6라운드 — 전체 부지 뿌리(두 접근 결합) + 실외 체인 재구동

The attached image is a SITE PLAN of one real property, drawn at a
high oblique angle (circled letters and the legend panel are site
markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
An omniscient overhead camera holds from about forty-five meters above the old villa, centered on the rooftop room while still keeping the surrounding neighborhood readable. The rooftop structure sits in the middle of the frame like a small exposed shrine, boxed in by worn roofs, narrow alleys, and faded concrete blocks.
CAMERA: An omniscient overhead camera holds from about forty-five meters above the old villa, centered on the rooftop room while still keeping the surrounding neighborhood readable. The rooftop structure sits in the middle of the frame like a small exposed shrine, boxed in by worn roofs, narrow alleys, and faded concrete blocks.
FRAMING: wide
LIGHTING: Daylight is overcast and desaturated, with blue-gray concrete shadows and faint sickly amber window stains breaking the neighborhood’s cold isolation.
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "old rooftop room", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's site plan
(high-oblique drawing) — use it ONLY for spatial relations, levels
and fixtures; never copy its drawing style, viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 인천 변두리 낡은 빌라 옥탑방 옥상·현관 앞 외부: 낡은 다세대 빌라 꼭대기에 위치한 야외 공간. 물탱크, 흔들리는 빨랫줄, 평상 위 약초 건조 흔적, 낡은 철문 현관이 있다. (특징: 낡은 시멘트 바닥; 물탱크; 바람에 날리는 빨랫줄; 평상과 널려 있는 말린 약초(석창포); 전단지가 끼워진 철문 현관)

CAMERA: An omniscient overhead camera holds from about forty-five meters above the old villa, centered on the rooftop room while still keeping the surrounding neighborhood readable. The rooftop structure sits in the middle of the frame like a small exposed shrine, boxed in by worn roofs, narrow alleys, and faded concrete blocks.
FRAMING: wide
LIGHTING: Daylight is overcast and desaturated, with blue-gray concrete shadows and faint sickly amber window stains breaking the neighborhood’s cold isolation.
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "old rooftop room", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

The attached image is the SITE PLAN of one real property, drawn at a
high oblique angle. Its geometry, levels and fixtures are the spatial
ground truth. Circled letters and the legend panel are site markers
only — never people or objects; render none of them.

Render the PHOTOREALISTIC view of this place that the camera
described below sees — the staging text is the camera ground truth
(position, height, angle, framing). Real-world scale, natural
weathered materials. This is an EMPTY plate: no people, no figures,
no text, letters, circles, arrows or drawing lines.

WHAT THIS PLACE LOOKS LIKE (production data):
- 인천 변두리 낡은 빌라 옥탑방 옥상·현관 앞 외부: 낡은 다세대 빌라 꼭대기에 위치한 야외 공간. 물탱크, 흔들리는 빨랫줄, 평상 위 약초 건조 흔적, 낡은 철문 현관이 있다. (특징: 낡은 시멘트 바닥; 물탱크; 바람에 날리는 빨랫줄; 평상과 널려 있는 말린 약초(석창포); 전단지가 끼워진 철문 현관)

CAMERA (from production staging):
An omniscient overhead camera holds from about forty-five meters above the old villa, centered on the rooftop room while still keeping the surrounding neighborhood readable. The rooftop structure sits in the middle of the frame like a small exposed shrine, boxed in by worn roofs, narrow alleys, and faded concrete blocks.
CAMERA: An omniscient overhead camera holds from about forty-five meters above the old villa, centered on the rooftop room while still keeping the surrounding neighborhood readable. The rooftop structure sits in the middle of the frame like a small exposed shrine, boxed in by worn roofs, narrow alleys, and faded concrete blocks.
FRAMING: wide
LIGHTING: Daylight is overcast and desaturated, with blue-gray concrete shadows and faint sickly amber window stains breaking the neighborhood’s cold isolation.
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "old rooftop room", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.

