.4Sj# *dZddlZddlZddlZddlZddlmZejjde ee jddl Zejdz Zej"dz ZdZdZej*eee jdz d z Zed Dcic] }|d |d f|c}Zd dgZdddgdfdddddgfdddgdfdddgdfd d!d"gd#fd$d%d&gd'fgZd(Zd)j9gd*Zd)j9gd+Zd)j9gd,Zd)j9gd-Z d)j9gd.Z!d)j9gd/Z"d)j9gd0Z#d)j9gd1Z$d2d3d4d2d5d6id5d6id5d6id7gd7d8d9id3gd8Z%d:Z&dWd;Z'd<Z(d=Z)d>Z*ed?Z+e+d@z Z,e+dAz Z-d)j9gdBZ.d)j9gdCZ/d)j9gdDZ0dEZ1dFZ2e3dGk(r|ejhZ5e5jmdHdIgdJKe5jmdLdMNe5jmdOdPNe5joZ8e8jrdQk(re(ye8jrdRk(r"e2e8jtjwdSye8jrdTk(r"e1e8jtjwdSye8jrdUk(r3e&e8jxjwdSDcgc]}|s| c}ye8jrdVk(rMe)e8jtjwdSe8jxjwdSDcgc]}|s| c}ye*yycc}wcc}wcc}w)XuAs34 — 연속성 콘티 시트 실험 (실험 전용·커밋 금지). v22(2026-07-12): 영어 계약 원복(한국어 전문은 타 그룹 품질 저하로 반려) + 비유·은유·과장 캐릭터 표현의 실촬영 현실화 조항(REALIZE) 추가. v21(반려): 프롬프트 전문 한국어 원어 — 숲 인영은 해결했으나 그 외 악화. v20: 실사영화 프리프로덕션 스토리보드 스타일(만화체 금지, 영어 계약). 사용자 정정(v2): 콘티 = 손으로 그린 간략 러프 스케치 (실사 금지). 목적 = 구도·장면 연속성(인물 이동 방향/카메라 움직임/카메라 구도)만. 글자 절대 금지(샷 번호만 허용). 분할은 2/4/6 균등 그리드만. 패널 수 = 샷 수 그대로 — 홀수면 남는 패널을 순백으로 비움. 균등 분할이라 코드가 나중에 패널을 잘라 분해할 수 있어야 함. 사용: backend/.venv/bin/python s34_conti_sheet.py --only [--engines i2,nb2] [--groups forest,...] 산출: out/conti/conti2_*.png + plans/s34_conti_v2.json + conti_sheet.html N)Pathcontizconti_sheet.html s34_conti_v2 s34_conti_v1 pipeline_doczshot_loc_data.jsonshotssceneshoti2nb2forestu숲속z5a dense Korean mountain forest with thick undergrowth))r)r)rbusstopu해안가 버스정류장z\a small seaside bus stop with a bench facing the sea at night on a quiet Korean coastal road))r rooftop_extu옥탑 단지 외부a the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet)) r)r) r)r) r)rr rooftop_intu옥탑방 내부zthe interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror)) r)r)r)r)r)r rmartu 대형마트za mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors))r)r"r)r)r#r)r)r$rpoliceu 경찰서za modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building))r)rr)rr)rr)rc|dkry|dkryy)Nr)ru2 panels made by ONE vertical cut at exactly 50% of the image width — each panel is exactly half the width and the FULL height (1 row x 2 columns) 1536x102416:9r)ru4 panels made by ONE vertical cut at exactly 50% of the width and ONE horizontal cut at exactly 50% of the height — a 2x2 grid, each panel exactly one quarter of the image 1024x1024z1:1)ru6 panels made by TWO vertical cuts at exactly 1/3 and 2/3 of the width and ONE horizontal cut at exactly 50% of the height — a 3-column x 2-row grid, all six panels exactly equalr)r*)n_shotss S/Users/manta/Documents/Projects/TheRoad-I1/scratchpad/forest_exp/s34_conti_sheet.py_gridr/5s!!