v24s 로직의 전체 샷 확장: ①LLM 장소 그룹핑(전 샷 →
장소 연속 그룹+장소 서술) → ②그룹별 동선 분석 → ③i2 콘티(v24
실사영화 계약, ≤6샷 시트 청킹) → ④크롭 → ⑤prev 시각 관련성 판정
⑥샷별 콘티 필요 LLM 판정(쉬운 구도는 콘티 제거) → ⑦nb2 스틸.
참조=선별 콘티 패널(참조 전용, 그대로 실사화 금지)+prev 스틸+VE 전
엔티티(캐릭터 composite+소품 reference_face, 배경 L 제외)+REALIZE 원칙
+LOCATION lock(그룹 장소 서술)+씬 헤딩 시간 잠금. 각 샷 카드에
사용된 참조 이미지 전부와 프롬프트 전문 기록. 비교:
v24s(6그룹 28샷)
우거진 숲 사건 현장 (dense_forest_incident_site · 샷 3)
장소 서술(LOCATION lock): A dense forest clearing enclosed by tangled shrubs, mature tree trunks, and uneven leaf-covered ground. A narrow, barely visible path cuts through the undergrowth.
S1sh1 콘티 제거 — 콘티 판정: 단일 인물의 달리는 전신 동작이 글로 명확함 · prev: 없음
한쪽 신발이 벗겨진 한국인 남자가 우거진 수풀 사이를 달리며 한 발을 허공에 내딛고 있는 도중의 전신 구도
nb2 스틸
참조 이미지 (1장):
캐릭터 한국인 남자
참조 상세 + 프롬프트 전문
캐릭터 한국인 남자 — CHARACTER REFERENCE — 한국인 남자: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/efc879db-5f82-4f77-bf83-75e3d2d41f1c.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 한쪽 신발이 벗겨진 한국인 남자가 우거진 수풀 사이를 달리며 한 발을 허공에 내딛고 있는 도중의 전신 구도
LOCATION (lock): A dense forest clearing enclosed by tangled shrubs, mature tree trunks, and uneven leaf-covered ground. A narrow, barely visible path cuts through the undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): A terrified, bleeding Korean man with one shoe missing runs through dense undergrowth, pushing forward with one foot airborne and a strained, injury-compromised gait as he flees through the forest.
FIGURES — size & depth (follow exactly): The man's full body fills roughly ~3/4 of the frame height and is the sole figure, occupying the primary near-to-midground plane; no farther person is visible.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 남자) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S1sh4 콘티 사용 — 콘티 판정: 공중 돌진자와 피습자의 거리·방향 관계가 핵심임 · prev: S1sh1 (같은 숲에서 도망치던 남자를 덮치는 연속 액션)
검은 형상의 인영이 허공에 뛰어오른 채 한국인 남자를 향해 두 팔을 뻗고 있는 순간
nb2 스틸
참조 이미지 (3장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)캐릭터 한국인 남자
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S1sh4.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S1sh1_nb2.png
캐릭터 한국인 남자 — CHARACTER REFERENCE — 한국인 남자: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/efc879db-5f82-4f77-bf83-75e3d2d41f1c.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 검은 형상의 인영이 허공에 뛰어오른 채 한국인 남자를 향해 두 팔을 뻗고 있는 순간
LOCATION (lock): A dense forest clearing enclosed by tangled shrubs, mature tree trunks, and uneven leaf-covered ground. A narrow, barely visible path cuts through the undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): A real person appearing as a dark silhouette, with normal human build, has sprinted in from an unspecified direction and is airborne with both arms extended toward the terrified Korean man to tackle him.
FIGURES — size & depth (follow exactly): The airborne silhouette and the man are both prominent, each roughly ~1/2–2/3 of the frame height; the silhouette is closing the remaining distance to the man, but the source does not establish which is nearer to the camera. Their paths converge directly at the impending impact.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 남자) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 형사 무리 한가운데 서서 손가락으로 한쪽을 가리키는 혜수의 상체
LOCATION (lock): A dense forest clearing enclosed by tangled shrubs, mature tree trunks, and uneven leaf-covered ground. A narrow, barely visible path cuts through the undergrowth. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Hyesu stands upright amid the detectives, directing the investigation with her upper body oriented toward one side and one finger pointing that way.
FIGURES — size & depth (follow exactly): Hyesu's upper body fills roughly ~2/3 of the frame height and is the dominant nearer figure, while the surrounding detectives appear smaller or partially framed farther around and behind her. Hyesu remains centered within their group rather than moving through it.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
어두운 도시 뒷골목 (dim_city_back_alley · 샷 2)
장소 서술(LOCATION lock): A narrow urban back alley bordered by worn masonry walls and utility poles. A single weak streetlamp casts patchy light over the confined pavement.
S2sh1 콘티 사용 — 콘티 판정: 두 인물과 전봇대의 밀착 위치·옆모습 방향 관계가 중요 · prev: 없음
희미한 가로등 불빛 아래 전봇대에 밀착된 채 서 있는 한국인 남자와 한국인 여자의 옆모습
nb2 스틸
참조 이미지 (3장):
콘티 패널 (구도 참조 전용)캐릭터 한국인 여자캐릭터 한국인 남자 (포식 상태)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S2sh1.png
캐릭터 한국인 여자 — CHARACTER REFERENCE — 한국인 여자: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/8494eff9-d8f8-4eb3-b4f4-30433165bea9.png
캐릭터 한국인 남자 (포식 상태) — CHARACTER REFERENCE — 한국인 남자 (포식 상태): the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/cf47e403-3038-46ef-8cfe-2c838bac85a9.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 희미한 가로등 불빛 아래 전봇대에 밀착된 채 서 있는 한국인 남자와 한국인 여자의 옆모습
LOCATION (lock): A narrow urban back alley bordered by worn masonry walls and utility poles. A single weak streetlamp casts patchy light over the confined pavement. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: A Korean man and a Korean woman stand pressed together against a utility pole under the dim streetlight, their bodies in side profile and oriented toward each other.
FIGURES — size & depth (follow exactly): The exact frame-height fractions are unspecified; the man and woman are comparable-sized, overlapping human figures, with neither discernibly NEARER nor FARTHER than the other, while the utility pole remains directly behind them and is FARTHER from the camera.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 여자, 한국인 남자 (포식 상태)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S2sh3 콘티 사용 — 콘티 판정: 목을 무는 순간의 두 신체 결합과 머리·목 위치 관계가 중요 · prev: S2sh1 (같은 전봇대 공간에서 두 남녀의 밀착이 목을 무는 연속 액션으로 이어짐)
한국인 남자가 입을 크게 벌려 한국인 여자의 목에 이빨을 박아넣은 채 멈춘 순간
nb2 스틸
참조 이미지 (4장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)캐릭터 한국인 여자캐릭터 한국인 남자 (포식 상태)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S2sh3.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S2sh1_nb2.png
캐릭터 한국인 여자 — CHARACTER REFERENCE — 한국인 여자: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/8494eff9-d8f8-4eb3-b4f4-30433165bea9.png
캐릭터 한국인 남자 (포식 상태) — CHARACTER REFERENCE — 한국인 남자 (포식 상태): the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/cf47e403-3038-46ef-8cfe-2c838bac85a9.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 한국인 남자가 입을 크게 벌려 한국인 여자의 목에 이빨을 박아넣은 채 멈춘 순간
LOCATION (lock): A narrow urban back alley bordered by worn masonry walls and utility poles. A single weak streetlamp casts patchy light over the confined pavement. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: The Korean man holds his mouth wide open with his teeth embedded in the Korean woman's neck, their bodies locked together at the point of the bite.
FIGURES — size & depth (follow exactly): The exact frame-height fractions are unspecified; the man's head and the woman's neck and head are the dominant, tightly overlapping forms, with neither person clearly NEARER or FARTHER because they occupy nearly the same depth and remain in direct contact.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (한국인 여자, 한국인 남자 (포식 상태)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
옥상·옥탑방 외부 (rooftop_room_exterior · 샷 5)
장소 서술(LOCATION lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof.
S4sh1 콘티 사용 — 콘티 판정: 고부감에서 옥탑방과 빌라의 깊이·배치 관계가 중요 · prev: 없음
맑은 낮, 오래된 다세대 빌라 옥상 위에 자리 잡은 옥탑방을 높은 곳에서 내려다본 부감 구도
nb2 스틸
참조 이미지 (1장):
콘티 패널 (구도 참조 전용)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S4sh1.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 맑은 낮, 오래된 다세대 빌라 옥상 위에 자리 잡은 옥탑방을 높은 곳에서 내려다본 부감 구도
LOCATION (lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: No person is visible; the rooftop room remains fixed on top of the old multi-family villa beneath the high, downward-looking camera.