The attached image is a SITE PLAN of one real property, drawn at a
high oblique angle (circled letters and the legend panel are site
markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
Inside the room, the camera holds static near the side wall at shoulder height, angled so only the window glass carries the action as a reflection and the direct attack is never seen. The reflected silhouettes sit within the window frame: a bent 인영 in the upper-middle area lowers its head toward the shoulder of 사람, whose body buckles beneath it in a distorted, wavering mid-action shape.
CAMERA: Inside the room, the camera holds static near the side wall at shoulder height, angled so only the window glass carries the action as a reflection and the direct attack is never seen. The reflected silhouettes sit within the window frame: a bent 인영 in the upper-middle area lowers its head toward the shoulder of 사람, whose body buckles beneath it in a distorted, wavering mid-action shape.
FRAMING: medium
LIGHTING: The reflected action is almost monochrome blue-black, broken by a weak amber practical smear and restrained crimson-brown shadow at the shoulder line.
PERSON: {"angle": "three_quarter_left", "body_pose": "hunched over shoulder", "character": "인영", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C20", "subject_state": "alive"}
PERSON: {"angle": "profile_left", "body_pose": "buckling under lunge", "character": "사람", "gaze_direction_kind": "off_screen", "gaze_target_id": null, "subject_state": "severely_injured"}
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "window reflection containing silhouettes", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's site plan
(high-oblique drawing) — use it ONLY for spatial relations, levels
and fixtures; never copy its drawing style, viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 인천 변두리 낡은 빌라 옥탑방 옥상·현관 앞 외부: 낡은 다세대 빌라 꼭대기에 위치한 야외 공간. 물탱크, 흔들리는 빨랫줄, 평상 위 약초 건조 흔적, 낡은 철문 현관이 있다. (특징: 낡은 시멘트 바닥; 물탱크; 바람에 날리는 빨랫줄; 평상과 널려 있는 말린 약초(석창포); 전단지가 끼워진 철문 현관)

CAMERA: Inside the room, the camera holds static near the side wall at shoulder height, angled so only the window glass carries the action as a reflection and the direct attack is never seen. The reflected silhouettes sit within the window frame: a bent 인영 in the upper-middle area lowers its head toward the shoulder of 사람, whose body buckles beneath it in a distorted, wavering mid-action shape.
FRAMING: medium
LIGHTING: The reflected action is almost monochrome blue-black, broken by a weak amber practical smear and restrained crimson-brown shadow at the shoulder line.
PERSON: {"angle": "three_quarter_left", "body_pose": "hunched over shoulder", "character": "인영", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C20", "subject_state": "alive"}
PERSON: {"angle": "profile_left", "body_pose": "buckling under lunge", "character": "사람", "gaze_direction_kind": "off_screen", "gaze_target_id": null, "subject_state": "severely_injured"}
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "window reflection containing silhouettes", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

The attached image is the SITE PLAN of one real property, drawn at a
high oblique angle. Its geometry, levels and fixtures are the spatial
ground truth. Circled letters and the legend panel are site markers
only — never people or objects; render none of them.

Render the PHOTOREALISTIC view of this place that the camera
described below sees — the staging text is the camera ground truth
(position, height, angle, framing). Real-world scale, natural
weathered materials. This is an EMPTY plate: no people, no figures,
no text, letters, circles, arrows or drawing lines.

WHAT THIS PLACE LOOKS LIKE (production data):
- 인천 변두리 낡은 빌라 옥탑방 옥상·현관 앞 외부: 낡은 다세대 빌라 꼭대기에 위치한 야외 공간. 물탱크, 흔들리는 빨랫줄, 평상 위 약초 건조 흔적, 낡은 철문 현관이 있다. (특징: 낡은 시멘트 바닥; 물탱크; 바람에 날리는 빨랫줄; 평상과 널려 있는 말린 약초(석창포); 전단지가 끼워진 철문 현관)

