{ "status": "completed", "applicable_count": 10, "completed_count": 10, "failed_count": 0, "schema_version": 6, "config_hash": "f3013fbe8ceb4734", "data": { "groups": { "bg_amusement_ride": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_amusement_ride_sel.png", "seed_asset_id": "5520019d-3f1a-4765-b31b-d2ef259abb21", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The persistent site is organized around the Tagada Disco amusement ride, with its passenger-carrying ride structure occupying the principal filming zone. A permanent boarding approach directly adjoins the ride so users can enter and leave the apparatus; no orientation, dimensions, materials, or surrounding park features are specified.\n- Tagada Disco amusement ride structure: Occupies the principal ride zone, with its passenger-carrying section integral to the fixed amusement-ride apparatus.\n- Tagada Disco boarding approach: Directly adjoins the Tagada Disco amusement ride structure and provides the persistent access connection for boarding and exiting the ride.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 놀이공원 타가디스코: 원형으로 된 회전형 놀이기구 세트로, 금속 안전바와 화려한 조명이 설치되어 있다.\n\nTHE LOCATION: **S#1. 놀이공원 - 오후**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Teenage riders and their friends; Ride shaking and active motion; Afternoon conditions; On-screen 2001 caption\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "ba981081-3404-4d6f-baa5-69c7d7553be7", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_amusement_ride/rounds/r001/cand_05.png", "sha256": "48ac8acb9c8bbd2d2a49fb7c76ca2365abe26c43a89b1adc960622b5af5f7a32", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "9fc87a4549e188fe", "totals": { "A": 6, "B": 4 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 6, "verdict_ko": "배경의 인물 그래픽과 전면의 '디스코' 글씨를 누락하고 상단 간판에 오타가 있으나, 놀이기구 내부의 다채로운 좌석 색상과 배경 벽화의 형태를 유지하여 참조 이미지의 전반적인 형태에 더 가깝습니다." }, { "label": "B", "score": 4, "verdict_ko": "놀이기구 내부의 컬러 좌석을 검은색으로 단조롭게 묘사했으며, 프롬프트에서 명시적으로 금지한 '단순한 색상 띠와 글자'로 배경을 처리하여 시각적 충실도가 떨어집니다." } ], "critique": { "issues": [ { "issue_ko": "배경 패널에 기준 이미지의 세 여성 얼굴 벽화가 누락되었습니다.", "fix_en": "Paint the mural of three women wearing sunglasses across the back wall panel, preserving the empty state of the scene, roof trusses, circular ride, stairs, lighting, and framing." }, { "issue_ko": "전면 주황색 벽에 있는 대형 분홍색 그래픽이 누락되었습니다.", "fix_en": "Add the large, jagged pink graphic to the left side of the front orange wall, preserving the empty state of the scene, orange wall, blue trim, stairs, ride structure, lighting, and framing." }, { "issue_ko": "계단 상단이 주황색 벽과 난간으로 완전히 막혀 있어 탑승로가 기구와 연결되지 않는 구조적 결함이 있습니다.", "fix_en": "Open a clear boarding path at the top of the blue stairs by removing the blocking orange wall section and white railings, preserving the empty state of the scene, remaining stairs, circular ride, lighting, and framing.", "needs_regeneration": true }, { "issue_ko": "기구 상단 원형 난간의 다채로운 색상 분할(노랑, 초록 등)이 생략되고 단일 색상으로 처리되었습니다.", "fix_en": "" } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Paint the mural of three women wearing sunglasses across the back wall panel, preserving the empty state of the scene, roof trusses, circular ride, stairs, lighting, and framing.\n- Add the large, jagged pink graphic to the left side of the front orange wall, preserving the empty state of the scene, orange wall, blue trim, stairs, ride structure, lighting, and framing.\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "계단 상단이 주황색 벽과 난간으로 완전히 막혀 있어 탑승로가 기구와 연결되지 않는 구조적 결함이 있습니다.", "fix_en": "Open a clear boarding path at the top of the blue stairs by removing the blocking orange wall section and white railings, preserving the empty state of the scene, remaining stairs, circular ride, lighting, and framing.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_apartment_unit": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_apartment_unit_sel.png", "seed_asset_id": "5c3443a3-6276-4461-a379-628af0a18a17", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The corridor elevator entrance opens onto an elevator landing that feeds directly into a long exterior residential corridor. From the landing, the corridor continues along the apartment side of the building, where a sequence of numbered apartment entrances faces the passage. The entrance to Sun-young's residence is one identifiable door within that sequence, with its unit-number identifier and doorbell located at the entrance. The opposite, exposed side of the corridor is followed by a continuous safety boundary. Camera movement can begin at the elevator landing, proceed along the corridor while reading the numbered entrances, and finish in the doorway bay directly outside Sun-young's residence.\n- corridor elevator entrance: The elevator entrance opens onto a landing that connects directly to the long residential corridor.\n- long exterior residential corridor: The corridor extends away from the elevator landing and provides continuous pedestrian access to the apartment entrances.\n- outer safety boundary of the exterior corridor: The safety boundary follows the exposed side of the exterior corridor, opposite the side occupied by the apartment entrances.\n- numbered apartment entrances along the corridor: The apartment entrances form a sequence along the building side of the long corridor, each accessible directly from the passage.\n- Sun-young residence entrance door: The residence entrance door is one of the numbered apartment entrances reached by walking along the corridor from the elevator landing.\n- doorbell at Sun-young residence entrance: The doorbell is fixed at the Sun-young residence entrance within reach from the corridor immediately outside the door.\n- unit-number identifiers for the apartment entrances: The unit-number identifiers are associated with the corresponding entrances along the residential corridor, including the entrance to Sun-young's residence.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 선영네 아파트 복도: 엘리베이터와 각 세대 현관문이 길게 이어진 복도식 아파트 외부 통로.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 선영네 아파트 내부: 시위용품과 종이상자가 놓여있는 가정집 거실 공간.\n\nTHE LOCATION: **S#42. 