FIGURES — size & depth (follow exactly): The rooftop room appears small, about ~1/6 of the frame height, and is FARTHER from the camera than the surrounding upper roof surfaces in the foreground.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S10sh6 콘티 사용 — 콘티 판정: 좁은 문틈 프레이밍과 신발의 진입 방향 표현이 중요 · prev: 없음
현관 철문이 아주 살짝 열린 틈새로 보이는 어두운 실내와 신발 앞코
nb2 스틸
참조 이미지 (1장):
콘티 패널 (구도 참조 전용)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S10sh6.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 현관 철문이 아주 살짝 열린 틈새로 보이는 어두운 실내와 신발 앞코
LOCATION (lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): The unknown man's shoe toe advances from the rooftop exterior through the narrowly opened iron doorway into the dark room, leading his unseen body inward.
FIGURES — size & depth (follow exactly): The shoe toe is small, about ~1/10 of the frame height, and lies FARTHER from the camera than the NEARER iron door edges; the dark interior recedes farthest beyond it.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S10sh7 콘티 사용 — 콘티 판정: 두 그림자의 크기·겹침과 머리-어깨 위치 관계가 결정적 · prev: S10sh6 (같은 밤 침입 액션이 현관에서 창문 그림자로 연속)
불이 켜진 옥탑방 창문에 거대한 그림자가 작은 그림자의 어깨 쪽으로 고개를 꺾은 형태가 맺혀 있는 정지 구도
nb2 스틸
참조 이미지 (2장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S10sh7.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S10sh6_nb2.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 불이 켜진 옥탑방 창문에 거대한 그림자가 작은 그림자의 어깨 쪽으로 고개를 꺾은 형태가 맺혀 있는 정지 구도
LOCATION (lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: A real man appearing as a large dark silhouette, with normal human build, leans into Minsook and angles his head down toward her shoulder as she is caught beneath him.
FIGURES — size & depth (follow exactly): The man's shadow fills roughly ~2/3 of the frame height, larger than Minsook's smaller shadow at about ~1/3; both people are FARTHER than the NEARER window surface, while their mutual camera-depth order is not established. Their silhouettes overlap at Minsook's shoulder, leaving almost no distance between their paths.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S11sh5 콘티 사용 — 콘티 판정: 수리영의 시선축과 먼 현관문의 프레임 내 관계가 중요 · prev: S10sh6 (침입자가 열어 둔 같은 현관 철문의 상태가 이어짐)
옥상에 선 수리영의 시선 끝에 반쯤 열려 있는 어두운 현관 철문이 보이는 정면 구도
nb2 스틸
참조 이미지 (3장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S11sh5.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S10sh6_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 옥상에 선 수리영의 시선 끝에 반쯤 열려 있는 어두운 현관 철문이 보이는 정면 구도
LOCATION (lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suriyoung stands tensely on the rooftop with her body and gaze directed straight toward the half-open iron entrance door and its dark interior.
FIGURES — size & depth (follow exactly): Suriyoung appears about ~1/2 of the frame height in the NEARER rooftop area, while the half-open door appears about ~1/3 and is FARTHER ahead along her line of sight.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S17sh2 콘티 제거 — 콘티 판정: 단일 고양이의 단순한 측면 동작으로 글만으로 명확 · prev: 없음
옥상 담벼락 위에서 한쪽 앞발을 허공으로 뻗은 검은 고양이의 측면
nb2 스틸
참조 이미지 (0장):
참조 이미지 없음
참조 상세 + 프롬프트 전문
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dawn.
SHOT TEXT (authoritative, Korean): 옥상 담벼락 위에서 한쪽 앞발을 허공으로 뻗은 검은 고양이의 측면
LOCATION (lock): The flat rooftop of an aging low-rise apartment building, enclosed by a waist-high parapet. A small rooftop dwelling has a metal entrance door and a window visible from the open roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): The black cat moves side-on across and over the rooftop wall toward the opposite side, extending one forepaw into the air as its body follows.
FIGURES — size & depth (follow exactly): The cat appears medium-sized, about ~1/3 of the frame height, and is NEARER to the camera than the FARTHER side beyond the wall; the wall runs beneath its crossing path.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
옥탑방 내부 (rooftop_room_interior · 샷 15)
장소 서술(LOCATION lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls.
S5sh5 콘티 사용 — 콘티 판정: 민숙·TV·방에서 나오는 수리영의 위치와 깊이 관계가 중요 · prev: 없음
다급하게 상체를 기울이며 손가락 끝으로 TV 전원 버튼을 세게 누르고 있는 민숙의 측면 구도
nb2 스틸
참조 이미지 (2장):
콘티 패널 (구도 참조 전용)캐릭터 민숙
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S5sh5.png
캐릭터 민숙 — CHARACTER REFERENCE — 민숙: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/899945af-f9bf-4880-bdd7-c9d1f45a5327.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 다급하게 상체를 기울이며 손가락 끝으로 TV 전원 버튼을 세게 누르고 있는 민숙의 측면 구도
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Min-sook urgently pitches her upper body forward toward the TV and forcefully drives a fingertip into its power button to turn it off as Su-ri-young emerges from her room.
FIGURES — size & depth (follow exactly): Min-sook's side-view upper body fills roughly 2/3 of the frame height, with her reaching hand and the TV button NEARER to the camera than her face and torso. The TV is FARTHER along her forward reach, and her body closes the short distance toward it.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S5sh9 콘티 제거 — 콘티 판정: 손목 표식을 보여주는 단순 타이트 인서트 · prev: S5sh5 (같은 장면 속 민숙의 손목 디테일)
민숙의 손목에 선명하게 드러난 작은 원형 표식의 타이트 샷
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 민숙
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S5sh5_nb2.png
캐릭터 민숙 — CHARACTER REFERENCE — 민숙: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/899945af-f9bf-4880-bdd7-c9d1f45a5327.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 민숙의 손목에 선명하게 드러난 작은 원형 표식의 타이트 샷
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Min-sook's wrist is held in view, with the sharply visible small circular mark facing the camera.
FIGURES — size & depth (follow exactly): The wrist fills most of the tight frame, while the circular mark occupies a small area at its center. The skin and mark are the NEAREST and only principal subject, with any body or room detail FARTHER and out of focus.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S12sh11 콘티 제거 — 콘티 판정: 단일 인물의 정적인 바닥 붕괴 자세 · prev: 없음
옷과 피부가 피투성이가 된 민숙이 바닥에 주저앉아 고개를 푹 숙인 정지 상태
nb2 스틸
참조 이미지 (1장):
캐릭터 민숙 (환시)
참조 상세 + 프롬프트 전문
캐릭터 민숙 (환시) — CHARACTER REFERENCE — 민숙 (환시): the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/1d7902d5-8b31-4ab6-9e6a-5da6ab5d842f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 옷과 피부가 힘없이 무너져 미동이 없는 민숙이 바닥에 주저앉아 고개를 푹 숙인 정지 상태
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: utterly motionless, collapsed Min-sook is collapsed against the floor in an asymmetric seated slump, her head dropped deeply forward, shoulders fallen, limbs limp, and body weight fully given way.
FIGURES — size & depth (follow exactly): Min-sook's dark stains-covered body fills about 2/3 of the frame height and is the NEAREST principal figure. The floor directly beneath her is nearer than the surrounding bedroom and curtain area, which recede FARTHER behind her.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙 (환시)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S12sh18 콘티 제거 — 콘티 판정: 손과 구겨진 사진의 단순 타이트 인서트 · prev: S12sh11 (민숙의 시신에서 손으로 이어지는 디테일)
민숙의 손에 꽉 쥐어진 구겨진 사진의 타이트 샷
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 민숙 (환시)소품 구겨진 피 묻은 낡은 흑백 사진
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S12sh11_nb2.png
캐릭터 민숙 (환시) — CHARACTER REFERENCE — 민숙 (환시): the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/1d7902d5-8b31-4ab6-9e6a-5da6ab5d842f.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 민숙의 손에 꽉 쥐어진 구겨진 사진의 타이트 샷
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: utterly motionless, collapsed Min-sook's limp hand remains curled tightly around a crumpled photograph, with the photograph exposed toward the camera.
