고 전체 조명은 절제된 중저대비를 유지한다. 동쪽의 인터뷰 테이블 가까이에서 공용 좌석 구역을 대각선으로 가로질러 서쪽 서비스 카운터를 바라보며, 남쪽 출입구에서 중앙을 지나 뒤쪽으로 이어지는 주 동선 너머로 유리 출입문이 보인다. 카메라는 앉은 사람의 눈높이에 가까운 약 1.2미터 높이, 자연스러운 실내 원근을 만드는 40밀리미터 렌즈를 장착한 실제 미러리스 카메라 위치이며 인터뷰 테이블이 전경의 중심을 차지한다. 주변에는 일상적인 테이블과 의자 좌석군이 있고, 서쪽 카운터 뒤 준비 구역에는 커피 준비 기기와 북쪽 벽의 붙박이 서비스 선반이 자연스럽게 이어진다. 인터뷰 테이블 위에는 대화 중 마시던 커피잔들이 놓여 있고, 한쪽 좌석 앞에는 수사 기록용 노트가 펼쳐진 채 놓여 있다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 없다. 실제 콘크리트 바닥의 미세한 얼룩과 사용감, 금속 프레임의 자연스러운 변색, 좌석 천의 직조감, 목재와 무늬목의 결 및 모서리 마모가 사실적으로 드러나며 지나치게 정돈된 광고 사진처럼 보이지 않는다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진과 구별되지 않는 자연광과 현실적인 피사계 심도, 과장된 후처리 없음. 위에서 내려다본 평면도, 건축 도식, 삽화 또는 컴퓨터 생성 이미지가 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "인터뷰 테이블을 화면의 지배적인 전경으로 두고, 테이블 위 커피잔들과 펼쳐진 수사 노트가 분명히 보이게 한다. 약 1.2미터 높이에서 공용 좌석 구역 너머 서비스 카운터를 대각선으로 바라보며, 주 동선 끝으로 유리 출입문도 확인되는 비교적 넓은 구도를 유지한다. 사람이나 사람 형태의 실루엣은 포함하지 않는다.",
            "shot_id": "S48_Shot11"
          },
          {
            "guide_text": "인터뷰 테이블과 그 위의 커피잔들, 한쪽 자리에 놓인 펼쳐진 수사 노트를 조금 더 가까이 강조하되, 주변 좌석과 서쪽 서비스 카운터 및 남쪽 유리 출입문이 같은 공간임을 알 수 있도록 배경 맥락을 남긴다. 자연스러운 실내 원근과 얕지 않은 피사계 심도를 사용하고 공간은 완전히 비어 있어야 한다.",
            "shot_id": "S48_Shot14"
          }
        ],
        "shot_ids": [
          "S48_Shot11",
          "S48_Shot14"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 10 (interview table), facing diagonally across number 2 (shared seating area) toward number 12 (service counter), with number 7 (glass entrance door) visible beyond the circulation aisle",
          "camera_height": "seated eye level, approximately 1.2 m",
          "lens_hint": "40mm natural interior lens",
          "framing_notes": "Keep the interview table dominant, include nearby seating and the entrance in the wider context, and depict the coffee cups and open notebook as moment-specific loose objects."
        },
        "reference_decision": {
          "bg_id": "L46B02",
          "fp_id": "fp_cafe_interior",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "The target units and markers overlap L46B01 in units 2 and 4 and markers 7, 8, 10, and 11, establishing the same connected physical space. L46B02 nevertheless requires a new view from unit 4 toward marker 10 in unit 2 and may expose fixed context from unit 3 and markers 12, 14, and 15 that the anchor view did not establish, so it uses L46B01 for layout continuity without qualifying as a low-delta plate reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L46B01.png"
          ],
          "source_bg_ids": [
            "L46B01"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_cafe_interior::space_01"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_reference_same_physical_space",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_cafe_interior::space_01",
                "ref_bg_id": "L46B01",
                "space_description": "Connected physical space containing target units 2 and 4 and shared fixed markers 7, 8, 10, and 11."
              }
            ],
            "why_single_ref_or_two_refs": "A single earlier reference is sufficient because the consuming shots remain within the connected physical space established by L46B01; no second distinct visible space requires an independent reference."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              5
            ],
            "camera_unit": 4,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from unit 4 toward marker 10 within unit 2, allowing the medium and close staged crops while retaining the table edge and limited fixed context.",
            "lens_enum": "normal",
            "look_at_cell": [
              2,
              7
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 2 as the look-at space from camera unit 4, centered on marker 10, with fixed marker 11 and the unit 2-to-unit 4 relationship retained from L46B01. Where supported within the normal view, allow limited context from unit 3 and fixed markers 12, 14, and 15 while preserving their floor-plan positions rather than recomposing them.",
            "camera_framing_directive": "Frame from camera unit 4 at cell [4,5] toward look-at unit 2 at cell [2,7] with a normal 50-degree field of view. Use neutral coverage centered on marker 10 that can support the staged seated-shoulder-height medium relationship and the closer off-center crop while retaining a soft lower-frame fixed edge.",
            "subject_position_directive": "For the medium staged use, preserve one seated subject in the left midground leaning toward a second seated subject at the right foreground edge across marker 10. For the close staged use, preserve the committed subject off-center at a three-quarter frontal angle with open look room toward the opposite side; do not add subjects beyond those committed by the surfaced shots.",
            "state_cue_directive": "Describe transient markers 17 and 18 in the staged in-use configuration associated with marker 10. Retain only the restrained state cues committed by the consuming shots and do not invent additional state overlays.",
            "negative_continuity_directive": "Do not move the shared fixed positions of units 2 and 4 or markers 7, 8, 10, and 11 established by L46B01. Do not introduce unlisted overlay markers or scenario-specific objects, and do not force units 1, 5, or 6 or opening marker 9 into this normal view. Keep markers 17 and 18 transient rather than converting them into fixed structure."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L46B01' physical_space_id='fp_cafe_interior::space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward marker 10 within unit 2, allowing the medium and close staged crops while retaining the table edge and limited fixed context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 as the look-at space from camera unit 4, centered on marker 10, with fixed marker 11 and the unit 2-to-unit 4 relationship retained from L46B01. Where supported within the normal view, allow limited context from unit 3 and fixed markers 12, 14, and 15 while preserving their floor-plan positions rather than recomposing them.\n  - camera_framing_directive: Frame from camera unit 4 at cell [4,5] toward look-at unit 2 at cell [2,7] with a normal 50-degree field of view. Use neutral coverage centered on marker 10 that can support the staged seated-shoulder-height medium relationship and the closer off-center crop while retaining a soft lower-frame fixed edge.\n  - subject_position_directive: For the medium staged use, preserve one seated subject in the left midground leaning toward a second seated subject at the right foreground edge across marker 10. For the close staged use, preserve the committed subject off-center at a three-quarter frontal angle with open look room toward the opposite side; do not add subjects beyond those committed by the surfaced shots.\n  - state_cue_directive: Describe transient markers 17 and 18 in the staged in-use configuration associated with marker 10. Retain only the restrained state cues committed by the consuming shots and do not invent additional state overlays.\n  - negative_continuity_directive: Do not move the shared fixed positions of units 2 and 4 or markers 7, 8, 10, and 11 established by L46B01. Do not introduce unlisted overlay markers or scenario-specific objects, and do not force units 1, 5, or 6 or opening marker 9 into this normal view. Keep markers 17 and 18 transient rather than converting them into fixed structure.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L46B01' physical_space_id='fp_cafe_interior::space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward marker 10 within unit 2, allowing the medium and close staged crops while retaining the table edge and limited fixed context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 as the look-at space from camera unit 4, centered on marker 10, with fixed marker 11 and the unit 2-to-unit 4 relationship retained from L46B01. Where supported within the normal view, allow limited context from unit 3 and fixed markers 12, 14, and 15 while preserving their floor-plan positions rather than recomposing them.\n  - camera_framing_directive: Frame from camera unit 4 at cell [4,5] toward look-at unit 2 at cell [2,7] with a normal 50-degree field of view. Use neutral coverage centered on marker 10 that can support the staged seated-shoulder-height medium relationship and the closer off-center crop while retaining a soft lower-frame fixed edge.\n  - subject_position_directive: For the medium staged use, preserve one seated subject in the left midground leaning toward a second seated subject at the right foreground edge across marker 10. For the close staged use, preserve the committed subject off-center at a three-quarter frontal angle with open look room toward the opposite side; do not add subjects beyond those committed by the surfaced shots.\n  - state_cue_directive: Describe transient markers 17 and 18 in the staged in-use configuration associated with marker 10. Retain only the restrained state cues committed by the consuming shots and do not invent additional state overlays.\n  - negative_continuity_directive: Do not move the shared fixed positions of units 2 and 4 or markers 7, 8, 10, and 11 established by L46B01. Do not introduce unlisted overlay markers or scenario-specific objects, and do not force units 1, 5, or 6 or opening marker 9 into this normal view. Keep markers 17 and 18 transient rather than converting them into fixed structure.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L46B01' physical_space_id='fp_cafe_interior::space_01'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [4, 5]\n  - look_at_unit: 2\n  - look_at_cell: [2, 7]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from unit 4 toward marker 10 within unit 2, allowing the medium and close staged crops while retaining the table edge and limited fixed context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 2 as the look-at space from camera unit 4, centered on marker 10, with fixed marker 11 and the unit 2-to-unit 4 relationship retained from L46B01. Where supported within the normal view, allow limited context from unit 3 and fixed markers 12, 14, and 15 while preserving their floor-plan positions rather than recomposing them.\n  - camera_framing_directive: Frame from camera unit 4 at cell [4,5] toward look-at unit 2 at cell [2,7] with a normal 50-degree field of view. Use neutral coverage centered on marker 10 that can support the staged seated-shoulder-height medium relationship and the closer off-center crop while retaining a soft lower-frame fixed edge.\n  - subject_position_directive: For the medium staged use, preserve one seated subject in the left midground leaning toward a second seated subject at the right foreground edge across marker 10. For the close staged use, preserve the committed subject off-center at a three-quarter frontal angle with open look room toward the opposite side; do not add subjects beyond those committed by the surfaced shots.\n  - state_cue_directive: Describe transient markers 17 and 18 in the staged in-use configuration associated with marker 10. Retain only the restrained state cues committed by the consuming shots and do not invent additional state overlays.\n  - negative_continuity_directive: Do not move the shared fixed positions of units 2 and 4 or markers 7, 8, 10, and 11 established by L46B01. Do not introduce unlisted overlay markers or scenario-specific objects, and do not force units 1, 5, or 6 or opening marker 9 into this normal view. Keep markers 17 and 18 transient rather than converting them into fixed structure.\n\n대한민국 전라남도·광주광역시 권역에서 볼 수 있는 2010년대 중후반의 소박하고 현실적인 동네 카페 내부. 조용한 낮 시간이며, 남쪽 매장 전면 유리와 유리 출입문을 통과한 부드러운 자연광이 중앙과 동쪽의 공용 좌석 구역에 퍼지고 전체 조명은 절제된 중저대비를 유지한다. 동쪽의 인터뷰 테이블 가까이에서 공용 좌석 구역을 대각선으로 가로질러 서쪽 서비스 카운터를 바라보며, 남쪽 출입구에서 중앙을 지나 뒤쪽으로 이어지는 주 동선 너머로 유리 출입문이 보인다. 카메라는 앉은 사람의 눈높이에 가까운 약 1.2미터 높이, 자연스러운 실내 원근을 만드는 40밀리미터 렌즈를 장착한 실제 미러리스 카메라 위치이며 인터뷰 테이블이 전경의 중심을 차지한다. 주변에는 일상적인 테이블과 의자 좌석군이 있고, 서쪽 카운터 뒤 준비 구역에는 커피 준비 기기와 북쪽 벽의 붙박이 서비스 선반이 자연스럽게 이어진다. 인터뷰 테이블 위에는 대화 중 마시던 커피잔들이 놓여 있고, 한쪽 좌석 앞에는 수사 기록용 노트가 펼쳐진 채 놓여 있다. 사람, 얼굴, 신체 형태의 인형이나 실루엣은 전혀 없다. 실제 콘크리트 바닥의 미세한 얼룩과 사용감, 금속 프레임의 자연스러운 변색, 좌석 천의 직조감, 목재와 무늬목의 결 및 모서리 마모가 사실적으로 드러나며 지나치게 정돈된 광고 사진처럼 보이지 않는다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진과 구별되지 않는 자연광과 현실적인 피사계 심도, 과장된 후처리 없음. 위에서 내려다본 평면도, 건축 도식, 삽화 또는 컴퓨터 생성 이미지가 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            5
          ],
          "camera_unit": 4,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from unit 4 toward marker 10 within unit 2, allowing the medium and close staged crops while retaining the table edge and limited fixed context.",
          "lens_enum": "normal",
          "look_at_cell": [
            2,
            7
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 2 as the look-at space from camera unit 4, centered on marker 10, with fixed marker 11 and the unit 2-to-unit 4 relationship retained from L46B01. Where supported within the normal view, allow limited context from unit 3 and fixed markers 12, 14, and 15 while preserving their floor-plan positions rather than recomposing them.",
          "camera_framing_directive": "Frame from camera unit 4 at cell [4,5] toward look-at unit 2 at cell [2,7] with a normal 50-degree field of view. Use neutral coverage centered on marker 10 that can support the staged seated-shoulder-height medium relationship and the closer off-center crop while retaining a soft lower-frame fixed edge.",
          "subject_position_directive": "For the medium staged use, preserve one seated subject in the left midground leaning toward a second seated subject at the right foreground edge across marker 10. For the close staged use, preserve the committed subject off-center at a three-quarter frontal angle with open look room toward the opposite side; do not add subjects beyond those committed by the surfaced shots.",
          "state_cue_directive": "Describe transient markers 17 and 18 in the staged in-use configuration associated with marker 10. Retain only the restrained state cues committed by the consuming shots and do not invent additional state overlays.",
          "negative_continuity_directive": "Do not move the shared fixed positions of units 2 and 4 or markers 7, 8, 10, and 11 established by L46B01. Do not introduce unlisted overlay markers or scenario-specific objects, and do not force units 1, 5, or 6 or opening marker 9 into this normal view. Keep markers 17 and 18 transient rather than converting them into fixed structure."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_cafe_interior",
          "prior_bg_ids": [
            "L46B01"
          ],
          "attached_ref_labels": [
            "bg:L46B01"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L50B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L50",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L50B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 전라남도·광주권의 오래되고 비좁은 서민 주택 단칸방 내부. 남쪽 출입문 근처에서 방 중앙을 가로질러 서쪽 벽의 싱글 침대, 침대 머리맡 북서쪽 구석의 옷장, 북쪽 벽의 수납장을 대각선으로 바라보는 구도다. 북쪽 외부 창문으로 들어오는 흐린 낮빛이 방 안을 사실적으로 밝히며, 중앙과 동쪽은 공동 작업 공간으로 남아 있고 남서쪽 침대 발치에는 오래 사용한 수납 상자가 층층이 쌓여 있다. 좁은 방에는 생활 잡동사니와 세월이 밴 가구가 빽빽하게 놓여 있으며, 값싼 합판의 벗겨진 모서리, 낡은 벽지의 이음새와 얼룩, 눌린 침구의 실제 직물 결, 금속 손잡이의 미세한 변색, 바닥의 일상적인 마모를 정확하게 표현한다. 진행 중인 수색 때문에 침대 주변과 옷장·수납장 앞의 물건과 침구가 급히 들춰지고 밀려난 상태이며, 일부 서랍과 문이 열린 채 내부 물품이 흐트러져 있다. 방 중앙에는 수색 중 임시로 내려놓은 현실적인 증거 수납 용기들이 있고, 그 안과 주변에 종이 문서와 인화 사진이 절차적으로 분류되다 만 상태로 놓여 있다. 사진은 평면 인화물로만 보이며 식별 가능한 얼굴이나 자극적인 이미지는 드러내지 않는다. 인물, 얼굴, 신체 형태의 모형이나 실루엣은 프레임에 포함하지 않는다. 실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 다큐멘터리 풍 사진, 약 1.6미터의 서 있는 사람 눈높이, 풀프레임 환산 28밀리미터의 절제된 광각, 자연스러운 원근과 피사계 심도, 현실적인 자연광, 낮거나 중간 정도의 대비, 과도하게 정돈되지 않은 실제 장소 기록 사진, 인위적인 후처리 없음. 위에서 내려다본 평면도나 건축 도면이 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 출입문 바로 안쪽에서 서 있는 사람의 눈높이로 방 안을 대각선으로 바라본다. 서쪽 벽의 침대와 그 머리맡 옷장, 북쪽 벽의 수납장이 한 프레임에서 공간적으로 이어져 보이게 하며, 중앙의 증거 수납 용기와 수색으로 흐트러진 상태가 전경과 중경에 드러나도록 한다. 인물이나 사람 형태는 포함하지 않는다.",
            "shot_id": "S58_Shot1"
          }
        ],
        "shot_ids": [
          "S58_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 6 (entrance door), facing diagonally across number 1 (single-room interior) toward number 8 (bed), number 9 (wardrobe), and number 10 (storage cabinet)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "28mm moderate wide angle",
          "framing_notes": "Show the cramped relationship between the bed, wardrobe, cabinet, and search route. Depict number 14 and number 15 as transient search-state overlays without altering the base plan."
        },
        "reference_decision": {
          "bg_id": "L50B01",
          "fp_id": "fp_l50_main_room",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L50B01 uses the same single physical space established by L50B02 but requires a substantially broader camera position and look direction for S58_Shot1. L50B02 therefore commits the shared positions of markers 1, 3, 4, 7, and 10, while the wide unit-5 view reveals a different structural slice containing the additional target units and fixed markers required by this shot.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L50B02.png"
          ],
          "source_bg_ids": [
            "L50B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L50B02",
                "space_description": "Same physical space identified by overlapping unit markers 1, 3, and 4 and fixed base markers 7 and 10."