선영네 집, 아파트 복도 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Open elevator-door state; Two visitors in the apartment corridor; Hands overlapping at the doorbell\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "8ab3b025-b7f6-45a0-b0be-dc95a9bda6d5", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_apartment_unit/rounds/r001/cand_03.png", "sha256": "6df44b564dda3d57b0300c61d2dee5fbc731835a59cb57daeb875c5a9c9d6195", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "a4826086b4909b44", "totals": { "B": 10, "A": 7 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 10, "verdict_ko": "디지털 도어락, 방범창, 투톤 페인트, 엘리베이터 스티커 등 2015-2017년 한국 복도식 아파트의 디테일을 완벽하게 고증하여 프롬프트의 시공간적 배경을 훌륭하게 구현함." }, { "label": "A", "score": 7, "verdict_ko": "제시된 외부 복도 및 엘리베이터 구조 요건은 충족하나, 2015-2017년 한국 아파트의 전형적인 디테일(디지털 도어락, 엘리베이터 호출 버튼 등)이 다소 부족함." } ], "critique": { "issues": [] }, "fix_skipped": true }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_courthouse": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_courthouse_sel.png", "seed_asset_id": "baeb3c00-5e15-46de-b65e-9a3e127c223b", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The Gwangju District Court building anchors one side of the site, with its principal exterior entrance opening onto the courthouse front approach grounds. A fixed courthouse identification sign faces these grounds at the entrance. The approach grounds extend away from the building as the exterior circulation and camera area, maintaining a direct pedestrian connection back to the entrance and a clear view toward the courthouse frontage.\n- Gwangju District Court building: The courthouse building occupies the institutional side of the site and presents its principal exterior toward the front approach grounds.\n- Principal courthouse exterior entrance: The principal exterior entrance is set into the front side of the courthouse building and directly adjoins the front approach grounds.\n- Fixed courthouse identification sign: The fixed identification sign is attached to or immediately beside the principal courthouse exterior entrance, facing the front approach grounds.\n- Open courthouse front approach grounds: The exterior approach grounds extend outward from the courthouse frontage, directly meeting the principal entrance and providing the persistent pedestrian connection to and from the building.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주지방법원 외부와 광장: 햇볕이 밝게 내리쬐는 웅장한 법원 건물 외벽과 앞마당 광장.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광주지방법원 법정: 법대, 증인석, 방청석이 구분되어 있으며 대형 스크린이 설치된 공식 재판 공간.\n\nTHE LOCATION: S#72. 광주지방법원 앞 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Sunny daylight condition; October 2016 date caption; Jeon Taek-su outside the courthouse; Lee Mi-gyeong crossing the courthouse grounds\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 2.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "7e45a9bf-935c-4af0-9c95-7214947710ea", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_courthouse/rounds/r001/cand_06.png", "sha256": "2d44a2863943234389fd922fe1fec1a5591966eeef4dd898cf123826cf3e2de8", "fittings": [ { "target_native": "지방법원 청사 정면", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_courthouse/rounds/r001/cand_08.png", "sha256": "11aa93e935c78829688d795dcad8eab4b05724061d1d304c0c4ba3cd4d494300" }, { "target_native": "법원 청사 앞마당 보행 공간", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_courthouse/rounds/r001/cand_13.png", "sha256": "da21983aa6ca27449cf8eba0b8ceac79b98e100568d0b2d9405e6185384ecadb" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "3e3ca3e18d6e8a50", "totals": { "B": 0, "A": 0 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 0, "verdict_ko": "형태 참조 이미지(파란색 유리 건물)를 완전히 무시하고 다른 건물을 렌더링했으며, 명시적으로 제외된 '맑은 햇빛(Sunny daylight)' 조건을 포함하여 실격입니다." }, { "label": "A", "score": 0, "verdict_ko": "지정된 건물 형태를 렌더링하지 않고 피팅 참조 이미지를 잘못 모방했으며, 제외된 날씨 조건을 묘사하고 카메라 구도 지침도 어겨 실격입니다." } ], "critique": { "issues": [ { "issue_ko": "건물의 형태와 재질이 폼 레퍼런스(첫 번째 사진)에 지정된 파란색 유리 외벽 구조가 아닌, 피팅 레퍼런스의 석조/콘크리트 건물로 잘못 생성되었습니다.", "fix_en": "Change the entire building's facade and structure to match the blue glass curtain-wall design shown in the first reference image.", "needs_regeneration": true }, { "issue_ko": "지시문에서 요구한 '약간 높은 4분의 3 측면 뷰(slightly elevated three-quarter view)'가 아니라 지상 높이의 정면 뷰로 촬영되었습니다.", "fix_en": "Change the camera angle to a slightly elevated three-quarter view that clearly shows the overall shape, faces, and openings of the building.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "건물의 형태와 재질이 폼 레퍼런스(첫 번째 사진)에 지정된 파란색 유리 외벽 구조가 아닌, 피팅 레퍼런스의 석조/콘크리트 건물로 잘못 생성되었습니다.", "fix_en": "Change the entire building's facade and structure to match the blue glass curtain-wall design shown in the first reference image.", "needs_regeneration": true }, { "issue_ko": "지시문에서 요구한 '약간 높은 4분의 3 측면 뷰(slightly elevated three-quarter view)'가 아니라 지상 높이의 정면 뷰로 촬영되었습니다.", "fix_en": "Change the camera angle to a slightly elevated three-quarter view that clearly shows the overall shape, faces, and openings of the building.", "needs_regeneration": true } ], "regen_deferred_issue_count": 2 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_kindergarten": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_kindergarten_sel.png", "seed_asset_id": "876a1b81-5b70-4d0d-9641-af8468e25f93", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The kindergarten grounds directly abut one side of the frontage road, while the opposite roadside provides a facing position across the roadway. An entrance approach begins at the kindergarten-side road edge, passes through an opening in the site boundary, and reaches the exterior kindergarten entrance. The entrance is set into the kindergarten building at the road-facing side of the grounds. The playground occupies a separate outdoor portion beside the building within the same boundary and is connected to the entrance side through the kindergarten grounds.\n- kindergarten frontage road: The road runs along the public frontage of the kindergarten grounds, separating the kindergarten-side road edge from the opposite roadside.\n- exterior kindergarten entrance: The entrance is set into the kindergarten building and faces the approach leading from the frontage road.\n- road-to-entrance kindergarten approach: The approach connects the kindergarten-side edge of the frontage road to the exterior kindergarten entrance through an opening in the site boundary.\n- kindergarten building containing the exterior entrance: The building stands inside the kindergarten grounds immediately behind the exterior entrance, with the playground occupying a separate adjoining outdoor portion of the site.