s30 — 맵 기반 샷 적용 체인 (2026-07-09)

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: On the rooftop landing-to-door roof path at R1, placed immediately outside the iron entrance door R2 at handle height, only inches from the door seam. Looking: From R1 straight into the thin opening of R2, looking into the R3 rooftop-room unit interior through the central door crack. Handle-height camera, just outside the iron door, only inches from the seam. The lens faces straight into the thin opening in a voyeur insert framing, with the rough iron surfaces dominating the foreground and the dark interior held unreadable through the central slit.

MAP POINT: this plate is taken in the "Rooftop Deck" area of the property on the attached site plan, anchored to these mapped elements:
- landing-to-door roof path: Draw the roof path from the landing toward the iron door so it passes beside the bench area and the clothesline area.
- iron entrance door: Set the iron door on the rooftop-room unit facing the landing path; include the door-gap flyer detail and allow it to be shown partly open.
- rooftop-room unit: Place the rooftop-room unit on the roof surface, connected to the iron entrance door and containing the indicated window openings.
- low-angle night light-source position: Mark a low-angle light-source position affecting the rooftop path, only to support the long-shadow cue and without assigning any broader colour mood.

IN FRAME (near to far): Foreground: the two close scratched iron edges of the slightly open R2 door fill the left and right sides. Middle center: the narrow vertical seam of R2, with the bent, dirty edge of the creased advertisement flyer wedged near the crack. Beyond the crack: only the unlit, opaque interior of the rooftop-room unit R3 is visible. The low-angle night light from S4 skims the iron surface; S4 itself is not framed.

BACKGROUND INTENT: Draw an insert background plate pressed up to a slightly open iron front door, with the two scratched metal door edges filling the left and right foreground. The narrow vertical crack must sit in the middle center of frame, revealing only an unlit, opaque interior beyond. Near the seam, include the bent, dirty edge of a creased advertisement flyer, showing partial color blocks and unreadable text. Key elements: Slightly open iron front door with two heavy scratched metal edges facing camera at close range.; Narrow central door seam / crack positioned middle center as the primary focal aperture.; Dark interior beyond the crack, unlit and opaque.; Creased advertisement flyer edge wedged near the seam, bent, partly displaced, dirty, with only partial color blocks and unreadable text visible..

TIME & LIGHT: Night; a low-angle night light skims the iron, while the interior beyond the crack remains unlit and opaque. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 철문이 미세하게 열린 틈 사이로 어두운 내부가 보이는 구도.

No people appear unless the moment itself says so.

FRAMING: insert shot; From R1 straight into the thin opening of R2, looking into the R3 rooftop-room unit interior through the central door crack.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: Place the camera midway up the exterior steel retrofit stair run at Q2, very close to the actor’s climb line and slightly front-left of her, at face height. The camera is on the stair, beside the building wall/footprint side indicated by Q1. Looking: Static camera looking along the actor’s halted upward climb line on Q2, angled toward the upper landing direction at Q3 while keeping the rooftop landing itself out of frame. Static camera at face height, positioned very close from the front-left of the actor’s climb line, midway up the narrow steel retrofit stair. Frame as an intense close-up background: almost all foreground space reserved for the face, with only a narrow strip of stair texture and wall visible behind.

MAP POINT: this plate is taken in the "Exterior Stair" area of the property on the attached site plan, anchored to these mapped elements:
- exterior steel retrofit stair run: Attach the exterior steel retrofit stair to the building wall, starting from the yard and rising outside the building toward the rooftop landing.
- upper stair landing: Place the landing at the top of the exterior stair where the iron entrance door is immediately visible.
- rooftop-room building footprint: Place the aged multi-family villa footprint along the yard, carrying the rooftop-room level above.

IN FRAME (near to far): An extremely tight close-up background: only a sliver of Q2 is visible behind the face position, with an angled open steel tread edge and thin steel stringer indicating the upward route. A close stained wall on the Q1 side forms the tight side boundary. The upper stair direction toward Q3 remains unseen except for a faint, colour-unspecified light spill from above. The shot does not look outward past the property edge.

BACKGROUND INTENT: Draw an extremely tight background plate for a close-up midway up a later-added steel retrofit stair on the exterior of the aged three-storey multi-family villa. The frame should contain only a sliver of the stair location: an angled open steel tread edge and thin steel stringer behind where the actor’s cheek would be, plus a close stained stairwell wall as the side boundary. Above the stair angle, leave the rooftop direction unseen, suggested only by a faint, colour-unspecified light spill from above. Key elements: Later-added steel retrofit stair: open tread edge and thin steel plate stringer angling upward behind the face position.; Stairwell wall very close to the face position, stained, forming a tight side boundary.; Rooftop direction above the stairs remains unseen; foul smell is implied by the shot context, not by visible material.; Faint, colour-unspecified light spill from the rooftop direction above..