FIGURES — size & depth (follow exactly): The dead woman's hand fills roughly 2/3 of the tight frame, and the crumpled photograph fills about 1/3. The photograph is NEARER where it protrudes from her grasp, while her palm, wrist, and collapsed body lie progressively FARTHER behind it.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙 (환시)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S12sh21 콘티 제거 — 콘티 판정: 벽면에 반쯤 형성된 원형 표식의 단순 구도 · prev: S12sh18 (사진을 꺼낸 직후 같은 방에서 발생한 현상)
침대 위쪽 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 민숙 (환시)소품 구겨진 피 묻은 낡은 흑백 사진
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S12sh18_nb2.png
캐릭터 민숙 (환시) — CHARACTER REFERENCE — 민숙 (환시): the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/1d7902d5-8b31-4ab6-9e6a-5da6ab5d842f.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 침대 위쪽 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): A red circular mark spreads around the wall above the bed, progressing along a ring-like path as though an unseen brush is drawing it, with about half the circle formed.
FIGURES — size & depth (follow exactly): The half-formed red circle fills roughly 1/2 of the frame height on the wall and is the principal visible object. The wall surface and mark are FARTHER than the nearer edge of the bed, with the red pigment visually sitting closest on that wall plane.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (민숙 (환시)) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S14sh5 콘티 제거 — 콘티 판정: 인물 없이 정돈된 빈 방을 보여주는 정적 전경 · prev: S12sh11 (같은 수리영 방의 시신 발견 전후 대비)
핏자국 없이 깨끗한 방 내부 전경
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영캐릭터 혜수
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S12sh11_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 어두운 얼룩 없이 깨끗한 방 내부 전경
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: the excessively tidy bedroom stands empty, with no dark stainsstains, red wall mark, or collapsed body remaining anywhere in the room.
FIGURES — size & depth (follow exactly): The empty room fills the full frame; nearer floor and furniture edges occupy the foreground, while the bed, curtain, and clean back wall are FARTHER away. No person is visible, and the formerly occupied curtain area is now empty.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S14sh7 콘티 제거 — 콘티 판정: 단일 인물의 정적인 얼굴 클로즈업 · prev: S14sh5 (깨끗하고 빈 방을 확인하는 수리영의 반응)
수리영이 멍한 눈으로 텅 빈 방 안을 응시하는 얼굴 클로즈업
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S14sh5_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 수리영이 멍한 눈으로 텅 빈 방 안을 응시하는 얼굴 클로즈업
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: pale-faced Su-ri-young holds her body rigid and stares blankly into the empty bedroom where she expected to find her mother's body.
FIGURES — size & depth (follow exactly): Su-ri-young's face fills about 2/3 of the frame height and is the NEAREST figure. The empty room she watches is FARTHER beyond her eyeline, with no other person visible.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S14sh11 콘티 제거 — 콘티 판정: 상대를 노려보는 표준적인 단일 인물 구도 · prev: 없음
혜수가 날카로운 눈빛으로 김형사를 노려보는 모습
nb2 스틸
참조 이미지 (1장):
캐릭터 혜수
참조 상세 + 프롬프트 전문
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 혜수가 날카로운 눈빛으로 김형사를 노려보는 모습
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Hye-su fixes a sharp, hostile stare toward Detective Kim, her face and body oriented directly at him.
FIGURES — size & depth (follow exactly): Hye-su fills roughly 2/3 of the frame height and is the NEAREST visible figure. Detective Kim is the FARTHER target of her gaze, whether at the edge of the frame or just off-screen, with no crossing movement between them.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S18sh11 콘티 사용 — 콘티 판정: 거울 반사면과 실제 욕실 벽의 공간 관계를 명확히 해야 함 · prev: S12sh21 (절반쯤 나타나는 동일한 붉은 원 현상)
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S18sh11.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S12sh21_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 민숙과 수리영의 액자 사진 — PROP REFERENCE — 민숙과 수리영의 액자 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/70af1a1c-b2e4-45ad-a166-7cef7e66e156.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 거울 속 반사된 욕실 타일 벽면에 붉은색 원형 표식이 절반쯤 나타난 상태
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): A red circular mark suddenly develops across the bathroom tile wall seen in the mirror, extending around a ring-like path until roughly half is visible.
FIGURES — size & depth (follow exactly): The mirror and reflected tiled wall fill most of the frame, while the half-formed red circle occupies about 1/2 of the reflected frame height. The mirror surface is physically NEARER to the camera, while the marked bathroom wall appears FARTHER within the reflection.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S18sh15 콘티 제거 — 콘티 판정: 액자 속 얼굴 변형을 보여주는 단순 효과 인서트 · prev: S5sh5 (액자 속 민숙의 외형 일관성)
액자 속 민숙의 얼굴 부분 이미지가 아래로 일그러지며 흘러내리는 찰나
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)소품 민숙과 수리영의 액자 사진
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S5sh5_nb2.png
소품 민숙과 수리영의 액자 사진 — PROP REFERENCE — 민숙과 수리영의 액자 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/70af1a1c-b2e4-45ad-a166-7cef7e66e156.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 액자 속 민숙의 얼굴 부분 이미지가 아래로 일그러지며 흘러내리는 찰나
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): The image of Min-sook's smiling face inside the framed photograph distorts and flows downward before Su-ri-young's eyes.
FIGURES — size & depth (follow exactly): The framed photograph fills most of the close frame, and Min-sook's pictured face occupies roughly 1/2 of its height. The photograph's glass and frame are NEARER to the camera, while the collapsing facial image is visually FARTHER beneath the surface.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S18sh16 콘티 제거 — 콘티 판정: 단일 인물의 정면 공포 반응 클로즈업 · prev: S18sh15 (사진이 일그러진 직후의 수리영 반응)
수리영이 두 손으로 머리를 감싸 쥐고 입을 크게 벌린 얼굴
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S18sh15_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영이 두 손으로 머리를 감싸 쥐고 입을 크게 벌린 얼굴
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: terrified and overwhelmed, Su-ri-young clamps both hands around her head and holds her mouth wide open in a scream, her posture rigid with panic.
FIGURES — size & depth (follow exactly): Su-ri-young's face and hands fill about 3/4 of the frame height and form the NEAREST subject. Her hands sit slightly NEARER than her face on either side, while the room behind her is FARTHER and secondary.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S25sh1 콘티 사용 — 콘티 판정: 발자국 경로와 쓰러진 의자들의 프레임 내 배치가 사건 흔적 전달에 중요 · prev: 없음
해질 무렵 옥탑방 거실, 흙 묻은 발자국들이 찍힌 바닥과 쓰러진 식탁 의자들이 보이는 전경
nb2 스틸
참조 이미지 (3장):
콘티 패널 (구도 참조 전용)캐릭터 수리영소품 구겨진 피 묻은 낡은 흑백 사진
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S25sh1.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 해질 무렵 옥탑방 거실, 흙 묻은 발자국들이 찍힌 바닥과 쓰러진 식탁 의자들이 보이는 전경
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: muddy footprints remain across the ransacked living-room floor among overturned dining chairs, indicating a prior path through the room but no current movement.
FIGURES — size & depth (follow exactly): The footprint-marked floor fills the lower half of the wide frame, with the NEAREST prints and fallen chair parts in the foreground appearing larger. Additional prints, the dining area, and the open living-room window recede FARTHER into the room.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S25sh5 콘티 제거 — 콘티 판정: 붉은 원과 사진의 중심 배치가 명확한 타이트 샷 · prev: S12sh21 (같은 수리영 방 벽의 붉은 원 재등장)
붉은 원 한가운데 피 묻은 낡은 흑백 사진이 벽에 꽂혀 있는 타이트 샷
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)소품 구겨진 피 묻은 낡은 흑백 사진
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S12sh21_nb2.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 붉은 원 한가운데 얼룩진 낡은 흑백 사진이 벽에 꽂혀 있는 타이트 샷
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: a stained old photograph remains pinned at the center of the red circle on Su-ri-young's bedroom wall, facing outward toward the camera.
FIGURES — size & depth (follow exactly): The photograph fills roughly 1/3 of the tight frame height, while the surrounding red circle occupies most of the frame. The photograph projects NEARER from the wall, and the red mark lies FARTHER against the flat wall surface behind it.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S25sh9 콘티 제거 — 콘티 판정: 사진을 움켜쥔 손의 단순 타이트 인서트 · prev: S25sh5 (벽에서 떼어낸 동일한 피 묻은 사진)
수리영의 손이 구겨진 사진을 꽉 움켜쥔 타이트 샷
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영소품 구겨진 피 묻은 낡은 흑백 사진
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S25sh5_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영의 손이 구겨진 사진을 꽉 움켜쥔 타이트 샷
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young's tense hand crushes the crumpled photograph in a tight grip as she holds it close.