\n- kindergarten outdoor playground: The playground occupies an outdoor portion of the kindergarten grounds beside the building and remains inside the site boundary.\n- kindergarten grounds boundary: The boundary encloses the building and playground from the adjoining public frontage and contains an access opening aligned with the road-to-entrance approach.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 유치원 앞 도로: 원아 수송용 차량이 정차하는 유치원 앞 일반 포장도로. / 유치원 놀이터: 원생들이 뛰노는 야외 모래밭과 놀이기구가 설치된 구역. / 유치원 현관 앞: 건물 입구 쪽에 비를 피할 수 있도록 구조물이 설치된 출입 구역.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 유치원 교실: 아동용 도서와 교구가 배치된 밝고 화사한 보육 공간.\n\nTHE LOCATION: S#78. 유치원 앞 도로 - 낮\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): kindergarten transport bus; adults and children occupying the site; handheld smartphone and displayed photograph; handheld umbrella; rainfall\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "cec041b0-f772-4966-921e-224ff2252393", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_kindergarten/rounds/r001/cand_01.png", "sha256": "8b16c228aa58a652a15f8f7561781cf9527966cabe586b928cfd42ea57e0e7a8", "fittings": [ { "target_native": "유치원 현관 앞 비가림", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_kindergarten/rounds/r001/cand_07.png", "sha256": "8b969323be75ee37d71de6a1e65e99d5bec1831ae99f190d813a4cb636bd2d0e" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "b698687f4ce954d3", "totals": { "A": 9, "B": 5 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 9, "verdict_ko": "형태 레퍼런스의 건축 양식(특히 우측 벽돌면과 대형 격자 창문)과 간판 디테일을 매우 정확하게 재현했으며, 지시된 프레이밍과 공간 배치를 완벽히 따랐습니다." }, { "label": "B", "score": 5, "verdict_ko": "진입로에 초록색 매트를 깔아 피팅 레퍼런스를 반영한 점은 좋으나, 건물 우측에 형태 레퍼런스와 완전히 다른 평지붕의 흰색 타워를 생성하여 건축적 일관성을 크게 해쳤습니다." } ], "critique": { "issues": [ { "issue_ko": "유치원 메인 간판에 레퍼런스 사진의 텍스트가 그대로 복사되었으며, 대문 기둥 표지판에 '67' 등 제시문에 없는 텍스트가 무단으로 생성되었습니다.", "fix_en": "Remove all legible text and numbers from the green main sign, the blue sign on the gate post, and the yellow sign on the far right fence, replacing them with plain color fields matching their backgrounds, while strictly preserving the building, the character illustration on the main sign, the portico, the road, and the current framing.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "현관 앞 출입 구역에 피팅 레퍼런스 1이 지정한 곡선형 투명 캐노피 구조물이 전혀 반영되지 않고 누락되었습니다.", "fix_en": "Build a curved, transparent plastic canopy with metal framing that extends from the front portico outwards over the brick entrance pathway, preserving the existing building structure, the fencing, the road, and the camera viewpoint exactly.", "needs_regeneration": true, "unfixable": false }, { "issue_ko": "현관 포티코의 오른쪽 기둥에 있는 주황색 장식 띠 2개가 왼쪽 기둥과 달리 입체적이지 않고 평면적으로 왜곡되어 있습니다.", "fix_en": "", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "유치원 앞 도로에 표시된 흰색 화살표의 꼬리 부분이 정상적인 직선이 아닌 다이아몬드 형태로 왜곡되어 있습니다.", "fix_en": "", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Remove all legible text and numbers from the green main sign, the blue sign on the gate post, and the yellow sign on the far right fence, replacing them with plain color fields matching their backgrounds, while strictly preserving the building, the character illustration on the main sign, the portico, the road, and the current framing.\n- \n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "현관 앞 출입 구역에 피팅 레퍼런스 1이 지정한 곡선형 투명 캐노피 구조물이 전혀 반영되지 않고 누락되었습니다.", "fix_en": "Build a curved, transparent plastic canopy with metal framing that extends from the front portico outwards over the brick entrance pathway, preserving the existing building structure, the fencing, the road, and the camera viewpoint exactly.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_memorial_facility": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_memorial_facility_sel.png", "seed_asset_id": "36c84b04-a182-4903-bacb-ffd0b561d48b", "seed_selected": "A", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a parking area directly in front of the columbarium building. One edge of the parking area meets the building's public-facing frontage. A fixed entrance in that frontage faces and directly connects to the parking area, allowing movement from the exterior parking zone into the columbarium. The two practical exterior camera zones are therefore the open parking area and the adjoining entrance frontage.\n- Columbarium-front parking area: The parking area occupies the exterior space directly in front of the columbarium and adjoins its entrance frontage.\n- Columbarium building: The columbarium stands along one side of the parking area, with its public-facing side oriented toward the parking area.\n- Parking-facing columbarium entrance: The entrance is set into the columbarium frontage adjoining the parking area and provides the fixed access point between the exterior parking zone and the building interior.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 납골당 앞 주차장: 노을이 지는 하늘 아래 위치한 추모 시설 외부 주차 구역.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 납골당 안치실: 수많은 유골함과 사진이 유리단 안에 정렬된 조용한 실내 추모 공간.\n\nTHE LOCATION: S#91. 납골당 앞 주차장 - 해질녘\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Dusk lighting; Visitors in the parking area\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "fe419d5a-4f8f-427a-bc6d-e4bce6c1da47", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_memorial_facility/rounds/r001/cand_09.png", "sha256": "634820fb6c688b9872689239329d38d09247a722e188dbb3c595eed7c18afb8c", "fittings": [ { "target_native": "납골당 건물 외관", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_memorial_facility/rounds/r001/cand_14.png", "sha256": "b426b1c31e659456f23fa16daafb8e584cf5aba03709a570f52880013325541d" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "ba9a08ad3bc74a5f", "totals": { "A": 10, "B": 8 }, "ranking": [ "A", "B" ], "verdicts": [ { "label": "A", "score": 10, "verdict_ko": "지시된 구도와 참조 이미지의 건물 형태를 완벽하게 재현했으며, 배제해야 할 황혼 조명과 차량을 정확히 제외하고 간판의 텍스트와 로고까지 높은 해상도로 렌더링한 최우수 결과물입니다." }, { "label": "B", "score": 8, "verdict_ko": "건물의 전반적인 형태와 배제 지시사항을 잘 따랐으나, 주차선이 다소 불규칙하고 1층 입구 간판의 글씨가 뭉개져 후보 A에 비해 디테일 재현력이 부족합니다." } ], "critique": { "issues": [ { "issue_ko": "사진에서 문구를 가져오지 말라는 지침('never from the photograph')에도 불구하고, 참조 사진에 있던 '추모관' 및 '목포추모관'이라는 글자가 건물 외벽과 입구에 그대로 복사되어 렌더링되었습니다. (minor)", "fix_en": "", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit" }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "A", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_nearby_bus_stop": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_nearby_bus_stop_sel.png", "seed_asset_id": "89153048-6c9e-44a1-bb8d-4bc320de695d", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A bus shelter occupies the waiting zone directly beside the street roadway where buses stop for passengers. The shelter's access opening faces the adjoining roadway, allowing a passenger to move directly between the bus stopping edge and the covered waiting space. A fixed bus-stop identification sign stands beside the shelter and addresses the same roadway. From the shelter frontage, the street continues as the route used to leave the stop area.