TIME & LIGHT: Night. Stairwell lighting is unspecified; a faint, colour-unspecified light spill comes from the rooftop direction above. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 계단 중간에 서서 심하게 코를 찡그린 수리영의 얼굴 클로즈업.

CHARACTERS: only the listed reference people appear — 수리영. Match each reference person's identity exactly (face, hair, build); dress and pose them as the moment describes.

FRAMING: close shot; Static camera looking along the actor’s halted upward climb line on Q2, angled toward the upper landing direction at Q3 while keeping the rooftop landing itself out of frame.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: Place the camera on the rooftop upper stair landing at Q3, just onto the landing-to-door roof path R1, at human eye level. Keep it aligned with the rooftop-room iron entrance door R2 so the door is square to the lens. Looking: From Q3/R1, look toward R2 on the rooftop-room unit, facing the iron door straight on rather than looking outward past the property edge. Subjective POV from the rooftop landing, several meters from the entrance, at human eye level. The camera faces the iron front door straight on in a wide framing, with rigid symmetry placing the half-open door in the middle center of the frame.

MAP POINT: this plate is taken in the "Rooftop Deck" area of the property on the attached site plan, anchored to these mapped elements:
- upper stair landing: Place the landing at the top of the exterior stair where the iron entrance door is immediately visible.
- landing-to-door roof path: Draw the roof path from the landing toward the iron door so it passes beside the bench area and the clothesline area.
- iron entrance door: Set the iron door on the rooftop-room unit facing the landing path; include the door-gap flyer detail and allow it to be shown partly open.
- rooftop-room unit: Place the rooftop-room unit on the roof surface, connected to the iron entrance door and containing the indicated window openings.

IN FRAME (near to far): Near to far: the uncluttered rooftop landing/path area at Q3–R1 fills the foreground; the half-open iron entrance door R2 is held at the middle center; the rooftop-room unit R3 surrounds the doorway. The low rooftop wall along the roof edge can run horizontally across the lower part of the frame without competing with the centered door. No people or movement are included.

BACKGROUND INTENT: Draw a wide, static rooftop plate centered on the rooftop-room iron front door of the small unit on the roof deck of an aged three-storey multi-family villa. The door faces the camera squarely and is held half-open, leaving a narrow gap along one side, with the surrounding rooftop landing kept still and uncluttered. A low concrete rooftop wall runs horizontally across the lower background to frame the doorway without competing with it. Key elements: Rooftop-room iron front door: middle center, square to camera, half-open and frozen, with a narrow side gap.; Rooftop landing: still space around the door, no people or movement.; Low rooftop wall: concrete, motionless, its top edge running horizontally across the lower background.; Rooftop-room unit: extra volume on the roof deck of the aged three-storey villa..

TIME & LIGHT: unspecified — neutral Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 옥상 위, 어둠 속에 반쯤 열려 멈춰 있는 옥탑방 현관 철문의 정적 구도.

No people appear unless the moment itself says so.

FRAMING: wide shot; From Q3/R1, look toward R2 on the rooftop-room unit, facing the iron door straight on rather than looking outward past the property edge.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: Alley Approach zone at P1, chest height, beside the parked police car positioned on the alley side of the property frontage near the line to the gate P2. Looking: From P1, look diagonally along the Alley Approach, keeping P2 on the property-frontage side while the alley recedes toward the middle-right background. Chest-height camera beside the police car, angled in a direct observer view parallel to 혜수’s discovery path; frame is a medium upper-body composition with the left foreground reserved for 혜수 by the open car door and the middle-right background reserved for 수리영 down the alley. The background should support a tracking move that slows into a held frame, with the alley receding diagonally from left/foreground to right/background.

MAP POINT: this plate is taken in the "Alley Approach" area of the property on the attached site plan, anchored to these mapped elements:
- alley approach: Show the alley approach at the lower edge of the detail sketch, leading directly toward the filming property gate and able to support bicycle movement.
- multi-family villa gate: Place the gate on the alley frontage so that opening it leads directly into the property yard.

IN FRAME (near to far): Near frame: the police car side/open door position occupies the left foreground at P1, with 혜수 held in medium upper-body beside it. Through the open alley corridor, the Alley Approach remains visible toward the middle-right background, where 수리영 is staged farther down the alley. The multi-family villa gate P2 can sit on the property frontage as the mapped reference behind or beside this corridor. If the view carries beyond the right/east edge of the plan, it leaves the mapped filming property into off-plan alley space not detailed on the site plan. Strobing police red-blue accompanies the discovery moment and spills across the alley.