FIGURES — size & depth (follow exactly): Su-ri-young's hand fills roughly 2/3 of the tight frame, and the exposed portion of the photograph fills about 1/3. Her knuckles are NEARER to the camera, while the photograph is partly FARTHER inside her closed fingers.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S27sh3 콘티 제거 — 콘티 판정: 스마트폰을 내려다보는 단일 인물 얼굴 클로즈업 · prev: 없음
혜수가 미간을 깊게 찌푸린 채 스마트폰을 내려다보는 얼굴 클로즈업
nb2 스틸
참조 이미지 (1장):
캐릭터 혜수
참조 상세 + 프롬프트 전문
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 혜수가 미간을 깊게 찌푸린 채 스마트폰을 내려다보는 얼굴 클로즈업
LOCATION (lock): A cramped, aging rooftop residence with a small living area, bedroom wall, sparse furniture, and a compact tiled bathroom. Fixed features include the metal entrance door, a window, a bed, and worn interior walls. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Hye-su lowers her gaze toward the smartphone and listens to Su-ri-young's recorded message with her brow deeply furrowed.
FIGURES — size & depth (follow exactly): Hye-su's face fills about 2/3 of the close-up frame, while the smartphone occupies a smaller area below her face. The phone is NEARER to the camera, Hye-su's face is slightly FARTHER, and the room behind her is farthest.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
해안도로 (coastal_road · 샷 3)
장소 서술(LOCATION lock): A paved coastal road running beside an exposed tidal shoreline, with the sea visible along one side and sparse roadside barriers. The route remains open and windswept, with few nearby buildings.
S6sh1 콘티 제거 — 콘티 판정: 단일 인물의 측면 자전거 주행 구도가 글로 명확함 · prev: 없음
낮의 해안가 도로 위, 이어폰을 낀 채 자전거 안장에 앉아 한 발로 페달을 밟아 내리는 중간 동작으로 미소 짓는 수리영의 옆모습, 자전거의 추진력에 의해 머리카락이 뒤로 흩날리는 찰나
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 낮의 해안가 도로 위, 이어폰을 낀 채 자전거 안장에 앉아 한 발로 페달을 밟아 내리는 중간 동작으로 미소 짓는 수리영의 옆모습, 자전거의 추진력에 의해 머리카락이 뒤로 흩날리는 찰나
LOCATION (lock): A paved coastal road running beside an exposed tidal shoreline, with the sea visible along one side and sparse roadside barriers. The route remains open and windswept, with few nearby buildings. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Su-ri-young rides laterally along the daytime coastal road, seated upright and smiling as one foot drives a pedal downward, with her hair streaming behind her in the direction opposite her travel.
FIGURES — size & depth (follow exactly): Su-ri-young and the bicycle together fill roughly ~2/3 of the frame height in side view; she is NEARER to the camera than the coastal road and sea behind her, while the bicycle occupies the same foreground plane beneath her.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S9sh1 콘티 제거 — 콘티 판정: 단일 인물 실루엣의 전진 주행 자세로 배치가 단순함 · prev: 없음
어두운 해안도로 위 자전거 안장에 앉아 한쪽 다리로 페달을 밟아 내리는 중간 자세로 앞을 향해 상체를 기울인 수리영의 실루엣, 옷자락이 뒤로 휘날리는 순간
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 어두운 해안도로 위 자전거 안장에 앉아 한쪽 다리로 페달을 밟아 내리는 중간 자세로 앞을 향해 상체를 기울인 수리영의 실루엣, 옷자락이 뒤로 휘날리는 순간
LOCATION (lock): A paved coastal road running beside an exposed tidal shoreline, with the sea visible along one side and sparse roadside barriers. The route remains open and windswept, with few nearby buildings. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Su-ri-young, a real person appearing as a dark silhouette with normal human build, rides quickly forward along the dark coastal road toward home, leaning her torso into her course as one leg presses a pedal downward and her clothing trails behind.
FIGURES — size & depth (follow exactly): Su-ri-young and her bicycle form a medium-sized silhouette filling about ~1/2 of the frame height; they are NEARER to the camera than the dark road and coast extending FARTHER ahead.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S24sh2 콘티 제거 — 콘티 판정: 단일 인물 얼굴 클로즈업으로 표준적이고 명확함 · prev: 없음
비에 흠뻑 젖은 수리영이 자전거 핸들을 꽉 쥔 채 앞을 노려보는 얼굴 클로즈업
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): heavy rain shower, daytime.
SHOT TEXT (authoritative, Korean): 비에 흠뻑 젖은 수리영이 자전거 핸들을 꽉 쥔 채 앞을 노려보는 얼굴 클로즈업
LOCATION (lock): A paved coastal road running beside an exposed tidal shoreline, with the sea visible along one side and sparse roadside barriers. The route remains open and windswept, with few nearby buildings. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Soaked by the downpour, Su-ri-young continues riding forward through the rain, gripping the handlebars tightly and aiming a tense, determined stare ahead as she searches for her mother.
FIGURES — size & depth (follow exactly): Su-ri-young’s wet face fills roughly ~2/3 of the frame height in close-up, with the partially visible handlebars NEARER at the lower foreground and her face just FARTHER behind them; the rain and coastal-road background are FARTHER still.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
유기견 보호원 내부 (dog_shelter_interior · 샷 2)
장소 서술(LOCATION lock): A utilitarian indoor animal shelter with a hard washable floor, kennel partitions, and plain institutional walls. The space is lit evenly and provides open floor area beside the enclosures.
S7sh3 콘티 제거 — 콘티 판정: 단일 동물의 정적인 단순 자세 · prev: 없음
로트와일러가 귀를 뒤로 젖힌 채 얌전히 바닥에 엎드린 정지 상태
nb2 스틸
참조 이미지 (0장):
참조 이미지 없음
참조 상세 + 프롬프트 전문
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 로트와일러가 귀를 뒤로 젖힌 채 얌전히 바닥에 엎드린 정지 상태
LOCATION (lock): A utilitarian indoor animal shelter with a hard washable floor, kennel partitions, and plain institutional walls. The space is lit evenly and provides open floor area beside the enclosures. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: the Rottweiler lies subdued and low against the floor with its ears pinned back, its body facing an unspecified direction.
FIGURES — size & depth (follow exactly): The Rottweiler is the only visible figure; the framing and its exact fraction of frame height are unspecified, and with no other figure present it is the sole depth reference.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S7sh6 콘티 제거 — 콘티 판정: 단일 인물의 표준적인 통화 클로즈업 · prev: 없음
수리영이 귀에 스마트폰을 댄 채 미간을 찌푸린 얼굴
nb2 스틸
참조 이미지 (2장):
캐릭터 수리영소품 스마트폰
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영이 귀에 스마트폰을 댄 채 미간을 찌푸린 얼굴
LOCATION (lock): A utilitarian indoor animal shelter with a hard washable floor, kennel partitions, and plain institutional walls. The space is lit evenly and provides open floor area beside the enclosures. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suriyoung holds a smartphone to her ear and remains in place with a furrowed brow, facing an unspecified direction as she tries to contact Minsook.
FIGURES — size & depth (follow exactly): Suriyoung's face is the dominant visible figure, though its exact fraction of frame height is unspecified; the smartphone is immediately beside her face at essentially the same depth, with neither clearly nearer nor farther.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
대형마트 매장 (supermarket_sales_floor · 샷 1)
장소 서술(LOCATION lock): A brightly lit supermarket sales floor with long merchandise aisles, stocked shelving, and broad customer walkways. Overhead fluorescent fixtures create flat, even illumination.
S8sh3 콘티 제거 — 콘티 판정: 두 인물이 마주 보는 표준적인 정적 대화 구도 · prev: 없음
수리영이 마트 유니폼을 입은 한국인 여성 직원을 마주보며 입을 살짝 벌린 측면 구도
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영이 마트 유니폼을 입은 한국인 여성 직원을 마주보며 입을 살짝 벌린 측면 구도
LOCATION (lock): A brightly lit supermarket sales floor with long merchandise aisles, stocked shelving, and broad customer walkways. Overhead fluorescent fixtures create flat, even illumination. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young stands facing the female supermarket employee at conversational distance, her body turned toward the employee and her mouth slightly open as if speaking.