              }
            ],
            "why_single_ref_or_two_refs": "One reference is sufficient because all required units belong to the same physical space; the new wide camera geometry does not expose a second distinct space requiring a separate reference."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              7
            ],
            "camera_unit": 5,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 5 toward unit 2 and look-at cell [1,6], allowing the two midground subjects and the extensive fixed background marker set to remain legible.",
            "lens_enum": "wide",
            "look_at_cell": [
              1,
              6
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "From unit 5, show broad coverage toward unit 2, including visible portions of units 1, 2, 3, and 4 and the local unit-5 context. Include openings 6 and 7 where supported by the wide cone, and keep markers 8, 9, 10, and 13 legible in their fixed positions.",
            "camera_framing_directive": "Frame from camera unit 5 at cell [4,7] toward look-at unit 2 at cell [1,6] with a wide 90-degree lens, providing broad coverage for two full-body midground subjects and the required fixed background elements.",
            "subject_position_directive": "Place two committed full-body subjects in the midground, one in the middle-left and one in the middle-right, forming the staged diagonal relation while leaving the listed background markers legible behind them.",
            "state_cue_directive": "Carry transient markers 14 and 15 with the committed restrained daytime illumination. Keep base markers 1 through 10 where listed, plus marker 13, structurally fixed and introduce no other state cue.",
            "negative_continuity_directive": "Exclude overlay markers 16, 17, and 18. Preserve the positions inherited from L50B02 for shared markers 1, 3, 4, 7, and 10, and do not invent additional spaces, openings, subjects, or unlisted state overlays beyond the wide view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 and look-at cell [1,6], allowing the two midground subjects and the extensive fixed background marker set to remain legible.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, show broad coverage toward unit 2, including visible portions of units 1, 2, 3, and 4 and the local unit-5 context. Include openings 6 and 7 where supported by the wide cone, and keep markers 8, 9, 10, and 13 legible in their fixed positions.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 2 at cell [1,6] with a wide 90-degree lens, providing broad coverage for two full-body midground subjects and the required fixed background elements.\n  - subject_position_directive: Place two committed full-body subjects in the midground, one in the middle-left and one in the middle-right, forming the staged diagonal relation while leaving the listed background markers legible behind them.\n  - state_cue_directive: Carry transient markers 14 and 15 with the committed restrained daytime illumination. Keep base markers 1 through 10 where listed, plus marker 13, structurally fixed and introduce no other state cue.\n  - negative_continuity_directive: Exclude overlay markers 16, 17, and 18. Preserve the positions inherited from L50B02 for shared markers 1, 3, 4, 7, and 10, and do not invent additional spaces, openings, subjects, or unlisted state overlays beyond the wide view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 and look-at cell [1,6], allowing the two midground subjects and the extensive fixed background marker set to remain legible.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, show broad coverage toward unit 2, including visible portions of units 1, 2, 3, and 4 and the local unit-5 context. Include openings 6 and 7 where supported by the wide cone, and keep markers 8, 9, 10, and 13 legible in their fixed positions.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 2 at cell [1,6] with a wide 90-degree lens, providing broad coverage for two full-body midground subjects and the required fixed background elements.\n  - subject_position_directive: Place two committed full-body subjects in the midground, one in the middle-left and one in the middle-right, forming the staged diagonal relation while leaving the listed background markers legible behind them.\n  - state_cue_directive: Carry transient markers 14 and 15 with the committed restrained daytime illumination. Keep base markers 1 through 10 where listed, plus marker 13, structurally fixed and introduce no other state cue.\n  - negative_continuity_directive: Exclude overlay markers 16, 17, and 18. Preserve the positions inherited from L50B02 for shared markers 1, 3, 4, 7, and 10, and do not invent additional spaces, openings, subjects, or unlisted state overlays beyond the wide view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 2\n  - look_at_cell: [1, 6]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 and look-at cell [1,6], allowing the two midground subjects and the extensive fixed background marker set to remain legible.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, show broad coverage toward unit 2, including visible portions of units 1, 2, 3, and 4 and the local unit-5 context. Include openings 6 and 7 where supported by the wide cone, and keep markers 8, 9, 10, and 13 legible in their fixed positions.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 2 at cell [1,6] with a wide 90-degree lens, providing broad coverage for two full-body midground subjects and the required fixed background elements.\n  - subject_position_directive: Place two committed full-body subjects in the midground, one in the middle-left and one in the middle-right, forming the staged diagonal relation while leaving the listed background markers legible behind them.\n  - state_cue_directive: Carry transient markers 14 and 15 with the committed restrained daytime illumination. Keep base markers 1 through 10 where listed, plus marker 13, structurally fixed and introduce no other state cue.\n  - negative_continuity_directive: Exclude overlay markers 16, 17, and 18. Preserve the positions inherited from L50B02 for shared markers 1, 3, 4, 7, and 10, and do not invent additional spaces, openings, subjects, or unlisted state overlays beyond the wide view.\n\n2010년대 중후반 대한민국 전라남도·광주권의 오래되고 비좁은 서민 주택 단칸방 내부. 남쪽 출입문 근처에서 방 중앙을 가로질러 서쪽 벽의 싱글 침대, 침대 머리맡 북서쪽 구석의 옷장, 북쪽 벽의 수납장을 대각선으로 바라보는 구도다. 북쪽 외부 창문으로 들어오는 흐린 낮빛이 방 안을 사실적으로 밝히며, 중앙과 동쪽은 공동 작업 공간으로 남아 있고 남서쪽 침대 발치에는 오래 사용한 수납 상자가 층층이 쌓여 있다. 좁은 방에는 생활 잡동사니와 세월이 밴 가구가 빽빽하게 놓여 있으며, 값싼 합판의 벗겨진 모서리, 낡은 벽지의 이음새와 얼룩, 눌린 침구의 실제 직물 결, 금속 손잡이의 미세한 변색, 바닥의 일상적인 마모를 정확하게 표현한다. 진행 중인 수색 때문에 침대 주변과 옷장·수납장 앞의 물건과 침구가 급히 들춰지고 밀려난 상태이며, 일부 서랍과 문이 열린 채 내부 물품이 흐트러져 있다. 방 중앙에는 수색 중 임시로 내려놓은 현실적인 증거 수납 용기들이 있고, 그 안과 주변에 종이 문서와 인화 사진이 절차적으로 분류되다 만 상태로 놓여 있다. 사진은 평면 인화물로만 보이며 식별 가능한 얼굴이나 자극적인 이미지는 드러내지 않는다. 인물, 얼굴, 신체 형태의 모형이나 실루엣은 프레임에 포함하지 않는다. 실제 미러리스 또는 디지털 일안 반사식 카메라로 촬영한 다큐멘터리 풍 사진, 약 1.6미터의 서 있는 사람 눈높이, 풀프레임 환산 28밀리미터의 절제된 광각, 자연스러운 원근과 피사계 심도, 현실적인 자연광, 낮거나 중간 정도의 대비, 과도하게 정돈되지 않은 실제 장소 기록 사진, 인위적인 후처리 없음. 위에서 내려다본 평면도나 건축 도면이 아닌 실제 실내 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            7
          ],
          "camera_unit": 5,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 5 toward unit 2 and look-at cell [1,6], allowing the two midground subjects and the extensive fixed background marker set to remain legible.",
          "lens_enum": "wide",
          "look_at_cell": [
            1,
            6
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 5, show broad coverage toward unit 2, including visible portions of units 1, 2, 3, and 4 and the local unit-5 context. Include openings 6 and 7 where supported by the wide cone, and keep markers 8, 9, 10, and 13 legible in their fixed positions.",
          "camera_framing_directive": "Frame from camera unit 5 at cell [4,7] toward look-at unit 2 at cell [1,6] with a wide 90-degree lens, providing broad coverage for two full-body midground subjects and the required fixed background elements.",
          "subject_position_directive": "Place two committed full-body subjects in the midground, one in the middle-left and one in the middle-right, forming the staged diagonal relation while leaving the listed background markers legible behind them.",
          "state_cue_directive": "Carry transient markers 14 and 15 with the committed restrained daytime illumination. Keep base markers 1 through 10 where listed, plus marker 13, structurally fixed and introduce no other state cue.",
          "negative_continuity_directive": "Exclude overlay markers 16, 17, and 18. Preserve the positions inherited from L50B02 for shared markers 1, 3, 4, 7, and 10, and do not invent additional spaces, openings, subjects, or unlisted state overlays beyond the wide view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l50_main_room",
          "prior_bg_ids": [
            "L50B02"
          ],
          "attached_ref_labels": [
            "bg:L50B02"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L50B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L50",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L50B02.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역의 2010년대 중후반에 실제로 사용된 소박한 조사·기록 업무 공간. 완전한 직사각형 단일 실내이며 중앙과 동쪽은 공동 작업 구역, 북쪽과 북동쪽은 실용적인 수납 구역으로 이어진다. 공동 작업 구역 안에 선 카메라가 북쪽 벽의 수납장과 동쪽 중앙의 작업대를 향한다. 북쪽 외부 창에서 들어오는 부드러운 주간 자연광이 공간의 방향과 깊이를 드러내며, 보통의 한국 업무실다운 중간 이하 대비와 절제된 자연색을 유지한다. 약 1.6미터의 서 있는 사람 눈높이에서 40밀리미터 표준 렌즈로 촬영한 정상 원근의 장면이며, 내려다본 평면 시점이나 건축 도면 구도가 아니다. 작업대 위에는 이 순간 확인 중인 사진첩 한 권이 펼쳐져 있고, 실제 종이의 섬유감, 투명 보호 필름의 미세한 반사, 오래 다뤄진 모서리와 인화지의 물성이 사실적으로 보인다. 사진첩 내부에도 사람, 얼굴, 신체 형태는 보이지 않는다. 수납장은 실제 도장 금속 또는 저렴한 합판의 마모와 손때가 있고, 작업대 표면에는 일상적인 미세 흠집과 닦인 자국이 남아 있다. 벽과 바닥은 한국의 평범한 실무 공간에서 볼 수 있는 현실적인 마감과 사소한 얼룩을 지니되, 과장된 낡음이나 불필요한 어지럼은 없다. 긴장된 증거 확인 상황을 암시하지만 공간 자체는 차분하고 절차적이며 선정적 요소가 없다. 사람, 얼굴, 인체 모양의 형상은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 정확한 재료 질감과 자연스러운 피사계 심도, 후처리 없는 담담한 기록 사진. 깨끗한 광고용 사진, 삽화, 컴퓨터 생성 영상, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "공동 작업 구역 안에서 약 1.6미터 높이로 촬영한다. 40밀리미터 표준 화각으로 북쪽 벽의 수납장과 동쪽 중앙의 작업대를 함께 담고, 외부 창에서 들어오는 낮빛으로 공간 방향이 자연스럽게 읽히게 한다. 펼쳐진 사진첩을 작업대 위의 핵심 초점으로 두되 과도한 근접 촬영은 피하고 주변 업무 공간의 맥락을 유지한다. 사람, 얼굴, 신체 형태는 프레임과 사진첩 페이지 어디에도 보이지 않게 한다.",
            "shot_id": "S58_Shot6"
          }
        ],
        "shot_ids": [
          "S58_Shot6"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "within number 3 (shared work zone), facing number 10 (storage cabinet) and number 11 (work table), with number 7 (exterior window) providing spatial orientation",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "40mm normal lens",
          "framing_notes": "Center number 16 on or immediately above the work table while retaining the storage cabinet in the background. Keep the other search and office evidence states absent."
        },
        "reference_decision": {
          "bg_id": "L50B02",
          "fp_id": "fp_l50_main_room",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L50B02 is the only supplied clean-anchor candidate and therefore establishes the dwelling identity directly from the floor plan. The normal view from camera unit 3 supports the medium framing of S58_Shot6 while targeting the committed unit 4 context and base markers 7, 10, and 11 without relying on a prior plate.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l50_main_room.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No reference is selected because this first node is the dwelling-identity anchor and the same-fp candidate reference catalog is empty."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              1
            ],
            "camera_unit": 3,
            "fov_deg": 50,
            "framing_notes": "Use a neutral medium view from unit 3, directing the frame toward unit 4 and the exact look-at cell associated with base marker 7; preserve enough fixed context for markers 10 and 11 behind the committed subject.",
            "lens_enum": "normal",
            "look_at_cell": [
              8,
              5
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "Show the camera position within unit 3 and prioritize the view toward unit 4, with only the portions of unit 1 supported by the broad geometry superset. Keep base markers 7, 10, and 11 legible in their committed positions.",
            "camera_framing_directive": "Frame from camera unit 3 at cell [7,1] toward look-at unit 4 at cell [8,5] with a normal 50-degree lens, giving neutral medium coverage consistent with the committed low close-medium endpoint.",
            "subject_position_directive": "Place the single committed subject in an upper-body three-quarter view, with marker 16 held across the lower third and the gaze directed toward an off-frame subject; do not place that off-frame subject in the image.",
            "state_cue_directive": "Carry transient marker 16 and the committed restrained daytime illumination. Keep base markers 1, 3, 4, 7, 10, and 11 structurally stable and introduce no additional state cue.",
            "negative_continuity_directive": "Exclude overlay markers 14, 15, 17, and 18. Do not add units or openings outside the selected view, and do not invent unlisted subjects, fixed elements, or state overlays."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 1]\n  - look_at_unit: 4\n  - look_at_cell: [8, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral medium view from unit 3, directing the frame toward unit 4 and the exact look-at cell associated with base marker 7; preserve enough fixed context for markers 10 and 11 behind the committed subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the camera position within unit 3 and prioritize the view toward unit 4, with only the portions of unit 1 supported by the broad geometry superset. Keep base markers 7, 10, and 11 legible in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,1] toward look-at unit 4 at cell [8,5] with a normal 50-degree lens, giving neutral medium coverage consistent with the committed low close-medium endpoint.\n  - subject_position_directive: Place the single committed subject in an upper-body three-quarter view, with marker 16 held across the lower third and the gaze directed toward an off-frame subject; do not place that off-frame subject in the image.\n  - state_cue_directive: Carry transient marker 16 and the committed restrained daytime illumination. Keep base markers 1, 3, 4, 7, 10, and 11 structurally stable and introduce no additional state cue.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, 17, and 18. Do not add units or openings outside the selected view, and do not invent unlisted subjects, fixed elements, or state overlays.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 1]\n  - look_at_unit: 4\n  - look_at_cell: [8, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral medium view from unit 3, directing the frame toward unit 4 and the exact look-at cell associated with base marker 7; preserve enough fixed context for markers 10 and 11 behind the committed subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the camera position within unit 3 and prioritize the view toward unit 4, with only the portions of unit 1 supported by the broad geometry superset. Keep base markers 7, 10, and 11 legible in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,1] toward look-at unit 4 at cell [8,5] with a normal 50-degree lens, giving neutral medium coverage consistent with the committed low close-medium endpoint.\n  - subject_position_directive: Place the single committed subject in an upper-body three-quarter view, with marker 16 held across the lower third and the gaze directed toward an off-frame subject; do not place that off-frame subject in the image.\n  - state_cue_directive: Carry transient marker 16 and the committed restrained daytime illumination. Keep base markers 1, 3, 4, 7, 10, and 11 structurally stable and introduce no additional state cue.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, 17, and 18. Do not add units or openings outside the selected view, and do not invent unlisted subjects, fixed elements, or state overlays.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 3\n  - camera_cell: [7, 1]\n  - look_at_unit: 4\n  - look_at_cell: [8, 5]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a neutral medium view from unit 3, directing the frame toward unit 4 and the exact look-at cell associated with base marker 7; preserve enough fixed context for markers 10 and 11 behind the committed subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show the camera position within unit 3 and prioritize the view toward unit 4, with only the portions of unit 1 supported by the broad geometry superset. Keep base markers 7, 10, and 11 legible in their committed positions.\n  - camera_framing_directive: Frame from camera unit 3 at cell [7,1] toward look-at unit 4 at cell [8,5] with a normal 50-degree lens, giving neutral medium coverage consistent with the committed low close-medium endpoint.\n  - subject_position_directive: Place the single committed subject in an upper-body three-quarter view, with marker 16 held across the lower third and the gaze directed toward an off-frame subject; do not place that off-frame subject in the image.\n  - state_cue_directive: Carry transient marker 16 and the committed restrained daytime illumination. Keep base markers 1, 3, 4, 7, 10, and 11 structurally stable and introduce no additional state cue.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, 17, and 18. Do not add units or openings outside the selected view, and do not invent unlisted subjects, fixed elements, or state overlays.\n\n대한민국 전라남도·광주광역시 권역의 2010년대 중후반에 실제로 사용된 소박한 조사·기록 업무 공간. 완전한 직사각형 단일 실내이며 중앙과 동쪽은 공동 작업 구역, 북쪽과 북동쪽은 실용적인 수납 구역으로 이어진다. 공동 작업 구역 안에 선 카메라가 북쪽 벽의 수납장과 동쪽 중앙의 작업대를 향한다. 북쪽 외부 창에서 들어오는 부드러운 주간 자연광이 공간의 방향과 깊이를 드러내며, 보통의 한국 업무실다운 중간 이하 대비와 절제된 자연색을 유지한다. 약 1.6미터의 서 있는 사람 눈높이에서 40밀리미터 표준 렌즈로 촬영한 정상 원근의 장면이며, 내려다본 평면 시점이나 건축 도면 구도가 아니다. 작업대 위에는 이 순간 확인 중인 사진첩 한 권이 펼쳐져 있고, 실제 종이의 섬유감, 투명 보호 필름의 미세한 반사, 오래 다뤄진 모서리와 인화지의 물성이 사실적으로 보인다. 사진첩 내부에도 사람, 얼굴, 신체 형태는 보이지 않는다. 수납장은 실제 도장 금속 또는 저렴한 합판의 마모와 손때가 있고, 작업대 표면에는 일상적인 미세 흠집과 닦인 자국이 남아 있다. 벽과 바닥은 한국의 평범한 실무 공간에서 볼 수 있는 현실적인 마감과 사소한 얼룩을 지니되, 과장된 낡음이나 불필요한 어지럼은 없다. 긴장된 증거 확인 상황을 암시하지만 공간 자체는 차분하고 절차적이며 선정적 요소가 없다. 사람, 얼굴, 인체 모양의 형상은 전혀 없다. 실제 디지털 일안 반사식 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소 참고 사진처럼 정확한 재료 질감과 자연스러운 피사계 심도, 후처리 없는 담담한 기록 사진. 깨끗한 광고용 사진, 삽화, 컴퓨터 생성 영상, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            7,
            1
          ],
          "camera_unit": 3,
          "fov_deg": 50,
          "framing_notes": "Use a neutral medium view from unit 3, directing the frame toward unit 4 and the exact look-at cell associated with base marker 7; preserve enough fixed context for markers 10 and 11 behind the committed subject.",
          "lens_enum": "normal",
          "look_at_cell": [
            8,
            5
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show the camera position within unit 3 and prioritize the view toward unit 4, with only the portions of unit 1 supported by the broad geometry superset. Keep base markers 7, 10, and 11 legible in their committed positions.",
          "camera_framing_directive": "Frame from camera unit 3 at cell [7,1] toward look-at unit 4 at cell [8,5] with a normal 50-degree lens, giving neutral medium coverage consistent with the committed low close-medium endpoint.",
          "subject_position_directive": "Place the single committed subject in an upper-body three-quarter view, with marker 16 held across the lower third and the gaze directed toward an off-frame subject; do not place that off-frame subject in the image.",
          "state_cue_directive": "Carry transient marker 16 and the committed restrained daytime illumination. Keep base markers 1, 3, 4, 7, 10, and 11 structurally stable and introduce no additional state cue.",
          "negative_continuity_directive": "Exclude overlay markers 14, 15, 17, and 18. Do not add units or openings outside the selected view, and do not invent unlisted subjects, fixed elements, or state overlays."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l50_main_room",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l50_main_room"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L50B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L50",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L50B03.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역에서 실제로 사용되는 소박한 수사 기록 검토실의 밤 풍경. 완전한 직사각형 단일실 내부이며, 중앙에서 동쪽까지 이어지는 공동 작업 구역 너머 동쪽 벽의 벽걸이 화이트보드가 화면의 지배적인 배경 면을 이룬다. 동쪽 중앙의 작업 테이블 가까이에 카메라를 두고 화이트보드를 바라보는 구도이며, 서 있는 사람의 눈높이 약 1.6m에서 35mm급 광각 표준 렌즈로 촬영한다. 남쪽 벽의 안쪽으로 열리는 출입문은 실제 업무 공간의 구조적 맥락에 맞게 배치한다.\n\n야간 증거 검토가 한창인 일시적 상태로, 작업 테이블 주변과 공동 작업 구역 가장자리에 압수물 상자, 투명 증거 봉투, 서류 묶음과 기록철이 불규칙하지만 절차적으로 분류된 더미로 쌓여 있다. 화이트보드 표면은 손으로 쓴 한국어 메모, 날짜와 시간의 연결 관계, 사건 흐름 도표, 화살표, 인쇄 문서, 비식별 자료 사진과 고정 핀으로 촘촘하게 덮여 있다. 자료는 선정적이지 않은 행정 문서와 도표 중심이며, 사진은 평면 인쇄물로만 보이고 얼굴이나 사람 형상은 포함하지 않는다.\n\n늦은 밤의 차분하고 긴장된 실무 분위기, 천장 사무용 형광등의 절제된 중성광과 약간 어두운 주변부, 중간에서 낮은 대비의 자연스러운 노출. 실제 도장 벽의 미세한 얼룩, 반복 사용으로 닳은 테이블 표면, 화이트보드의 희미한 지운 자국, 금속 부품의 생활 흠집, 종이 섬유와 비닐 봉투의 반사 등 현실적인 재질을 정확히 표현한다. 지나치게 정돈된 광고 사진이 아니라 일상적인 사용감과 작은 오염이 남은 실제 장소 참고 사진이어야 한다. 인물, 얼굴, 신체 형태의 모형이나 실루엣 없이 완전히 비어 있는 배경 공간으로 표현한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소를 담은 사실적인 기록 사진, 자연스러운 피사계 심도, 과도한 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 컴퓨터 그래픽이 아닌 실제 카메라 촬영물. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "작업 테이블 가까이에서 동쪽 벽의 화이트보드를 정면에 가깝게 바라본다. 서 있는 사람의 눈높이 약 1.6m와 35mm 광각 표준 렌즈의 자연스러운 원근을 적용하고, 기록으로 빽빽한 화이트보드를 화면의 지배적인 배경 면으로 삼는다. 작업 구역 가장자리에는 야간 검토 중 임시로 쌓아 둔 압수물 상자, 증거 봉투와 기록철 일부가 보이게 한다. 공간에는 인물, 얼굴, 사람 형태가 없어야 한다.",
            "shot_id": "S58_Shot10"
          }
        ],
        "shot_ids": [
          "S58_Shot10"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 11 (work table), facing number 12 (wall-mounted whiteboard) across number 3 (shared work zone)",
          "camera_height": "eye-level standing, approximately 1.6 m",
          "lens_hint": "35mm wide-normal lens",
          "framing_notes": "Make the whiteboard the dominant background plane, include seized-item piles at the edge of the work zone, and depict numbers 17 and 18 only as nighttime investigative overlays."