|% !|$  ! ) z,Draw ONE storyboard (conti) sheet: {layout}.zBSTYLE: hand-drawn PRE-PRODUCTION STORYBOARD FOR A LIVE-ACTION FILMuDSHOOT — the working drawings a professional film storyboard artistz;makes for the director and cinematographer of a real movie:zABSOLUTELY NOT manga, NOT anime, NOT cartoon, NOT webtoon, NOTz:comic-book style: no stylized or enlarged eyes, no cute oru?youthful idealized faces, no clean ink outlines — every panelz@must read like a frame of a live-action film sketched in pencil.zNo color anywhere.) z?PURPOSE: each panel captures only the CAMERA COMPOSITION of oneuFshot — framing (close-up / medium / wide), where the subject sits inz:the frame, and continuity between panels. 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B4r$x.R1)<=R @8nSW%f- .sAAr1c 3PK|]\}}d|d|dt||fd yw)Ssh: descNSHOT)rErFshis r.rGz!stage_movement..s:LFJ72sat2cU"T2s)_V45 6ds$&u씬 원문 전문: u$ 샷 목록(각각 동선 판정): s34_move_r3r r7r8r=figuresz [movement] (z): u건) F load_planPLAN setdefaultGROUPSsortedjoinllm MOVEMENT_SYSMOVEMENT_SCHEMAprintlen save_plan) groups_filterplanmvgkeyname_placekeysrF_ scene_ids scene_txt shots_txtuserresms r.stage_movementrosP ;;t D R (B$* dFD T6 D1D52qBD12 KK !  !! 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    u · 
    conti23_rhru6비교 — v23(무광 검정 금지 하드룰, 반려)ru#비교 — v22(EN+비유 현실화)conti21_u(비교 — v21(한국어 원어, 반려)ru$비교 — v20(실사영화·영어)ru
    ★참조 이미지 (현행 v5, i2=gpt-image-2 생성) — 완전 수직 2D 평면도(원근 0, 셸터=평면 심볼) + LLM이 샷 원문을 재분석한 카메라 배치(액션 뒤 down-road에서 up-road 방향, H 가까이·S 멀리 깊이 순서) — 오버레이도 t2i
    i2 · v16 (현행 최종) — 재판정 카메라: 혜수 등 뒤 시점, H 전신 가까이/S 멀리 뒷모습, 찻길 명확
    비교 — nb2 평면도 재시도: 1차보다 개선됐으나 ★원근 잔존(도로 사다리꼴 수렴·호안 벽 측면 노출)+바다·보도 실사 질감 혼입 — 완전 평면 실패
    비교 — nb2 오버레이(재판정 카메라): ★배치는 이번엔 정확(카메라 down-road·콘이 셸터+H+S 포함·S 화살표 교차로 방향·단일성 준수) — 단 바탕 맵의 원근·실사 혼입 상속
    i2 · v17 — nb2 오버레이 맵 기반: 재판정 카메라·깊이 순서·찻길 전부 정확 (바탕 맵의 원근·실사 혼입이 출력에 전염되지 않음)
    nb2 · v17 — 같은 맵 기반: 배치·찻길 정확+텍스트 무재발, 단 등분 위반 지속(상단 몰림·하단 여백)
    i2 · v18 (재현 1) — 동일 구도 유지
    nb2 · v18 (재현 1) — ★등분 첫 준수·배치 정확 (단 밤이 낮처럼 밝음)
    i2 · v19 (재현 2) — 동일 구도 유지
    nb2 · v19 (재현 2) — 배치 정확·등분 재위반
    이력 — v4 참조(구 카메라 판정·준평면)
    구판 맵 (4회차 캐논 — 도로 소실 결함 실측, 비교용)
    i2 · v15 (현행 최종) — t2i 주석판 맵 참조: 찻길+보도+셸터+호안 층 구조 정확
    비교: nb2 맵 재투영 — 탑다운 미준수(아이소메트릭)+하단 실사 질감 혼입+B2 마커 누락
    비교: nb2 오버레이 — 단일성(1H/1S/1카메라)은 준수했으나 ★시야 콘이 지시 반대 방향으로 열림(S가 콘 밖)+S가 차도 위
    conti12_busstop_u5맵+실사+카메라 grounding 참조 (화살표 無)conti13_busstop_u5맵+카메라 grounding만 — 실사 제외 ablationu$ — P2 전용uH