FIGURES — size & depth (follow exactly): Su-ri-young and the uniformed Korean female employee each fill roughly ~1/2 of the frame height in the side-on two-shot. They stand at approximately the same camera depth, so neither is distinctly NEARER or FARTHER, facing each other across a short gap.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
대형마트 외부 (supermarket_exterior_entrance · 샷 3)
장소 서술(LOCATION lock): The exterior frontage of a large supermarket, centered on wide public entrance doors and a paved forecourt. A wall-mounted CCTV camera overlooks the entrance area.
S8sh5 콘티 제거 — 콘티 판정: 스마트폰을 보며 걷는 단일 인물 상체 구도로 글만으로 명확 · prev: 없음
마트 밖으로 나온 수리영이 손에 든 스마트폰 액정을 내려다보는 상체
nb2 스틸
참조 이미지 (2장):
캐릭터 수리영소품 스마트폰
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 마트 밖으로 나온 수리영이 손에 든 스마트폰 액정을 내려다보는 상체
LOCATION (lock): The exterior frontage of a large supermarket, centered on wide public entrance doors and a paved forecourt. A wall-mounted CCTV camera overlooks the entrance area. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Suriyoung comes out of the supermarket and continues away toward home while looking down at the smartphone held in front of her upper body, trying to make contact as she walks.
FIGURES — size & depth (follow exactly): Suriyoung's upper body fills about ~2/3 of the frame height; the small smartphone is NEARER to the camera in front of her torso, while her face is FARTHER behind it.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S19sh5 콘티 제거 — 콘티 판정: 두 인물이 나란히 CCTV를 올려다보는 정적인 후면 구도 · prev: 없음
수리영과 남자직원이 마트 밖에서 벽면의 CCTV를 올려다보는 뒷모습
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영과 남자직원이 마트 밖에서 벽면의 CCTV를 올려다보는 뒷모습
LOCATION (lock): The exterior frontage of a large supermarket, centered on wide public entrance doors and a paved forecourt. A wall-mounted CCTV camera overlooks the entrance area. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suriyoung and the male employee stand outside the supermarket with their backs to the camera, bodies oriented toward the wall and heads tilted upward at the CCTV camera.
FIGURES — size & depth (follow exactly): Suriyoung and the male employee each fill roughly ~1/2 of the frame height and stand at a comparable NEARER distance, their paths paused side by side; the small wall-mounted CCTV camera is FARTHER from the camera and above them.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S19sh6 콘티 제거 — 콘티 판정: 통화 중인 단일 인물의 정면 상체 클로즈업 · prev: S19sh5 (같은 마트 밖에서 CCTV 확인 후 이어지는 통화)
수리영이 귀에 스마트폰을 댄 채 정면을 응시하는 상체 클로즈업
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영소품 스마트폰
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S19sh5_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영이 귀에 스마트폰을 댄 채 정면을 응시하는 상체 클로즈업
LOCATION (lock): The exterior frontage of a large supermarket, centered on wide public entrance doors and a paved forecourt. A wall-mounted CCTV camera overlooks the entrance area. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suriyoung holds a smartphone to her ear and faces forward, staring straight ahead while calling Hyesu.
FIGURES — size & depth (follow exactly): Suriyoung's upper body fills about ~3/4 of the frame height and is the dominant NEAR figure; the small smartphone beside her face is slightly NEARER to the camera than her head.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
외부 철제계단 (exterior_metal_staircase · 샷 1)
장소 서술(LOCATION lock): A narrow exterior metal staircase attached to an old low-rise residential building. It has exposed steel steps and tubular pipe railings leading upward toward the roof.
S11sh4 콘티 제거 — 콘티 판정: 단일 인물 얼굴 클로즈업으로 자세와 방향이 글만으로 명확함 · prev: 없음
철제 파이프 난간을 손으로 잡은 수리영이 코끝을 찡그린 채 계단 중간에 서 있는 얼굴 클로즈업
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 철제 파이프 난간을 손으로 잡은 수리영이 코끝을 찡그린 채 계단 중간에 서 있는 얼굴 클로즈업
LOCATION (lock): A narrow exterior metal staircase attached to an old low-rise residential building. It has exposed steel steps and tubular pipe railings leading upward toward the roof. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suri-young pauses midway up the staircase while ascending toward the rooftop, gripping the metal-pipe railing with a tense posture and wrinkling her nose at the sudden foul smell, her body oriented uphill.
FIGURES — size & depth (follow exactly): Suri-young’s face fills ~2/3 of the frame height in close-up and is the nearest figure; her hand and the metal-pipe railing sit slightly farther from the camera as she remains midway on the stairs.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
빌라 골목·마당 (residential_alley_courtyard · 샷 2)
장소 서술(LOCATION lock): A confined ground-level alley and small courtyard beside an aging multi-unit residential building. Concrete walls, building entrances, and the base of the exterior access structure frame the space.
S13sh4 콘티 제거 — 콘티 판정: 단일 인물의 정적인 응시 구도로 글만으로 명확함 · prev: 없음
수리영이 초점을 잃은 눈으로 허공을 응시하며 서 있는 모습
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 수리영이 초점을 잃은 눈으로 허공을 응시하며 서 있는 모습
LOCATION (lock): A confined ground-level alley and small courtyard beside an aging multi-unit residential building. Concrete walls, building entrances, and the base of the exterior access structure frame the space. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young stands motionless and dazed after coming down from the rooftop room, her unfocused eyes staring into empty space and her body lacking purposeful direction.
FIGURES — size & depth (follow exactly): Su-ri-young is the only visible figure, so she is both the nearest and farthest person; her apparent fraction of frame height is unspecified in the source.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S13sh6 콘티 제거 — 콘티 판정: 두 인물의 표준적인 대면 측면 구도로 위치 관계가 단순함 · prev: S13sh4 (같은 장소에서 멍하니 서 있던 수리영이 혜수를 올려다보는 연속 행동)
고개를 든 채 혜수의 얼굴을 마주보고 있는 수리영의 측면 구도
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영캐릭터 혜수
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S13sh4_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 고개를 든 채 혜수의 얼굴을 마주보고 있는 수리영의 측면 구도
LOCATION (lock): A confined ground-level alley and small courtyard beside an aging multi-unit residential building. Concrete walls, building entrances, and the base of the exterior access structure frame the space. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young holds her head raised and faces Hye-su directly in side profile, looking up at her while remaining dazed and stationary.
FIGURES — size & depth (follow exactly): Su-ri-young and Hye-su's face are visible facing each other, but their respective frame-height fractions and which is nearer to the camera are unspecified; their paths have converged at conversational distance, with neither moving past the other.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
해안가 버스정류장 (seaside_bus_stop · 샷 2)
장소 서술(LOCATION lock): A roadside bus stop on an open coast, with a paved waiting area and an unobstructed view of the sea. The surrounding road shoulder is broad enough for people to stand or run beside the shelter.
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 혜수의 손이 음료수 캔을 쥔 채 수리영 앞으로 내밀어진 순간
LOCATION (lock): A roadside bus stop on an open coast, with a paved waiting area and an unobstructed view of the sea. The surrounding road shoulder is broad enough for people to stand or run beside the shelter. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Hye-su extends her hand and the drink can from her side into the space directly in front of Su-ri-young, who remains seated and dazed while facing the sea.
FIGURES — size & depth (follow exactly): Hye-su’s hand and forearm fill roughly ~1/3 of the frame height, with the can small at ~1/8; both are NEARER to the camera, while seated Su-ri-young is FARTHER behind them.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S15sh6 콘티 사용 — 콘티 판정: 달아나는 수리영과 뒤에 남은 혜수의 거리·깊이 배치가 중요 · prev: S15sh2 (같은 정류장 공간에서 두 인물의 연속된 행동)
멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도
nb2 스틸
참조 이미지 (4장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영캐릭터 혜수
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S15sh6.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S15sh2_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 멀리서 혜수의 전신과 한 발을 공중에 띄운 mid-stride 자세로 달리는 수리영의 뒷모습을 한 프레임에 담은 넓은 구도
LOCATION (lock): A roadside bus stop on an open coast, with a paved waiting area and an unobstructed view of the sea. The surrounding road shoulder is broad enough for people to stand or run beside the shelter. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Su-ri-young runs away from Hye-su and away from the camera, seen from behind with one foot airborne in mid-stride, while Hye-su remains standing behind her and calls after her.
FIGURES — size & depth (follow exactly): In the wide frame, Hye-su’s full body appears small at roughly ~1/3 of the frame height and is NEARER, while Su-ri-young’s back-facing running figure is FARTHER and smaller at roughly ~1/4. Su-ri-young’s path increases the distance between them as she runs ahead, leaving Hye-su behind.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
경찰서 사무실 (police_office_interior · 샷 4)
장소 서술(LOCATION lock): A functional police office with clustered desks, computer monitors, paperwork, and a clearly visible exit door. The room is arranged as an open administrative workspace under institutional lighting.