        },
        "reference_decision": {
          "bg_id": "L50B03",
          "fp_id": "fp_l50_main_room",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L50B03 remains in the physical space established by L50B02 and shares fixed markers 1, 3, and 11 with that anchor. S58_Shot10 requires a distinct wide view toward marker 12 from camera unit 5, revealing a fixed surface and structural slice not shown by the anchor framing, so it needs its own same-space plate rather than low-delta reuse.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L50B02.png"
          ],
          "source_bg_ids": [
            "L50B02"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "physical_space_1"
            ],
            "rejected_refs": [
              {
                "reason": "L50B01 represents the same physical space rather than a second co-visible space, and its look-at cell [1,6] does not establish the marker-12-facing view required here.",
                "ref_bg_id": "L50B01"
              }
            ],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "physical_space_1",
                "ref_bg_id": "L50B02",
                "space_description": "Same physical space identified by shared unit markers 1 and 3 and fixed base marker 11."
              }
            ],
            "why_single_ref_or_two_refs": "A single reference supplies the shared physical-space identity; no consuming-shot fact requires two distinct spaces to be co-visible."
          },
          "camera_decision": {
            "camera_cell": [
              4,
              7
            ],
            "camera_unit": 5,
            "fov_deg": 90,
            "framing_notes": "Use a broad rear view from unit 5 toward unit 3 and exact look-at cell [0,4], placing fixed marker 12 prominently above the committed group while retaining low foreground context.",
            "lens_enum": "wide",
            "look_at_cell": [
              0,
              4
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "From unit 5, direct the broad view toward unit 3 and marker 12 at look-at cell [0,4], retaining visible portions of unit 1 and the local unit-5 context. Keep markers 6, 11, and 12 legible where supported by the selected cone.",
            "camera_framing_directive": "Frame from camera unit 5 at cell [4,7] toward look-at unit 3 at cell [0,4] with a wide 90-degree lens. Use broad rear coverage, keeping four full-body subjects in the lower half and marker 12 in the upper center.",
            "subject_position_directive": "Place four committed full-body subjects in the lower half with their backs toward the camera and attention directed upward. Preserve the staged asynchronous poses while keeping their feet unobscured and marker 12 visible above them.",
            "state_cue_directive": "Carry transient markers 17 and 18 with the committed restrained nighttime illumination. Marker 18 must remain associated with fixed marker 12, and no additional state overlays may be invented.",
            "negative_continuity_directive": "Exclude overlay markers 14, 15, and 16. Preserve the inherited positions of shared markers 1, 3, and 11 from L50B02, keep marker 12 fixed at its committed location, and do not introduce spaces or openings outside the selected wide view."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 3\n  - look_at_cell: [0, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad rear view from unit 5 toward unit 3 and exact look-at cell [0,4], placing fixed marker 12 prominently above the committed group while retaining low foreground context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, direct the broad view toward unit 3 and marker 12 at look-at cell [0,4], retaining visible portions of unit 1 and the local unit-5 context. Keep markers 6, 11, and 12 legible where supported by the selected cone.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 3 at cell [0,4] with a wide 90-degree lens. Use broad rear coverage, keeping four full-body subjects in the lower half and marker 12 in the upper center.\n  - subject_position_directive: Place four committed full-body subjects in the lower half with their backs toward the camera and attention directed upward. Preserve the staged asynchronous poses while keeping their feet unobscured and marker 12 visible above them.\n  - state_cue_directive: Carry transient markers 17 and 18 with the committed restrained nighttime illumination. Marker 18 must remain associated with fixed marker 12, and no additional state overlays may be invented.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, and 16. Preserve the inherited positions of shared markers 1, 3, and 11 from L50B02, keep marker 12 fixed at its committed location, and do not introduce spaces or openings outside the selected wide view.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 3\n  - look_at_cell: [0, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad rear view from unit 5 toward unit 3 and exact look-at cell [0,4], placing fixed marker 12 prominently above the committed group while retaining low foreground context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, direct the broad view toward unit 3 and marker 12 at look-at cell [0,4], retaining visible portions of unit 1 and the local unit-5 context. Keep markers 6, 11, and 12 legible where supported by the selected cone.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 3 at cell [0,4] with a wide 90-degree lens. Use broad rear coverage, keeping four full-body subjects in the lower half and marker 12 in the upper center.\n  - subject_position_directive: Place four committed full-body subjects in the lower half with their backs toward the camera and attention directed upward. Preserve the staged asynchronous poses while keeping their feet unobscured and marker 12 visible above them.\n  - state_cue_directive: Carry transient markers 17 and 18 with the committed restrained nighttime illumination. Marker 18 must remain associated with fixed marker 12, and no additional state overlays may be invented.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, and 16. Preserve the inherited positions of shared markers 1, 3, and 11 from L50B02, keep marker 12 fixed at its committed location, and do not introduce spaces or openings outside the selected wide view.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L50B02' physical_space_id='physical_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [4, 7]\n  - look_at_unit: 3\n  - look_at_cell: [0, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad rear view from unit 5 toward unit 3 and exact look-at cell [0,4], placing fixed marker 12 prominently above the committed group while retaining low foreground context.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 5, direct the broad view toward unit 3 and marker 12 at look-at cell [0,4], retaining visible portions of unit 1 and the local unit-5 context. Keep markers 6, 11, and 12 legible where supported by the selected cone.\n  - camera_framing_directive: Frame from camera unit 5 at cell [4,7] toward look-at unit 3 at cell [0,4] with a wide 90-degree lens. Use broad rear coverage, keeping four full-body subjects in the lower half and marker 12 in the upper center.\n  - subject_position_directive: Place four committed full-body subjects in the lower half with their backs toward the camera and attention directed upward. Preserve the staged asynchronous poses while keeping their feet unobscured and marker 12 visible above them.\n  - state_cue_directive: Carry transient markers 17 and 18 with the committed restrained nighttime illumination. Marker 18 must remain associated with fixed marker 12, and no additional state overlays may be invented.\n  - negative_continuity_directive: Exclude overlay markers 14, 15, and 16. Preserve the inherited positions of shared markers 1, 3, and 11 from L50B02, keep marker 12 fixed at its committed location, and do not introduce spaces or openings outside the selected wide view.\n\n대한민국 전라남도·광주광역시 권역에서 실제로 사용되는 소박한 수사 기록 검토실의 밤 풍경. 완전한 직사각형 단일실 내부이며, 중앙에서 동쪽까지 이어지는 공동 작업 구역 너머 동쪽 벽의 벽걸이 화이트보드가 화면의 지배적인 배경 면을 이룬다. 동쪽 중앙의 작업 테이블 가까이에 카메라를 두고 화이트보드를 바라보는 구도이며, 서 있는 사람의 눈높이 약 1.6m에서 35mm급 광각 표준 렌즈로 촬영한다. 남쪽 벽의 안쪽으로 열리는 출입문은 실제 업무 공간의 구조적 맥락에 맞게 배치한다.\n\n야간 증거 검토가 한창인 일시적 상태로, 작업 테이블 주변과 공동 작업 구역 가장자리에 압수물 상자, 투명 증거 봉투, 서류 묶음과 기록철이 불규칙하지만 절차적으로 분류된 더미로 쌓여 있다. 화이트보드 표면은 손으로 쓴 한국어 메모, 날짜와 시간의 연결 관계, 사건 흐름 도표, 화살표, 인쇄 문서, 비식별 자료 사진과 고정 핀으로 촘촘하게 덮여 있다. 자료는 선정적이지 않은 행정 문서와 도표 중심이며, 사진은 평면 인쇄물로만 보이고 얼굴이나 사람 형상은 포함하지 않는다.\n\n늦은 밤의 차분하고 긴장된 실무 분위기, 천장 사무용 형광등의 절제된 중성광과 약간 어두운 주변부, 중간에서 낮은 대비의 자연스러운 노출. 실제 도장 벽의 미세한 얼룩, 반복 사용으로 닳은 테이블 표면, 화이트보드의 희미한 지운 자국, 금속 부품의 생활 흠집, 종이 섬유와 비닐 봉투의 반사 등 현실적인 재질을 정확히 표현한다. 지나치게 정돈된 광고 사진이 아니라 일상적인 사용감과 작은 오염이 남은 실제 장소 참고 사진이어야 한다. 인물, 얼굴, 신체 형태의 모형이나 실루엣 없이 완전히 비어 있는 배경 공간으로 표현한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 다큐멘터리 풍 사진, 실제 장소를 담은 사실적인 기록 사진, 자연스러운 피사계 심도, 과도한 후처리 없음. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 컴퓨터 그래픽이 아닌 실제 카메라 촬영물. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            4,
            7
          ],
          "camera_unit": 5,
          "fov_deg": 90,
          "framing_notes": "Use a broad rear view from unit 5 toward unit 3 and exact look-at cell [0,4], placing fixed marker 12 prominently above the committed group while retaining low foreground context.",
          "lens_enum": "wide",
          "look_at_cell": [
            0,
            4
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "From unit 5, direct the broad view toward unit 3 and marker 12 at look-at cell [0,4], retaining visible portions of unit 1 and the local unit-5 context. Keep markers 6, 11, and 12 legible where supported by the selected cone.",
          "camera_framing_directive": "Frame from camera unit 5 at cell [4,7] toward look-at unit 3 at cell [0,4] with a wide 90-degree lens. Use broad rear coverage, keeping four full-body subjects in the lower half and marker 12 in the upper center.",
          "subject_position_directive": "Place four committed full-body subjects in the lower half with their backs toward the camera and attention directed upward. Preserve the staged asynchronous poses while keeping their feet unobscured and marker 12 visible above them.",
          "state_cue_directive": "Carry transient markers 17 and 18 with the committed restrained nighttime illumination. Marker 18 must remain associated with fixed marker 12, and no additional state overlays may be invented.",
          "negative_continuity_directive": "Exclude overlay markers 14, 15, and 16. Preserve the inherited positions of shared markers 1, 3, and 11 from L50B02, keep marker 12 fixed at its committed location, and do not introduce spaces or openings outside the selected wide view."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l50_main_room",
          "prior_bg_ids": [
            "L50B02"
          ],
          "attached_ref_labels": [
            "bg:L50B02"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L51B01": {
        "status": "ok",
        "location_id": "L51",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L51B01.png",
        "t2i_prompt": "대한민국 전라남도·광주권의 현실적인 21세기 초·중반 소규모 칵테일바 내부를 밤에 촬영한 실제 카메라 다큐멘터리 풍 사진. 좁고 긴 실내에서 중앙과 서쪽은 손님 좌석 구역이고, 동쪽에는 긴 남북 방향 바 카운터가 손님 구역과 바텐더 작업 구역을 나눈다. 카운터 손님 쪽에는 연속된 바 스툴이 놓이고, 맞은편 동쪽 벽에는 술병과 기본 바 용품을 수납하는 백바 선반이 이어진다. 작업 구역 중앙에는 칵테일 준비대와 아이스 웰이 있고 뒤쪽에는 바 싱크와 카운터 아래 냉장고, 북쪽 끝에는 소박한 서비스·수납 공간이 보인다. 서쪽 벽의 붙박이 벤치와 그 앞 소형 테이블들이 좁은 손님 통로를 형성한다. 서로 이웃한 두 스툴 바로 앞 카운터 위에 곧은 형태의 술잔 두 개가 나란히 놓여 있고, 술을 보충하는 데 쓰는 술병 한 병이 백바에서 손님 쪽 카운터로 옮겨져 잠시 놓여 있다. 사람, 얼굴, 신체 형태의 인물은 전혀 없으며 비어 있는 배경 공간만 표현한다. 조용한 심야 분위기, 낮게 켜진 따뜻한 실내 조명과 선반의 절제된 간접광, 어두운 주변부와 보통 이하의 대비, 과도한 장식이나 최신형 전자기기 없이 해당 시대 한국 도심의 소규모 바에서 볼 수 있는 실용적이고 소박한 인테리어. 실제 목재 결, 닳은 카운터 모서리, 스툴의 직물 또는 가죽 표면, 사용 흔적이 남은 스테인리스강, 유리잔의 미세한 반사, 금속의 자연스러운 변색과 일상적인 얼룩을 정확하게 표현한다. 서쪽 벽의 붙박이 벤치 가까운 손님 통로에서 약 1.4~1.6m 눈높이로, 중앙 손님 좌석 구역을 사선으로 가로질러 바 카운터와 스툴, 동쪽 백바 선반을 바라보는 구도. 35mm급 보통 광각 렌즈, 자연스러운 원근과 피사계 심도, 실제 미러리스 또는 DSLR 카메라로 촬영한 현장 참고 사진, 과도한 후처리 없는 사실적 기록 사진. 하향 시점, 평면도, 건축 도식이 아닌 서 있는 사람의 실제 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_guides": [
          {
            "guide_text": "서쪽 벽의 붙박이 벤치 가까운 손님 통로에서 약 1.4~1.6m 높이로 바라본다. 중앙 손님 좌석 구역을 사선으로 가로질러 긴 바 카운터와 스툴, 그 너머 백바 선반이 자연스럽게 이어지도록 구성하고, 서로 이웃한 두 좌석 앞의 일자형 술잔 두 개와 손님 쪽에 잠시 옮겨 놓은 리필용 술병이 명확히 보이게 한다. 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S60_Shot1"
          },
          {
            "guide_text": "동일한 서쪽 손님 통로 시점을 유지하되 바 카운터 중앙과 칵테일 준비 구역의 깊이를 중심으로 잡는다. 낮은 야간 실내등 아래 실제 금속과 목재, 유리 표면의 사용감이 보이게 하고, 인접한 두 스툴 앞의 술잔 한 쌍과 카운터 손님 쪽의 리필용 술병을 프레임 안에 유지한다. 사람이나 얼굴, 신체 형태는 묘사하지 않는다.",
            "shot_id": "S60_Shot10"
          },
          {
            "guide_text": "35mm급 보통 광각의 자연스러운 원근으로 좁고 긴 바의 깊이를 보여 준다. 서쪽 벤치와 소형 테이블은 전경 가장자리에 두고, 바 스툴과 카운터를 따라 북쪽 서비스 구역 및 동쪽 백바 선반으로 시선이 이어지게 한다. 두 개의 일자형 술잔과 일시적으로 손님 쪽에 놓인 리필용 술병을 과장 없이 기록 사진처럼 담으며 공간은 비어 있어야 한다.",
            "shot_id": "S60_Shot11"
          }
        ],
        "shot_ids": [
          "S60_Shot1",
          "S60_Shot10",
          "S60_Shot11"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "text_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "from the customer aisle near number 13 (wall banquette), facing diagonally across number 1 (customer seating zone) toward number 5 (bar counter), number 6 (bar stools), and number 7 (backbar shelving)",
          "camera_height": "eye-level seated-to-standing transition, approximately 1.4–1.6 m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Frame two adjacent positions at number 6 opposite the bartender work zone, with numbers 5 and 7 forming the principal background. Keep number 9 visible as the bartender's cocktail-making station and allow number 16 to be carried between the backbar and the two glasses at number 15."
        },
        "reference_decision": {
          "mode": "missing_plan_direct_plate_fallback",
          "surface_role": "interior_room",
          "fp_id": "",
          "source_bg_ids": []
        },
        "effective_render_prompt": "대한민국 전라남도·광주권의 현실적인 21세기 초·중반 소규모 칵테일바 내부를 밤에 촬영한 실제 카메라 다큐멘터리 풍 사진. 좁고 긴 실내에서 중앙과 서쪽은 손님 좌석 구역이고, 동쪽에는 긴 남북 방향 바 카운터가 손님 구역과 바텐더 작업 구역을 나눈다. 카운터 손님 쪽에는 연속된 바 스툴이 놓이고, 맞은편 동쪽 벽에는 술병과 기본 바 용품을 수납하는 백바 선반이 이어진다. 작업 구역 중앙에는 칵테일 준비대와 아이스 웰이 있고 뒤쪽에는 바 싱크와 카운터 아래 냉장고, 북쪽 끝에는 소박한 서비스·수납 공간이 보인다. 서쪽 벽의 붙박이 벤치와 그 앞 소형 테이블들이 좁은 손님 통로를 형성한다. 서로 이웃한 두 스툴 바로 앞 카운터 위에 곧은 형태의 술잔 두 개가 나란히 놓여 있고, 술을 보충하는 데 쓰는 술병 한 병이 백바에서 손님 쪽 카운터로 옮겨져 잠시 놓여 있다. 사람, 얼굴, 신체 형태의 인물은 전혀 없으며 비어 있는 배경 공간만 표현한다. 조용한 심야 분위기, 낮게 켜진 따뜻한 실내 조명과 선반의 절제된 간접광, 어두운 주변부와 보통 이하의 대비, 과도한 장식이나 최신형 전자기기 없이 해당 시대 한국 도심의 소규모 바에서 볼 수 있는 실용적이고 소박한 인테리어. 실제 목재 결, 닳은 카운터 모서리, 스툴의 직물 또는 가죽 표면, 사용 흔적이 남은 스테인리스강, 유리잔의 미세한 반사, 금속의 자연스러운 변색과 일상적인 얼룩을 정확하게 표현한다. 서쪽 벽의 붙박이 벤치 가까운 손님 통로에서 약 1.4~1.6m 눈높이로, 중앙 손님 좌석 구역을 사선으로 가로질러 바 카운터와 스툴, 동쪽 백바 선반을 바라보는 구도. 35mm급 보통 광각 렌즈, 자연스러운 원근과 피사계 심도, 실제 미러리스 또는 DSLR 카메라로 촬영한 현장 참고 사진, 과도한 후처리 없는 사실적 기록 사진. 하향 시점, 평면도, 건축 도식이 아닌 서 있는 사람의 실제 눈높이 사진. 16:9 가로 비율, 실제 카메라 촬영본.",
        "shot_aware_plan_mode": "missing_plan_direct_plate_fallback",
        "attached_reference_lineage": {
          "fp_id": "",
          "prior_bg_ids": [],
          "attached_ref_labels": [],
          "ref_used": "text_only",
          "db_write_policy": "checkpoint_only"
        },
        "render_degraded": true,
        "fallback_reason": "shot_aware_plan_missing",
        "missing_fp_id": "fp_cocktail_bar_main"
      },
      "L58B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L58",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L58B01.png",
        "t2i_prompt": "대한민국 광주·전남권의 21세기 초·중반 공공 법원 청사 외관과 전면 보행 광장을 기록한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 도로변 보도 가까이에서 약 1.6미터의 서 있는 성인 눈높이로 촬영하며, 35밀리미터 규격 미러리스 카메라의 28밀리미터 광각 렌즈를 사용한다. 중앙 보행 접근로를 따라 넓은 전면 광장 너머의 청사 정면을 똑바로 바라보는 중심축이 분명한 넓은 설정 구도다. 북쪽의 폭넓고 직사각형인 공공기관 청사 전면 중앙에는 유리 미닫이 출입문이 있고, 출입구 바로 앞의 단과 그 아래 계단이 광장으로 이어진다. 계단 한쪽에는 보행 광장과 출입구 앞 단을 연결하는 접근성 경사로가 있으며, 청사 정면 양쪽에는 반복된 유리창 배열이 이어진다. 외장은 당시 대한민국 지방 공공청사에서 볼 수 있는 실제 석재 패널, 노출된 콘크리트 접합부, 금속 창틀과 투명 유리의 현실적인 재질로 표현하고, 표면에는 과장되지 않은 일상적 풍화와 사용감이 드러난다. 맑고 화창한 낮의 자연광이 건물 정면과 광장을 고르게 비추며, 푸른 하늘 아래 선명하지만 과도하게 강하지 않은 그림자와 절제된 자연색, 중간 정도의 명암 대비를 유지한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물 없이 비어 있는 배경만 담는다. 자연스러운 원근감과 실제 렌즈의 깊이감, 사실적인 유리 반사와 재료 질감이 있는 현장 기록 사진이며, 깨끗한 광고 사진이나 컴퓨터 생성 이미지가 아닌 무보정에 가까운 실제 장소 참고 사진이다. 하향 시점, 평면도, 건축 도식은 사용하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "도로변 보도 가까이의 성인 눈높이에서 중앙 보행 접근로와 전면 광장을 가로질러 법원 청사의 중앙 출입구를 정면으로 바라본다. 28밀리미터 광각으로 청사 전면, 출입구, 앞 단, 계단, 경사로, 반복된 창을 균형 있게 담는 넓고 대칭적인 설정 사진으로 구성한다.",
            "shot_id": "S72_Shot1"
          },
          {
            "guide_text": "도로변 보도 가까이에서 약 1.6미터 높이의 정면 시점을 유지한다. 중앙 보행 접근로를 화면 중심축으로 삼아 넓은 전면 광장 너머의 청사 입구와 양쪽 창 배열, 계단과 경사로가 한눈에 읽히도록 28밀리미터 광각의 넓은 설정 구도를 사용한다.",
            "shot_id": "S84_Shot1"
          }
        ],
        "shot_ids": [
          "S72_Shot1",
          "S84_Shot1"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_2",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 8 (street-edge sidewalk), facing across number 7 (central pedestrian approach) and number 6 (forecourt) toward number 2 (main entrance) and number 1 (courthouse frontage)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Use a centered, broad establishing composition that clearly presents the entrance, steps, ramp, forecourt, and repeated front glazing under clear daytime conditions."