BACKGROUND INTENT: Background plate for a chest-height observer view beside a parked police car: the car side and its open door dominate the left/near foreground edge, while a narrow alley opens diagonally away toward the middle-right background. Keep the alley clearly visible between the police car position and the distant background mark for 수리영, with flashing red-blue siren spill moving across the alley. If the villa exterior is included along the alley, draw it as an aged three-storey multi-family villa with a rooftop-room volume on the roof deck, and any exterior full-height stair as a later-added steel retrofit stair, not concrete. Key elements: Parked police car at the foreground side of frame, with side body and open door angled toward camera.; Active police siren lights on the car, providing flashing red-blue spill.; Narrow alley receding diagonally away from the police car toward the middle-right background position.; Clear visible corridor between the police car and the background position for 수리영.; Aged three-storey multi-family villa exterior if seen along the alley, with roof deck roughly 8–10 m above the yard and a small rooftop-room unit as an extra volume.; If visible, the exterior stair is a steel retrofit stair with open treads, thin steel plate stringers, support posts, and pipe railings..

TIME & LIGHT: Night; strobing police red-blue accompanies the police-car discovery moment. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 차에서 내린 혜수가 초점 없는 눈으로 멍하게 서 있는 수리영을 향해 시선을 고정한 찰나의 상체.

CHARACTERS: only the listed reference people appear — 혜수, 수리영. Match each reference person's identity exactly (face, hair, build); dress and pose them as the moment describes.

FRAMING: medium shot; From P1, look diagonally along the Alley Approach, keeping P2 on the property-frontage side while the alley recedes toward the middle-right background.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: Place the low camera in the Yard at P3, immediately by the foot of the exterior steel retrofit stair run Q2, in the gate-to-stair area. The camera is near 수리영’s eye level and about one meter from the foreground subject position, held in the space between 수리영 and the off-screen 혜수 above frame. Looking: From P3/Q2, look slightly upward and south toward P2 and P1, using the alley/stair-foot background as a blurred plate behind the close foreground face. Low camera near 수리영’s eye level, about one meter from the foreground subject position, in a still close composition from the space between the two characters. The lens is aimed slightly upward toward the off-screen presence just above frame, while the background remains blurred and non-dominant.

MAP POINT: this plate is taken in the "Yard" area of the property on the attached site plan, anchored to these mapped elements:
- yard: Draw the yard immediately inside the gate, between the alley entry and the exterior stair route.
- exterior steel retrofit stair run: Attach the exterior steel retrofit stair to the building wall, starting from the yard and rising outside the building toward the rooftop landing.
- multi-family villa gate: Place the gate on the alley frontage so that opening it leads directly into the property yard.
- alley approach: Show the alley approach at the lower edge of the detail sketch, leading directly toward the filming property gate and able to support bicycle movement.

IN FRAME (near to far): Near frame is reserved for 수리영 in close lower center, with her eyeline lifting just above frame toward 혜수. Behind her, keep the P3 yard/stair-foot area soft, allowing the lower portion of Q2 to register only as blurred exterior steel stair base if it appears. Farther back, the alley frontage at P2 and the alley approach P1 form the out-of-focus background texture. Because the view faces outward toward the south edge of the property, beyond the gate side of the frame lies P1, the alley approach shown along the lower edge of the plan.

BACKGROUND INTENT: Draw a tight, out-of-focus alley/stair-foot background plate behind the close foreground position, with the alley wall and the base area of the exterior stair reduced to soft dark texture. The exterior stair, if visible, should read as a later-added steel retrofit stair with open treads, thin steel plate stringers, support posts, and pipe railings, not concrete. Keep the frame empty of people, preserving space for a low foreground face position and an eyeline to someone just above frame. Key elements: Alley wall: damp, shadowed, out of focus, used as soft background texture.; Alley/stair-foot area: blurred behind the foreground position.; Steel retrofit exterior stair base if included: open treads, thin steel plate stringers, support posts, pipe railings; not concrete.; Police siren spill: intermittent, faint red-blue color pulse motivated from off-screen..

TIME & LIGHT: Night; shadows across the foreground position with intermittent faint red-blue police siren spill. No amber street glow specified after correction. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 수리영이 고개를 들어 혜수의 얼굴을 올려다보는 정적 구도.

CHARACTERS: only the listed reference people appear — 수리영, 혜수. Match each reference person's identity exactly (face, hair, build); dress and pose them as the moment describes.