S16sh3 콘티 사용 — 콘티 판정: 두 인물 사이의 거리와 스마트폰을 내미는 방향·화면 배치가 중요 · prev: 없음
혜수가 스마트폰 액정을 김형사 쪽으로 불쑥 내민 순간
nb2 스틸
참조 이미지 (3장):
콘티 패널 (구도 참조 전용)캐릭터 혜수소품 스마트폰
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S16sh3.png
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): night.
SHOT TEXT (authoritative, Korean): 혜수가 스마트폰 액정을 김형사 쪽으로 불쑥 내민 순간
LOCATION (lock): A functional police office with clustered desks, computer monitors, paperwork, and a clearly visible exit door. The room is arranged as an open administrative workspace under institutional lighting. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Hye-su abruptly extends her arm from her position in the office toward Detective Kim, thrusting the smartphone screen with Min-suk's saved number into his viewing space while remaining tensely oriented toward him.
FIGURES — size & depth (follow exactly): Hye-su's outstretched hand and smartphone are NEARER and prominent at roughly ~1/3 of the frame height, while Detective Kim is FARTHER across from her at roughly ~1/2 of the frame height. The phone crosses the space between them but remains in Hye-su's hand.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S21sh7 콘티 제거 — 콘티 판정: 단일 인물의 정적인 얼굴 클로즈업 · prev: 없음
수리영이 두 눈을 크게 뜨고 입을 살짝 벌린 굳은 얼굴 클로즈업
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영이 두 눈을 크게 뜨고 입을 살짝 벌린 굳은 얼굴 클로즈업
LOCATION (lock): A functional police office with clustered desks, computer monitors, paperwork, and a clearly visible exit door. The room is arranged as an open administrative workspace under institutional lighting. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young holds rigid with widened eyes and slightly parted lips, her tense, shocked face directed toward what she has just seen.
FIGURES — size & depth (follow exactly): Su-ri-young's face is the sole visible figure, NEAR to the camera and filling roughly ~2/3 to ~3/4 of the frame height; no farther person is visible.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S21sh10 콘티 제거 — 콘티 판정: 지도와 좌표를 보여주는 단순 모니터 인서트 · prev: 없음
모니터 화면에 바다 지도가 펼쳐져 있고 붉은색 핀과 좌표 숫자가 떠 있는 클로즈업
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 모니터 화면에 바다 지도가 펼쳐져 있고 붉은색 핀과 좌표 숫자가 떠 있는 클로즈업
LOCATION (lock): A functional police office with clustered desks, computer monitors, paperwork, and a clearly visible exit door. The room is arranged as an open administrative workspace under institutional lighting. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: the monitor displays an ocean map with a red location pin and coordinate numbers, with no physical movement in frame.
FIGURES — size & depth (follow exactly): The monitor image is the sole visible subject and fills nearly the entire frame; the red pin and coordinate text lie on the same NEAR screen plane, with the map visually receding FARTHER only within the displayed graphic.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S21sh12 콘티 제거 — 콘티 판정: 단일 인물의 방향 전환과 출입문 배치가 글로 명확 · prev: S21sh7 (같은 시간대 사무실에서 수리영의 연속 행동과 외형이 이어짐)
수리영이 메모지가 들어간 겉옷 주머니에 손을 넣은 채 사무실 출입문을 향해 몸을 돌린 정지 순간
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S21sh7_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 수리영이 메모지가 들어간 겉옷 주머니에 손을 넣은 채 사무실 출입문을 향해 몸을 돌린 정지 순간
LOCATION (lock): A functional police office with clustered desks, computer monitors, paperwork, and a clearly visible exit door. The room is arranged as an open administrative workspace under institutional lighting. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young pauses mid-turn inside the office with one hand still in the coat pocket holding the folded note, her tense, guarded body oriented toward the office exit as she prepares to leave.
FIGURES — size & depth (follow exactly): Su-ri-young is NEARER, appearing at roughly ~1/2 to ~2/3 of the frame height, while the office doorway she faces is FARTHER in the background. Her path leads away from her position in the office toward and through that doorway.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
마트 총무과 (supermarket_admin_office · 샷 2)
장소 서술(LOCATION lock): A compact back-office inside a supermarket, furnished with desks, computer monitors, and security equipment. The workstation is used to review surveillance footage away from the public sales floor.
S20sh1 콘티 제거 — 콘티 판정: 두 인물이 모니터를 보는 정적인 표준 측면 구도 · prev: 없음
마트 총무과 책상 앞, 한국인 남성 보안직원과 혜수가 컴퓨터 모니터를 향해 몸을 기울인 측면
nb2 스틸
참조 이미지 (1장):
캐릭터 혜수
참조 상세 + 프롬프트 전문
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 마트 총무과 책상 앞, 한국인 남성 보안직원과 혜수가 컴퓨터 모니터를 향해 몸을 기울인 측면
LOCATION (lock): A compact back-office inside a supermarket, furnished with desks, computer monitors, and security equipment. The workstation is used to review surveillance footage away from the public sales floor. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: The Korean male security employee and Hye-su lean tensely forward from in front of the desk toward the computer monitor, keeping their faces and bodies oriented to the CCTV footage.
FIGURES — size & depth (follow exactly): The security employee and Hye-su each fill roughly ~1/2 of the frame height in side view, occupying a comparable near-midground plane, with the slightly overlapping foreground figure NEARER and the other FARTHER; the monitor is smaller and FARTHER than both along their shared line of sight.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S20sh3 콘티 제거 — 콘티 판정: 모니터 화면 속 형상을 보여주는 단순 인서트 클로즈업 · prev: S20sh1 (보안직원과 혜수가 보고 있는 동일 모니터 화면의 연속 클로즈업)
흑백 CCTV 화면 속 어두운 구석에 사람 형상이 희미하게 찍힌 모니터 클로즈업
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 혜수
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S20sh1_nb2.png
캐릭터 혜수 — CHARACTER REFERENCE — 혜수: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/bddad176-aa6a-4a71-b5d3-d02e36e19657.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 흑백 CCTV 화면 속 어두운 구석에 사람 형상이 희미하게 찍힌 모니터 클로즈업
LOCATION (lock): A compact back-office inside a supermarket, furnished with desks, computer monitors, and security equipment. The workstation is used to review surveillance footage away from the public sales floor. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: A real person appearing as a faint dark silhouette, with normal human build, remains indistinct in a dark corner of the black-and-white CCTV image.
FIGURES — size & depth (follow exactly): The monitor fills nearly the entire frame and is NEARER to the camera, while the faint human figure within the displayed CCTV scene is FARTHER and small, roughly ~1/5 of the screen height.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (혜수) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
경찰서 앞 도로 (police_station_exterior_road · 샷 1)
장소 서술(LOCATION lock): A paved urban road directly outside a police station, with the institutional building facade bordering the street. The curbside lane provides a clear route past the entrance.
S22sh1 콘티 제거 — 콘티 판정: 단일 인물의 측면 자전거 주행 구도가 글만으로 명확함 · prev: 없음
경찰서 건물 밖 도로 위에서 수리영이 자전거 안장에 앉아 상체를 앞으로 숙인 채 머리카락이 뒤로 흩날리는 측면
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): daytime.
SHOT TEXT (authoritative, Korean): 경찰서 건물 밖 도로 위에서 수리영이 자전거 안장에 앉아 상체를 앞으로 숙인 채 머리카락이 뒤로 흩날리는 측면
LOCATION (lock): A paved urban road directly outside a police station, with the institutional building facade bordering the street. The curbside lane provides a clear route past the entrance. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Su-ryeong rides the bicycle along the road outside the police station in a side-on lateral path, pedaling forward from where it had been parked with her torso pitched forward and her hair streaming backward.
FIGURES — size & depth (follow exactly): Su-ryeong and the bicycle together fill roughly ~2/3 of the frame height, with Su-ryeong about ~1/2 and the bicycle about ~1/2; both occupy the same midground depth, so neither is meaningfully nearer than the other.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
어두운 PC방 (dark_pc_cafe_interior · 샷 2)
장소 서술(LOCATION lock): A dark internet cafe lined with closely spaced computer desks, high-backed chairs, and glowing monitors. Most ambient light comes from the screens and small ceiling fixtures.