        },
        "reference_decision": {
          "bg_id": "L58B01",
          "fp_id": "fp_courthouse_forecourt",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L58B01 is a clean anchor candidate and establishes the dwelling identity without a prior reference. A wide view from unit 6 toward unit 1 supplies the oblique exterior axis requested by S72_Shot1 and S84_Shot1 while allowing the fixed markers and surrounding approach units to remain legible.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_courthouse_forecourt.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No prior same-fp reference is available or required for the dwelling-identity anchor."
          },
          "camera_decision": {
            "camera_cell": [
              5,
              2
            ],
            "camera_unit": 6,
            "fov_deg": 90,
            "framing_notes": "Use the oblique axis from unit 6 toward unit 1 to support the staged wide three-quarter establishing views while retaining broad approach coverage.",
            "lens_enum": "wide",
            "look_at_cell": [
              2,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From unit 6, direct the wide view toward unit 1 and opening marker 2, retaining visible portions of target units 3, 7, and 8 where supported by the view cone. Include the committed fixed markers 4 and 5 and opening marker 9 only in positions established by base markers 1 through 9.",
            "camera_framing_directive": "Frame from camera unit 6 at cell [5,2] toward unit 1 through look-at cell [2,4], using the wide 90-degree lens for broad coverage of the fixed frontage and its approach. Keep the principal fixed structure central with sufficient surrounding space for both staged establishing compositions.",
            "subject_position_directive": "No committed subject cue is available in S72_Shot1 or S84_Shot1 beyond the listed background framing facts; keep the BG free of invented subjects and preserve the central and upper-center architectural clearance required by the staged wide frames.",
            "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the consuming shots' daytime illumination and refrain from inventing additional cues or baking a temporary overlay into the plate.",
            "negative_continuity_directive": "Do not introduce numbered elements outside markers 1 through 9, do not add uncommitted state overlays, and do not assert visibility of spaces beyond the unit 6 view-cone candidates. Keep fixed fixture markers 4 and 5 and opening markers 2 and 9 aligned with the base plan."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [5, 2]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the oblique axis from unit 6 toward unit 1 to support the staged wide three-quarter establishing views while retaining broad approach coverage.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, direct the wide view toward unit 1 and opening marker 2, retaining visible portions of target units 3, 7, and 8 where supported by the view cone. Include the committed fixed markers 4 and 5 and opening marker 9 only in positions established by base markers 1 through 9.\n  - camera_framing_directive: Frame from camera unit 6 at cell [5,2] toward unit 1 through look-at cell [2,4], using the wide 90-degree lens for broad coverage of the fixed frontage and its approach. Keep the principal fixed structure central with sufficient surrounding space for both staged establishing compositions.\n  - subject_position_directive: No committed subject cue is available in S72_Shot1 or S84_Shot1 beyond the listed background framing facts; keep the BG free of invented subjects and preserve the central and upper-center architectural clearance required by the staged wide frames.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the consuming shots' daytime illumination and refrain from inventing additional cues or baking a temporary overlay into the plate.\n  - negative_continuity_directive: Do not introduce numbered elements outside markers 1 through 9, do not add uncommitted state overlays, and do not assert visibility of spaces beyond the unit 6 view-cone candidates. Keep fixed fixture markers 4 and 5 and opening markers 2 and 9 aligned with the base plan.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [5, 2]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the oblique axis from unit 6 toward unit 1 to support the staged wide three-quarter establishing views while retaining broad approach coverage.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, direct the wide view toward unit 1 and opening marker 2, retaining visible portions of target units 3, 7, and 8 where supported by the view cone. Include the committed fixed markers 4 and 5 and opening marker 9 only in positions established by base markers 1 through 9.\n  - camera_framing_directive: Frame from camera unit 6 at cell [5,2] toward unit 1 through look-at cell [2,4], using the wide 90-degree lens for broad coverage of the fixed frontage and its approach. Keep the principal fixed structure central with sufficient surrounding space for both staged establishing compositions.\n  - subject_position_directive: No committed subject cue is available in S72_Shot1 or S84_Shot1 beyond the listed background framing facts; keep the BG free of invented subjects and preserve the central and upper-center architectural clearance required by the staged wide frames.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the consuming shots' daytime illumination and refrain from inventing additional cues or baking a temporary overlay into the plate.\n  - negative_continuity_directive: Do not introduce numbered elements outside markers 1 through 9, do not add uncommitted state overlays, and do not assert visibility of spaces beyond the unit 6 view-cone candidates. Keep fixed fixture markers 4 and 5 and opening markers 2 and 9 aligned with the base plan.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [5, 2]\n  - look_at_unit: 1\n  - look_at_cell: [2, 4]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use the oblique axis from unit 6 toward unit 1 to support the staged wide three-quarter establishing views while retaining broad approach coverage.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 6, direct the wide view toward unit 1 and opening marker 2, retaining visible portions of target units 3, 7, and 8 where supported by the view cone. Include the committed fixed markers 4 and 5 and opening marker 9 only in positions established by base markers 1 through 9.\n  - camera_framing_directive: Frame from camera unit 6 at cell [5,2] toward unit 1 through look-at cell [2,4], using the wide 90-degree lens for broad coverage of the fixed frontage and its approach. Keep the principal fixed structure central with sufficient surrounding space for both staged establishing compositions.\n  - subject_position_directive: No committed subject cue is available in S72_Shot1 or S84_Shot1 beyond the listed background framing facts; keep the BG free of invented subjects and preserve the central and upper-center architectural clearance required by the staged wide frames.\n  - state_cue_directive: No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the consuming shots' daytime illumination and refrain from inventing additional cues or baking a temporary overlay into the plate.\n  - negative_continuity_directive: Do not introduce numbered elements outside markers 1 through 9, do not add uncommitted state overlays, and do not assert visibility of spaces beyond the unit 6 view-cone candidates. Keep fixed fixture markers 4 and 5 and opening markers 2 and 9 aligned with the base plan.\n\n대한민국 광주·전남권의 21세기 초·중반 공공 법원 청사 외관과 전면 보행 광장을 기록한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 도로변 보도 가까이에서 약 1.6미터의 서 있는 성인 눈높이로 촬영하며, 35밀리미터 규격 미러리스 카메라의 28밀리미터 광각 렌즈를 사용한다. 중앙 보행 접근로를 따라 넓은 전면 광장 너머의 청사 정면을 똑바로 바라보는 중심축이 분명한 넓은 설정 구도다. 북쪽의 폭넓고 직사각형인 공공기관 청사 전면 중앙에는 유리 미닫이 출입문이 있고, 출입구 바로 앞의 단과 그 아래 계단이 광장으로 이어진다. 계단 한쪽에는 보행 광장과 출입구 앞 단을 연결하는 접근성 경사로가 있으며, 청사 정면 양쪽에는 반복된 유리창 배열이 이어진다. 외장은 당시 대한민국 지방 공공청사에서 볼 수 있는 실제 석재 패널, 노출된 콘크리트 접합부, 금속 창틀과 투명 유리의 현실적인 재질로 표현하고, 표면에는 과장되지 않은 일상적 풍화와 사용감이 드러난다. 맑고 화창한 낮의 자연광이 건물 정면과 광장을 고르게 비추며, 푸른 하늘 아래 선명하지만 과도하게 강하지 않은 그림자와 절제된 자연색, 중간 정도의 명암 대비를 유지한다. 공간은 깨끗하고 흐트러지지 않은 평상시 상태다. 사람, 얼굴, 인체 형태의 조형물 없이 비어 있는 배경만 담는다. 자연스러운 원근감과 실제 렌즈의 깊이감, 사실적인 유리 반사와 재료 질감이 있는 현장 기록 사진이며, 깨끗한 광고 사진이나 컴퓨터 생성 이미지가 아닌 무보정에 가까운 실제 장소 참고 사진이다. 하향 시점, 평면도, 건축 도식은 사용하지 않는다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThe LAST attached image is a TOP-DOWN INTERIOR FLOOR PLAN of the building at this location — a STRUCTURAL REFERENCE ONLY, never content to draw. It defines the building's real scale: its footprint, room count, and the placement of its doors and windows. Render the scene so the building's exterior size, number of storeys, and the scale and placement of its doors and windows stay consistent with that plan. Do NOT draw the floor plan itself, its lines, text or numbers anywhere in the image.",
        "camera_decision": {
          "camera_cell": [
            5,
            2
          ],
          "camera_unit": 6,
          "fov_deg": 90,
          "framing_notes": "Use the oblique axis from unit 6 toward unit 1 to support the staged wide three-quarter establishing views while retaining broad approach coverage.",
          "lens_enum": "wide",
          "look_at_cell": [
            2,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 6, direct the wide view toward unit 1 and opening marker 2, retaining visible portions of target units 3, 7, and 8 where supported by the view cone. Include the committed fixed markers 4 and 5 and opening marker 9 only in positions established by base markers 1 through 9.",
          "camera_framing_directive": "Frame from camera unit 6 at cell [5,2] toward unit 1 through look-at cell [2,4], using the wide 90-degree lens for broad coverage of the fixed frontage and its approach. Keep the principal fixed structure central with sufficient surrounding space for both staged establishing compositions.",
          "subject_position_directive": "No committed subject cue is available in S72_Shot1 or S84_Shot1 beyond the listed background framing facts; keep the BG free of invented subjects and preserve the central and upper-center architectural clearance required by the staged wide frames.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the consuming shots' daytime illumination and refrain from inventing additional cues or baking a temporary overlay into the plate.",
          "negative_continuity_directive": "Do not introduce numbered elements outside markers 1 through 9, do not add uncommitted state overlays, and do not assert visibility of spaces beyond the unit 6 view-cone candidates. Keep fixed fixture markers 4 and 5 and opening markers 2 and 9 aligned with the base plan."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courthouse_forecourt",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_courthouse_forecourt",
            "building_fp:fp_courtroom"
          ],
          "ref_used": "refs_2",
          "db_write_policy": "checkpoint_only"
        },
        "building_fp_ref": {
          "fp_id": "fp_courtroom",
          "indoor_loc_sid": "L59",
          "group_id": "bg_courthouse",
          "fp_asset_id": "a57510fc-27e9-4925-a94a-4c05e160ddeb"
        }
      },
      "L58B02": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L58B01",
        "reused_from_bg_id": "L58B01",
        "location_id": "L58",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L58B01.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역에서 볼 수 있는 21세기 초·중반의 현실적인 공공 법원 출입구 앞 광장. 북쪽의 넓고 절제된 제도권 공공건축 정면은 실제 석재 외장, 노출된 콘크리트와 금속 프레임, 반복된 유리창으로 이루어져 있고, 중앙의 유리 미닫이 출입문 앞에는 출입구 참과 낮은 계단이 있으며 한쪽에는 접근성 경사로가 연결된다. 계단 아래로 넓은 보행자 앞마당이 펼쳐지고, 중앙 보행축이 건물 입구에서 남쪽 도로변 보도까지 곧게 이어진다. 앞마당 한쪽 가장자리에서 카메라를 두고 출입구 참과 계단을 비스듬히 지나 중앙 보행축을 따라 먼 보도까지 바라보는 구도, 서 있는 사람의 눈높이 약 1.6미터, 35밀리미터급 보통 광각 렌즈. 입구에서 광장 반대편까지 길고 막힘없는 시야를 확보하고, 가까운 건물 쪽과 먼 보도 쪽에 넉넉한 빈 공간을 남긴다. 밝은 햇빛이 광장 바닥과 건물 정면에 자연스럽게 닿고, 조용한 이별 뒤의 여운처럼 차분하고 절제된 정서가 느껴지되 공간 자체는 일상적이고 사실적이다. 깨끗하고 흐트러지지 않은 상태의 빈 공간이다. 사람, 얼굴, 사람 형태의 조형물이나 실루엣은 전혀 없다. 실제 카메라로 촬영한 다큐멘터리 풍 사진, 실제 미러리스 또는 DSLR 카메라의 자연스러운 원근, 보통에서 낮은 대비의 자연광, 과장되지 않은 색, 실제 콘크리트의 미세한 얼룩과 마모, 금속의 은은한 산화 흔적, 유리의 현실적인 반사, 석재와 포장재의 정확한 표면 질감, 자연스러운 심도. 깨끗한 광고용 사진이 아니라 실제 장소 기록 사진처럼 담담하며 별도의 과도한 후처리가 없다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 컴퓨터 그래픽, 건축 시각화가 아닌 실제 촬영 사진. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "앞마당 한쪽 가장자리의 사람 눈높이에서 출입구 참과 계단을 비스듬히 지나 중앙 보행축 너머 도로변 보도까지 바라본다. 건물 가까운 빈 공간과 멀리 이어지는 빈 보행 공간이 한 화면에서 명확히 구분되도록 길고 막힘없는 시야를 유지한다. 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S86_Shot4"
          },
          {
            "guide_text": "중앙 보행축이 출입구에서 도로변 보도까지 길게 이어지는 방향성을 강조한다. 계단과 접근성 경사로는 주변부에서 자연스럽게 읽히게 하고, 햇빛이 비치는 넓은 빈 앞마당과 먼 보도 사이에 충분한 거리감과 자연스러운 원근을 확보한다. 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S86_Shot6"
          }
        ],
        "shot_ids": [
          "S86_Shot4",
          "S86_Shot6"
        ],
        "scenes": [],
        "parent_id": "L58B01",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near the side edge of number 6 (forecourt), facing diagonally past number 3 (entrance landing) and number 4 (entrance steps) along number 7 (central pedestrian approach) toward number 8 (street-edge sidewalk)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Preserve a long, unobstructed sightline from the entrance to the far side of the plaza, with enough open space to stage one figure near the building and another moving away in the distance."
        },
        "reference_decision": {
          "mode": "reference_derived",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L58B01",
          "selected_refs": [
            {
              "physical_space_id": "physical_space_1",
              "ref_bg_id": "L58B01",
              "space_description": "Same visible physical space and fixed marker layout from the matching wide oblique camera geometry."
            }
          ]
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "reference_derived",
        "render_guidance": {
          "camera_framing_directive": "Match L58B01 from camera unit 6 at cell [5,2], looking toward unit 1 through cell [2,4] with the wide 90-degree lens. Preserve broad coverage for the staged left-foreground or lower-left subject zone, the distant right-side subject zone, and the open interval between them.",
          "negative_continuity_directive": "Keep markers 1 through 9 in the same fixed positions established by L58B01, including fixture markers 4 and 5 and opening markers 2 and 9. Do not add uncommitted overlays, extra numbered elements, or spaces outside the unit 6 view cone, and do not bake shot-specific subjects or actions into the reusable clean plate.",
          "state_cue_directive": "No committed state cue beyond \"clean residential space\" applies because the BG is marked clean and has no transient markers; retain the staged natural daytime exterior illumination and refrain from inventing additional state cues.",
          "subject_position_directive": "Treat the staged subjects as shot-specific scene layers: S86_Shot4 reserves a softly out-of-focus foreground zone at middle-left for C01 and a distant middle-right zone for C05, while S86_Shot6 reserves the lower-left midground for C01 and the upper-right background for C05. Keep the reusable BG free of invented subjects while preserving those placement zones.",
          "visible_space_directive": "Match L58B01's wide sightline from unit 6 toward unit 1, with visible portions of target units 3, 7, and 8 retained where supported by the cone and with opening markers 2 and 9 and fixture markers 4 and 5 fixed in their established positions."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courthouse_forecourt",
          "prior_bg_ids": [
            "L58B01"
          ],
          "attached_ref_labels": [
            "bg:L58B01"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L59B02": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L59",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지역의 현실적인 지방법원 형사법정 내부를 낮 시간에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 중앙의 공용 이중문 바로 안쪽, 약 1.6미터 높이의 서 있는 사람 눈높이에서 28밀리미터급 광각 렌즈로 방청석과 중앙 통로를 가로질러 북쪽의 높아진 재판부 단상, 북동쪽 증인석과 대형 투사 스크린을 향해 대각선으로 바라본다. 남쪽 절반에는 중앙 통로로 나뉜 두 블록의 단정한 목재 방청석이 있고, 중앙 소송 공간의 동쪽에는 검사석과 문서 촬영 장치, 서쪽에는 피고인 측 변론석이 북쪽을 향한다. 그 뒤 북서쪽에는 낮은 고정 차단벽으로 둘러싸인 피고인석이 있으며 통제용 측면 출입문과 가깝다. 북쪽 단상 중앙에는 중후한 목재 재판부석과 의자, 그 앞 동쪽에는 서기석이 있고, 북동쪽의 증인석은 재판부석을 향해 비스듬히 놓여 있다. 동서 외벽의 창문 띠로 들어오는 부드러운 주간 자연광과 절제된 천장 조명이 함께 작동하며, 중간에서 낮은 대비와 중성적인 색을 유지한다. 2010년대 한국 공공청사의 실용적인 흡음 천장, 밝은 회벽, 짙은 목재 마감, 베이지색 또는 회색 직물 좌석, 사용감 있는 금속 손잡이와 바닥 모서리의 미세한 마모를 사실적으로 표현한다. 공간은 과도하게 새것 같거나 광고 사진처럼 정돈되지 않고, 실제 재판이 진행되는 공공 법정의 일상적인 긁힘, 손때, 작은 얼룩과 재료의 노화를 담는다. 대형 스크린에는 이 순간의 증거 제시 화면이 여러 구획으로 정리되어 있다. 사람의 얼굴이나 전신 형상이 보이지 않는 비선정적이고 임상적인 부검 세부 이미지, 시간 정보가 붙은 사람이 없는 장소 중심의 알리바이 사진, 위성 기반 이동 경로 지도, 사람이 없는 강변 현장의 비교 사진, 법의학 실험 과정을 기록한 비인물 사진을 화면 테두리와 디지털 압축감이 보이는 평면 자료로만 표시한다. 과거 자료는 현재 법정 공간에 실물처럼 나타나지 않으며 모든 매개 이미지는 스크린 내부에만 머문다. 제출된 일기장 한 권은 재판부석 또는 서기석 위에 임시로 놓여 있고, 증인석에는 전문가 설명용 법의학 시연 물품이 임시로 정돈되어 있다. 법의학 자료는 절차적이고 비그래픽하게 표현하며 선정적인 세부를 강조하지 않는다. 법정에는 사람, 얼굴, 인체 형상, 마네킹이나 사람처럼 보이는 실루엣이 전혀 없다. 실제 콘크리트와 회벽의 불균일함, 진짜 목재 결, 직물 짜임, 금속의 미세한 산화와 자연스러운 반사를 정확히 담고, 현실적인 피사계 심도와 창문광의 부드러운 밝기 변화를 유지한다. 실제 미러리스 또는 디지털 일안 카메라로 촬영한 객관적인 현장 참고 사진이며 후처리 없는 사실적 기록 사진이다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 생성 이미지, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 중앙 출입구 부근의 서 있는 사람 눈높이에서 방청석과 중앙 통로 너머 재판부석, 증인석, 양측 변론석, 피고인석, 대형 스크린이 함께 보이는 넓은 대각선 구도를 유지한다.",
            "shot_id": "S73_Shot5"
          },
          {
            "guide_text": "방청석 뒤쪽에서 북동쪽 증인석과 증거 스크린이 명확히 읽히면서 북쪽 재판부석과 중앙 변론 공간의 관계도 보이도록 구성한다.",
            "shot_id": "S73_Shot6"
          },
          {
            "guide_text": "중앙 통로를 전경의 유도선으로 삼아 재판부석을 향하게 하고, 화면 한쪽에 증인석과 증거 스크린, 반대쪽에 피고인석 차단벽이 포함되게 한다.",
            "shot_id": "S73_Shot7"
          },
          {
            "guide_text": "법정 전체의 절차적 배치를 보여 주는 넓은 눈높이 사진으로, 방청석부터 재판부 단상까지 깊이감이 자연스럽게 이어지게 한다.",
            "shot_id": "S75_Shot1"
          },
          {
            "guide_text": "대형 스크린의 다중 증거 자료가 평면 화면으로 식별되도록 하되, 실제 법정 공간과 재판부석의 비중이 더 크게 유지되게 한다.",
            "shot_id": "S75_Shot7"
          },
          {
            "guide_text": "남쪽 출입구 근처에서 북쪽을 향한 대각선 시야로 양측 변론석, 증인석, 재판부석과 방청석 사이의 동선을 한 장면에 담는다.",
            "shot_id": "S80_Shot1"
          },
          {
            "guide_text": "증인석에 임시로 놓인 법의학 시연 물품과 인접한 스크린이 보이되, 사람 없이 비어 있는 법정의 객관적인 기록 사진처럼 구성한다.",
            "shot_id": "S80_Shot3"
          },
          {
            "guide_text": "재판부석 또는 서기석 위에 제출된 일기장이 작지만 분명히 보이고, 중앙 변론 공간과 증인석까지 맥락이 이어지는 넓은 구도를 사용한다.",
            "shot_id": "S85_Shot5"
          },
          {
            "guide_text": "방청석 뒤에서 법정 전면을 폭넓게 바라보며 스크린의 임상적 법의학 자료, 위치 사진, 경로 지도와 비교 사진이 모두 화면 내부에 머물게 한다.",
            "shot_id": "S85_Shot19"
          },
          {
            "guide_text": "문서 촬영 장치와 검사석 주변의 증거 제시 설비가 보이면서 재판부석, 증인석, 피고인석의 상대적 위치가 흐트러지지 않게 한다.",
            "shot_id": "S85_Shot23"
          },
          {
            "guide_text": "낮 시간 창문광이 들어오는 빈 법정 전체를 남쪽 출입구 시점에서 기록하고, 중앙 통로와 재판부석을 주요 공간 축으로 삼는다.",
            "shot_id": "S87_Shot1"
          },
          {
            "guide_text": "북동쪽의 증인석과 대형 스크린을 시선의 보조 중심으로 두고, 재판부석과 양측 변론석이 같은 절차 공간 안에서 읽히게 한다.",
            "shot_id": "S87_Shot3"
          },
          {
            "guide_text": "피고인석의 낮은 고정 차단벽, 변호인석, 재판부 단상과 방청석 사이의 거리감을 실제 법정처럼 자연스럽게 보여 준다.",
            "shot_id": "S87_Shot5"
          },
          {
            "guide_text": "스크린에 표시된 위성 경로 지도와 강변 비교 사진이 과장 없이 읽히며, 화면 밖에는 어떤 사진 속 장면도 입체적으로 확장되지 않게 한다.",
            "shot_id": "S88_Shot4"
          },
          {
            "guide_text": "비선정적인 법의학 자료와 실험 사진이 스크린 안에 제한되고, 증인석의 임시 시연 물품과 제출된 일기장이 절차적 증거로 보이게 한다.",
            "shot_id": "S88_Shot7"
          },
          {
            "guide_text": "남쪽 방청 구역에서 북쪽 법정 전면을 보는 넓은 최종 구도로, 출입구·중앙 통로·방청석·변론석·피고인석·증인석·재판부석·스크린의 관계를 한눈에 전달한다.",
            "shot_id": "S88_Shot8"
          }
        ],
        "shot_ids": [
          "S73_Shot5",
          "S73_Shot6",
          "S73_Shot7",
          "S75_Shot1",
          "S75_Shot7",
          "S80_Shot1",
          "S80_Shot3",
          "S85_Shot5",
          "S85_Shot19",
          "S85_Shot23",
          "S87_Shot1",
          "S87_Shot3",
          "S87_Shot5",
          "S88_Shot4",
          "S88_Shot7",
          "S88_Shot8"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 17 (public double doors), facing diagonally across number 5 (gallery zone) toward number 7 (judge bench), number 10 (witness stand), and number 15 (projection screen)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "28mm wide angle",
          "framing_notes": "Use a broad procedural courtroom view that preserves the spatial relationship among the bench, witness stand, counsel tables, dock, gallery, screen, and evidence presentation equipment. Depict the applicable evidence cues from numbers 22 through 28 only as scene-specific overlays, never as permanent architecture."