    v1 (실사판 — 비교용)
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    still_S15sh6_i2.png) )zpanel_S15sh2_nb2.pngu(크롭 패널 P1 (nb2 v18 콘티 좌반))zpanel_S15sh6_nb2.pngu크롭 패널 P2 (우반))zstill_S15sh2_i2.pngu스틸 S15sh2 · i2)zstill_S15sh2_nb2.pngu스틸 S15sh2 · nb2)ru!스틸 S15sh6 · i2 (prev 없음))zstill_S15sh6_nb2.pngu"스틸 S15sh6 · nb2 (prev 없음))zstill2_S15sh6_i2.pngus스틸 S15sh6 · i2 + prev 동반 — 장소 연속 개선, ★인물 역할 스왑(남은 이가 수리영 의상))zstill2_S15sh6_nb2.pngui스틸 S15sh6 · nb2 + prev 동반 — ★의상·장소 연속 정확(라벨드 참조가 역할 고정))zstill3_S15sh6_i2.pngu스틸 S15sh6 · i2 + prev + 역할 바인딩 명시 — 그래도 스왑 잔재(2연속): i2 다중 인물 참조 정체성 관리 약함rru

    정류장 — 콘티 패널 → 실사 스틸 체인 (nb2 v18 콘티를 코드로 반분 → 패널=구도 참조 + 캐릭터 합성 참조 2장만(배경 참조 제외) → i2/nb2 스틸)

    z
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    s34 v2 — 손그림 러프 스케치 콘티 (구도·연속성 전용, 균등 분할)

    계약: 손그림 연필 러프 스케치(실사 금지)·글자 절대 금지(샷 번호만)· 2/4/6 균등 분할·패널 수=샷 수, 홀수면 잔여 패널 순백(숲 3샷→2×2+백색 1, 경찰서 5샷→3×2+백색 1)·모션 화살표로 인물/카메라 이동 표기·전 패널 같은 장소 연속성. 균등 그리드라 코드가 패널을 잘라 분해 가능. i2/nb2 둘 다.
    r1z z[html] )rTrUrVPLAN_V1rrXrZrzrrrr{r}splitPAGE write_textr^)rbv1rowsrdrerfrgr shots_htmlblankrimgsrrrprevplabeng2fn_xlabv1imgs still_sectionfigscaprrs @@r. stage_htmlr.sH ;;t D [[ !% D$*F dFD N4 WW4 )$ 244 CDG*qQTvBU%aj1S6&9%:#>[]T ( CnGB 22$7,,.40$$'5SE1GI JD#+4&#d ; X Z"*4&#d ; E G"*4&#d ; J L"*4&#d ; F H I d:4$;"6"6"8:4&ACCG&I>>AU$tf567DI $ 9  OLO MD` +D66PR+D66PR"SID# t ++-#>tfEGGKfMBBFt$'5(L"NO "S  $"&&2..X,t$C` <&-  <<< + +F CI;&6tfHQsVHEzl&'DTFKIIS Qx[)**:6(* N O_%+hM $$,,. GB"r !!#6rd;002t4((* a(8'9se123% . $%)6)9 ;   OO258 GD6 k  sJ)) J87J8zp/Users/manta/Documents/Projects/TheRoad-I1/projects/8207aadc-7975-48f5-af17-ccc145a6660d/images/background_chainz$canon_bg_coastal_bus_stop_master.pngz!canon_bg_coastal_bus_stop_map.png)z@PANEL 2 CAMERA & PLACEMENT (follow exactly, from the site plan):z=camera stands on the water-side portion of the bus stop, justuBbeyond the bench, looking along the length of the coastal road —z=in frame: the departing runner in full-body stride at center,z@the bench with the other woman beside it in the left background,z>the coastal land edge to the right and the open sea beyond it.) z@REFERENCES (for grounding, not for style): the attached LOCATIONz?PHOTOGRAPH shows how this exact bus stop looks (shelter, bench,zBroad, sea side); the attached flat SITE PLAN shows the layout fromuBabove — never draw the plan itself or its