S23sh1 콘티 제거 — 콘티 판정: 단일 인물의 정적인 정면 상체 구도 · prev: 없음
어두운 PC방 안, 모니터 불빛이 비치는 수리영의 정면 상체
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 어두운 PC방 안, 모니터 불빛이 비치는 수리영의 정면 상체
LOCATION (lock): A dark internet cafe lined with closely spaced computer desks, high-backed chairs, and glowing monitors. Most ambient light comes from the screens and small ceiling fixtures. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Su-ri-young sits at the computer, torso facing the monitor and gaze directed toward the screen in front of her.
FIGURES — size & depth (follow exactly): Su-ri-young's front-facing upper body fills roughly ~1/2 of the frame height and is the nearer figure, while the monitor casting light onto her is farther in front of her.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S23sh4 콘티 제거 — 콘티 판정: 손과 소품 중심의 단순 인서트 구도 · prev: S23sh1 (같은 PC방에서 이어지는 수리영의 지도 정리 동작)
수리영의 두 손이 접힌 지도 종이들을 열려 있는 백팩 안으로 밀어넣은 정지 순간
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영소품 인쇄된 해안가 지도
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S23sh1_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 인쇄된 해안가 지도 — PROP REFERENCE — 인쇄된 해안가 지도: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/e81a2e73-d05b-42c4-aec5-e3c20c9208da.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): interior ambient light.
SHOT TEXT (authoritative, Korean): 수리영의 두 손이 접힌 지도 종이들을 열려 있는 백팩 안으로 밀어넣은 정지 순간
LOCATION (lock): A dark internet cafe lined with closely spaced computer desks, high-backed chairs, and glowing monitors. Most ambient light comes from the screens and small ceiling fixtures. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Su-ri-young's two hands push the folded map sheets downward from above the opening into the open backpack.
FIGURES — size & depth (follow exactly): Her hands and the folded maps occupy roughly ~1/3 of the frame height, with the hands nearer to the camera than the maps as they press them into the backpack; the open backpack fills roughly ~1/2 of the frame height and lies farther beneath them along the same insertion path.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
안개 낀 포구 (foggy_harbor_rocks · 샷 3)
장소 서술(LOCATION lock): A small foggy harbor where dark tidal rocks meet a simple mooring edge. Fixed features include a stout mooring post, thick anchor ropes, and a landing point for small fishing boats.
S26sh2 콘티 제거 — 콘티 판정: 단일 인물의 정적인 측면 전신 구도 · prev: 없음
수리영이 갯바위 위에 무릎을 모으고 앉아 바다를 응시하는 측면
nb2 스틸
참조 이미지 (1장):
캐릭터 수리영
참조 상세 + 프롬프트 전문
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영이 갯바위 위에 무릎을 모으고 앉아 바다를 응시하는 측면
LOCATION (lock): A small foggy harbor where dark tidal rocks meet a simple mooring edge. Fixed features include a stout mooring post, thick anchor ropes, and a landing point for small fishing boats. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: exhausted after wandering the harbor for hours, Suriyoung sits on the shore rock with her knees together, her body turned toward the sea as she stares into the incoming fog.
FIGURES — size & depth (follow exactly): Suriyoung appears at roughly ~1/2 of the frame height, NEARER to the camera than the fog-covered sea, which lies FARTHER beyond her; the shore rock supports her in the near plane.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S26sh5 콘티 제거 — 콘티 판정: 인물·닻줄·말뚝의 단순한 정지 배치 · prev: 없음
뱃머리에서 내린 인우가 굵은 닻줄을 쥔 채 바닥의 말뚝에 걸친 정지 순간
nb2 스틸
참조 이미지 (1장):
캐릭터 인우
참조 상세 + 프롬프트 전문
캐릭터 인우 — CHARACTER REFERENCE — 인우: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/5a1bda13-593a-4d89-8d43-2cbaba382841.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 뱃머리에서 내린 인우가 굵은 닻줄을 쥔 채 바닥의 말뚝에 걸친 정지 순간
LOCATION (lock): A small foggy harbor where dark tidal rocks meet a simple mooring edge. Fixed features include a stout mooring post, thick anchor ropes, and a landing point for small fishing boats. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: having stepped off the bow, Inwoo stands by the ground stake, gripping the thick mooring rope and holding it in place as he secures the boat.
FIGURES — size & depth (follow exactly): Inwoo fills roughly ~2/3 of the frame height and is NEARER than the boat behind him; the rope runs from the FARTHER boat through his hands to the NEARER ground stake beside him.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (인우) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S26sh9 콘티 제거 — 콘티 판정: 단일 인물의 정적인 측면 상체 구도 · prev: S26sh2 (같은 안개 낀 바다를 향한 수리영의 측면 구도가 이어짐)
수리영이 바다를 향해 선 채 스마트폰을 입가에 댄 측면 상체
nb2 스틸
참조 이미지 (3장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영소품 스마트폰
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S26sh2_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 스마트폰 — PROP REFERENCE — 스마트폰: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/99d4b721-040d-41ad-8c0b-a3f6d3ee727f.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영이 바다를 향해 선 채 스마트폰을 입가에 댄 측면 상체
LOCATION (lock): A small foggy harbor where dark tidal rocks meet a simple mooring edge. Fixed features include a stout mooring post, thick anchor ropes, and a landing point for small fishing boats. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: visibly fatigued, Suriyoung stands facing the sea in side profile, holding her smartphone at her mouth while leaving a voice message before departing.
FIGURES — size & depth (follow exactly): Suriyoung's upper body fills roughly ~2/3 of the frame height, with the smartphone close to her face in the NEAREST plane; she is NEARER than the foggy sea stretching FARTHER behind her.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
소형 어선 갑판 (small_fishing_boat_deck · 샷 2)
장소 서술(LOCATION lock): The exposed deck of a small working fishing boat, with low rails, a forward bow area, and a raised wheelhouse. A narrow doorway connects the open deck to the enclosed wheelhouse.
S28sh5 콘티 제거 — 콘티 판정: 단일 인물의 정적인 측면 반응 구도로 글만으로 명확함 · prev: 없음
인우가 사진에 시선을 고정한 채 두 눈을 크게 뜨고 상체를 뒤로 뺀 측면 구도
nb2 스틸
참조 이미지 (1장):
캐릭터 인우
참조 상세 + 프롬프트 전문
캐릭터 인우 — CHARACTER REFERENCE — 인우: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/5a1bda13-593a-4d89-8d43-2cbaba382841.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 인우가 사진에 시선을 고정한 채 두 눈을 크게 뜨고 상체를 뒤로 뺀 측면 구도
LOCATION (lock): The exposed deck of a small working fishing boat, with low rails, a forward bow area, and a raised wheelhouse. A narrow doorway connects the open deck to the enclosed wheelhouse. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Inwoo keeps his gaze fixed on the photograph, eyes widened as his startled, tense upper body recoils backward in side profile.
FIGURES — size & depth (follow exactly): Inwoo fills roughly ~1/2 of the frame height and is the only visible person, making him both the nearest and farthest figure in the frame.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (인우) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S28sh8 콘티 제거 — 콘티 판정: 출입구에 선 단일 인물의 정적인 전신 배치로 구도가 단순함 · prev: S28sh5 (인우의 당황 직후 조타실로 이어지는 연속 행동)
수리영이 조타실 입구에 서서 두 팔을 벌린 채 멈춘 전신
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S28sh5_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영이 조타실 입구에 서서 두 팔을 벌린 채 멈춘 전신
LOCATION (lock): The exposed deck of a small working fishing boat, with low rails, a forward bow area, and a raised wheelhouse. A narrow doorway connects the open deck to the enclosed wheelhouse. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Suriyoung has stopped at the wheelhouse entrance with both arms spread, standing squarely toward the wheelhouse interior as if blocking the way.
FIGURES — size & depth (follow exactly): Suriyoung is shown full-body, filling roughly ~4/5 of the frame height; she is the only visible person and therefore the nearest figure, while the wheelhouse interior lies farther behind her.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
어선 조타실 (fishing_boat_wheelhouse · 샷 3)
장소 서술(LOCATION lock): A cramped enclosed wheelhouse aboard a small fishing boat, surrounded by windows and fitted with basic navigation controls. The narrow interior opens directly onto the exterior deck through a single doorway.