        },
        "reference_decision": {
          "bg_id": "L59B02",
          "fp_id": "fp_courtroom",
          "node_index": 2,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L59B02 uses the same physical space as L59B03 but spans all six target units and includes staged views of multiple fixed positions and marker-15 content. Camera unit 6 at [1,1] looking toward unit 3 at [5,2] with a wide lens reveals a broader and genuinely different structural slice than either earlier node, requiring its own continuity-locked plate.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B03.png"
          ],
          "source_bg_ids": [
            "L59B03"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_courtroom_space_1"
            ],
            "rejected_refs": [
              {
                "reason": "Its unit-5-to-unit-2 view does not provide the full target-unit and marker-15 coverage required across the consuming shots.",
                "ref_bg_id": "L59B01"
              }
            ],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_courtroom_space_1",
                "ref_bg_id": "L59B03",
                "space_description": "Same floor-plan physical space, expanded to a broad unit-6-to-unit-3 representative view."
              }
            ],
            "why_single_ref_or_two_refs": "A single dwelling-identity reference is sufficient because the consuming shots remain within one continuous physical space rather than two distinct co-visible spaces."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              1
            ],
            "camera_unit": 6,
            "fov_deg": 90,
            "framing_notes": "Use a broad unit-6 view toward unit 3 and marker 15 so the many consuming shots can derive close, medium, wide, and insert framings from one coherent full-space representative plate.",
            "lens_enum": "wide",
            "look_at_cell": [
              5,
              2
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Provide broad coverage from unit 6 toward unit 3, with units 1, 2, 3, 4, 5, and 6 available according to the target set. Keep markers 7 through 21 fixed, emphasize marker 15 along the look-at axis, and include openings 17, 18, 19, and 20 only where they fall inside the selected wide view.",
            "camera_framing_directive": "Frame from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view. Establish broad fixed-layout coverage from which the staged wide, medium, close, and insert compositions can be cropped without changing structural positions.",
            "subject_position_directive": "Follow each consuming shot's committed placement only: preserve specified left, right, center, foreground, midground, and background positions; retain pointing or reaching diagonals toward marker 15 or the staged fixed positions where committed; and keep insert shots limited to the staged cropped body regions or display surface. Shots with no staged subject must remain free of invented subjects.",
            "state_cue_directive": "Carry only the shot-applicable committed transient cues represented by markers 22, 23, 24, 25, 26, 27, and 28. Keep each cue associated with its consuming shot context and do not introduce ignored markers 29 or 30.",
            "negative_continuity_directive": "Exclude overlay markers 29 and 30. Keep fixed markers 7 through 21 in the same floor-plan positions established by L59B03, including marker 15 at the look-at cell, and do not invent additional objects, altered fixtures, or spaces outside the geometry candidate superset."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [1, 1]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-6 view toward unit 3 and marker 15 so the many consuming shots can derive close, medium, wide, and insert framings from one coherent full-space representative plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Provide broad coverage from unit 6 toward unit 3, with units 1, 2, 3, 4, 5, and 6 available according to the target set. Keep markers 7 through 21 fixed, emphasize marker 15 along the look-at axis, and include openings 17, 18, 19, and 20 only where they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view. Establish broad fixed-layout coverage from which the staged wide, medium, close, and insert compositions can be cropped without changing structural positions.\n  - subject_position_directive: Follow each consuming shot's committed placement only: preserve specified left, right, center, foreground, midground, and background positions; retain pointing or reaching diagonals toward marker 15 or the staged fixed positions where committed; and keep insert shots limited to the staged cropped body regions or display surface. Shots with no staged subject must remain free of invented subjects.\n  - state_cue_directive: Carry only the shot-applicable committed transient cues represented by markers 22, 23, 24, 25, 26, 27, and 28. Keep each cue associated with its consuming shot context and do not introduce ignored markers 29 or 30.\n  - negative_continuity_directive: Exclude overlay markers 29 and 30. Keep fixed markers 7 through 21 in the same floor-plan positions established by L59B03, including marker 15 at the look-at cell, and do not invent additional objects, altered fixtures, or spaces outside the geometry candidate superset.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [1, 1]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-6 view toward unit 3 and marker 15 so the many consuming shots can derive close, medium, wide, and insert framings from one coherent full-space representative plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Provide broad coverage from unit 6 toward unit 3, with units 1, 2, 3, 4, 5, and 6 available according to the target set. Keep markers 7 through 21 fixed, emphasize marker 15 along the look-at axis, and include openings 17, 18, 19, and 20 only where they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view. Establish broad fixed-layout coverage from which the staged wide, medium, close, and insert compositions can be cropped without changing structural positions.\n  - subject_position_directive: Follow each consuming shot's committed placement only: preserve specified left, right, center, foreground, midground, and background positions; retain pointing or reaching diagonals toward marker 15 or the staged fixed positions where committed; and keep insert shots limited to the staged cropped body regions or display surface. Shots with no staged subject must remain free of invented subjects.\n  - state_cue_directive: Carry only the shot-applicable committed transient cues represented by markers 22, 23, 24, 25, 26, 27, and 28. Keep each cue associated with its consuming shot context and do not introduce ignored markers 29 or 30.\n  - negative_continuity_directive: Exclude overlay markers 29 and 30. Keep fixed markers 7 through 21 in the same floor-plan positions established by L59B03, including marker 15 at the look-at cell, and do not invent additional objects, altered fixtures, or spaces outside the geometry candidate superset.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 6\n  - camera_cell: [1, 1]\n  - look_at_unit: 3\n  - look_at_cell: [5, 2]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use a broad unit-6 view toward unit 3 and marker 15 so the many consuming shots can derive close, medium, wide, and insert framings from one coherent full-space representative plate.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Provide broad coverage from unit 6 toward unit 3, with units 1, 2, 3, 4, 5, and 6 available according to the target set. Keep markers 7 through 21 fixed, emphasize marker 15 along the look-at axis, and include openings 17, 18, 19, and 20 only where they fall inside the selected wide view.\n  - camera_framing_directive: Frame from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view. Establish broad fixed-layout coverage from which the staged wide, medium, close, and insert compositions can be cropped without changing structural positions.\n  - subject_position_directive: Follow each consuming shot's committed placement only: preserve specified left, right, center, foreground, midground, and background positions; retain pointing or reaching diagonals toward marker 15 or the staged fixed positions where committed; and keep insert shots limited to the staged cropped body regions or display surface. Shots with no staged subject must remain free of invented subjects.\n  - state_cue_directive: Carry only the shot-applicable committed transient cues represented by markers 22, 23, 24, 25, 26, 27, and 28. Keep each cue associated with its consuming shot context and do not introduce ignored markers 29 or 30.\n  - negative_continuity_directive: Exclude overlay markers 29 and 30. Keep fixed markers 7 through 21 in the same floor-plan positions established by L59B03, including marker 15 at the look-at cell, and do not invent additional objects, altered fixtures, or spaces outside the geometry candidate superset.\n\n2010년대 중후반 대한민국 남서부 지역의 현실적인 지방법원 형사법정 내부를 낮 시간에 실제 카메라로 촬영한 다큐멘터리 풍 사진. 남쪽 중앙의 공용 이중문 바로 안쪽, 약 1.6미터 높이의 서 있는 사람 눈높이에서 28밀리미터급 광각 렌즈로 방청석과 중앙 통로를 가로질러 북쪽의 높아진 재판부 단상, 북동쪽 증인석과 대형 투사 스크린을 향해 대각선으로 바라본다. 남쪽 절반에는 중앙 통로로 나뉜 두 블록의 단정한 목재 방청석이 있고, 중앙 소송 공간의 동쪽에는 검사석과 문서 촬영 장치, 서쪽에는 피고인 측 변론석이 북쪽을 향한다. 그 뒤 북서쪽에는 낮은 고정 차단벽으로 둘러싸인 피고인석이 있으며 통제용 측면 출입문과 가깝다. 북쪽 단상 중앙에는 중후한 목재 재판부석과 의자, 그 앞 동쪽에는 서기석이 있고, 북동쪽의 증인석은 재판부석을 향해 비스듬히 놓여 있다. 동서 외벽의 창문 띠로 들어오는 부드러운 주간 자연광과 절제된 천장 조명이 함께 작동하며, 중간에서 낮은 대비와 중성적인 색을 유지한다. 2010년대 한국 공공청사의 실용적인 흡음 천장, 밝은 회벽, 짙은 목재 마감, 베이지색 또는 회색 직물 좌석, 사용감 있는 금속 손잡이와 바닥 모서리의 미세한 마모를 사실적으로 표현한다. 공간은 과도하게 새것 같거나 광고 사진처럼 정돈되지 않고, 실제 재판이 진행되는 공공 법정의 일상적인 긁힘, 손때, 작은 얼룩과 재료의 노화를 담는다. 대형 스크린에는 이 순간의 증거 제시 화면이 여러 구획으로 정리되어 있다. 사람의 얼굴이나 전신 형상이 보이지 않는 비선정적이고 임상적인 부검 세부 이미지, 시간 정보가 붙은 사람이 없는 장소 중심의 알리바이 사진, 위성 기반 이동 경로 지도, 사람이 없는 강변 현장의 비교 사진, 법의학 실험 과정을 기록한 비인물 사진을 화면 테두리와 디지털 압축감이 보이는 평면 자료로만 표시한다. 과거 자료는 현재 법정 공간에 실물처럼 나타나지 않으며 모든 매개 이미지는 스크린 내부에만 머문다. 제출된 일기장 한 권은 재판부석 또는 서기석 위에 임시로 놓여 있고, 증인석에는 전문가 설명용 법의학 시연 물품이 임시로 정돈되어 있다. 법의학 자료는 절차적이고 비그래픽하게 표현하며 선정적인 세부를 강조하지 않는다. 법정에는 사람, 얼굴, 인체 형상, 마네킹이나 사람처럼 보이는 실루엣이 전혀 없다. 실제 콘크리트와 회벽의 불균일함, 진짜 목재 결, 직물 짜임, 금속의 미세한 산화와 자연스러운 반사를 정확히 담고, 현실적인 피사계 심도와 창문광의 부드러운 밝기 변화를 유지한다. 실제 미러리스 또는 디지털 일안 카메라로 촬영한 객관적인 현장 참고 사진이며 후처리 없는 사실적 기록 사진이다. 위에서 내려다본 시점, 평면도, 건축 도식, 삽화, 컴퓨터 생성 이미지, 건축 시각화가 아니다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            1,
            1
          ],
          "camera_unit": 6,
          "fov_deg": 90,
          "framing_notes": "Use a broad unit-6 view toward unit 3 and marker 15 so the many consuming shots can derive close, medium, wide, and insert framings from one coherent full-space representative plate.",
          "lens_enum": "wide",
          "look_at_cell": [
            5,
            2
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 2,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Provide broad coverage from unit 6 toward unit 3, with units 1, 2, 3, 4, 5, and 6 available according to the target set. Keep markers 7 through 21 fixed, emphasize marker 15 along the look-at axis, and include openings 17, 18, 19, and 20 only where they fall inside the selected wide view.",
          "camera_framing_directive": "Frame from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view. Establish broad fixed-layout coverage from which the staged wide, medium, close, and insert compositions can be cropped without changing structural positions.",
          "subject_position_directive": "Follow each consuming shot's committed placement only: preserve specified left, right, center, foreground, midground, and background positions; retain pointing or reaching diagonals toward marker 15 or the staged fixed positions where committed; and keep insert shots limited to the staged cropped body regions or display surface. Shots with no staged subject must remain free of invented subjects.",
          "state_cue_directive": "Carry only the shot-applicable committed transient cues represented by markers 22, 23, 24, 25, 26, 27, and 28. Keep each cue associated with its consuming shot context and do not introduce ignored markers 29 or 30.",
          "negative_continuity_directive": "Exclude overlay markers 29 and 30. Keep fixed markers 7 through 21 in the same floor-plan positions established by L59B03, including marker 15 at the look-at cell, and do not invent additional objects, altered fixtures, or spaces outside the geometry candidate superset."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [
            "L59B03"
          ],
          "attached_ref_labels": [
            "bg:L59B03"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L59B03": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L59",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B03.png",
        "t2i_prompt": "대한민국 전라남도·광주광역시 권역에서 볼 수 있는 2010년대 중후반의 현실적인 지방법원 형사법정 내부. 변호인 측 테이블 가까이에 카메라를 두고, 서 있는 사람의 눈높이 약 1.6m에서 증인석을 향해 대각선으로 바라본다. 35mm급 중간 광각 렌즈로 증인석과 북서쪽의 낮은 차단벽이 있는 피고인석을 함께 담아 두 자리 사이의 직접적인 시선축과 긴장된 증인신문 분위기를 공간 배치만으로 드러낸다. 북쪽의 단상 위에는 중앙 재판장석과 그 뒤의 좌석이 있고, 앞쪽 동편에는 서기석이 자리하며, 중앙 심리 공간의 동서 양쪽에는 검사 측 테이블과 변호인 측 테이블이 북쪽을 향한다. 북동쪽 벽의 프로젝션 스크린과 검사 측 테이블 인근의 문서 실물화상기는 당시 법원의 절제된 디지털 증거 제시 환경에 맞는 실용적인 장비이며, 화면에는 인물이나 식별 가능한 자료를 표시하지 않는다. 동서 양쪽 창을 통해 낮의 부드러운 자연광이 들어오고, 천장 공공기관 조명이 이를 담담하게 보완한다. 베이지색 또는 옅은 회색의 흡음 벽 마감, 실제 목재 무늬가 보이는 짙은 법정 가구, 사용감 있는 금속 부속, 무광 바닥재와 미세한 생활 흔적을 정확한 재질감으로 표현한다. 북서쪽 통제 출입문은 피고인석과 단상 가까이에 자연스럽게 보인다. 공간은 정돈되고 훼손되지 않은 상태다. 사람, 얼굴, 신체 형태의 인형이나 실루엣 없이 완전히 비어 있는 배경. 절제된 자연색과 중저대비의 낮 조명, 과장 없이 긴장된 절차적 현실감, 깨끗한 상업용 스톡 사진이 아니라 실제 사용 중인 장소를 기록한 듯한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 실제 콘크리트, 금속의 자연스러운 변색, 목재 결, 직물 조직, 일상적인 마모와 얼룩, 자연스러운 심도를 사실적으로 기록한다. 컴퓨터 그래픽, 삽화, 건축 시각화, 평면도, 조감도가 아닌 무보정에 가까운 실제 DSLR 또는 미러리스 촬영본. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "변호인 측 테이블 가까운 위치에서 약 1.6m 높이로 서서 증인석 방향을 대각선으로 바라본다. 35mm 중간 광각 시야로 증인석과 낮은 차단벽으로 둘러싸인 피고인석 사이의 시선축을 가장 분명하게 만들고, 피고인석도 프레임 안에서 식별되게 한다. 뒤쪽의 재판장석, 서기석과 양측 테이블이 법정의 위계와 심문 공간의 긴장된 거리를 설명하도록 구성하되 사람이나 사람 형태는 넣지 않는다.",
            "shot_id": "S74_Shot2"
          }
        ],
        "shot_ids": [
          "S74_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 12 (defense table), facing diagonally toward number 10 (witness stand) while keeping number 13 (defendant dock) visible across the examination floor",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Emphasize the sightline between the witness stand and defendant dock, with the judge bench and counsel positions establishing courtroom authority in the background."
        },
        "reference_decision": {
          "bg_id": "L59B03",
          "fp_id": "fp_courtroom",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L59B03 is the sole clean anchor candidate and is rendered fresh from the floor plan. Its consuming shot is a tight view staged beside the fixed position represented by marker 13 and directed toward unit 3, so camera unit 4 at [2,7], look-at cell [4,8], and a 25-degree telephoto view establish dwelling identity without introducing any transient overlays.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_courtroom.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "anchor_has_no_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "The dwelling-identity anchor must be generated without a prior background reference."
