s34 v24s 스틸 런 — 28샷 (LLM 콘티 선별: 쉬운 구도는 콘티 참조 제거 → nb2 스틸)

• 캐릭터 한국인 남자 — CHARACTER REFERENCE — 한국인 남자: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/efc879db-5f82-4f77-bf83-75e3d2d41f1c.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 한쪽 신발이 벗겨진 한국인 남자가 우거진 수풀 사이를 달리며 한 발을 허공에 내딛고 있는 도중의 전신 구도

LOCATION (lock): a dense Korean mountain forest with thick undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): The terrified, wounded Korean man runs through dense undergrowth while fleeing an unseen threat, driving forward with one foot airborne, one shoe missing, and a pain-guarded, unsteady stride; his direction relative to the camera is unspecified.

FIGURES — size & depth (follow exactly): The man's full body fills roughly ~4/5 of the frame height; he is the sole visible figure and thus both the nearest and farthest person in the frame.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 남자) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S1sh4.png
• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S1sh1_nb2.png
• 캐릭터 한국인 남자 — CHARACTER REFERENCE — 한국인 남자: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/efc879db-5f82-4f77-bf83-75e3d2d41f1c.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 검은 형상의 인영이 허공에 뛰어오른 채 한국인 남자를 향해 두 팔을 뻗고 있는 순간

LOCATION (lock): a dense Korean mountain forest with thick undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): A real, normal-human-proportioned person appearing as a dark silhouette springs through the air toward the terrified, wounded Korean man, reaching both arms forward to pounce on him as he flees; their movement toward or away from the camera is unspecified.

FIGURES — size & depth (follow exactly): The airborne dark figure and the Korean man each read at roughly ~1/2–2/3 of the frame height as their paths rapidly converge. Neither is established as nearer or farther from the camera, but the dark figure is closing the physical gap to the man.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 남자) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 형사 무리 한가운데 서서 손가락으로 한쪽을 가리키는 혜수의 상체

LOCATION (lock): a dense Korean mountain forest with thick undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Hyesu stands upright at the center of the detectives, directing the investigation by pointing one finger toward one side while her gaze and upper body orient toward that indicated direction.

FIGURES — size & depth (follow exactly): Hyesu's upper body fills roughly ~2/3 of the frame height and is the nearer, dominant figure; the surrounding detectives appear smaller, roughly ~1/3–1/2 of the frame height, and farther from the camera around her.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 혜수의 손이 음료수 캔을 쥔 채 수리영 앞으로 내밀어진 순간

LOCATION (lock): a small seaside bus stop with a bench facing the sea at night on a quiet Korean coastal road. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): Hye-su extends her hand and the drink can from her side into the space directly in front of Suri-young, who remains seated and blankly oriented toward the sea.

FIGURES — size & depth (follow exactly): Hye-su's hand and can appear large at roughly ~1/3 of the frame height and are NEARER to the camera; seated Suri-young appears around ~1/2 of the frame height and is FARTHER behind the offered can.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S15sh6.png
• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S15sh2_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도

LOCATION (lock): a small seaside bus stop with a bench facing the sea at night on a quiet Korean coastal road. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): Suri-young runs away from Hye-su and away from the camera with her back visible and one foot airborne mid-stride, while Hye-su remains behind facing her path.

FIGURES — size & depth (follow exactly): Hye-su's full body appears about ~1/3 of the frame height and is NEARER to the camera, while the departing Suri-young appears smaller at ~1/5 and FARTHER along the route away. The distance between them increases as Suri-young runs ahead and Hye-su stays behind.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S10sh6.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 현관 철문이 아주 살짝 열린 틈새로 보이는 어두운 실내와 신발 앞코

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): The stranger's shoe toe advances away from the rooftop camera through the barely opened iron door and into the dark room.

FIGURES — size & depth (follow exactly): The shoe toe is small, about ~1/6 of frame height, and is FARTHER than the NEARER iron door and its narrow opening; the dark interior recedes farthest beyond it.

No people appear unless the shot text itself says so.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S10sh7.png
• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S10sh6_nb2.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 불이 켜진 옥탑방 창문에 거대한 그림자가 작은 그림자의 어깨 쪽으로 고개를 꺾은 형태가 맺혀 있는 정지 구도

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: the large shadow looms over the smaller shadow, its head sharply bent toward the smaller figure's shoulder as if biting it, while the smaller figure is pinned beneath the attack.

