Draw a single CAMERA-VIEW storyboard frame (16:9) of the scene staged
on the attached MARKER-ANNOTATED TOP-DOWN SITE PLAN, seen from the
camera position marked on it.

The attached plan carries STAGING MARKERS drawn over it: a
camera-position marker with a field-of-view wedge (where the camera
stands, which way it looks and how wide it sees) and one labelled
circle per subject with an arrow (where each subject stands and which
way that subject is turned). Jurisdiction of sources — follow all three, they do not
conflict:
- The SITE PLAN under the markers is the SOT for what exists on the
  site and how its zones and landmarks are arranged relative to each
  other. The markers themselves are staging aids, NOT site content.
- The markers on the plan are the SOT for XY POSITIONS, horizontal
  heading and body facing ONLY: where each subject stands on that
  plan, which way each one is turned, where the camera stands, which
  way it looks and how wide its wedge opens. Distances, directions
  and relative depths between subjects come from the marked
  positions; what the wedge covers is what this frame contains, and
  subjects outside the wedge are out of frame. The STAGING GEOMETRY
  text below restates the same staging with coarse normalized
  estimates — it never overrides the marked plan.
- The CAMERA DIRECTION text below (when present) is the SOT for the
  VERTICAL angle, elevation, tilt and framing (eye-level, high angle,
  overhead crane, low angle, ...). If it asks for a high or overhead
  angle, draw that angle — the site plan being top-down does NOT mean
  the frame must be eye-level. It does NOT govern horizontal
  placement: which side of the frame a subject occupies and which way
  that subject is turned come from the marked plan and the staging
  text, even when that memo also mentions left, right, foreground or
  background.