\n- roadside covered bus shelter: The covered waiting structure stands directly beside the street roadway and contains the bus shelter waiting zone.\n- road-facing bus shelter opening: The access opening is part of the roadside side of the covered bus shelter and faces the adjoining street roadway.\n- fixed bus-stop identification sign: The fixed identification sign stands beside the covered bus shelter and directly addresses the adjoining street roadway.\n- street roadway beside the bus shelter: The street roadway directly adjoins the covered bus shelter, provides the bus stopping edge, and continues away from the stop as the street route.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 유치원 인근 버스정류장과 거리: 갑자기 소나기가 내리는 날씨의 지붕 있는 버스 대기소와 젖은 도로.\n\nTHE LOCATION: S#82. 유치원 인근 거리 - 아침\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): passing passenger bus; sudden rain shower; wet roadway condition; cloudy sky cover; handheld umbrellas\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.\n\nATTACHED PHOTOGRAPHS, IN ORDER — how many the note above is about: 1.\nHow many come after those: 1.\n\nEverything said above about the reference concerns only the earlier ones.\nEach of the photographs that come AFTER them shows how ONE thing that\nbelongs at a place like this is ordinarily made and finished in this\nregion. Where the description above places such a thing, build it the way\nits photograph shows it — the same kind of object, the same construction,\nthe same proportions, the same materials — instead of a plain generic\nstand-in.\n\n★ NONE OF THEM SETTLES PLACEMENT. Each was taken somewhere else, where\nsuch things happen to stand in some other arrangement under some other\nlight. Never copy their camera angles, framing, weather, times of day or\nsurroundings, and never bring across anything else standing in them.\nWhere this structure sits, what lies around it, and how the picture is\nframed are settled by the description above, and it wins over every\nphotograph.", "form_reference_input": { "asset_id": "149dee31-f6ee-4d55-aff3-08d34c5d3435", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_nearby_bus_stop/rounds/r001/cand_01.png", "sha256": "8ee34036f820509a59257852a42784816332fb5e604e02c05f1f3ce94e84a8d8", "fittings": [ { "target_native": "지붕 있는 버스정류장", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_nearby_bus_stop/rounds/r001/cand_09.png", "sha256": "3e842fd469f628ffe75fa72c25fb2658fbcca956b9a2ec9bbc30300df597045f" } ], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "6aa8c8d2af4e9d5c", "totals": { "B": 5, "A": 3 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 5, "verdict_ko": "주 참조 이미지(평지붕) 대신 부속 참조 이미지(곡면 지붕)를 모방한 한계가 있으나, 참조 사진의 배경 복사를 피하고 장소 맥락(유치원)을 표지판에 적절히 반영함." }, { "label": "A", "score": 3, "verdict_ko": "주 참조 이미지 대신 부속 참조 이미지를 잘못 모방했으며, 금지된 지침인 참조 사진의 배경(비닐하우스)까지 그대로 복사하여 감점됨." } ], "critique": { "issues": [ { "issue_ko": "버스 대기소 구조물이 첫 번째로 지정된 형태 참고 이미지(투명한 경사 지붕과 얇은 금속 프레임)가 아닌 두 번째 참고 이미지(둥근 지붕과 회색 불투명 구조)를 바탕으로 잘못 생성되었습니다.", "fix_en": "Replace the entire bus shelter structure to match the architecture of the first reference photograph exactly, featuring thin dark metal framing and an angled translucent glass roof.", "needs_regeneration": true, "unfixable": false } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "버스 대기소 구조물이 첫 번째로 지정된 형태 참고 이미지(투명한 경사 지붕과 얇은 금속 프레임)가 아닌 두 번째 참고 이미지(둥근 지붕과 회색 불투명 구조)를 바탕으로 잘못 생성되었습니다.", "fix_en": "Replace the entire bus shelter structure to match the architecture of the first reference photograph exactly, featuring thin dark metal framing and an angled translucent glass roof.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_neighborhood_restaurant": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_neighborhood_restaurant_sel.png", "seed_asset_id": "5dd9a41d-09e2-4642-9d5a-28051bd43547", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a restaurant-district alley that serves as the common exterior circulation space. One side of the alley is lined by the Sisters Restaurant street frontage and surrounding bar frontages. The Sisters Restaurant customer entrance opens from its frontage directly onto the alley. Above or otherwise fixed to that frontage, the weathered Sisters Restaurant sign faces the alley. Stylish neighboring commercial signs are attached to the adjoining commercial frontages on either side, placing the restaurant sign within a continuous field of alley-facing signage while keeping it tied to its own frontage. Camera positions can occupy the alley opposite or oblique to the restaurant, the immediate restaurant-frontage zone, or the neighboring frontage line.\n- restaurant-district alley: The alley forms the shared circulation space in front of the Sisters Restaurant frontage and the surrounding commercial frontages.\n- Sisters Restaurant street frontage: The restaurant frontage directly adjoins one side of the restaurant-district alley, with neighboring commercial frontages continuing beside it.\n- weathered Sisters Restaurant sign: The sign is fixed to the Sisters Restaurant street frontage and faces the restaurant-district alley, set among but visually distinct from the neighboring commercial signs.\n- Sisters Restaurant customer entrance: The customer entrance is incorporated into the Sisters Restaurant street frontage and opens directly toward the restaurant-district alley.\n- surrounding bar frontages: The bar frontages occupy adjacent positions along the restaurant-district alley around the Sisters Restaurant frontage.\n- stylish neighboring commercial signs: The signs are fixed across the surrounding commercial frontages, flanking the weathered Sisters Restaurant sign along the alley-facing building line.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 자매식당 앞 먹자골목: 번화한 상가 간판들 사이로 낡은 간판이 대비를 이루는 야간 유흥 상권 골목.