CAMERA (from production staging):
Inside the room, the camera holds static near the side wall at shoulder height, angled so only the window glass carries the action as a reflection and the direct attack is never seen. The reflected silhouettes sit within the window frame: a bent 인영 in the upper-middle area lowers its head toward the shoulder of 사람, whose body buckles beneath it in a distorted, wavering mid-action shape.
CAMERA: Inside the room, the camera holds static near the side wall at shoulder height, angled so only the window glass carries the action as a reflection and the direct attack is never seen. The reflected silhouettes sit within the window frame: a bent 인영 in the upper-middle area lowers its head toward the shoulder of 사람, whose body buckles beneath it in a distorted, wavering mid-action shape.
FRAMING: medium
LIGHTING: The reflected action is almost monochrome blue-black, broken by a weak amber practical smear and restrained crimson-brown shadow at the shoulder line.
PERSON: {"angle": "three_quarter_left", "body_pose": "hunched over shoulder", "character": "인영", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C20", "subject_state": "alive"}
PERSON: {"angle": "profile_left", "body_pose": "buckling under lunge", "character": "사람", "gaze_direction_kind": "off_screen", "gaze_target_id": null, "subject_state": "severely_injured"}
SPATIAL CONSTRAINTS: [{"depth_plane": "midground", "gesture_action": "none", "gesture_target_label": "", "label": "window reflection containing silhouettes", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.

The attached image is a SITE PLAN of one real property, drawn at a
high oblique angle (circled letters and the legend panel are site
markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
CAMERA: After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
FRAMING: wide
LIGHTING: Muted moon-blue darkness surrounds the door, with a thin sickly amber leak from inside making the opening feel contaminated rather than welcoming.
SPATIAL CONSTRAINTS: [{"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "half-open rooftop iron door", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's site plan
(high-oblique drawing) — use it ONLY for spatial relations, levels
and fixtures; never copy its drawing style, viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 옥탑방 외곽 골목·시멘트 계단: 다세대 빌라 마당의 후미진 구석과 옥탑방으로 올라가는 가파르고 낡은 시멘트 계단. (특징: 다세대 빌라 입구 마당; 후미진 구석 공간; 낡고 가파른 시멘트 계단)

CAMERA: After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
FRAMING: wide
LIGHTING: Muted moon-blue darkness surrounds the door, with a thin sickly amber leak from inside making the opening feel contaminated rather than welcoming.
SPATIAL CONSTRAINTS: [{"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "half-open rooftop iron door", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

The attached image is the SITE PLAN of one real property, drawn at a
high oblique angle. Its geometry, levels and fixtures are the spatial
ground truth. Circled letters and the legend panel are site markers
only — never people or objects; render none of them.

Render the PHOTOREALISTIC view of this place that the camera
described below sees — the staging text is the camera ground truth
(position, height, angle, framing). Real-world scale, natural
weathered materials. This is an EMPTY plate: no people, no figures,
no text, letters, circles, arrows or drawing lines.

WHAT THIS PLACE LOOKS LIKE (production data):
- 옥탑방 외곽 골목·시멘트 계단: 다세대 빌라 마당의 후미진 구석과 옥탑방으로 올라가는 가파르고 낡은 시멘트 계단. (특징: 다세대 빌라 입구 마당; 후미진 구석 공간; 낡고 가파른 시멘트 계단)

CAMERA (from production staging):
After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
CAMERA: After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
FRAMING: wide
LIGHTING: Muted moon-blue darkness surrounds the door, with a thin sickly amber leak from inside making the opening feel contaminated rather than welcoming.
SPATIAL CONSTRAINTS: [{"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "half-open rooftop iron door", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

PEOPLE COUNT CONTRACT: this shot contains NO people at all — the frame must be completely unpopulated, with no figures anywhere.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.