FIGURES — size & depth (follow exactly): The large shadow fills roughly ~3/4 of frame height and overlaps the smaller shadow, which fills about ~1/2; both appear on the same FAR window plane, behind the NEARER window surface, with no clear depth separation between them.

No people appear unless the shot text itself says so.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 철제 파이프 난간을 손으로 잡은 수리영이 코끝을 찡그린 채 계단 중간에 서 있는 얼굴 클로즈업

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young pauses midway up the stairs, gripping the pipe railing with a tense hand and wrinkling her nose at the sudden foul smell while facing upward.

FIGURES — size & depth (follow exactly): Her close-up face fills about ~2/3 of frame height and is the NEAREST figure; her railing hand is slightly FARTHER, while the stairway behind her recedes farthest.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S11sh4_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 옥상에 선 수리영의 시선 끝에 반쯤 열려 있는 어두운 현관 철문이 보이는 정면 구도

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young stands on the rooftop facing the half-open iron entrance door, her attention fixed on the dark opening ahead.

FIGURES — size & depth (follow exactly): Su-ri-young occupies roughly ~1/2 of frame height in the NEARER plane, while the half-open door is FARTHER ahead and fills about ~1/3; her sightline runs directly across the rooftop into its dark gap.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 수리영이 초점을 잃은 눈으로 허공을 응시하며 서 있는 모습

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young stands motionless after fleeing downstairs, her shocked body slack and her unfocused eyes staring into empty space.

FIGURES — size & depth (follow exactly): Su-ri-young fills roughly ~1/2 of frame height and is the sole, NEAREST figure, with the surrounding exterior space FARTHER behind her.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S13sh4_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 고개를 든 채 혜수의 얼굴을 마주보고 있는 수리영의 측면 구도

LOCATION (lock): the exterior of an old Korean multi-family villa: narrow alley and small yard at ground level, an added exterior steel staircase climbing the wall, and a rooftop with a small rooftop room (steel front door, one lit window), a water tank, a clothesline and a low parapet. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young keeps her head raised toward Hye-su, meeting her face from the side with a stunned, unfocused posture.

FIGURES — size & depth (follow exactly): Su-ri-young and Hye-su each fill roughly ~1/2 of frame height in profile and stand at approximately the same camera distance, neither clearly NEARER than the other; they face one another at close conversational range.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 민숙 (환시) — CHARACTER REFERENCE — 민숙 (환시): the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/1d7902d5-8b31-4ab6-9e6a-5da6ab5d842f.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 옷과 피부가 힘없이 무너져 미동이 없는 민숙이 바닥에 주저앉아 고개를 푹 숙인 정지 상태

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Minsuk is utterly motionless, collapsed on the floor, collapsed in a seated fall with her head hanging forward, torso slumped asymmetrically, limp limbs, and her weight fully fallen rather than held upright.

FIGURES — size & depth (follow exactly): Minsuk fills roughly 2/3 of the frame height and is the NEARER subject, while the dark-stained floor and room behind her are FARTHER. Her dark-stained clothes and skin remain visible across her collapsed body.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙 (환시)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S12sh11_nb2.png
• 캐릭터 민숙 (환시) — CHARACTER REFERENCE — 민숙 (환시): the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/1d7902d5-8b31-4ab6-9e6a-5da6ab5d842f.png
• 소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 침대 위쪽 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: the half-formed red circle remains on the wall above the bed, with no person crossing the frame.

FIGURES — size & depth (follow exactly): The red circular mark fills about 1/2 of the frame height and is FARTHER on the wall, while the upper part of the bed is NEARER in the foreground.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙 (환시)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S12sh21_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 어두운 얼룩 없이 깨끗한 방 내부 전경

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: the excessively clean, dark stainsless room stands empty, with no one entering, leaving, or moving through it.