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 자매식당 내부: 세월의 흔적이 느껴지는 낡고 소박한 동네 식당 내부로, 식사 공간과 주방 싱크대 영역이 연결되어 있다.\n\nTHE LOCATION: S#70. 자매식당 앞 - 밤\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Nighttime condition; Lively noise from surrounding bars\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "fb86f7b0-74a5-4363-adcb-9a9387d37415", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_neighborhood_restaurant/rounds/r001/cand_03.png", "sha256": "4df0ec2ebaf4b6356de8671a8beae8e42fbcd88d42ab4a2f5e0d0f916f064d25", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "875a9b6855d0cdff", "totals": { "B": 9, "A": 8 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 9, "verdict_ko": "주변 바와 유흥업소 간판을 적절히 배치하여 '유흥 상권'의 맥락을 잘 살렸으며, 자매식당의 극명하게 낡은 간판이 주변과 강렬한 대비를 이루어 프롬프트의 의도를 완벽히 구현했습니다. 야간/인파 등의 일시적 요소를 제외하라는 지시도 정확히 따랐습니다." }, { "label": "A", "score": 8, "verdict_ko": "레퍼런스 이미지의 간판 소재(가로 패널)와 외관 폼을 성실하게 따랐고 일시적 요소를 잘 배제했으나, 프롬프트에서 핵심적으로 요구한 '낡은 간판의 대비'와 '주변 유흥 상권(Bar)'의 느낌이 후보 B에 비해 다소 약하게 표현되었습니다." } ], "critique": { "issues": [ { "issue_ko": "메인 간판에 프롬프트 지시를 위반하여 레퍼런스 사진에 있는 전화번호(226-9282)를 그대로 베껴 쓰고, 프롬프트에 없는 텍스트(각종음식전문)를 임의로 추가했습니다.", "fix_en": "Erase the small text '각종음식전문' and 'T 226-9282' from the right side of the main '자매식당' sign, replacing them with bare weathered white sign material, preserving the '자매식당' text, all neighboring signs, the building facade, the empty street, and the daytime lighting exactly as they are.", "needs_regeneration": false, "unfixable": false }, { "issue_ko": "촬영 구도가 프롬프트에서 요구한 '약간 높은 시점(slightly elevated view)'이 아닌 평범한 보행자 눈높이에서 렌더링되었습니다.", "fix_en": "Keep the current camera position and geometry as they are, but shift the vanishing point slightly downward to simulate a slightly elevated vantage point, preserving all buildings, signs, and lighting.", "needs_regeneration": true, "unfixable": false }, { "issue_ko": "주변 상가의 간판들이 세련된(stylish) 느낌이 아니라 낡고 예스러운 디자인으로 묘사되었습니다.", "fix_en": "Redesign the neighboring '나무' and '일번지' signs to feature sleek, modern, and stylish commercial storefront finishes, preserving the weathered '자매식당' sign, the building structure, the street surface, and the daytime lighting exactly as they are.", "needs_regeneration": false, "unfixable": false } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Erase the small text '각종음식전문' and 'T 226-9282' from the right side of the main '자매식당' sign, replacing them with bare weathered white sign material, preserving the '자매식당' text, all neighboring signs, the building facade, the empty street, and the daytime lighting exactly as they are.\n- Redesign the neighboring '나무' and '일번지' signs to feature sleek, modern, and stylish commercial storefront finishes, preserving the weathered '자매식당' sign, the building structure, the street surface, and the daytime lighting exactly as they are.\n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "촬영 구도가 프롬프트에서 요구한 '약간 높은 시점(slightly elevated view)'이 아닌 평범한 보행자 눈높이에서 렌더링되었습니다.", "fix_en": "Keep the current camera position and geometry as they are, but shift the vanishing point slightly downward to simulate a slightly elevated vantage point, preserving all buildings, signs, and lighting.", "needs_regeneration": true, "unfixable": false } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_police_station": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_police_station_sel.png", "seed_asset_id": "d5195782-4ea9-4631-9970-f129446600d9", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: A station entrance approach passes between paired rows of metasequoia trees and reaches the police station main gate. Beyond the gate, the route continues into the front forecourt, which occupies the space before the Naju Police Station building. The building presents its public entrance and fixed identification sign toward this forecourt. A distinct outdoor rest area sits along the front side of the building and connects directly to the forecourt. The police station rooftop is above the same building and is reached from the interior through a rooftop access point. A safety railing follows the rooftop edge overlooking rice fields, which spread beyond and below that side of the building.\n- police station entrance approach: The approach runs between the flanking metasequoia rows and terminates at the police station main gate.\n- paired metasequoia rows along the station approach: The two rows extend along opposite sides of the police station entrance approach, framing movement toward the main gate.\n- police station main gate: The main gate stands at the station end of the tree-lined approach and opens into the front forecourt.\n- Naju Police Station building: The police station building faces the front forecourt beyond the main gate, with the outdoor rest area positioned along its front side.\n- police station front forecourt: The forecourt lies between the main gate and the front of the police station building, continuing the vehicle and pedestrian approach into the grounds.\n- public entrance to the police station building: The public entrance is set into the building facade facing the front forecourt, providing access from the station grounds into the building.\n- fixed Naju Police Station identification sign: The fixed identification sign is attached to or immediately beside the forecourt-facing part of the police station building so arrivals can identify the facility.\n- front outdoor rest area: The outdoor rest area occupies a distinct space along the front side of the police station building and is accessible from the front forecourt.\n- police station rooftop: The rooftop occupies the top of the police station building and provides an open vantage toward the adjoining rice fields.\n- rice-field-facing rooftop safety railing: The safety railing follows the outward rooftop edge overlooking the rice fields.\n- rooftop access point from the police station interior: The rooftop access point connects the building interior to the police station rooftop and opens onto the usable area behind the safety railing.\n- rice fields below the police station rooftop: The rice fields extend beyond and below the rooftop edge marked by the rice-field-facing safety railing.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 나주 경찰서 정문 메타세쿼이아 가로수길: 경찰서 정문으로 이어지는 직선 도로 양옆으로 키가 큰 나무들이 길게 늘어서 있다. / 나주 경찰서 앞마당: 소박한 외관을 가진 관공서 건물의 앞쪽 주차 구역 및 진입로. / 나주 경찰서 앞 야외 휴게공간: 경찰서 건물 외부의 단출한 휴게 및 흡연 공간. / 나주 경찰서 옥상: 안전 난간이 설치되어 있고 아래로 푸른 논이 내려다보이는 건물 옥상.