The attached image is a TOP-DOWN site plan of one real property
(circled letters are site markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
CAMERA: After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
FRAMING: wide
LIGHTING: Muted moon-blue darkness surrounds the door, with a thin sickly amber leak from inside making the opening feel contaminated rather than welcoming.
SPATIAL CONSTRAINTS: [{"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "half-open rooftop iron door", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's top-down
site plan — use it ONLY for spatial relations and fixtures; never
copy its top-down viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 옥탑방 외곽 골목·시멘트 계단: 다세대 빌라 마당의 후미진 구석과 옥탑방으로 올라가는 가파르고 낡은 시멘트 계단. (특징: 다세대 빌라 입구 마당; 후미진 구석 공간; 낡고 가파른 시멘트 계단)

CAMERA: After the hard eyeline cut, the camera adopts 수리영’s direct viewpoint from the rooftop landing, several meters from the entrance and at human eye level, facing the iron front door squarely. The half-open door is held in rigid symmetry at the center of the frame, surrounded by still rooftop darkness, with no figure entering to relieve the threat.
FRAMING: wide
LIGHTING: Muted moon-blue darkness surrounds the door, with a thin sickly amber leak from inside making the opening feel contaminated rather than welcoming.
SPATIAL CONSTRAINTS: [{"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "half-open rooftop iron door", "screen_zone": "middle_center", "target_id": "", "target_kind": "background"}]

CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

The attached image is a SITE PLAN of one real property, drawn at a
high oblique angle (circled letters and the legend panel are site
markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's site plan
(high-oblique drawing) — use it ONLY for spatial relations, levels
and fixtures; never copy its drawing style, viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 옥탑방 외곽 골목·시멘트 계단: 다세대 빌라 마당의 후미진 구석과 옥탑방으로 올라가는 가파르고 낡은 시멘트 계단. (특징: 다세대 빌라 입구 마당; 후미진 구석 공간; 낡고 가파른 시멘트 계단)

CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

PEOPLE COUNT CONTRACT: exactly 1 person(s) in frame — 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Create a photorealistic cinematic still that stages this shot inside
the given environment. This is a COMPOSITION DRAFT: the people are
ordinary real humans whose identity does not matter — focus on a
strong, natural composition that matches the camera and staging
exactly.

SHOT CONTENT: 계단 중간에 서서 심하게 코를 찡그린 수리영의 얼굴 클로즈업.
PEOPLE IN SHOT: 수리영
CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

PEOPLE COUNT CONTRACT: exactly 1 person(s) in frame — 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Keep the environment's architecture, materials and lighting from the
environment reference. Match the camera, framing and perspective of
the composition guide exactly; place each person exactly as the
staging describes. Absolutely no text, letters, circles, arrows or
sketch lines in the output.

Convert the attached photograph into a clean LINE-ART CONTOUR drawing: thin dark ink lines on a plain white background. Preserve the EXACT composition, framing, perspective and proportions — trace the outline of every structure, surface edge and human figure as it appears. No shading, no colour fills, no photo texture, no text, no added or removed objects.

Create the photorealistic EMPTY background plate for one film shot:
the environment exactly as the environment reference shows it (same
architecture, materials, lighting), seen from the shot's camera.

SHOT CONTENT: 계단 중간에 서서 심하게 코를 찡그린 수리영의 얼굴 클로즈업.
PEOPLE IN SHOT: 수리영
CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

Follow the attached line contour's composition EXACTLY —
same framing, perspective and structure placement.

The plate must contain NO people, no figures, and no silhouettes —
just the environment, composed so the described people could be
inserted later.
PEOPLE COUNT CONTRACT: exactly 1 person(s) in frame — 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.
Absolutely no text, letters, circles, arrows or diagram marks.

Create the FINAL photorealistic cinematic film still of this shot.

SHOT CONTENT: 계단 중간에 서서 심하게 코를 찡그린 수리영의 얼굴 클로즈업.
PEOPLE IN SHOT: 수리영
CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

PEOPLE COUNT CONTRACT: exactly 1 person(s) in frame — 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Stage the shot inside the attached environment background — keep its
architecture, materials and lighting exactly. Every person is a REAL
human being, photorealistic, matching their identity reference photo
(face, hair, build). Natural film lighting and grain consistent with
the environment.
Absolutely no text, letters, circles, arrows, diagram marks, and no
mannequin-like or statue-like appearance on any person.

Create the FINAL photorealistic cinematic film still of this shot.