FIGURES — size & depth (follow exactly): The empty room fills the full frame, with the NEARER side of the room opening toward the camera and the clean back wall and far corners appearing FARTHER away. No person, dark stainsstain, red mark, or body is visible.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S18sh11.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 소품 민숙과 수리영의 액자 사진 — PROP REFERENCE — 민숙과 수리영의 액자 사진: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/70af1a1c-b2e4-45ad-a166-7cef7e66e156.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 거울 속 반사된 욕실 타일 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: a half-formed red circle is visible on the bathroom tile wall only through the mirror reflection, with no person moving through the shot.

FIGURES — size & depth (follow exactly): The reflected red circle fills roughly 1/3 to 1/2 of the frame height; the mirror surface is NEARER to the camera, while the reflected tiled wall and mark read as FARTHER within the reflection.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S25sh1.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 해질 무렵 옥탑방 거실, 흙 묻은 발자국들이 찍힌 바닥과 쓰러진 식탁 의자들이 보이는 전경

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: muddy footprints lie across the living-room floor among overturned dining chairs, but their direction of travel cannot be determined from the shot.

FIGURES — size & depth (follow exactly): The living-room interior fills the frame; the muddy footprints spread across the NEARER floor, while the overturned dining chairs are FARTHER around the table. Individual footprints appear small, roughly 1/10 of the frame height, while the chairs occupy about 1/3 to 1/2.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S12sh21_nb2.png
• 소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 붉은 원 한가운데 얼룩진 낡은 흑백 사진이 벽에 꽂혀 있는 타이트 샷

LOCATION (lock): the interior of a small Korean rooftop home: living room with a small window, kitchenette and dining table; a bedroom with a bed against one wall and a curtained window; a tiny tiled bathroom with a mirror. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: the stained old photograph remains fixed at the center of the red circle on the wall, with no hand or person entering the frame.

FIGURES — size & depth (follow exactly): The photograph fills roughly 1/2 to 2/3 of the frame height and is NEARER than the wall surface, while the red circle extends FARTHER behind it across the wall.

No people appear unless the shot text itself says so.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 수리영이 마트 유니폼을 입은 한국인 여성 직원을 마주보며 입을 살짝 벌린 측면 구도

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young and the female supermarket employee stand facing each other in profile, Su-ri-young holding her mouth slightly open as she addresses the employee.

FIGURES — size & depth (follow exactly): Su-ri-young and the female employee each fill roughly ~1/2 of the frame height and occupy a comparable midground plane, with neither clearly nearer to the camera; they remain a short conversational distance apart across opposing sightlines.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S8sh3_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.

SHOT TEXT (authoritative, Korean): 마트 밖으로 나온 수리영이 손에 든 스마트폰 액정을 내려다보는 상체

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Having come out of the supermarket, Su-ri-young stands with her upper body angled toward the smartphone in her hand and her gaze lowered to its screen while trying to make contact.

FIGURES — size & depth (follow exactly): Su-ri-young’s upper body fills about ~2/3 of the frame height in the near foreground, while the smartphone is small, about ~1/10, and held within the same near plane below her face; she is the sole visible figure.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 수리영과 남자직원이 마트 밖에서 벽면의 CCTV를 올려다보는 뒷모습

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Outside the supermarket, Su-ri-young and the male employee stand with their backs to the camera, bodies and heads tilted upward toward the wall-mounted CCTV camera as they check its coverage.

FIGURES — size & depth (follow exactly): Su-ri-young and the male employee each fill roughly ~1/2 of the frame height in the nearer foreground-to-midground, standing alongside each other at comparable depth, while the CCTV camera is much smaller, around ~1/15, and farther away high on the wall.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S19sh5_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
• 소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 수리영이 귀에 스마트폰을 댄 채 정면을 응시하는 상체 클로즈업

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young holds a smartphone to her ear and faces forward, explaining the situation to Hye-su by phone.

FIGURES — size & depth (follow exactly): Su-ri-young’s upper body fills about ~3/4 of the frame height in the near foreground, with the smartphone small, around ~1/12, against her ear in the same near plane; no other person is visible.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.

SHOT TEXT (authoritative, Korean): 마트 총무과 책상 앞, 한국인 남성 보안직원과 혜수가 컴퓨터 모니터를 향해 몸을 기울인 측면

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: The male security employee and Hye-su lean forward from the desk toward the computer monitor, both directing their gaze at the CCTV footage.