          },
          "camera_decision": {
            "camera_cell": [
              2,
              7
            ],
            "camera_unit": 4,
            "fov_deg": 25,
            "framing_notes": "Use compressed, narrow coverage from unit 4 toward unit 3, retaining only a minimal fixed-position edge around marker 13 while concentrating on the staged close composition.",
            "lens_enum": "telephoto",
            "look_at_cell": [
              4,
              8
            ],
            "look_at_unit": 3
          },
          "render_guidance": {
            "visible_space_directive": "Show a narrow slice from unit 4 toward unit 3, with marker 13 available as the near fixed-position edge and marker 10 available only as restrained directional context. Keep markers 7, 8, 9, 11, 12, 15, 16, 18, 19, and 20 consistent with the floor-plan identity even when outside the tight crop.",
            "camera_framing_directive": "Frame from camera unit 4 at [2,7] toward unit 3 and look-at cell [4,8] with a telephoto 25-degree field of view, producing compressed, narrow coverage suitable for the staged close shot.",
            "subject_position_directive": "For S74_Shot2, preserve the committed foreground subject at center-right in a tight seated three-quarter close view, with narrow look space toward frame left and only a minimal edge of the fixed position around marker 13; do not invent additional subjects.",
            "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
            "negative_continuity_directive": "Exclude ignored overlay markers 22, 23, 24, 25, 26, 27, 28, 29, and 30. Do not add uncommitted scenario-specific objects or imply units and openings outside the narrow unit-4-to-unit-3 framing."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [2, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed, narrow coverage from unit 4 toward unit 3, retaining only a minimal fixed-position edge around marker 13 while concentrating on the staged close composition.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice from unit 4 toward unit 3, with marker 13 available as the near fixed-position edge and marker 10 available only as restrained directional context. Keep markers 7, 8, 9, 11, 12, 15, 16, 18, 19, and 20 consistent with the floor-plan identity even when outside the tight crop.\n  - camera_framing_directive: Frame from camera unit 4 at [2,7] toward unit 3 and look-at cell [4,8] with a telephoto 25-degree field of view, producing compressed, narrow coverage suitable for the staged close shot.\n  - subject_position_directive: For S74_Shot2, preserve the committed foreground subject at center-right in a tight seated three-quarter close view, with narrow look space toward frame left and only a minimal edge of the fixed position around marker 13; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 22, 23, 24, 25, 26, 27, 28, 29, and 30. Do not add uncommitted scenario-specific objects or imply units and openings outside the narrow unit-4-to-unit-3 framing.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [2, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed, narrow coverage from unit 4 toward unit 3, retaining only a minimal fixed-position edge around marker 13 while concentrating on the staged close composition.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice from unit 4 toward unit 3, with marker 13 available as the near fixed-position edge and marker 10 available only as restrained directional context. Keep markers 7, 8, 9, 11, 12, 15, 16, 18, 19, and 20 consistent with the floor-plan identity even when outside the tight crop.\n  - camera_framing_directive: Frame from camera unit 4 at [2,7] toward unit 3 and look-at cell [4,8] with a telephoto 25-degree field of view, producing compressed, narrow coverage suitable for the staged close shot.\n  - subject_position_directive: For S74_Shot2, preserve the committed foreground subject at center-right in a tight seated three-quarter close view, with narrow look space toward frame left and only a minimal edge of the fixed position around marker 13; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 22, 23, 24, 25, 26, 27, 28, 29, and 30. Do not add uncommitted scenario-specific objects or imply units and openings outside the narrow unit-4-to-unit-3 framing.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 4\n  - camera_cell: [2, 7]\n  - look_at_unit: 3\n  - look_at_cell: [4, 8]\n  - lens_enum: 'telephoto'\n  - fov_deg: 25\n  - framing_notes: 'Use compressed, narrow coverage from unit 4 toward unit 3, retaining only a minimal fixed-position edge around marker 13 while concentrating on the staged close composition.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show a narrow slice from unit 4 toward unit 3, with marker 13 available as the near fixed-position edge and marker 10 available only as restrained directional context. Keep markers 7, 8, 9, 11, 12, 15, 16, 18, 19, and 20 consistent with the floor-plan identity even when outside the tight crop.\n  - camera_framing_directive: Frame from camera unit 4 at [2,7] toward unit 3 and look-at cell [4,8] with a telephoto 25-degree field of view, producing compressed, narrow coverage suitable for the staged close shot.\n  - subject_position_directive: For S74_Shot2, preserve the committed foreground subject at center-right in a tight seated three-quarter close view, with narrow look space toward frame left and only a minimal edge of the fixed position around marker 13; do not invent additional subjects.\n  - state_cue_directive: No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.\n  - negative_continuity_directive: Exclude ignored overlay markers 22, 23, 24, 25, 26, 27, 28, 29, and 30. Do not add uncommitted scenario-specific objects or imply units and openings outside the narrow unit-4-to-unit-3 framing.\n\n대한민국 전라남도·광주광역시 권역에서 볼 수 있는 2010년대 중후반의 현실적인 지방법원 형사법정 내부. 변호인 측 테이블 가까이에 카메라를 두고, 서 있는 사람의 눈높이 약 1.6m에서 증인석을 향해 대각선으로 바라본다. 35mm급 중간 광각 렌즈로 증인석과 북서쪽의 낮은 차단벽이 있는 피고인석을 함께 담아 두 자리 사이의 직접적인 시선축과 긴장된 증인신문 분위기를 공간 배치만으로 드러낸다. 북쪽의 단상 위에는 중앙 재판장석과 그 뒤의 좌석이 있고, 앞쪽 동편에는 서기석이 자리하며, 중앙 심리 공간의 동서 양쪽에는 검사 측 테이블과 변호인 측 테이블이 북쪽을 향한다. 북동쪽 벽의 프로젝션 스크린과 검사 측 테이블 인근의 문서 실물화상기는 당시 법원의 절제된 디지털 증거 제시 환경에 맞는 실용적인 장비이며, 화면에는 인물이나 식별 가능한 자료를 표시하지 않는다. 동서 양쪽 창을 통해 낮의 부드러운 자연광이 들어오고, 천장 공공기관 조명이 이를 담담하게 보완한다. 베이지색 또는 옅은 회색의 흡음 벽 마감, 실제 목재 무늬가 보이는 짙은 법정 가구, 사용감 있는 금속 부속, 무광 바닥재와 미세한 생활 흔적을 정확한 재질감으로 표현한다. 북서쪽 통제 출입문은 피고인석과 단상 가까이에 자연스럽게 보인다. 공간은 정돈되고 훼손되지 않은 상태다. 사람, 얼굴, 신체 형태의 인형이나 실루엣 없이 완전히 비어 있는 배경. 절제된 자연색과 중저대비의 낮 조명, 과장 없이 긴장된 절차적 현실감, 깨끗한 상업용 스톡 사진이 아니라 실제 사용 중인 장소를 기록한 듯한 실제 카메라로 촬영한 다큐멘터리 풍 사진. 실제 콘크리트, 금속의 자연스러운 변색, 목재 결, 직물 조직, 일상적인 마모와 얼룩, 자연스러운 심도를 사실적으로 기록한다. 컴퓨터 그래픽, 삽화, 건축 시각화, 평면도, 조감도가 아닌 무보정에 가까운 실제 DSLR 또는 미러리스 촬영본. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            2,
            7
          ],
          "camera_unit": 4,
          "fov_deg": 25,
          "framing_notes": "Use compressed, narrow coverage from unit 4 toward unit 3, retaining only a minimal fixed-position edge around marker 13 while concentrating on the staged close composition.",
          "lens_enum": "telephoto",
          "look_at_cell": [
            4,
            8
          ],
          "look_at_unit": 3
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "Show a narrow slice from unit 4 toward unit 3, with marker 13 available as the near fixed-position edge and marker 10 available only as restrained directional context. Keep markers 7, 8, 9, 11, 12, 15, 16, 18, 19, and 20 consistent with the floor-plan identity even when outside the tight crop.",
          "camera_framing_directive": "Frame from camera unit 4 at [2,7] toward unit 3 and look-at cell [4,8] with a telephoto 25-degree field of view, producing compressed, narrow coverage suitable for the staged close shot.",
          "subject_position_directive": "For S74_Shot2, preserve the committed foreground subject at center-right in a tight seated three-quarter close view, with narrow look space toward frame left and only a minimal edge of the fixed position around marker 13; do not invent additional subjects.",
          "state_cue_directive": "No committed state cue beyond clean residential space applies because clean_background_expected is true and no transient markers are listed; refrain from inventing additional state cues.",
          "negative_continuity_directive": "Exclude ignored overlay markers 22, 23, 24, 25, 26, 27, 28, 29, and 30. Do not add uncommitted scenario-specific objects or imply units and openings outside the narrow unit-4-to-unit-3 framing."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_courtroom"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L59B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L59",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B01.png",
        "t2i_prompt": "대한민국 광주·전남 권역의 현실적인 21세기 초·중반 법정 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 검사석 가까이에 선 카메라가 중앙 소송 공간을 가로질러 남쪽의 방청석 두 블록과 그 사이 중앙 통로, 정면 중앙의 공용 양개 출입문을 바라본다. 카메라 높이는 서 있는 성인의 눈높이 약 1.6m이며, 32mm 광각 계열 렌즈의 자연스러운 원근감으로 촬영한다. 프레임 가장자리에는 검사석과 맞은편 변호인석 일부가 자연스럽게 걸리고, 뒤쪽에는 단정한 목재 방청석과 출입문이 깊이감 있게 이어진다. 측면 창문으로 들어오는 평범한 낮빛과 실내 천장 조명이 섞인 중간 이하의 대비, 절제된 자연색, 실제 목재 결, 닳은 바닥 표면, 금속 부속의 미세한 사용감, 손때와 생활 얼룩이 남은 현실적인 법원 재료 질감을 표현한다. 방청석 일대는 프레임 밖에서 고성이 오가고 여러 사람이 자리에서 일어나는 기립 소동이 벌어진 순간처럼 팽팽한 상태이지만, 화면 안에는 사람, 얼굴, 신체, 실루엣 또는 사람 모양 형상을 전혀 넣지 않는다. 과장된 파손이나 임의의 잔해 없이 엄격한 법정 구조와 일상적인 사용 흔적을 유지한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 심도와 사실적인 노출을 적용하고, 깨끗한 스톡 사진이나 건축 시각화가 아닌 무보정에 가까운 담백한 기록 사진으로 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 합성 이미지, CGI는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "검사석 가까운 위치에서 방청석 두 블록과 그 사이 중앙 통로, 남쪽 중앙의 양개 출입문이 한 프레임에 읽히도록 한다. 방청석 구역의 고성과 기립 소동은 프레임 밖에서 벌어지는 상황으로만 암시하고, 화면 안에는 사람이나 신체 형태를 넣지 않는다.",
            "shot_id": "S74_Shot8"
          },
          {
            "guide_text": "같은 눈높이와 남향 구도를 유지하되 중앙 법정 바닥의 깊이, 방청석, 중앙 통로와 양개 출입문의 공간 관계가 분명하게 보이도록 한다. 긴장된 방청석 소란은 빈 공간의 즉각적인 분위기로 전달하되 인물, 얼굴, 실루엣은 전혀 표현하지 않는다.",
            "shot_id": "S74_Shot11"
          }
        ],
        "shot_ids": [
          "S74_Shot8",
          "S74_Shot11"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "refs_1",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 11 (prosecution table), facing back across number 2 (litigation floor) toward number 14 (gallery benches) and number 17 (public double doors)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "32mm wide angle",
          "framing_notes": "Keep part of the counsel floor and dock in the foreground while showing the disturbed spectator area clearly. Number 29 is a transient crowd-state overlay and must not become a permanent plan feature."
        },
        "reference_decision": {
          "bg_id": "L59B01",
          "fp_id": "fp_courtroom",
          "node_index": 1,
          "mode": "same_physical_space_view",
          "is_dwelling_identity_anchor": false,
          "rationale": "L59B01 depicts the same physical space as anchor L59B03 but requires a substantially different structural slice for S74_Shot8 and S74_Shot11. Camera unit 5 at [1,9] looking toward unit 2 at [3,0] with a wide lens exposes the unit-5 foreground, central fixed positions, and aisle-facing context that the anchor's narrow unit-4 view does not show, so a new same-space plate is required.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B03.png"
          ],
          "source_bg_ids": [
            "L59B03"
          ],
          "fp_included": false,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [
              "fp_courtroom_space_1"
            ],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "single_same_physical_space_reference",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [
              {
                "physical_space_id": "fp_courtroom_space_1",
                "ref_bg_id": "L59B03",
                "space_description": "Same floor-plan physical space, using a broader unit-5-to-unit-2 view."
              }
            ],
            "why_single_ref_or_two_refs": "One same-fp reference is sufficient because all target units belong to the same continuous physical space; no consuming shot commits two distinct spaces."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              9
            ],
            "camera_unit": 5,
            "fov_deg": 90,
            "framing_notes": "Use broad coverage from unit 5 toward unit 2 so the staged full-body action and the separate gallery disturbance coverage can share a coherent fixed layout.",
            "lens_enum": "wide",
            "look_at_cell": [
              3,
              0
            ],
            "look_at_unit": 2
          },
          "render_guidance": {
            "visible_space_directive": "Show unit 5 in the camera foreground and broad coverage toward unit 2, with target units 1, 4, 5, and 6 available within the wide candidate view. Keep markers 11 and 14 legible as fixed anchors and openings 17, 18, and 19 only where the 90-degree framing includes them.",
            "camera_framing_directive": "Frame from camera unit 5 at [1,9] toward unit 2 and look-at cell [3,0] with a wide 90-degree field of view, providing broad coverage for the full-body diagonal in S74_Shot8 and the aisle-side disturbance framing in S74_Shot11.",
            "subject_position_directive": "For S74_Shot8, preserve the committed full-body subject beside marker 11 on a foreground-to-midground diagonal, with the seat and working surface visible during the half-risen action. For S74_Shot11, preserve the upper-body foreground subject in the aisle-side framing with the raised-arm gesture crossing toward the upper-right background and additional staged figures at varied phases behind; add no other subjects.",
            "state_cue_directive": "Carry transient marker 29 as the only committed state overlay, applied consistently with the staged disturbance. Retain the listed base elements and do not add state cues from ignored markers 22 through 28 or marker 30.",
            "negative_continuity_directive": "Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 30. Preserve the fixed positions inherited from L59B03, including applicable markers 7, 9, 11, 12, 13, 14, 17, 18, and 19, and do not invent objects or spaces beyond the geometry candidate superset."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [1, 9]\n  - look_at_unit: 2\n  - look_at_cell: [3, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the staged full-body action and the separate gallery disturbance coverage can share a coherent fixed layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 5 in the camera foreground and broad coverage toward unit 2, with target units 1, 4, 5, and 6 available within the wide candidate view. Keep markers 11 and 14 legible as fixed anchors and openings 17, 18, and 19 only where the 90-degree framing includes them.\n  - camera_framing_directive: Frame from camera unit 5 at [1,9] toward unit 2 and look-at cell [3,0] with a wide 90-degree field of view, providing broad coverage for the full-body diagonal in S74_Shot8 and the aisle-side disturbance framing in S74_Shot11.\n  - subject_position_directive: For S74_Shot8, preserve the committed full-body subject beside marker 11 on a foreground-to-midground diagonal, with the seat and working surface visible during the half-risen action. For S74_Shot11, preserve the upper-body foreground subject in the aisle-side framing with the raised-arm gesture crossing toward the upper-right background and additional staged figures at varied phases behind; add no other subjects.\n  - state_cue_directive: Carry transient marker 29 as the only committed state overlay, applied consistently with the staged disturbance. Retain the listed base elements and do not add state cues from ignored markers 22 through 28 or marker 30.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 30. Preserve the fixed positions inherited from L59B03, including applicable markers 7, 9, 11, 12, 13, 14, 17, 18, and 19, and do not invent objects or spaces beyond the geometry candidate superset.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [1, 9]\n  - look_at_unit: 2\n  - look_at_cell: [3, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the staged full-body action and the separate gallery disturbance coverage can share a coherent fixed layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 5 in the camera foreground and broad coverage toward unit 2, with target units 1, 4, 5, and 6 available within the wide candidate view. Keep markers 11 and 14 legible as fixed anchors and openings 17, 18, and 19 only where the 90-degree framing includes them.\n  - camera_framing_directive: Frame from camera unit 5 at [1,9] toward unit 2 and look-at cell [3,0] with a wide 90-degree field of view, providing broad coverage for the full-body diagonal in S74_Shot8 and the aisle-side disturbance framing in S74_Shot11.\n  - subject_position_directive: For S74_Shot8, preserve the committed full-body subject beside marker 11 on a foreground-to-midground diagonal, with the seat and working surface visible during the half-risen action. For S74_Shot11, preserve the upper-body foreground subject in the aisle-side framing with the raised-arm gesture crossing toward the upper-right background and additional staged figures at varied phases behind; add no other subjects.\n  - state_cue_directive: Carry transient marker 29 as the only committed state overlay, applied consistently with the staged disturbance. Retain the listed base elements and do not add state cues from ignored markers 22 through 28 or marker 30.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 30. Preserve the fixed positions inherited from L59B03, including applicable markers 7, 9, 11, 12, 13, 14, 17, 18, and 19, and do not invent objects or spaces beyond the geometry candidate superset.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nThe supplied reference image shows the SAME physical room as this background, from a different camera angle or framing. Inherit the exact architecture, floor, walls, windows, fixed furniture and lighting of that room — this is literally the same space, only the viewpoint changes.\n\nREFERENCE PLAN: mode='same_physical_space_view'\n  - selected_refs[0]: ref_bg_id='L59B03' physical_space_id='fp_courtroom_space_1'\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 5\n  - camera_cell: [1, 9]\n  - look_at_unit: 2\n  - look_at_cell: [3, 0]\n  - lens_enum: 'wide'\n  - fov_deg: 90\n  - framing_notes: 'Use broad coverage from unit 5 toward unit 2 so the staged full-body action and the separate gallery disturbance coverage can share a coherent fixed layout.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: Show unit 5 in the camera foreground and broad coverage toward unit 2, with target units 1, 4, 5, and 6 available within the wide candidate view. Keep markers 11 and 14 legible as fixed anchors and openings 17, 18, and 19 only where the 90-degree framing includes them.\n  - camera_framing_directive: Frame from camera unit 5 at [1,9] toward unit 2 and look-at cell [3,0] with a wide 90-degree field of view, providing broad coverage for the full-body diagonal in S74_Shot8 and the aisle-side disturbance framing in S74_Shot11.\n  - subject_position_directive: For S74_Shot8, preserve the committed full-body subject beside marker 11 on a foreground-to-midground diagonal, with the seat and working surface visible during the half-risen action. For S74_Shot11, preserve the upper-body foreground subject in the aisle-side framing with the raised-arm gesture crossing toward the upper-right background and additional staged figures at varied phases behind; add no other subjects.\n  - state_cue_directive: Carry transient marker 29 as the only committed state overlay, applied consistently with the staged disturbance. Retain the listed base elements and do not add state cues from ignored markers 22 through 28 or marker 30.\n  - negative_continuity_directive: Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 30. Preserve the fixed positions inherited from L59B03, including applicable markers 7, 9, 11, 12, 13, 14, 17, 18, and 19, and do not invent objects or spaces beyond the geometry candidate superset.\n\n대한민국 광주·전남 권역의 현실적인 21세기 초·중반 법정 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 검사석 가까이에 선 카메라가 중앙 소송 공간을 가로질러 남쪽의 방청석 두 블록과 그 사이 중앙 통로, 정면 중앙의 공용 양개 출입문을 바라본다. 카메라 높이는 서 있는 성인의 눈높이 약 1.6m이며, 32mm 광각 계열 렌즈의 자연스러운 원근감으로 촬영한다. 프레임 가장자리에는 검사석과 맞은편 변호인석 일부가 자연스럽게 걸리고, 뒤쪽에는 단정한 목재 방청석과 출입문이 깊이감 있게 이어진다. 측면 창문으로 들어오는 평범한 낮빛과 실내 천장 조명이 섞인 중간 이하의 대비, 절제된 자연색, 실제 목재 결, 닳은 바닥 표면, 금속 부속의 미세한 사용감, 손때와 생활 얼룩이 남은 현실적인 법원 재료 질감을 표현한다. 방청석 일대는 프레임 밖에서 고성이 오가고 여러 사람이 자리에서 일어나는 기립 소동이 벌어진 순간처럼 팽팽한 상태이지만, 화면 안에는 사람, 얼굴, 신체, 실루엣 또는 사람 모양 형상을 전혀 넣지 않는다. 과장된 파손이나 임의의 잔해 없이 엄격한 법정 구조와 일상적인 사용 흔적을 유지한다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 심도와 사실적인 노출을 적용하고, 깨끗한 스톡 사진이나 건축 시각화가 아닌 무보정에 가까운 담백한 기록 사진으로 표현한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 합성 이미지, CGI는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본\n\nThis interior belongs to the same single real building/place as this location group's other spaces. Keep its construction era, age and state of repair, material quality and window/door frame styles consistent with ONE ordinary real building of the kind this prompt describes, and anything visible through its windows, doorways or passages must plausibly belong to that same building and its immediate surroundings.",