markers. APPLY THEM TOz@PANEL 2 ONLY: panel 2's camera position, shelter/bench placementz=and figure positions must match the plan and the photograph'szAgeography. PANEL 1 is an earlier, tighter moment from a differentuAangle — take only the stop's general look (bench, shelter) fromz=the references, not their viewpoint. The OUTPUT stays a roughuDhand-drawn pencil storyboard sketch — do not copy the photograph'sz"rendering, only its spatial truth.) z@REFERENCE (for grounding, not for style): the attached flat SITEuCPLAN shows this bus stop's layout from above — where the shelter,z@bench, road, land edge and sea are relative to each other. Neverz>draw the plan itself or its markers. APPLY IT TO PANEL 2 ONLY:z=panel 2's camera position, shelter/bench placement and figurez>positions must match this plan. PANEL 1 is an earlier, tighteruCmoment from a different angle — do not force the plan's viewpointz>onto it. The OUTPUT stays a rough hand-drawn pencil storyboardzsketch.cftjt}|dd}|ddztzdztz}d|vr6t dz }tj d|tgd| td |d |vr9t d z }tjd |dtfgd|td |yy)Nrrrr>r zconti13_busstop_i2.pngs34v13_busstop_maponly_i2r)rz[busstop_maponly] r zconti13_busstop_nb2.pngs34v13_busstop_maponly_nb2OSITE PLAN — top-down layout source only; never draw this plan or its markers.r*r) rTrUrV BUS_P2_GROUNDBUS_MAPONLY_NOTErrBUS_MAPr^r)rrbrrrs r.stage_busstop_maponlyr4s ;;t D Xy!A x[6 !M 1F :=M MF w-- -vy{S B "3%() .. .129;<% 5 "3%() r0ctjt}|dd}|ddztzdztz}d|vr;t dz }tj d|ttgd| td |d |vrBt d z }d tfdtfg}tjd||d|td |yy)Nrrrr>r zconti12_busstop_i2.pngs34v12_busstop_refs_i2r)rz[busstop_refs] r zconti12_busstop_nb2.pngu^LOCATION PHOTOGRAPH — this exact bus stop; spatial truth only, output stays a pencil sketch.rs34v12_busstop_refs_nb2r*r) rTrUrVr BUS_REF_NOTErr BUS_PHOTOrr^r)rrbrrrrs r.stage_busstop_refsrFs ;;t D Xy!A x[6 !M 1F :\ IF w-- *F!7++ M u%& ..89BD)*134 +VT% 5 u%&r0__main__z--onlyT)promptsr=genhtml busstop_refsbusstop_maponly)r:choicesz --engineszi2,nb2)defaultz--groupsrqrr,rr=rrv)=__doc__argparserrjsonsyspathlibrpathinsertrD__file__parent forest_librTOUTrEXPrrVrloadopenrCrNrrXr/rZr~rrrrrrr\r]rorrrr CANON_DIRrrrrrrr__name__ArgumentParserap add_argument parse_argsaonlyrrr)rgs00r.r!s  3tH~,,-.uuwuu!! tyyd8n++n@ ^`9; {p46  !( yy ))   )) $ii  99 : yy    yy 2  &1'-x&8&,h%79: <;!<=   .@M*&"Yx P Q > > 9 9  yy   99  *$'( z  "BOOHt@AOOKO2OOJO+ Avv > !199??3/0 $ $aiiooc23 : 188>>##6<#6a!#6<= 5!))//#&hhnnS171Q117 9  )s;P=8s&N N N )N 1N