{
 "groups": {
  "forest": {
   "name": "숲속",
   "n": 3,
   "shots": [
    "S1sh1",
    "S1sh4",
    "S3sh3"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 3 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): a dense Korean mountain forest with thick undergrowth at dusk.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (dusk / sunset): 한쪽 신발이 벗겨진 한국인 남자가 우거진 수풀 사이를 달리며 한 발을 허공에 내딛고 있는 도중의 전신 구도\nPANEL 2 (dusk / sunset): 검은 형상의 인영이 허공에 뛰어오른 채 한국인 남자를 향해 두 팔을 뻗고 있는 순간\nPANEL 3 (daytime): 형사 무리 한가운데 서서 손가락으로 한쪽을 가리키는 혜수의 상체\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..3) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_forest_i2.png",
   "nb2": "conti_forest_nb2.png"
  },
  "busstop": {
   "name": "해안가 버스정류장",
   "n": 2,
   "shots": [
    "S15sh2",
    "S15sh6"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 2 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): a small seaside bus stop with a bench facing the sea at night, on a quiet Korean coastal road.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (night): 혜수의 손이 음료수 캔을 쥔 채 수리영 앞으로 내밀어진 순간\nPANEL 2 (night): 멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..2) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_busstop_i2.png",
   "nb2": "conti_busstop_nb2.png"
  },
  "rooftop_ext": {
   "name": "옥탑 단지 외부",
   "n": 6,
   "shots": [
    "S10sh6",
    "S10sh7",
    "S11sh4",
    "S11sh5",
    "S13sh4",
    "S13sh6"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 6 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): the exterior of an old Korean multi-family villa: a narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (its steel front door and one lit window), a water tank, a clothesline and a low parapet wall.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (night): 현관 철문이 아주 살짝 열린 틈새로 보이는 어두운 실내와 신발 앞코\nPANEL 2 (night): 불이 켜진 옥탑방 창문에 거대한 그림자가 작은 그림자의 어깨 쪽으로 고개를 꺾은 형태가 맺혀 있는 정지 구도\nPANEL 3 (night): 철제 파이프 난간을 손으로 잡은 수리영이 코끝을 찡그린 채 계단 중간에 서 있는 얼굴 클로즈업\nPANEL 4 (night): 옥상에 선 수리영의 시선 끝에 반쯤 열려 있는 어두운 현관 철문이 보이는 정면 구도\nPANEL 5 (night): 수리영이 초점을 잃은 눈으로 허공을 응시하며 서 있는 모습\nPANEL 6 (night): 고개를 든 채 혜수의 얼굴을 마주보고 있는 수리영의 측면 구도\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..6) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_rooftop_ext_i2.png",
   "nb2": "conti_rooftop_ext_nb2.png"
  },
  "rooftop_int": {
   "name": "옥탑방 내부",
   "n": 6,
   "shots": [
    "S12sh11",
    "S12sh21",
    "S14sh5",
    "S18sh11",
    "S25sh1",
    "S25sh5"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 6 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): the interior of a small Korean rooftop home: a living room with a small window, kitchenette and dining table, a daughter's bedroom with a bed against one wall and a curtained window, and a tiny tiled bathroom with a mirror.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (night): 옷과 피부가 피투성이가 된 민숙이 바닥에 주저앉아 고개를 푹 숙인 정지 상태\nPANEL 2 (night): 침대 위쪽 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태\nPANEL 3 (night): 핏자국 없이 깨끗한 방 내부 전경\nPANEL 4 (daytime): 거울 속 반사된 욕실 타일 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태\nPANEL 5 (dusk / sunset): 해질 무렵 옥탑방 거실, 흙 묻은 발자국들이 찍힌 바닥과 쓰러진 식탁 의자들이 보이는 전경\nPANEL 6 (dusk / sunset): 붉은 원 한가운데 피 묻은 낡은 흑백 사진이 벽에 꽂혀 있는 타이트 샷\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..6) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_rooftop_int_i2.png",
   "nb2": "conti_rooftop_int_nb2.png"
  },
  "mart": {
   "name": "대형마트",
   "n": 6,
   "shots": [
    "S8sh3",
    "S8sh5",
    "S19sh5",
    "S19sh6",
    "S20sh1",
    "S20sh3"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 6 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): a mid-size Korean supermarket: its shelved sales floor inside, the entrance area outside with a bicycle rack and a wall-mounted CCTV camera above, and a small back security office with CCTV monitors.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (dusk / sunset): 수리영이 마트 유니폼을 입은 한국인 여성 직원을 마주보며 입을 살짝 벌린 측면 구도\nPANEL 2 (dusk / sunset): 마트 밖으로 나온 수리영이 손에 든 스마트폰 액정을 내려다보는 상체\nPANEL 3 (daytime): 수리영과 남자직원이 마트 밖에서 벽면의 CCTV를 올려다보는 뒷모습\nPANEL 4 (daytime): 수리영이 귀에 스마트폰을 댄 채 정면을 응시하는 상체 클로즈업\nPANEL 5 (interior, ambient): 마트 총무과 책상 앞, 한국인 남성 보안직원과 혜수가 컴퓨터 모니터를 향해 몸을 기울인 측면\nPANEL 6 (interior, ambient): 흑백 CCTV 화면 속 어두운 구석에 사람 형상이 희미하게 찍힌 모니터 클로즈업\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..6) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_mart_i2.png",
   "nb2": "conti_mart_nb2.png"
  },
  "police": {
   "name": "경찰서",
   "n": 5,
   "shots": [
    "S16sh3",
    "S21sh7",
    "S21sh10",
    "S21sh12",
    "S22sh1"
   ],
   "prompt": "Create ONE single image: a cinematic CONTINUITY STORYBOARD SHEET\ndivided into 5 numbered panels in a clean grid. Each panel is a\nphotorealistic live-action film still (not a drawing).\n\nTHE LOCATION (same in all panels): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway, and the street in front of the building outside.\n\nALL PANELS SHOW THE SAME SINGLE REAL LOCATION. This is the whole\npoint: the architecture, fixed features and spatial layout must stay\nPERFECTLY CONSISTENT across every panel — the same doors, stairs,\nwindows, poles, desks and walls keep the same position, orientation\nand left/right relationships in space in every panel, seen from\nwhatever camera angle each panel needs. Lighting may differ per\npanel only as stated (time of day).\n\nPANELS (each panel = one storyboard moment, Korean shot text):\n\nPANEL 1 (night): 혜수가 스마트폰 액정을 김형사 쪽으로 불쑥 내민 순간\nPANEL 2 (daytime): 수리영이 두 눈을 크게 뜨고 입을 살짝 벌린 굳은 얼굴 클로즈업\nPANEL 3 (daytime): 모니터 화면에 바다 지도가 펼쳐져 있고 붉은색 핀과 좌표 숫자가 떠 있는 클로즈업\nPANEL 4 (daytime): 수리영이 메모지가 들어간 겉옷 주머니에 손을 넣은 채 사무실 출입문을 향해 몸을 돌린 정지 순간\nPANEL 5 (daytime): 경찰서 건물 밖 도로 위에서 수리영이 자전거 안장에 앉아 상체를 앞으로 숙인 채 머리카락이 뒤로 흩날리는 측면\n\nSetting: contemporary South Korea, 2026. Ordinary Korean streets,\nsignage and interiors; all people are Korean unless stated.\n\nSmall panel numbers (1..5) in a corner of each panel are allowed;\nno other text, captions, watermarks or diagram markings anywhere.",
   "i2": "conti_police_i2.png",
   "nb2": "conti_police_nb2.png"
  }
 }
}