FRAMING: close shot; From P3/Q2, look slightly upward and south toward P2 and P1, using the alley/stair-foot background as a blurred plate behind the close foreground face.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: On the Rooftop Deck, set the camera low beside the south low rooftop wall along the landing-to-door roof path area (R1), holding the lower-left to center foreground clear for the cat layer. The camera is about one meter from the intended foreground cat position and aligned to move parallel to that wall before holding. Looking: Look across the Rooftop Deck from the R1-side low wall toward the rooftop-room unit (R3), specifically framing the rooftop-room window set (R4) as the cat’s look target. The view stays within the rooftop property elements and does not look outward past the property edge. Low camera at approximately black-cat shoulder height, about one meter from the intended foreground action position, aligned to track parallel along the rooftop wall and then hold a side-profile composition. Frame the wall as the main horizontal guide through the lower and middle frame, with the lit rooftop-room window positioned in the upper right background.

MAP POINT: this plate is taken in the "Rooftop Deck" area of the property on the attached site plan, anchored to these mapped elements:
- rooftop-room window set: Mark the small living-room window and the curtained room window on the rooftop-room unit, with at least one window oriented for the low-wall sightline.
- rooftop-room unit: Place the rooftop-room unit on the roof surface, connected to the iron entrance door and containing the indicated window openings.
- landing-to-door roof path: Draw the roof path from the landing toward the iron door so it passes beside the bench area and the clothesline area.

IN FRAME (near to far): Near to far: the low stained concrete rooftop wall runs as the main horizontal guide through the lower and middle frame; the empty foreground/lower-left-to-center band is reserved for the cat; behind it, the rooftop-room unit (R3) occupies the background; the closed rooftop-room window set (R4) is placed in the upper-right background with interior light visible beyond the glass.

BACKGROUND INTENT: Draw an empty rooftop background on the roof deck of an aged three-storey multi-family villa, focused along a low stained concrete rooftop wall. In the upper-right background line of sight, place the closed rooftop-room window with visible interior light beyond the glass; the small rooftop-room unit sits as an added volume on the roof deck. Keep the lower-left to center band available for the cat’s foreground position in the final composite, but do not include the cat in the plate. Key elements: Low stained concrete rooftop wall running parallel to camera movement, its top edge guiding the eye toward the next action.; Closed rooftop-room window in the upper-right background, glass showing an interior light beyond it.; Small rooftop-room unit on the roof deck of the aged three-storey villa, with the roof deck roughly 8–10 m above the yard.; Clear empty foreground/lower-left-to-center space reserved for the cat layer; no people or animals in the background plate..

TIME & LIGHT: Time of day unspecified; the rooftop-room window is lit from inside. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 짙고 푸른 안개가 깔린 새벽녘, 희미한 노란 불빛이 켜진 옥탑방 창문을 향해 검은 고양이 한 마리가 고개를 돌린 찰나의 측면.

No people appear unless the moment itself says so.

FRAMING: medium shot; Look across the Rooftop Deck from the R1-side low wall toward the rooftop-room unit (R3), specifically framing the rooftop-room window set (R4) as the cat’s look target. The view stays within the rooftop property elements and does not look outward past the property edge.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create ONE photorealistic BACKGROUND PLATE for a live-action film still. No people, no animals, an empty set.

CAMERA: High above the old villa in an oblique bird’s-eye position, centered on the rooftop-room unit at R3. The camera is biased toward the lower/south side of the plan so the rooftop-room roof and its south/front wall with R2 and R4 are visible from above. Looking: Oblique overhead looking from the lower/south side of the plan toward the upper/north side, down onto R3 as the middle-center anchor. High overhead camera looking down in a bird’s-eye / oblique overhead view, wide framing, centered on the rooftop room in the middle center of frame. The rooftop room’s roof and front wall are visible from above, with the doorway side angled slightly toward camera, while the surrounding villa roofs and alleys remain readable around it.