FIGURES — size & depth (follow exactly): The security employee and Hye-su each fill roughly ~1/2 of the frame height and occupy a comparable midground depth, with neither clearly nearer to the camera; the monitor is smaller, about ~1/3, positioned directly along their converging sightlines.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S20sh1_nb2.png
• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.

SHOT TEXT (authoritative, Korean): 흑백 CCTV 화면 속 어두운 구석에 사람 형상이 희미하게 찍힌 모니터 클로즈업

LOCATION (lock): a mid-size Korean supermarket: shelved sales floor inside; the entrance area outside with a bicycle rack and one wall-mounted CCTV camera above; a small back security office with CCTV monitors. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: A faint, unidentifiable human-shaped form remains in a dark corner of the black-and-white CCTV image, with no discernible direction of travel or body orientation.

FIGURES — size & depth (follow exactly): The monitor image fills nearly the entire frame and is the nearest visible object, while the indistinct human-shaped form is tiny, about ~1/10 of the frame height, and appears far away within the recorded space.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors. out/conti/panels24i/S16sh3.png
• 캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
• 소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.

SHOT TEXT (authoritative, Korean): 혜수가 스마트폰 액정을 김형사 쪽으로 불쑥 내민 순간

LOCATION (lock): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building. The shot takes place here — pick the sub-area of this location that the shot text implies.

THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): Hye-su abruptly thrusts the smartphone forward from her side toward Detective Kim, presenting Min-sook's saved number while remaining inside the office.

FIGURES — size & depth (follow exactly): Hye-su and Detective Kim each fill roughly ~1/2 of the frame height, with Hye-su NEARER to the camera and Detective Kim FARTHER across from her. The extended smartphone fills about ~1/5 of the frame height, projecting from Hye-su toward Detective Kim and lying between their positions.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 수리영이 두 눈을 크게 뜨고 입을 살짝 벌린 굳은 얼굴 클로즈업

LOCATION (lock): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young holds rigid with fear and shock, her widened eyes fixed forward and her lips slightly parted.

FIGURES — size & depth (follow exactly): Su-ri-young's face fills roughly ~3/4 of the frame height; she is the sole and therefore NEAREST visible figure, with no farther person shown.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S21sh7_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 모니터 화면에 바다 지도가 펼쳐져 있고 붉은색 핀과 좌표 숫자가 떠 있는 클로즈업

LOCATION (lock): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: the monitor displays a sea map with a red location pin and coordinate figures, with no physical movement in frame.

FIGURES — size & depth (follow exactly): The monitor image fills nearly the full frame and is the sole, NEAREST core object; the map, pin, and coordinate text occupy the same flat display plane with no farther figure visible.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S21sh10_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 수리영이 메모지가 들어간 겉옷 주머니에 손을 넣은 채 사무실 출입문을 향해 몸을 돌린 정지 순간

LOCATION (lock): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): static: Su-ri-young stands tensely with one hand inside the coat pocket holding the folded note, her body turned toward the office exit and poised to leave the room.

FIGURES — size & depth (follow exactly): Su-ri-young fills roughly ~2/3 of the frame height and is NEARER to the camera, while the office doorway is FARTHER in the direction she faces. Her intended path runs from her position inside the office toward and through that doorway.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.

• PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing. out/conti/stills24s/S21sh12_nb2.png
• 캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly. /Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png

Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.

SHOT TEXT (authoritative, Korean): 경찰서 건물 밖 도로 위에서 수리영이 자전거 안장에 앉아 상체를 앞으로 숙인 채 머리카락이 뒤로 흩날리는 측면

LOCATION (lock): a modest Korean provincial police station: a detectives' office with desks, monitors and a doorway; and the street right in front of the building. The shot takes place here — pick the sub-area of this location that the shot text implies.

REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.

MOVEMENT (follow exactly): Su-ri-young rides the bicycle along the road outside the police station, moving laterally across the camera's side view with her torso pitched forward over the handlebars and her hair streaming backward, neither directly toward nor directly away from the camera.

FIGURES — size & depth (follow exactly): Su-ri-young fills roughly ~1/2 of the frame height, and the bicycle-and-rider silhouette together fills about ~2/3; both are NEARER to the camera than the FARTHER police-station exterior. Her path continues along the road parallel to the image plane.

PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.

No text, captions, watermarks or annotations anywhere.