SHOT CONTENT: 계단 중간에 서서 심하게 코를 찡그린 수리영의 얼굴 클로즈업.
PEOPLE IN SHOT: 수리영
CAMERA: Midway up the narrow concrete staircase, the camera holds static very close to 수리영 from the front-left at face height, tightening into an intense close-up that leaves only a sliver of stair texture behind her. Her nose wrinkles hard at the sudden smell, eyes lifting toward the unseen rooftop landing while her halted climb compresses her shoulders into the frame.
FRAMING: close
LIGHTING: A cold blue-gray stairwell wash sculpts her face while a faint amber rooftop spill catches the bridge of her nose, making the smell reaction feel physical and ominous.
PERSON: {"angle": "three_quarter_left", "body_pose": "halted mid-stair climb", "character": "수리영", "gaze_direction_kind": "up", "gaze_target_id": null, "subject_state": "alive"}

PEOPLE COUNT CONTRACT: exactly 1 person(s) in frame — 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Stage the shot inside the attached environment background — keep its
architecture, materials and lighting exactly. Every person is a REAL
human being, photorealistic, matching their identity reference photo
(face, hair, build). Natural film lighting and grain consistent with
the environment.
Absolutely no text, letters, circles, arrows, diagram marks, and no
mannequin-like or statue-like appearance on any person.

The attached image is a SITE PLAN of one real property, drawn at a
high oblique angle (circled letters and the legend panel are site
markers, never people).

Draw the clean LINE-ART sketch of the EYE-LEVEL view described below:
thin dark ink lines on plain white, no colour, no shading. The camera
stands ON the ground INSIDE the scene at human eye height (about
1.6 m) — NOT above it. Correct perspective at real-world human scale,
horizon at natural eye level. Show the structures, surfaces, openings
and approaches the plan places in front of that camera.
No people, no text, no letters, no circles — pure line drawing.

CAMERA (from production staging):
Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

The FIRST attached image is a LINE-ART sketch of one camera's
eye-level view of a real outdoor place — composition and perspective
ground truth. The SECOND attached image is the property's site plan
(high-oblique drawing) — use it ONLY for spatial relations, levels
and fixtures; never copy its drawing style, viewpoint or markers.

Render the PHOTOREALISTIC EMPTY view exactly as the line-art frames
it: same framing, perspective, structures, real-world human scale.
Completely unpopulated — no people, no figures. No text, letters,
circles, arrows or sketch lines. Pure photographic realism, natural
weathered materials.

WHAT THIS PLACE LOOKS LIKE (production data):
- 인천 변두리 낡은 빌라 옥탑방 옥상·현관 앞 외부: 낡은 다세대 빌라 꼭대기에 위치한 야외 공간. 물탱크, 흔들리는 빨랫줄, 평상 위 약초 건조 흔적, 낡은 철문 현관이 있다. (특징: 낡은 시멘트 바닥; 물탱크; 바람에 날리는 빨랫줄; 평상과 널려 있는 말린 약초(석창포); 전단지가 끼워진 철문 현관)

CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

PEOPLE COUNT CONTRACT: exactly 2 person(s) in frame — 혜수, 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Create a photorealistic cinematic still that stages this shot inside
the given environment. This is a COMPOSITION DRAFT: the people are
ordinary real humans whose identity does not matter — focus on a
strong, natural composition that matches the camera and staging
exactly.

SHOT CONTENT: 차에서 내린 혜수가 초점 없는 눈으로 멍하게 서 있는 수리영을 향해 시선을 고정한 찰나의 상체.
PEOPLE IN SHOT: 혜수, 수리영
CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

PEOPLE COUNT CONTRACT: exactly 2 person(s) in frame — 혜수, 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Keep the environment's architecture, materials and lighting from the
environment reference. Match the camera, framing and perspective of
the composition guide exactly; place each person exactly as the
staging describes. Absolutely no text, letters, circles, arrows or
sketch lines in the output.

Convert the attached photograph into a clean LINE-ART CONTOUR drawing: thin dark ink lines on a plain white background. Preserve the EXACT composition, framing, perspective and proportions — trace the outline of every structure, surface edge and human figure as it appears. No shading, no colour fills, no photo texture, no text, no added or removed objects.