MAP POINT: this plate is taken in the "Rooftop Deck" area of the property on the attached site plan, anchored to these mapped elements:
- rooftop-room unit: Place the rooftop-room unit on the roof surface, connected to the iron entrance door and containing the indicated window openings.
- iron entrance door: Set the iron door on the rooftop-room unit facing the landing path; include the door-gap flyer detail and allow it to be shown partly open.
- rooftop-room window set: Mark the small living-room window and the curtained room window on the rooftop-room unit, with at least one window oriented for the low-wall sightline.
- landing-to-door roof path: Draw the roof path from the landing toward the iron door so it passes beside the bench area and the clothesline area.
- upper stair landing: Place the landing at the top of the exterior stair where the iron entrance door is immediately visible.
- exterior steel retrofit stair run: Attach the exterior steel retrofit stair to the building wall, starting from the yard and rising outside the building toward the rooftop landing.
- rooftop-room building footprint: Place the aged multi-family villa footprint along the yard, carrying the rooftop-room level above.
- yard: Draw the yard immediately inside the gate, between the alley entry and the exterior stair route.
- multi-family villa gate: Place the gate on the alley frontage so that opening it leads directly into the property yard.
- alley approach: Show the alley approach at the lower edge of the detail sketch, leading directly toward the filming property gate and able to support bicycle movement.
- secluded bicycle corner: Set a tucked-away corner within the yard where a bicycle can be left roughly, separated from the main gate-to-stair path.
- water tank: Place the water tank on the roof surface near the rooftop deck contents, clear of the landing-to-door path.
- clothesline: Run the clothesline across the roof surface close enough to the approach path that hanging or dried leaves can brush a passerby.
- wooden drying bench with dried leaves: Place the wooden drying bench on the rooftop near the clothesline and along the path toward the iron door, carrying the dried leaves.

IN FRAME (near to far): Near to far along the view: the lower/south alley approach P1 and gate P2 sit at the bottom of the property; inside them the yard P3, secluded bicycle corner P4, and exterior steel retrofit stair Q2 rise along the building footprint Q1 to the upper landing Q3. On the rooftop deck, the landing-to-door roof path R1 leads toward the iron entrance door R2 on the rooftop-room unit R3, with the rooftop-room window set R4 on the same front side. The water tank S1, clothesline S2, and wooden drying bench with dried leaves S3 remain readable around the deck. Past the property edges, the plan shows neighboring villa/roof masses around the north, east, and west sides, and the alley approach continues along the south side.

BACKGROUND INTENT: Draw a wide omniscient overhead background plate of an aged three-storey multi-family villa in an Incheon outskirts neighborhood, with the small rooftop-room unit centered on the roof deck as the visual anchor. The roof deck sits roughly 8–10 m above the yard, and the rooftop room appears as an extra volume on that deck, aged, patched, and weather-stained. Around it, show neighboring old villa rooftops, narrow alleys, and varied aged villa materials forming a cramped readable neighborhood grid, softened at the outskirts by thin atmospheric haze. Key elements: Old rooftop room exterior in the middle center, aged, patched, weather-stained, with roof and front wall visible from above.; Main aged three-storey multi-family villa below it, with the roof deck roughly 8–10 m above the yard.; Later-added steel retrofit exterior stair climbing the full three storeys: open treads, thin steel plate stringers, support posts, and pipe railings; not concrete.; Neighboring old villa rooftops around the central roof deck, flat roof planes facing upward, worn and lived-in.; Narrow alleys threading between the villa blocks.; Varied aged villa materials rather than uniform concrete blocks.; Thin atmospheric haze softening the outskirts of the frame..

TIME & LIGHT: Daylight is present over the old rooftop villa and surrounding neighborhood. Do not add weather, atmosphere or colour moods beyond this.

WORLD FACTS (creator-confirmed / evidence-bound — always true):
- The main building is an aged three-storey multi-family villa;
  its roof deck sits roughly 8-10 m above the yard, with the small
  rooftop-room unit as an extra volume on the deck.
- The exterior stair is a later-added STEEL retrofit stair climbing
  the full three storeys: open treads, thin steel plate stringers,
  support posts, pipe railings. It is NOT a concrete stair.

LOOK REFERENCE: the attached PHOTOGRAPH shows this same property.
Match its look exactly — the building, its materials and aging, the
roof-deck contents, colours, and the surrounding town. It is the
single source of truth for how everything LOOKS.

SITE PLAN REFERENCE: the attached flat drawing is the site plan of
this same property. Use it ONLY as the source of truth for WHERE
things are (spatial arrangement, adjacency, routes). NEVER draw the
plan itself — none of its flat colours, circles, codes or labels may
appear in the output.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.

Create the final live-action film still by staging the moment below inside the attached SETTING PLATE. The plate is the camera and the set — do not change its viewpoint, layout, lighting or any visible element; only add what the moment requires.

MOMENT (authoritative, Korean): 인천 변두리의 낡고 오래된 빌라 옥탑방 외부 전경이 한눈에 내려다보이는 부감 구도.

No people appear unless the moment itself says so.

FRAMING: wide shot; Oblique overhead looking from the lower/south side of the plan toward the upper/north side, down onto R3 as the middle-center anchor.

Photorealistic cinematic still, one single moment.

The output image must contain ZERO annotations — no circles, no
codes, no letters, no numbers, no text, no signage lettering, no
arrows, no dashed lines.