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
소품 구겨진 피 묻은 낡은 흑백 사진 — PROP REFERENCE — 구겨진 피 묻은 낡은 흑백 사진: the exact object appearing in this shot; match its look, material and wear exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/fc23070d-a644-45e4-a5d8-ecb98fe8d2d3.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 수리영의 검지손가락이 낡은 사진 속 아이의 얼굴 부분에 닿아 있는 클로즈업
LOCATION (lock): A cramped enclosed wheelhouse aboard a small fishing boat, surrounded by windows and fitted with basic navigation controls. The narrow interior opens directly onto the exterior deck through a single doorway. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: Soo Ri-young's index finger points down toward and rests against the child's face in the worn photograph, while the rest of her body remains off-screen.
FIGURES — size & depth (follow exactly): Soo Ri-young's visible index finger is small, about ~1/4 of frame height, and is NEARER to the camera; the worn photograph fills most of the frame and is FARTHER, with the child's pictured face directly beneath the fingertip.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S29sh4 콘티 제거 — 콘티 판정: 단일 인물의 정적인 얼굴 타이트 샷 · prev: S29sh3 (사진을 확인한 직후 인우의 반응으로 이어짐)
인우가 입술을 살짝 벌린 채 하얗게 질린 얼굴 타이트 샷
nb2 스틸
참조 이미지 (2장):
PREV 스틸 (장소 룩·의상 잠금)캐릭터 인우
참조 상세 + 프롬프트 전문
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S29sh3_nb2.png
캐릭터 인우 — CHARACTER REFERENCE — 인우: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/5a1bda13-593a-4d89-8d43-2cbaba382841.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 인우가 입술을 살짝 벌린 채 하얗게 질린 얼굴 타이트 샷
LOCATION (lock): A cramped enclosed wheelhouse aboard a small fishing boat, surrounded by windows and fitted with basic navigation controls. The narrow interior opens directly onto the exterior deck through a single doorway. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: In-woo holds his pallid face still with his lips slightly parted, his gaze direction unspecified as he turns pensive and shocked.
FIGURES — size & depth (follow exactly): In-woo's face fills ~3/4 of frame height and is the sole visible figure, positioned NEAR to the camera; no farther person is visible in the tight frame.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (인우) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
S29sh8 콘티 사용 — 콘티 판정: 두 인물의 붕괴 동선과 어깨 접촉 위치 관계가 중요 · prev: S29sh4 (같은 조타실에서 인우의 반응 뒤 수리영이 연속해 쓰러짐)
눈이 반쯤 감긴 수리영의 이마가 인우의 어깨에 맞닿아 있는 찰나
nb2 스틸
참조 이미지 (4장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)캐릭터 수리영캐릭터 인우
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S29sh8.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S29sh4_nb2.png
캐릭터 수리영 — CHARACTER REFERENCE — 수리영: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/39864973-d3d5-4886-bfb2-f8db608a005b.png
캐릭터 인우 — CHARACTER REFERENCE — 인우: the exact person appearing in this shot; match face, hair and build exactly./Users/manta/Documents/Projects/TheRoad-I1/projects/8ad94c03-5b33-4d51-83d0-a6e4106e9c02/images/e666c62b-be34-4abd-9c4d-15e4eb753eba/reference/5a1bda13-593a-4d89-8d43-2cbaba382841.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 눈이 반쯤 감긴 수리영의 이마가 인우의 어깨에 맞닿아 있는 찰나
LOCATION (lock): A cramped enclosed wheelhouse aboard a small fishing boat, surrounded by windows and fitted with basic navigation controls. The narrow interior opens directly onto the exterior deck through a single doorway. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): Losing consciousness, Soo Ri-young slackens and collapses forward and downward from her own position onto In-woo, her weight giving way until her forehead meets his shoulder as he remains in place glaring at her.
FIGURES — size & depth (follow exactly): Soo Ri-young's visible head fills ~1/2 of frame height and is NEARER as it overlaps In-woo's shoulder; In-woo's visible shoulder and partial figure occupy ~1/3 of frame height and are FARTHER, with the two bodies closing to direct contact.
PEOPLE: the SHOT TEXT alone decides whether any person is visible in this shot. IF a person appears, they must be one of the referenced people (수리영, 인우) matched exactly to their reference photo — never anyone else, and never add a person the shot text does not show.
No text, captions, watermarks or annotations anywhere.
해질녘 바다 (open_coastal_sea · 샷 2)
장소 서술(LOCATION lock): An open coastal sea with a broad horizon and no nearby land dominating the view. At sunset, golden light stretches across the water while a dense offshore fog bank forms a distinct wall ahead.
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 해질 무렵 황금빛 노을이 바다 표면에 길게 비친 전경
LOCATION (lock): An open coastal sea with a broad horizon and no nearby land dominating the view. At sunset, golden light stretches across the water while a dense offshore fog bank forms a distinct wall ahead. The shot takes place here — pick the sub-area of this location that the shot text implies.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): static: the sea lies beneath the gradually setting sun, with its long golden reflection extending across the water and no character movement visible.
FIGURES — size & depth (follow exactly): The sea and its golden reflection occupy most of the frame, with the foreground water NEARER to the camera and the distant horizon and sunset glow FARTHER away.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.
S30sh3 콘티 사용 — 콘티 판정: 배와 안개벽의 경계 및 반쯤 가려지는 깊이 배치가 중요함 · prev: S30sh1 (같은 해질녘 바다에서 어선이 안개로 진입하는 연속 구도)
어선의 뱃머리가 짙은 안개벽에 절반쯤 가려진 측면 구도
nb2 스틸
참조 이미지 (2장):
콘티 패널 (구도 참조 전용)PREV 스틸 (장소 룩·의상 잠금)
참조 상세 + 프롬프트 전문
콘티 패널 (구도 참조 전용) — STORYBOARD PANEL — a REFERENCE ONLY, never the target: use it loosely for camera framing, figure placement and depth order. Do NOT photorealize this drawing as-is — the SHOT TEXT and the other references are authoritative; re-stage the moment naturally as a real photograph. Never copy the sketch's line style, paper texture, borders, simplified geometry or drawing errors.out/conti/panels35/S30sh3.png
PREV 스틸 (장소 룩·의상 잠금) — PREVIOUS SHOT STILL — a visually related earlier shot of this same place: the location's look, materials, fixed features, lighting mood and each person's clothing are LOCKED to this photo; never copy its camera framing.out/conti/stills35/S30sh1_nb2.png
Create ONE FINAL photorealistic live-action film still of the moment below — contemporary South Korea, 2026; all people are Korean unless stated. TIME OF DAY (lock): dusk, just after sunset.
SHOT TEXT (authoritative, Korean): 어선의 뱃머리가 짙은 안개벽에 절반쯤 가려진 측면 구도
LOCATION (lock): An open coastal sea with a broad horizon and no nearby land dominating the view. At sunset, golden light stretches across the water while a dense offshore fog bank forms a distinct wall ahead. The shot takes place here — pick the sub-area of this location that the shot text implies.
THE STORYBOARD PANEL IS ONLY A REFERENCE: it is a
rough pre-production sketch, not the image to
reproduce. Take from it only the shot's rough
composition — framing, where figures sit, near/far
order. Everything else (real-world detail, materials,
light, anatomy, environment richness) must come from
the shot text and the photographic references,
re-staged as if actually filmed on a real set. If the
sketch conflicts with the shot text or looks
simplified/wrong, FOLLOW THE TEXT, not the sketch.
REALIZE FIGURATIVE LANGUAGE AS A LIVE-ACTION SHOT: the Korean shot
text may describe characters metaphorically, figuratively or with
exaggeration. Photograph what a real movie camera would actually
record on a physical set — exaggerated or figurative impressions
become realistic staging choices (lighting, distance, angle,
wardrobe), not literal fantasy imagery.
EVERY CHARACTER IS A HUMAN BEING: unless the story explicitly
features non-human or virtual beings (as in science fiction or
fantasy), every character — however indirectly, vaguely or
figuratively the text describes them — IS a real human. When the
text gives no direct visual description of a person, IMAGINE one
and still show them as a concrete, fully-formed human being:
always render the human form to the maximum extent — build,
posture, face, hands, clothing — never reduce a person to a shape,
blob, solid silhouette or abstract mass.
MOVEMENT (follow exactly): The fishing boat advances bow-first from clear water into the dense fog wall, seen side-on as its forward half disappears into the mist; no camera-relative left-right direction is specified.
FIGURES — size & depth (follow exactly): The boat's visible bow is medium-large, filling roughly ~1/2 of the frame height, while the fog wall fills most of the background; the unobscured side of the boat is NEARER, and its forward section vanishing into the fog is FARTHER along its path.
No people appear unless the shot text itself says so.
No text, captions, watermarks or annotations anywhere.