Create the photorealistic EMPTY background plate for one film shot:
the environment exactly as the environment reference shows it (same
architecture, materials, lighting), seen from the shot's camera.

SHOT CONTENT: 차에서 내린 혜수가 초점 없는 눈으로 멍하게 서 있는 수리영을 향해 시선을 고정한 찰나의 상체.
PEOPLE IN SHOT: 혜수, 수리영
CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

Follow the attached line contour's composition EXACTLY —
same framing, perspective and structure placement.

The plate must contain NO people, no figures, and no silhouettes —
just the environment, composed so the described people could be
inserted later.
PEOPLE COUNT CONTRACT: exactly 2 person(s) in frame — 혜수, 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.
Absolutely no text, letters, circles, arrows or diagram marks.

Create the FINAL photorealistic cinematic film still of this shot.

SHOT CONTENT: 차에서 내린 혜수가 초점 없는 눈으로 멍하게 서 있는 수리영을 향해 시선을 고정한 찰나의 상체.
PEOPLE IN SHOT: 혜수, 수리영
CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

PEOPLE COUNT CONTRACT: exactly 2 person(s) in frame — 혜수, 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Stage the shot inside the attached environment background — keep its
architecture, materials and lighting exactly. Every person is a REAL
human being, photorealistic, matching their identity reference photo
(face, hair, build). Natural film lighting and grain consistent with
the environment.
Absolutely no text, letters, circles, arrows, diagram marks, and no
mannequin-like or statue-like appearance on any person.

Create the FINAL photorealistic cinematic film still of this shot.

SHOT CONTENT: 차에서 내린 혜수가 초점 없는 눈으로 멍하게 서 있는 수리영을 향해 시선을 고정한 찰나의 상체.
PEOPLE IN SHOT: 혜수, 수리영
CAMERA: Beside the police car at chest height, the tracking move slows into a held upper-body frame on 혜수 as she has just stepped out, her body paused between the car and the alley. 수리영 appears farther down the alley in soft background focus, small and blank beneath flashing siren wash, while 혜수 occupies the left foreground in a tense three-quarter view; this is a direct observer view moving parallel with her discovery.
FRAMING: medium
LIGHTING: Strobing police red-blue cuts through damp fog, mixing with dirty amber streetlight and cold coastal shadows.
PERSON: {"angle": "three_quarter_right", "body_pose": "half-stepping from car", "character": "혜수", "gaze_direction_kind": "looks_at_character", "gaze_target_id": "C01", "subject_state": "alive"}
PERSON: {"angle": "three_quarter_left", "body_pose": "stalled mid-alley", "character": "수리영", "gaze_direction_kind": "distant", "gaze_target_id": null, "subject_state": "alive"}
SPATIAL CONSTRAINTS: [{"depth_plane": "foreground", "gesture_action": "looks_toward", "gesture_target_label": "수리영 down the alley", "label": "혜수 by police car", "screen_zone": "middle_left", "target_id": "C02", "target_kind": "character"}, {"depth_plane": "background", "gesture_action": "none", "gesture_target_label": "", "label": "수리영 in alley", "screen_zone": "middle_right", "target_id": "C01", "target_kind": "character"}]

PEOPLE COUNT CONTRACT: exactly 2 person(s) in frame — 혜수, 수리영. Absolutely no other people, bystanders or figures anywhere in the frame, foreground or background.
Any circled letters, numbers or legend text on the control diagram are SITE MARKERS only — they are never people and must not become people or objects in the output.
CAMERA HEIGHT CONTRACT: the camera stands ON the ground INSIDE the scene at human eye height (about 1.6 m). Sky or horizon must be visible where the view allows it. Do NOT render an overhead, elevated, aerial or drone view — this is a ground-level cinematic shot.

Stage the shot inside the attached environment background — keep its
architecture, materials and lighting exactly. Every person is a REAL
human being, photorealistic, matching their identity reference photo
(face, hair, build). Natural film lighting and grain consistent with
the environment.
Absolutely no text, letters, circles, arrows, diagram marks, and no
mannequin-like or statue-like appearance on any person.