        "camera_decision": {
          "camera_cell": [
            1,
            9
          ],
          "camera_unit": 5,
          "fov_deg": 90,
          "framing_notes": "Use broad coverage from unit 5 toward unit 2 so the staged full-body action and the separate gallery disturbance coverage can share a coherent fixed layout.",
          "lens_enum": "wide",
          "look_at_cell": [
            3,
            0
          ],
          "look_at_unit": 2
        },
        "shot_aware_plan_node_index": 1,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "visible_space_directive": "Show unit 5 in the camera foreground and broad coverage toward unit 2, with target units 1, 4, 5, and 6 available within the wide candidate view. Keep markers 11 and 14 legible as fixed anchors and openings 17, 18, and 19 only where the 90-degree framing includes them.",
          "camera_framing_directive": "Frame from camera unit 5 at [1,9] toward unit 2 and look-at cell [3,0] with a wide 90-degree field of view, providing broad coverage for the full-body diagonal in S74_Shot8 and the aisle-side disturbance framing in S74_Shot11.",
          "subject_position_directive": "For S74_Shot8, preserve the committed full-body subject beside marker 11 on a foreground-to-midground diagonal, with the seat and working surface visible during the half-risen action. For S74_Shot11, preserve the upper-body foreground subject in the aisle-side framing with the raised-arm gesture crossing toward the upper-right background and additional staged figures at varied phases behind; add no other subjects.",
          "state_cue_directive": "Carry transient marker 29 as the only committed state overlay, applied consistently with the staged disturbance. Retain the listed base elements and do not add state cues from ignored markers 22 through 28 or marker 30.",
          "negative_continuity_directive": "Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 30. Preserve the fixed positions inherited from L59B03, including applicable markers 7, 9, 11, 12, 13, 14, 17, 18, and 19, and do not invent objects or spaces beyond the geometry candidate superset."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [
            "L59B03"
          ],
          "attached_ref_labels": [
            "bg:L59B03"
          ],
          "ref_used": "refs_1",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L59B04": {
        "status": "ok",
        "is_reuse": true,
        "render_action": "reuse_existing_plate",
        "reuse_target_bg_id": "L59B02",
        "reused_from_bg_id": "L59B02",
        "location_id": "L59",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L59B02.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지역의 실제 법원에서 선고 공판이 진행되는 낮 시간대 법정 내부. 실제 미러리스 카메라로 촬영한 다큐멘터리풍 사진이며, 실제 장소 참고 사진처럼 담담하고 사실적이고 후처리 느낌이 없다. 카메라는 남쪽 벽 중앙의 방청객용 양문 가까이에 서서 방청석 두 블록 사이의 중앙 통로를 따라 북쪽의 높아진 재판 구역과 중앙 재판석을 정면으로 바라본다. 약 1.6미터의 서 있는 사람 눈높이, 35밀리미터급 광각 렌즈, 위에서 내려다보는 구도나 평면도 구도가 아닌 수평적인 현장 관찰 시점. 중앙 재판석 뒤의 좌석, 그 앞에서 약간 동쪽에 놓인 서기석, 북동쪽의 증인석, 중앙 소송 구역 동서 양쪽의 검사석과 변호인석, 북서쪽의 낮은 고정 장벽으로 둘러싸인 피고인석이 실제 법정 동선에 맞게 보인다. 남쪽 방청 구역에는 중앙 통로로 나뉜 두 블록의 목재 방청석이 놓여 있고, 북동쪽 벽의 투사 화면은 아무 영상이나 인물 없이 꺼진 평면으로 남아 있다. 북서쪽에는 통제용 출입문이 있으며, 동쪽과 서쪽 창들을 통해 흐린 낮빛이 들어와 절제된 실내 조명과 자연스럽게 섞인다. 사법부 입장 절차가 진행되는 순간을 반영해 방청석의 착석면과 각 벤치 앞 발밑 공간은 일제히 비워지고 중앙 통로도 막힘없이 정돈되어, 고정된 벤치를 옮기지 않은 채 질서 있는 기립 상태를 수용하는 임시 배열로 보인다. 사람, 얼굴, 실루엣, 인체 모양의 형상은 전혀 없다. 엄숙한 선고를 앞둔 팽팽한 침묵이 감도는 정지된 공간으로, 과장된 극적 조명 없이 중저대비의 자연스러운 낮빛을 사용한다. 실제 목재 무늬와 모서리의 가벼운 마모, 공공시설용 직물의 짜임, 금속 장벽의 미세한 손때와 무광택, 벽과 바닥의 일상적인 사용 흔적을 정확하게 표현한다. 지나치게 깨끗한 광고 사진이 아니라 실제 운영 중인 법정을 기록한 담담한 현장 사진이며 자연스러운 원근감과 피사계 심도를 갖는다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "남쪽 중앙의 방청객용 양문 부근에서 방청석 사이 중앙 통로를 정면으로 바라본다. 사람 눈높이에서 재판석이 화면 중심의 깊은 지점에 놓이고, 양쪽 방청석과 소송 구역이 균형 있게 이어지도록 유지한다. 사람이나 인체 형상 없이 엄숙한 선고 순간의 정적과 기립 절차를 위해 비워 둔 방청석 앞 공간을 보여 준다.",
            "shot_id": "S89_Shot9"
          },
          {
            "guide_text": "35밀리미터급 광각 시야와 약 1.6미터 높이를 유지하며, 중앙 통로에서 재판석까지 이어지는 축과 법정의 좌우 대칭적인 깊이를 분명히 한다. 창에서 들어오는 낮빛과 실내 조명이 과장 없이 섞이고, 모든 방청석 주변은 기립 절차를 수용하도록 질서 있게 비워진 상태로 표현한다.",
            "shot_id": "S89_Shot13"
          },
          {
            "guide_text": "남쪽 출입문 가까이의 정면 관찰 시점을 유지한다. 전경에는 중앙 통로와 방청석 가장자리, 중경에는 양측 소송 테이블과 피고인석, 후경에는 높아진 재판 구역과 재판석이 자연스럽게 겹쳐 보이게 한다. 빈 법정 배경만 촬영하고 얼굴, 사람, 실루엣 또는 인체 모양은 넣지 않는다.",
            "shot_id": "S89_Shot15"
          }
        ],
        "shot_ids": [
          "S89_Shot9",
          "S89_Shot13",
          "S89_Shot15"
        ],
        "scenes": [],
        "parent_id": "L59B02",
        "ref_used": "reused_plate",
        "render_attempts": 0,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": false,
        "camera_recommendations": {
          "camera_position": "near number 17 (public double doors), centered on the main aisle through number 5 (gallery zone) and facing number 7 (judge bench)",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm wide angle",
          "framing_notes": "Use balanced, solemn axial framing with the judge bench dominant, gallery benches on both sides, and counsel tables and dock clearly ordered between them. Apply number 30 only for the moment when the gallery stands."
        },
        "reference_decision": {
          "mode": "same_physical_space_view",
          "render_action": "reuse_existing_plate",
          "reuse_target_bg_id": "L59B02",
          "selected_refs": [
            {
              "physical_space_id": "fp_courtroom_space_1",
              "ref_bg_id": "L59B02",
              "space_description": "Same physical space and matching broad unit-6-to-unit-3 representative framing."
            }
          ]
        },
        "shot_aware_plan_node_index": 3,
        "shot_aware_plan_mode": "same_physical_space_view",
        "render_guidance": {
          "camera_framing_directive": "Match L59B02 from camera unit 6 at [1,1] toward unit 3 and look-at cell [5,2] with a wide 90-degree field of view, maintaining broad coverage while allowing the staged medium and close crops.",
          "negative_continuity_directive": "Exclude overlay markers 22, 23, 24, 25, 26, 27, 28, and 29, including any such cues visible in L59B02. Preserve the inherited positions of markers 7 through 15 and 17 through 21, and do not invent additional objects, altered fixed elements, or spaces outside the selected view.",
          "state_cue_directive": "Carry transient marker 30 as the only committed overlay state. Preserve all listed fixed numbered elements and remove the shot-specific cues associated with ignored markers 22 through 29.",
          "subject_position_directive": "For S89_Shot9, preserve the primary seated subject at left-center and the smaller staged subject at the right edge along the fixed unit-2-to-unit-1 axis. For S89_Shot13, retain the tight offset close placement at the unit-1 fixed position. For S89_Shot15, preserve the staged two-subject middle-plane arrangement beside the unit-5 aisle with diagonal fixed rows behind; add no uncommitted subjects.",
          "visible_space_directive": "Retain L59B02's broad unit-6-to-unit-3 spatial plate and fixed marker placement. Make units 1, 2, and 5 available for the three consuming-shot crops, with markers 7, 12, 13, and 14 serving as applicable fixed anchors and openings 17, 18, 19, and 20 appearing only where the wide view includes them."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_courtroom",
          "prior_bg_ids": [
            "L59B02"
          ],
          "attached_ref_labels": [
            "bg:L59B02"
          ],
          "ref_used": "reused_plate",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L61B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L61",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L61B01.png",
        "t2i_prompt": "2010년대 중후반 대한민국 남서부 지역의 지방 경찰기관 대회의실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 대회의실 후방의 중앙 통로 가까이에서 약 1.6m의 서 있는 사람 눈높이로 정면의 넓은 단상을 바라보며, 35mm급 중간 광각 렌즈로 공간 전체의 현실적인 깊이와 비례를 담는다. 중앙 통로가 단상 전면의 중앙 계단으로 곧게 이어지고, 단상 위에는 뒷벽과 평행한 긴 회의용 탁자가 놓여 있으며 그 뒤 중앙의 주재석과 좌우로 대칭적인 간부 좌석들이 정돈되어 있다. 북쪽 정면 벽의 단상 중앙 위에는 관공서 공식 회의에 어울리는 절제된 한글 시민 치안 주제의 현수막이 걸려 있다. 좌우 간부 좌석 가운데 한 자리에는 당시 시기에 맞는 스마트폰 한 대가 놓여 있고, 화면이 켜진 채 수신 알림과 미세한 진동으로 벨이 울리는 순간을 사실적으로 보여 준다. 공식 회의가 진행 중인 듯한 긴장된 상태이지만 사람, 얼굴, 신체, 사람 모양의 형상은 화면에 전혀 나타나지 않는다. 중성적인 관공서 마감재, 실제 목재 무늬의 탁자 표면, 금속 부품의 미세한 사용 흔적, 좌석 직물의 분명한 짜임, 바닥과 단상 모서리의 일상적인 마모를 과장 없이 표현한다. 부드러운 주간광과 관공서 실내 조명이 섞인 중간 이하의 대비, 절제된 자연색, 현실적인 그림자와 자연스러운 피사계 심도. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 기록용 DSLR 또는 미러리스 카메라 사진처럼 보이며, 과도한 보정 없이 사실적이고 담담한 촬영본이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 합성 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "대회의실 후방 중앙 통로 부근에서 눈높이로 정면 단상을 바라본 넓은 설정 사진. 중앙 통로와 단상 계단의 축이 자연스럽게 이어지고, 긴 단상 탁자와 중앙 주재석 및 좌우 간부 좌석, 벽면의 공식 회의 현수막이 한 프레임에 읽히게 한다. 좌우 좌석 중 한 자리의 스마트폰은 화면이 켜진 채 진동하며 울리는 순간으로 표현하되 인물은 전혀 보이지 않게 한다.",
            "shot_id": "S76_Shot1"
          },
          {
            "guide_text": "같은 후방 중앙 축을 유지하되 단상과 간부 좌석이 조금 더 분명하게 보이도록 안정적으로 프레이밍한다. 현수막 아래의 공식적인 좌석 배열과 긴 탁자를 중심으로 하고, 좌우 좌석 가운데 한 곳에 놓인 스마트폰의 켜진 화면과 미세한 진동 상태가 식별되게 한다. 사람, 얼굴, 신체 형상의 실루엣은 포함하지 않는다.",
            "shot_id": "S76_Shot5"
          }
        ],
        "shot_ids": [
          "S76_Shot1",
          "S76_Shot5"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "near number 9 (central aisle) at the rear of number 1 (conference hall), facing number 2 (raised stage), number 5 (stage table), and the officer seating at numbers 6 and 7",
          "camera_height": "eye-level standing ~1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Use a centered, formal stage-facing composition. Keep number 12 visible above the stage and preserve enough of the seated group around numbers 6 and 7 for the transient phone action at number 13."
        },
        "reference_decision": {
          "bg_id": "L61B01",
          "fp_id": "fp_l61_conference_hall",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "L61B01 is the sole supplied clean-anchor candidate and the only render-ready BG, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 2 and the listed look-at cell [5,4] favor the fixed arrangement around markers 5, 6, and 7 needed by the staged medium view, while the normal lens permits the closer staged view to retain soft fragments of unit 1.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l61_conference_hall.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_anchor_no_refs",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp candidate references are available; this node must seed the fixed identity directly from the supplied floor plan."
          },
          "camera_decision": {
            "camera_cell": [
              1,
              4
            ],
            "camera_unit": 2,
            "fov_deg": 50,
            "framing_notes": "Use neutral coverage from camera unit 2 at cell [1,4], directed toward look-at unit 1 through the listed look-at cell [5,4], which coincides with base marker 6. This supports the medium and close consuming shots while retaining limited fixed-context fragments.",
            "lens_enum": "normal",
            "look_at_cell": [
              5,
              4
            ],
            "look_at_unit": 1
          },
          "render_guidance": {
            "visible_space_directive": "From camera unit 2, show the view toward unit 1 around look-at cell [5,4], with base markers 5, 6, and 7 providing the principal fixed context. Units 8, 9, 10, and 11 and openings 3 and 4 may appear only where the normal view cone actually includes them; preserve the seeded relationship among unit markers 1, 2, 8, 9, 10, and 11.",
            "camera_framing_directive": "Frame from camera unit 2 at cell [1,4] toward look-at unit 1 through cell [5,4] with a normal 50-degree field of view. Use neutral coverage centered on the fixed marker-6 area, allowing the medium staging for S76_Shot1 and the close staging for S76_Shot5 to preserve only the context each shot commits.",
            "subject_position_directive": "For S76_Shot1, reserve the center of the medium frame for one seated subject in a three-quarter view, with other staged figures soft and peripheral. For S76_Shot5, reserve the midground middle-center for the seated subject and the lower-right foreground for the staged temporary object, while keeping the remaining gathering context soft. Add no subjects beyond those committed by the surfaced staging.",
            "state_cue_directive": "Carry the committed transient cues identified by overlay markers 12 and 13, with their prominence limited by the consuming-shot staging. The background is not marked clean, so retain those numbered cues without inventing additional state overlays or unlisted state changes.",
            "negative_continuity_directive": "Keep the fixed positions of base markers 1, 2, 5, 6, 7, 8, 9, 10, and 11 consistent with the floor-plan seed. Do not invent additional overlay markers, fixed elements, or units outside the camera-unit-2 candidate view; treat openings 3 and 4 and candidate-visible units 1, 8, 9, 10, and 11 as visibility supersets rather than requiring all of them in frame."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from camera unit 2 at cell [1,4], directed toward look-at unit 1 through the listed look-at cell [5,4], which coincides with base marker 6. This supports the medium and close consuming shots while retaining limited fixed-context fragments.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2, show the view toward unit 1 around look-at cell [5,4], with base markers 5, 6, and 7 providing the principal fixed context. Units 8, 9, 10, and 11 and openings 3 and 4 may appear only where the normal view cone actually includes them; preserve the seeded relationship among unit markers 1, 2, 8, 9, 10, and 11.\n  - camera_framing_directive: Frame from camera unit 2 at cell [1,4] toward look-at unit 1 through cell [5,4] with a normal 50-degree field of view. Use neutral coverage centered on the fixed marker-6 area, allowing the medium staging for S76_Shot1 and the close staging for S76_Shot5 to preserve only the context each shot commits.\n  - subject_position_directive: For S76_Shot1, reserve the center of the medium frame for one seated subject in a three-quarter view, with other staged figures soft and peripheral. For S76_Shot5, reserve the midground middle-center for the seated subject and the lower-right foreground for the staged temporary object, while keeping the remaining gathering context soft. Add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed transient cues identified by overlay markers 12 and 13, with their prominence limited by the consuming-shot staging. The background is not marked clean, so retain those numbered cues without inventing additional state overlays or unlisted state changes.\n  - negative_continuity_directive: Keep the fixed positions of base markers 1, 2, 5, 6, 7, 8, 9, 10, and 11 consistent with the floor-plan seed. Do not invent additional overlay markers, fixed elements, or units outside the camera-unit-2 candidate view; treat openings 3 and 4 and candidate-visible units 1, 8, 9, 10, and 11 as visibility supersets rather than requiring all of them in frame.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from camera unit 2 at cell [1,4], directed toward look-at unit 1 through the listed look-at cell [5,4], which coincides with base marker 6. This supports the medium and close consuming shots while retaining limited fixed-context fragments.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2, show the view toward unit 1 around look-at cell [5,4], with base markers 5, 6, and 7 providing the principal fixed context. Units 8, 9, 10, and 11 and openings 3 and 4 may appear only where the normal view cone actually includes them; preserve the seeded relationship among unit markers 1, 2, 8, 9, 10, and 11.\n  - camera_framing_directive: Frame from camera unit 2 at cell [1,4] toward look-at unit 1 through cell [5,4] with a normal 50-degree field of view. Use neutral coverage centered on the fixed marker-6 area, allowing the medium staging for S76_Shot1 and the close staging for S76_Shot5 to preserve only the context each shot commits.\n  - subject_position_directive: For S76_Shot1, reserve the center of the medium frame for one seated subject in a three-quarter view, with other staged figures soft and peripheral. For S76_Shot5, reserve the midground middle-center for the seated subject and the lower-right foreground for the staged temporary object, while keeping the remaining gathering context soft. Add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed transient cues identified by overlay markers 12 and 13, with their prominence limited by the consuming-shot staging. The background is not marked clean, so retain those numbered cues without inventing additional state overlays or unlisted state changes.\n  - negative_continuity_directive: Keep the fixed positions of base markers 1, 2, 5, 6, 7, 8, 9, 10, and 11 consistent with the floor-plan seed. Do not invent additional overlay markers, fixed elements, or units outside the camera-unit-2 candidate view; treat openings 3 and 4 and candidate-visible units 1, 8, 9, 10, and 11 as visibility supersets rather than requiring all of them in frame.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 2\n  - camera_cell: [1, 4]\n  - look_at_unit: 1\n  - look_at_cell: [5, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use neutral coverage from camera unit 2 at cell [1,4], directed toward look-at unit 1 through the listed look-at cell [5,4], which coincides with base marker 6. This supports the medium and close consuming shots while retaining limited fixed-context fragments.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From camera unit 2, show the view toward unit 1 around look-at cell [5,4], with base markers 5, 6, and 7 providing the principal fixed context. Units 8, 9, 10, and 11 and openings 3 and 4 may appear only where the normal view cone actually includes them; preserve the seeded relationship among unit markers 1, 2, 8, 9, 10, and 11.\n  - camera_framing_directive: Frame from camera unit 2 at cell [1,4] toward look-at unit 1 through cell [5,4] with a normal 50-degree field of view. Use neutral coverage centered on the fixed marker-6 area, allowing the medium staging for S76_Shot1 and the close staging for S76_Shot5 to preserve only the context each shot commits.\n  - subject_position_directive: For S76_Shot1, reserve the center of the medium frame for one seated subject in a three-quarter view, with other staged figures soft and peripheral. For S76_Shot5, reserve the midground middle-center for the seated subject and the lower-right foreground for the staged temporary object, while keeping the remaining gathering context soft. Add no subjects beyond those committed by the surfaced staging.\n  - state_cue_directive: Carry the committed transient cues identified by overlay markers 12 and 13, with their prominence limited by the consuming-shot staging. The background is not marked clean, so retain those numbered cues without inventing additional state overlays or unlisted state changes.\n  - negative_continuity_directive: Keep the fixed positions of base markers 1, 2, 5, 6, 7, 8, 9, 10, and 11 consistent with the floor-plan seed. Do not invent additional overlay markers, fixed elements, or units outside the camera-unit-2 candidate view; treat openings 3 and 4 and candidate-visible units 1, 8, 9, 10, and 11 as visibility supersets rather than requiring all of them in frame.\n\n2010년대 중후반 대한민국 남서부 지역의 지방 경찰기관 대회의실 내부를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 대회의실 후방의 중앙 통로 가까이에서 약 1.6m의 서 있는 사람 눈높이로 정면의 넓은 단상을 바라보며, 35mm급 중간 광각 렌즈로 공간 전체의 현실적인 깊이와 비례를 담는다. 중앙 통로가 단상 전면의 중앙 계단으로 곧게 이어지고, 단상 위에는 뒷벽과 평행한 긴 회의용 탁자가 놓여 있으며 그 뒤 중앙의 주재석과 좌우로 대칭적인 간부 좌석들이 정돈되어 있다. 북쪽 정면 벽의 단상 중앙 위에는 관공서 공식 회의에 어울리는 절제된 한글 시민 치안 주제의 현수막이 걸려 있다. 좌우 간부 좌석 가운데 한 자리에는 당시 시기에 맞는 스마트폰 한 대가 놓여 있고, 화면이 켜진 채 수신 알림과 미세한 진동으로 벨이 울리는 순간을 사실적으로 보여 준다. 공식 회의가 진행 중인 듯한 긴장된 상태이지만 사람, 얼굴, 신체, 사람 모양의 형상은 화면에 전혀 나타나지 않는다. 중성적인 관공서 마감재, 실제 목재 무늬의 탁자 표면, 금속 부품의 미세한 사용 흔적, 좌석 직물의 분명한 짜임, 바닥과 단상 모서리의 일상적인 마모를 과장 없이 표현한다. 부드러운 주간광과 관공서 실내 조명이 섞인 중간 이하의 대비, 절제된 자연색, 현실적인 그림자와 자연스러운 피사계 심도. 깨끗한 광고 사진이나 건축 시각화가 아니라 실제 장소 기록용 DSLR 또는 미러리스 카메라 사진처럼 보이며, 과도한 보정 없이 사실적이고 담담한 촬영본이어야 한다. 위에서 내려다본 시점, 평면도, 건축 도면, 삽화, 합성 이미지가 아니다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            1,