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 나주 경찰서 복도: 부서 사무실 문들이 늘어서 있는 실용적인 관공서 내부 복도. / 나주 경찰서 대회의실: 전면 단상과 여러 줄의 좌석이 배치된 브리핑용 대형 회의실. / 나주 경찰서 강력반 사무실: 서류와 집기가 산더미처럼 쌓여있는 복잡한 형태의 수사 부서 사무실. / 나주 경찰서 수사과장실: 개인 업무용 책상과 접객용 소파가 놓인 간부용 개별 사무실. / 나주 경찰서 자료실: 천장까지 닿는 철제 책장에 서류 상자들이 빼곡하게 채워진 좁은 보관실. / 나주 경찰서 서장실: 가죽 소파와 노트북이 놓인 넓은 기관장 집무실.\n\nTHE LOCATION: **S#8. 나주 경찰서 정문 가로수길 - 아침**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Black SUV; Rest-area chair; Cigarette and smoke; Wind across the rice fields\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "400b7531-2113-4295-95cf-e5d35ef83472", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_police_station/rounds/r001/cand_02.png", "sha256": "a04de421fdeb3c9cf17aae47353f70d4eba10b94a00f1a21e1fc94513bf94cdf", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "bccdd37ea4b30575", "totals": { "B": 10, "A": 2 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 10, "verdict_ko": "요청된 촬영 구도(약간 높은 4분의 3 측면 뷰)를 완벽하게 구현했으며, 레퍼런스의 건물 형태와 제시된 공간 배치, 그리고 차량과 사람이 없는 빈 씬 규칙을 모두 훌륭하게 준수했습니다." }, { "label": "A", "score": 2, "verdict_ko": "명시된 촬영 구도(약간 높은 4분의 3 측면 뷰)를 무시하고 지상 정면 뷰를 생성하여 결정적인 샷 구도 위반을 범했습니다." } ], "critique": { "issues": [ { "issue_ko": "요구된 3/4 측면 뷰(three-quarter view)가 아닌 거의 정면에 가까운 구도로 생성되어, 건물의 전체적인 입체감과 측면 구조가 제대로 드러나지 않습니다.", "fix_en": "As changing the camera angle requires a reshoot, slightly darken the visible left-side face of the building to simulate depth as a minimal in-place mitigation, preserving the building facade, the empty forecourt, the metasequoia trees, the lighting, and the exact framing.", "needs_regeneration": true }, { "issue_ko": "경찰서 정문이 가로수길 진입로의 시작점(화면 하단)에 배치되어 있습니다. 설정상 정문은 가로수길이 끝나고 경찰서 앞마당과 만나는 경계 지점에 위치해야 합니다.", "fix_en": "Replace the gate structures and stone pillars at the very bottom edge of the frame with continuous paved asphalt road, and draw an open main gate exactly where the tree-lined approach meets the gray parking forecourt, preserving the empty forecourt, the building structure, the metasequoia trees, the lighting, and the exact framing.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "요구된 3/4 측면 뷰(three-quarter view)가 아닌 거의 정면에 가까운 구도로 생성되어, 건물의 전체적인 입체감과 측면 구조가 제대로 드러나지 않습니다.", "fix_en": "As changing the camera angle requires a reshoot, slightly darken the visible left-side face of the building to simulate depth as a minimal in-place mitigation, preserving the building facade, the empty forecourt, the metasequoia trees, the lighting, and the exact framing.", "needs_regeneration": true }, { "issue_ko": "경찰서 정문이 가로수길 진입로의 시작점(화면 하단)에 배치되어 있습니다. 설정상 정문은 가로수길이 끝나고 경찰서 앞마당과 만나는 경계 지점에 위치해야 합니다.", "fix_en": "Replace the gate structures and stone pillars at the very bottom edge of the frame with continuous paved asphalt road, and draw an open main gate exactly where the tree-lined approach meets the gray parking forecourt, preserving the empty forecourt, the building structure, the metasequoia trees, the lighting, and the exact framing.", "needs_regeneration": true } ], "regen_deferred_issue_count": 2 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_prosecution_office": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_prosecution_office_sel.png", "seed_asset_id": "d1cb933e-c2a7-4ce6-a1c6-8601d64add8c", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The prosecution office compound is organized around a main building set on the inner side of the site. Its primary entrance connects to an internal entry drive that runs outward to the main compound gate. The gate interrupts the frontage boundary and aligns with an exterior approach roadway so vehicles can pass directly from the public side into the compound. A public frontage area lies immediately outside the gate, beside the roadway approach, providing the fixed exterior space from which the gate and the prosecution office facade are visible. The frontage boundary continues to both sides of the gate and separates this public frontage from the office grounds.\n- public frontage area outside the main gate: Immediately outside the main compound gate on the public side, beside the exterior roadway approach and facing the prosecution office grounds.\n- exterior vehicular approach roadway: On the public side of the compound, aligned directly with the vehicle opening of the main gate and adjoining the public frontage area.\n- main compound gate of the prosecution office: Set into the frontage boundary between the public frontage and the office grounds, with its vehicle opening aligned between the exterior roadway approach and the internal entry drive.\n- frontage boundary flanking the main compound gate: Extends along the front edge of the prosecution office grounds on both sides of the main gate, separating the public frontage from the compound interior.\n- internal vehicular entry drive: Begins at the inner side of the main compound gate and continues into the prosecution office grounds toward the main building access.\n- Gwangju District Prosecutors' Office main building: Occupies the inner side of the compound beyond the main gate, with its front exterior addressed by the internal entry drive and visible from the public frontage.\n- primary entrance of the prosecution office building: Located on the front exterior of the main building where the internal entry drive reaches the building access side.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주지방검찰청 외부: 햇빛이 비치는 거대하고 위압적인 법조 기관 건물 정문.\n\nSTRUCTURE SCALE SPEC (size-only evidence): the structure must be large\nenough to plausibly contain the interior listed below. This interior\nlist is SIZE EVIDENCE ONLY — NEVER visualize or label its rooms,\nfurnishings or interior layout in the image. Do not infer a smaller or\nlarger size from framing — follow the spec.\nINTERIOR: 광주지방검찰청 차장검사실: 벽걸이 TV와 무거운 집기들이 배치된 고위 검사 집무실. / 광주지방검찰청 장원섭 사무실: 기록물과 서류가 산처럼 쌓여있는 복잡한 실무 검사 사무실. / 광주지방검찰청 조사실: 간단한 책상과 의자가 놓인 좁고 폐쇄적인 신문용 방. / 광주지방검찰청 엘리베이터: 현대적인 관공서 건물 내부의 금속 재질 승강기 내부. / 광주지방검찰청 세미나실: 대형 스크린과 단상이 설치된 어두운 브리핑 및 회의실. / 광주지방검찰청 세미나실 앞 복도: 문 중앙에 내부를 들여다볼 수 있는 작은 창문이 나 있는 외부 복도. / 광주지방검찰청 브리핑실: 기자회견을 위해 마이크와 단상이 구비된 공식 발표용 공간.\n\nTHE LOCATION: **S#34. 