            4
          ],
          "camera_unit": 2,
          "fov_deg": 50,
          "framing_notes": "Use neutral coverage from camera unit 2 at cell [1,4], directed toward look-at unit 1 through the listed look-at cell [5,4], which coincides with base marker 6. This supports the medium and close consuming shots while retaining limited fixed-context fragments.",
          "lens_enum": "normal",
          "look_at_cell": [
            5,
            4
          ],
          "look_at_unit": 1
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From camera unit 2, show the view toward unit 1 around look-at cell [5,4], with base markers 5, 6, and 7 providing the principal fixed context. Units 8, 9, 10, and 11 and openings 3 and 4 may appear only where the normal view cone actually includes them; preserve the seeded relationship among unit markers 1, 2, 8, 9, 10, and 11.",
          "camera_framing_directive": "Frame from camera unit 2 at cell [1,4] toward look-at unit 1 through cell [5,4] with a normal 50-degree field of view. Use neutral coverage centered on the fixed marker-6 area, allowing the medium staging for S76_Shot1 and the close staging for S76_Shot5 to preserve only the context each shot commits.",
          "subject_position_directive": "For S76_Shot1, reserve the center of the medium frame for one seated subject in a three-quarter view, with other staged figures soft and peripheral. For S76_Shot5, reserve the midground middle-center for the seated subject and the lower-right foreground for the staged temporary object, while keeping the remaining gathering context soft. Add no subjects beyond those committed by the surfaced staging.",
          "state_cue_directive": "Carry the committed transient cues identified by overlay markers 12 and 13, with their prominence limited by the consuming-shot staging. The background is not marked clean, so retain those numbered cues without inventing additional state overlays or unlisted state changes.",
          "negative_continuity_directive": "Keep the fixed positions of base markers 1, 2, 5, 6, 7, 8, 9, 10, and 11 consistent with the floor-plan seed. Do not invent additional overlay markers, fixed elements, or units outside the camera-unit-2 candidate view; treat openings 3 and 4 and candidate-visible units 1, 8, 9, 10, and 11 as visibility supersets rather than requiring all of them in frame."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l61_conference_hall",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l61_conference_hall"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      },
      "L62B01": {
        "status": "ok",
        "is_reuse": false,
        "render_action": "render_new_plate",
        "location_id": "L62",
        "location_name": "",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L62B01.png",
        "t2i_prompt": "대한민국 전라남도 지역 경찰청 청사의 대회의실 앞 복도를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2015~2017년 무렵의 공공기관 내부로, 길게 이어지는 공용 복도 중앙에 막힘없는 직선 보행 동선이 있고, 긴 벽면의 대회의실 양문 바로 옆에서 복도 폭이 조금 넓어져 잠시 멈춰 설 수 있는 공간이 형성되어 있다. 복도 중앙 보행 동선 안에 카메라를 두고, 서 있는 사람의 눈높이인 약 1.6m에서 대회의실 양문과 그 옆 정지 공간을 향해 비스듬히 바라본 35mm급 중간 광각 구도. 밝지만 조용한 낮 시간이며, 천장의 실용적인 공공기관 조명이 부드럽고 균일하게 퍼지고 보이지 않는 인접 공간에서 약한 자연광이 섞인다. 절제된 중성색 벽 마감, 실제 금속 부속과 문 표면, 광택이 과하지 않은 단단한 복도 바닥, 모서리의 미세한 마모와 생활 얼룩 등 오래 사용된 관공서의 현실적인 재료 질감을 세밀하게 표현한다. 정지 공간의 프레임 가장자리에는 화면 밖 통화자가 들고 있는 2010년대 중후반형 휴대전화 본체의 일부만 일시적으로 보이게 하되, 손이나 사람은 전혀 보이지 않는다. 긴장된 사적 통화가 진행되는 순간의 적막함은 빈 복도와 정돈된 공간, 낮은 대비의 평범한 조명으로만 전달한다. 사람, 얼굴, 손, 신체 형태의 형상은 포함하지 않는다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·도장면 질감, 과장 없는 색감, 후처리 없는 사실적인 기록 사진. 깨끗한 광고 사진이나 건축 시각화가 아니며, 위에서 내려다본 시점, 평면도, 건축 도식, 삽화는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "shot_guides": [
          {
            "guide_text": "복도 중앙 보행 동선 안에서 약 1.6m 높이의 눈높이로 촬영하고, 대회의실 양문과 바로 옆의 넓어진 정지 공간을 향해 비스듬히 바라본다. 35mm급 중간 광각으로 긴 복도의 깊이와 조용히 고립된 정지 공간을 함께 담는다. 사람이나 손은 보이지 않으며, 화면 밖 통화자가 들고 있는 휴대전화 본체의 일부만 프레임 가장자리에 일시적으로 보이게 한다.",
            "shot_id": "S77_Shot2"
          }
        ],
        "shot_ids": [
          "S77_Shot2"
        ],
        "scenes": [],
        "parent_id": "",
        "ref_used": "fp_only",
        "render_attempts": 1,
        "render_error": "",
        "variant_label": "",
        "floor_plan_used": true,
        "camera_recommendations": {
          "camera_position": "within number 3 (walking path), facing diagonally toward number 2 (conference hall doorway) and number 4 (stopping area)",
          "camera_height": "eye-level standing, approximately 1.6m",
          "lens_hint": "35mm moderate wide angle",
          "framing_notes": "Keep the hall doorway and adjacent stopping area prominent; allow a clear view of the quiet institutional corridor and depict number 5 only as the handheld phone used during the call."
        },
        "reference_decision": {
          "bg_id": "L62B01",
          "fp_id": "fp_l62_conference_hall_corridor",
          "node_index": 0,
          "mode": "fp_seeded_anchor",
          "is_dwelling_identity_anchor": true,
          "rationale": "This is the sole ready BG and the only supplied clean-anchor candidate, so it establishes dwelling identity directly from the floor plan without a prior reference. Camera unit 1 provides a view toward target unit 4 with units 3 and 4 and opening marker 2 available in the visibility supersets, supporting the consuming shot's static medium profile framing and open gaze-line space.",
          "reference_paths": [
            "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/floor_plan/fp_l62_conference_hall_corridor.png"
          ],
          "source_bg_ids": [],
          "fp_included": true,
          "reference_decision": {
            "low_delta_rationale": "",
            "low_delta_reuse_target_bg_id": "",
            "physical_space_id_per_ref": [],
            "rejected_refs": [],
            "same_physical_space_dedup_decision": "not_applicable_no_references",
            "same_physical_space_low_delta_candidate": false,
            "selected_refs": [],
            "why_single_ref_or_two_refs": "No same-fp references are available; as the dwelling-identity anchor, this node is rendered directly from the floor-plan facts."
          },
          "camera_decision": {
            "camera_cell": [
              7,
              5
            ],
            "camera_unit": 1,
            "fov_deg": 50,
            "framing_notes": "Use a static, medium, neutral-coverage view from unit 1 toward unit 4, preserving open linear space beside the committed profile subject.",
            "lens_enum": "normal",
            "look_at_cell": [
              3,
              4
            ],
            "look_at_unit": 4
          },
          "render_guidance": {
            "visible_space_directive": "From unit 1, show the shared physical area defined by target units 1, 3, and 4, with units 3 and 4 extending into the view and opening marker 2 visible beside the widened area represented by marker 4. Keep marker 3 readable as the linear open path.",
            "camera_framing_directive": "Frame statically from camera unit 1 at camera cell [7,5], looking toward unit 4 through look-at cell [3,4], with a normal 50-degree lens for neutral medium coverage and open space extending along the committed gaze line.",
            "subject_position_directive": "Place the committed subject at medium distance on the camera side in a right-facing profile, halted from a forward step with the marker-5 action maintained near the ear and a tightened-brow expression; leave open negative space along the distant gaze direction.",
            "state_cue_directive": "Carry transient marker 5 in the state described by the consuming staging while retaining numbered elements 1, 2, 3, and 4 as the structural setting. Add no state cues beyond the neutral, moderately low-contrast daytime ambience and the committed transient marker.",
            "negative_continuity_directive": "Do not introduce unlisted overlay markers or openings other than marker 2, and do not depict units outside the visible-unit superset of units 3 and 4 from camera unit 1. Preserve the base arrangement of markers 1, 2, 3, and 4 without adding unsupported structural cues."
          },
          "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 4\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a static, medium, neutral-coverage view from unit 1 toward unit 4, preserving open linear space beside the committed profile subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the shared physical area defined by target units 1, 3, and 4, with units 3 and 4 extending into the view and opening marker 2 visible beside the widened area represented by marker 4. Keep marker 3 readable as the linear open path.\n  - camera_framing_directive: Frame statically from camera unit 1 at camera cell [7,5], looking toward unit 4 through look-at cell [3,4], with a normal 50-degree lens for neutral medium coverage and open space extending along the committed gaze line.\n  - subject_position_directive: Place the committed subject at medium distance on the camera side in a right-facing profile, halted from a forward step with the marker-5 action maintained near the ear and a tightened-brow expression; leave open negative space along the distant gaze direction.\n  - state_cue_directive: Carry transient marker 5 in the state described by the consuming staging while retaining numbered elements 1, 2, 3, and 4 as the structural setting. Add no state cues beyond the neutral, moderately low-contrast daytime ambience and the committed transient marker.\n  - negative_continuity_directive: Do not introduce unlisted overlay markers or openings other than marker 2, and do not depict units outside the visible-unit superset of units 3 and 4 from camera unit 1. Preserve the base arrangement of markers 1, 2, 3, and 4 without adding unsupported structural cues.\n\n",
          "diagnostics": []
        },
        "reference_guidance_prefix": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 4\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a static, medium, neutral-coverage view from unit 1 toward unit 4, preserving open linear space beside the committed profile subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the shared physical area defined by target units 1, 3, and 4, with units 3 and 4 extending into the view and opening marker 2 visible beside the widened area represented by marker 4. Keep marker 3 readable as the linear open path.\n  - camera_framing_directive: Frame statically from camera unit 1 at camera cell [7,5], looking toward unit 4 through look-at cell [3,4], with a normal 50-degree lens for neutral medium coverage and open space extending along the committed gaze line.\n  - subject_position_directive: Place the committed subject at medium distance on the camera side in a right-facing profile, halted from a forward step with the marker-5 action maintained near the ear and a tightened-brow expression; leave open negative space along the distant gaze direction.\n  - state_cue_directive: Carry transient marker 5 in the state described by the consuming staging while retaining numbered elements 1, 2, 3, and 4 as the structural setting. Add no state cues beyond the neutral, moderately low-contrast daytime ambience and the committed transient marker.\n  - negative_continuity_directive: Do not introduce unlisted overlay markers or openings other than marker 2, and do not depict units outside the visible-unit superset of units 3 and 4 from camera unit 1. Preserve the base arrangement of markers 1, 2, 3, and 4 without adding unsupported structural cues.\n\n",
        "effective_render_prompt": "STYLE CONTRACT — an ordinary, modest, real place, exactly as the supplied plan, reference images and prose establish it. Treat the result as an actual reference photograph of that real place: everyday materials, believable wear, plain practical furnishings appropriate to the place's established type and use, natural daylight or simple ceiling lighting. Strictly avoid luxury, showroom, hotel-suite, boutique-design, high-end-retail, or magazine-staging styling. No marble surfaces, no chandeliers, no designer furniture, no polished decor displays, no curated styling props, no glossy magazine finish. When the supplied inputs establish a currently occupied dwelling, its rooms carry the ordinary, unstaged traces of the residents' daily life, accumulated naturally on surfaces and in corners — never a bare, just-moved-in or showroom-empty room — and which particular belongings show this is the image's own choice. Whenever the supplied inputs establish a different place type, occupancy state, age or condition, that established fact wins over every default in this entire style contract.\n\nUse the supplied base floor plan as the only visual reference. Render a fresh photoreal interior under the modest style contract. The base plan's numbered markers, labels, arrows and diagram graphics are planning aids ONLY — the rendered photograph must contain NONE of them: no numerals, no letters, no circles or arrows, no diagram lines of any kind anywhere in the image. Treat the markers purely as invisible spatial guidance.\n\nREFERENCE PLAN: mode='fp_seeded_anchor'\n  - reference: base floor plan (anchor)\n\nCAMERA DECISION (exact, from validated plan):\n  - camera_unit: 1\n  - camera_cell: [7, 5]\n  - look_at_unit: 4\n  - look_at_cell: [3, 4]\n  - lens_enum: 'normal'\n  - fov_deg: 50\n  - framing_notes: 'Use a static, medium, neutral-coverage view from unit 1 toward unit 4, preserving open linear space beside the committed profile subject.'\n\nRENDER GUIDANCE (from validated plan):\n  - visible_space_directive: From unit 1, show the shared physical area defined by target units 1, 3, and 4, with units 3 and 4 extending into the view and opening marker 2 visible beside the widened area represented by marker 4. Keep marker 3 readable as the linear open path.\n  - camera_framing_directive: Frame statically from camera unit 1 at camera cell [7,5], looking toward unit 4 through look-at cell [3,4], with a normal 50-degree lens for neutral medium coverage and open space extending along the committed gaze line.\n  - subject_position_directive: Place the committed subject at medium distance on the camera side in a right-facing profile, halted from a forward step with the marker-5 action maintained near the ear and a tightened-brow expression; leave open negative space along the distant gaze direction.\n  - state_cue_directive: Carry transient marker 5 in the state described by the consuming staging while retaining numbered elements 1, 2, 3, and 4 as the structural setting. Add no state cues beyond the neutral, moderately low-contrast daytime ambience and the committed transient marker.\n  - negative_continuity_directive: Do not introduce unlisted overlay markers or openings other than marker 2, and do not depict units outside the visible-unit superset of units 3 and 4 from camera unit 1. Preserve the base arrangement of markers 1, 2, 3, and 4 without adding unsupported structural cues.\n\n대한민국 전라남도 지역 경찰청 청사의 대회의실 앞 복도를 실제 카메라로 촬영한 다큐멘터리 풍 사진. 2015~2017년 무렵의 공공기관 내부로, 길게 이어지는 공용 복도 중앙에 막힘없는 직선 보행 동선이 있고, 긴 벽면의 대회의실 양문 바로 옆에서 복도 폭이 조금 넓어져 잠시 멈춰 설 수 있는 공간이 형성되어 있다. 복도 중앙 보행 동선 안에 카메라를 두고, 서 있는 사람의 눈높이인 약 1.6m에서 대회의실 양문과 그 옆 정지 공간을 향해 비스듬히 바라본 35mm급 중간 광각 구도. 밝지만 조용한 낮 시간이며, 천장의 실용적인 공공기관 조명이 부드럽고 균일하게 퍼지고 보이지 않는 인접 공간에서 약한 자연광이 섞인다. 절제된 중성색 벽 마감, 실제 금속 부속과 문 표면, 광택이 과하지 않은 단단한 복도 바닥, 모서리의 미세한 마모와 생활 얼룩 등 오래 사용된 관공서의 현실적인 재료 질감을 세밀하게 표현한다. 정지 공간의 프레임 가장자리에는 화면 밖 통화자가 들고 있는 2010년대 중후반형 휴대전화 본체의 일부만 일시적으로 보이게 하되, 손이나 사람은 전혀 보이지 않는다. 긴장된 사적 통화가 진행되는 순간의 적막함은 빈 복도와 정돈된 공간, 낮은 대비의 평범한 조명으로만 전달한다. 사람, 얼굴, 손, 신체 형태의 형상은 포함하지 않는다. 실제 DSLR 또는 미러리스 카메라로 촬영한 현장 참고 사진처럼 자연스러운 원근감과 피사계 심도, 정확한 콘크리트·금속·도장면 질감, 과장 없는 색감, 후처리 없는 사실적인 기록 사진. 깨끗한 광고 사진이나 건축 시각화가 아니며, 위에서 내려다본 시점, 평면도, 건축 도식, 삽화는 금지한다. 16:9 가로 비율, 실제 카메라 촬영본",
        "camera_decision": {
          "camera_cell": [
            7,
            5
          ],
          "camera_unit": 1,
          "fov_deg": 50,
          "framing_notes": "Use a static, medium, neutral-coverage view from unit 1 toward unit 4, preserving open linear space beside the committed profile subject.",
          "lens_enum": "normal",
          "look_at_cell": [
            3,
            4
          ],
          "look_at_unit": 4
        },
        "shot_aware_plan_node_index": 0,
        "shot_aware_plan_mode": "fp_seeded_anchor",
        "render_guidance": {
          "visible_space_directive": "From unit 1, show the shared physical area defined by target units 1, 3, and 4, with units 3 and 4 extending into the view and opening marker 2 visible beside the widened area represented by marker 4. Keep marker 3 readable as the linear open path.",
          "camera_framing_directive": "Frame statically from camera unit 1 at camera cell [7,5], looking toward unit 4 through look-at cell [3,4], with a normal 50-degree lens for neutral medium coverage and open space extending along the committed gaze line.",
          "subject_position_directive": "Place the committed subject at medium distance on the camera side in a right-facing profile, halted from a forward step with the marker-5 action maintained near the ear and a tightened-brow expression; leave open negative space along the distant gaze direction.",
          "state_cue_directive": "Carry transient marker 5 in the state described by the consuming staging while retaining numbered elements 1, 2, 3, and 4 as the structural setting. Add no state cues beyond the neutral, moderately low-contrast daytime ambience and the committed transient marker.",
          "negative_continuity_directive": "Do not introduce unlisted overlay markers or openings other than marker 2, and do not depict units outside the visible-unit superset of units 3 and 4 from camera unit 1. Preserve the base arrangement of markers 1, 2, 3, and 4 without adding unsupported structural cues."
        },
        "attached_reference_lineage": {
          "fp_id": "fp_l62_conference_hall_corridor",
          "prior_bg_ids": [],
          "attached_ref_labels": [
            "fp:fp_l62_conference_hall_corridor"
          ],
          "ref_used": "fp_only",
          "db_write_policy": "checkpoint_only"
        }
      }
    },
    "consumed_bg_catalog_hash": "5a616909d058e78a",
    "consumed_shot_binding_hash": "0e6409db6be3cc20",
    "bg_reference_catalog": [
      {
        "bg_id": "L08B01",
        "fp_id": "fp_l08_forecourt",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L08B01.png",
        "mode": "fp_seeded_anchor",
        "node_index": 0,
        "source_bg_ids": [],
        "ingestion_order": 0,
        "source_kind": "shot_aware_plan"
      },
      {
        "bg_id": "L10B01",
        "fp_id": "fp_l10_rest_area",
        "png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/episodes/950be69d-7139-4294-80fd-3f15949295c7/images/background_chain/L10B01.png",
        "mode": "fp_seeded_anchor",
        "node_index": 0,
        "source_bg_ids": [],
        "ingestion_order": 1,
        "source_kind": "shot_aware_plan"
      },
      {
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