광주지검 앞 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Taek-su's car; church protest group; protest picket signs; noon sunlight\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "15c28aef-9ce0-4b75-99a5-4aa9f97029fb", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_prosecution_office/rounds/r001/cand_02.png", "sha256": "47f40ab265a237db4b0fd8a82ebc661ed3a49b02c054639727da3831ab14d0c9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "480122cc181383c6", "totals": { "A": 1321, "B": 1778 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "A", "score": 1321, "verdict_ko": "프롬프트가 요구한 '약간 높은 구도(slightly elevated view)'를 정확히 구현하여 전체 부지의 구조와 배치를 명확히 보여주며 샷의 구도(우선순위 2)를 충족했습니다. (간판 텍스트의 사소한 오탈자 존재) ★위반: [openrouter:x-ai/grok-4.6] 명시되지 않은 대규모 주차장과 좌측 도심·부속 건물을 창작함" }, { "label": "B", "score": 1778, "verdict_ko": "건물과 간판 텍스트의 형태는 우수하나, 지시된 높은 시점이 아닌 지상 눈높이 구도로 촬영되어 내부 부지 배치가 가려지는 등 시점 및 프레임 지시(우선순위 2)를 위반했습니다." } ], "critique": { "issues": [ { "issue_ko": "지정된 '약간 위에서 내려다보는 45도 측면 뷰(slightly elevated three-quarter view)'가 아니라, 지상 눈높이에서 건물을 정면으로 바라보는 구도로 렌더링되어 건물의 입체적인 형태와 측면이 보이지 않습니다.", "fix_en": "Cannot be fixed by in-place editing as it requires a complete change of camera position and perspective.", "needs_regeneration": true } ] }, "fix_skipped": true, "fix_skip_reason": "all_issues_need_regeneration", "regen_deferred_issues": [ { "issue_ko": "지정된 '약간 위에서 내려다보는 45도 측면 뷰(slightly elevated three-quarter view)'가 아니라, 지상 눈높이에서 건물을 정면으로 바라보는 구도로 렌더링되어 건물의 입체적인 형태와 측면이 보이지 않습니다.", "fix_en": "Cannot be fixed by in-place editing as it requires a complete change of camera position and perspective.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } }, "bg_residential_alley": { "status": "ok", "seed_png_path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/background_chain/seed_bg_residential_alley_sel.png", "seed_asset_id": "449fde2e-e7fc-4b05-8673-6c6a59cc9e8e", "seed_selected": "B", "seed_prompt": "A photographic plate — South Korea, primarily 2001 and 2015–2017, in the Gwangju–Naju region; all people are Korean unless stated.\n\nA confirmed photographic plate of a fixed structure — this image will\nbecome the look authority (seed) for every later view of the SAME\nstructure. Photograph it clearly from a slightly elevated three-quarter\nview that shows its overall shape, faces and openings. Render the\nexterior complete and real: no cutaway, no floor-plan or room labels.\nDo not make enclosed surfaces transparent or artificially remove walls\nto reveal interiors. Preserve intentional open sides and openings\nexplicitly required by THE STRUCTURE or the supplied context. Real\nmaterials and real weathering — never a drawing or diagram.\nSurroundings: only permanent site elements explicitly supported by the\nsupplied context — do not invent extra surroundings.\n\nTHE STRUCTURE: The site is organized around a residential alley approach that reaches a branching junction. The chicken-shop building stands directly at the junction and faces the approach, with its entrance opening onto the alley frontage. Residential property edges line the approach and continue around the branching routes. Across the junction from the chicken-shop side, the convenience-store building faces the junction through its own alley frontage, with an entrance connecting it to that frontage. For site-plan orientation, look from the chicken-shop side across the junction toward the convenience-store side: the route designated as the right-hand residential branch continues to a residence farther within the neighborhood, while the left-hand residential branch continues to a separate residence. The approach, both branches, and the opposing store frontage meet as one connected alley network.\n- residential alley approach to the junction: Runs through the residential block toward the branching junction and passes directly in front of the chicken-shop building.\n- junction-side chicken-shop building: Stands directly beside the branching junction, with its frontage facing the residential alley approach.\n- alley-facing entrance of the junction-side shop building: Set into the frontage of the junction-side chicken-shop building and connected directly to the residential alley approach.\n- residential property edges along the alley approach: Line the sides of the residential alley approach and define its separation from the adjoining residential properties.\n- branching residential alley junction: Joins the chicken-shop frontage approach, the convenience-store-facing side of the alley, and the right- and left-hand residential branches.\n- convenience-store building across the junction: Faces the junction from across the branching alley, opposite the chicken-shop side of the site.\n- junction-facing entrance of the convenience-store building: Set into the convenience-store frontage and connected directly to the alley on the far side of the junction.\n- right-hand residential branch from the junction: Branches to the right when oriented from the chicken-shop side toward the convenience-store side and continues into the residential neighborhood.\n- left-hand residential branch from the junction: Branches to the left when oriented from the chicken-shop side toward the convenience-store side and continues into the residential neighborhood.\n- residence farther along the right-hand branch: Occupies a residential property farther along the right-hand branch from the junction.\n- residence farther along the left-hand branch: Occupies a separate residential property farther along the left-hand branch from the junction.\n\nHUMAN-SCALE CALIBRATION (size truth for everything built): derive every\nstructure's true dimensions from the human-scale FIXED elements visible\non it — a door is about 2m tall, a window about 1–1.5m wide, one storey\nabout 2.5–3m, a railing about 1.1m. A hut or rooftop room with a single\nwindow is barely one small room — never inflate a small structure into\na building-sized mass, and never shrink a large one. Every part of the\nstructure and its surroundings must agree with these anchors at the\nsame time.\n\nEXTERIOR APPEARANCE (look evidence): the notes below describe the\nconfirmed exterior look of this site — its age, materials, wear,\nfinish and overall scale character. Render these surface qualities\nfaithfully in the image. For WHAT exists and WHERE it is placed, THE\nSTRUCTURE section above remains the sole authority — never add, move\nor duplicate elements based on these notes alone. If any note\nmentions an element listed under EXCLUDED — TRANSIENT ELEMENTS, that\nexclusion wins: never depict it.\nEXTERIOR NOTES: 광주 월산동 골목: 가로등 불빛이 비추는 갈림길이 있는 오래된 주택가 골목.\n\nTHE LOCATION: **S#18. 광주 월산동 골목 - 낮**\n\nEXCLUDED — TRANSIENT ELEMENTS (confirmed not part of the permanent site; never depict): Taeksu and Euiyong in the alley; daylight condition; former butcher-shop occupancy; former arcade occupancy; victim and suspect associations with the branch residences\n\nEMPTY SCENE — TIME-INVARIANT PLATE: no people, no animals. No transient\nvehicles, equipment, barriers or activity props. This prohibition does\nnot remove the target structure itself or permanent site elements\nexplicitly required by the supplied context. A clean photographic plate\nonly.\n\nThe attached photograph is a REAL-WORLD FORM REFERENCE for the kind of\nstructure described above. Build that structure the way the photograph\nshows it: the same kind of construction, the same proportions and\nmaterials, the same fittings and everyday details.\n\nEVERYTHING PEOPLE PUT ON A SURFACE TO BE SEEN — characters, numbers,\nemblems, figures, printed and pasted matter, painted and sprayed work,\napplied colour fields, panels, boxes, boards, and marks someone left\nwithout permission — is something a person made and applied. If the\nsubject here is a natural feature — rock, ground, water, vegetation —\nit carries none of that, nothing is fixed to it, and you add no made\nobject to carry any. Nothing in this note asks you to put one there.\n\nWhere the subject IS something people made and the photograph shows such\nwork on it, follow what the photograph shows as closely as you follow its\nmaterials: how many of these there are and where each sits, how they\ndiffer in size, what parts each is divided into and in what order those\nrun across it, which colours divide them and how strongly, what is lit,\nand what each one shows besides a name. They belong to how the place\nlooks exactly as its walls do — a place reduced to plain characters on a\nblank band does not resemble the photograph at all. Only the wording\nitself comes from the description above, never from the photograph.\n\n★ WHATEVER WAS BUILT ONTO THE SUBJECT SO PEOPLE COULD COME AND LOOK AT IT\nIS NOT PART OF ITS FORM. If the photograph shows guard rails or fencing\nalong an edge, a platform or deck to stand on, laid paths, steps and\nhandrails, boards or panels explaining the place, or lamps, bins and\nseating put there for visitors, none of it crosses over. Those were added\nat THAT place, for people who go there; they say nothing about how this\nkind of subject is made. Build the subject as it stands without them, and\nput such a thing in only where the description above places one.\n\n★ TAKE FORM ONLY — NEVER LAYOUT. The photograph was taken at ANOTHER\nplace, where this kind of structure happens to stand in some other\narrangement, under some other light. Never copy its camera angle, its\nframing, its weather, its time of day, its surroundings, or anything else\nstanding in it. Where this structure sits, what lies around it and how it\nis framed are settled by the description and the context above, and they\nwin over the photograph every time.", "form_reference_input": { "asset_id": "370f9a86-e595-43c5-8ccf-3ff8822a07ca", "path": "/Users/manta/Documents/Projects/TheRoad-I1/projects/fdc5f9f0-ee7b-4ac9-ac43-5d8d979664a3/images/950be69d-7139-4294-80fd-3f15949295c7/structure_form_refs/bg_residential_alley/rounds/r001/cand_10.png", "sha256": "e8632ba8cf3618a3cfac5341a519b7d3d06293e4777f70367caaf9077178fdb9", "fittings": [], "fittings_dropped": [], "pack_version": "10.202608031530", "policy_version": "3-seed-parity", "consumer_contract": "2" }, "seed_decision": { "input_fingerprint": "43db5f73cf101491", "totals": { "B": 4, "A": 3 }, "ranking": [ "B", "A" ], "verdicts": [ { "label": "B", "score": 4, "verdict_ko": "제외 사항인 '주간 조건(daylight condition)'을 위반하여 낮 시간대로 묘사했으며, 건물의 곡선 지붕 형태를 평평하게 잘못 렌더링했습니다." }, { "label": "A", "score": 3, "verdict_ko": "제외 사항인 주간 조건 위반과 더불어, 참고 사진 전경의 반사경을 건물 외벽에 붙은 원통형 구조물로 오인하여 생성하는 심각한 오류가 있습니다." } ], "critique": { "issues": [ { "issue_ko": "[Critical] 프롬프트에서 'daylight condition'을 명시적으로 제외(EXCLUDE)하고 야간(가로등 불빛)을 요구했으나, 생성된 이미지는 밝은 낮 시간대로 렌더링되었습니다.", "fix_en": "Change the overall lighting and sky to a nighttime setting illuminated by streetlights, strictly preserving the existing framing, all buildings, utility poles, streets, and exact geometry." }, { "issue_ko": "[Critical] 레퍼런스 사진의 구도와 주변 환경을 복사하지 말라는 지시(NEVER LAYOUT)에도 불구하고, 레퍼런스의 도로 구조, 전봇대 위치, 주변 건물 배치까지 그대로 복사되었습니다.", "fix_en": "Redesign the facade and architectural style of the building on the right and the background structures to differentiate them from the reference photograph, strictly preserving the main brick building on the left, the camera framing, and the road geometry.", "needs_regeneration": true }, { "issue_ko": "[Major] 기준 이미지의 메인 건물 외부 계단에는 금속 난간이 있으나, 생성된 이미지에서는 계단을 따라 막힌 벽 형태로 잘못 변형되었습니다.", "fix_en": "" } ] }, "fix_prompt": "Edit this photograph. Apply ONLY the corrections listed below,\neach in place, changing nothing else:\n\nCORRECTIONS:\n- Change the overall lighting and sky to a nighttime setting illuminated by streetlights, strictly preserving the existing framing, all buildings, utility poles, streets, and exact geometry.\n- \n\nPRESERVE EVERYTHING ELSE EXACTLY as in the original photograph —\nevery person, pose, face, garment, object, set feature, lighting,\ncamera and framing stay identical. No text, captions or\nwatermarks anywhere.", "repair_mode": "edit", "regen_deferred_issues": [ { "issue_ko": "[Critical] 레퍼런스 사진의 구도와 주변 환경을 복사하지 말라는 지시(NEVER LAYOUT)에도 불구하고, 레퍼런스의 도로 구조, 전봇대 위치, 주변 건물 배치까지 그대로 복사되었습니다.", "fix_en": "Redesign the facade and architectural style of the building on the right and the background structures to differentiate them from the reference photograph, strictly preserving the main brick building on the left, the camera framing, and the road geometry.", "needs_regeneration": true } ], "regen_deferred_issue_count": 1 }, "seed_regen_issue_policy": "defer", "seed_regen_issue_policy_version": "regen_issue_v1_defer", "seed_paths": { "labels": [], "selected": "B", "sketch_png_path": null, "sketch_asset_id": null, "policy_version": "path_ab_v1_ref_relative" } } } }, "step_id": "outdoor_structure_seed", "run_id": "e369a03d-3db2-435f-aa09-08b66d5137e8", "resolved_model": "gemini-image", "updated_at": "2026-08-15T06:06:17.292250+00:00", "project_config_snapshot": {} }